These sustainable artificial floes try to stem the melting of Arctic ice

We might finally be feeling the effects of irregular and extreme climate conditions only now, but global warming has been ongoing for several years already. Its most evident effects, however, are mostly seen and felt in the Arctic, where large masses of ice are melting at a rapidly rising rate. This has a domino effect on the world’s climate patterns and, unfortunately, is something not easily solved in just a few years’ time. Ice masses have to be preserved and regenerated, which is easier said than done. It’s not impossible, though, especially with humanity’s collective intelligence and creativity. A case in point is the idea of a biocomposite structure that could keep the Arctic waters cooler and even build up some pieces of ice over time.

Designer: Niklas Andreasen

Our weather systems have always been cyclical ones. In addition to the usual cycle of seasons, the natural melting of polar ice affects global temperatures, weather patterns, and even the duration of those seasons. When ice masses melt too soon and too quickly, the world’s sea levels rise, and less light is reflected off the Earth’s surface. This causes more heat absorption and rising global temperatures, which, in turn, makes it harder for ice to form in those polar regions, particularly the Arctic.

Of course, we can’t just simply make water freeze faster to compensate for lost ice, but we could at least try to keep the Arctic ocean cooler to prevent ice from melting too rapidly. That’s where Project ARCSTAR comes in, an initiative that will try to deploy man-made floes that are designed to do some of the work that ice masses do in order to let natural sea ice retain its shape for just a bit longer. Even better, these floes are made from biowaste materials and will degrade naturally over time.

The hexagonal floes are coated in a bright white color in order to reflect as much sunlight as possible. This has the effect of lowering the temperature of both the water and the air around it, which means that actual ice masses should melt a little bit slower. ARCSTAR’s abilities, however, go beyond just keeping the ice from melting fast but can even facilitate the formation of new ice masses.

Its shape, which is made up of ridges and perforations, and its sponge-like structure are designed to absorb and store water. And because it effectively lowers the temperature of the water around it, the floe can actually turn that stored water into ice and then retain that ice longer than a regular ice mass. Since it is made from biodegradable materials, the floe itself will eventually decompose without releasing pollutants or harmful chemicals into the ice and, eventually, the world’s oceans.

Those sustainable materials include sulfur-free lignin and calcium carbonate, both of which are waste by-products of wood, paper, fish, and other industries that we use daily. Mixing it with other bio-based materials allows ARCSTAR to be light and strong and, most importantly, decompose faster, allowing the formed ice mass to just be an ice mass in the long run. The project definitely sounds promising as a stopgap measure to stem the rapid melting of Arctic ice, but even the designer warns that it isn’t a long-term solution. That would require changing much of our lifestyle and our industries to embrace more sustainable options, which takes far longer than forming ice in the Arctic.

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Serbian scientists install an urban photo-bioreactor to capture CO2 and produce O2 just like trees

LIQUID3 is an outdoor, urban photo-bioreactor that uses microalgae to perform photosynthesis and remove the same amount of CO2 as two ten-year-old trees.

Sustainable design that confronts the effects of climate change comes in many forms. From bio-receptive concrete that grows moss on its own to vertical urban forests that redefine what organic architecture could look like, sustainable design is all around us and provides varying degrees of mitigation against the threat of climate change.

Designer: University of Belgrade

Designers find a unique challenge in creating sustainable infrastructure in urban areas, where green spaces are few and far between. Taking an atypical approach to climate change design, researchers at the University of Belgrade developed LIQUID3, an urban photo-bioreactor that’s used for CO2 fixation and O2 production.

Located in the capital city of Serbia, a photo-bioreactor is essentially a vessel that uses a light source, such as natural sunlight, to cultivate phototrophic microorganisms that produce biomass. Created and designed by the University of Belgrade’s Institute for Multidisciplinary Research, LIQUID3 is a photo-bioreactor teeming with microalgae to sequester carbon and perform photosynthesis to produce oxygen.

Each LIQUID3 vessel carries a total of 600 liters of water, allowing the photo-bioreactor to remove analogous amounts of carbon dioxide as two 10-year-old trees or 200 square meters of green space. Operable even during the cold months of Belgrade’s winters, LIQUID3 only requires a light source for the naturally photosynthesizing microalgae to execute the same carbon-capturing role as trees in urban spaces that typically lack green spaces.

Awarded with Green Product Award’s Green Concept Award for 2022, LIQUID3 has been recognized for its innovative approach to green, bio-reactive design. Besides its appeal to sustainable design, LIQUID3 also suggests an efficient use of public land, while creating space for interactive ads and a high-value fertilizer. Its location in such a dense area of Belgrade also encourages city residents to become more aware of climate change’s threat to urban areas.

Configured like small urban meeting spaces, the LIQUID3 stations could be outfitted with outlets for city residents to charge their devices.

Come dark, LIQUID3 transforms into a neon-green light to guide residents through the streets.

An integrated bench space turns LIQUID3 into a social hub for city residents to gather and feel encouraged to keep fighting climate change.

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This elevated prefab cabin has a buffer zone that helps protect it against harsh climate!

Think of this cabin as a safehouse for when you are facing harsh weather conditions. Cara R is perched in the Andes Mountains in Southern Chile giving views of the vast parklands and nature reserves. It is the ideal destination to be immersed in nature but the area is also known for its extreme climatic conditions and that is exactly what Cara R’s design aims to guard against – nothing can stand between you and a cozy night at your cabin in the woods!

Felipe Lagos is a Chilean architect of the Santiago–based studio TuCroquis who has previously designed many local homes that take the rapidly changing weather into account. Casa R is an extension of that range, it is a modular holiday cabin residing in the middle of a lush forested site.

On the first floor, there is a woodshed and a chiflonera.” This area between the interiors and exteriors is commonly found in Chilean or Patagonian homes because it helps to regulate the extreme temperature changes that occur in that region. It features a steel frame because stell is both water and fire-resistant!

The 1,033-square-foot cabin also has a buffer zone (locally called chiflonera) which is an area between the interior and the exterior, commonly found in traditional homes there so that it can regular internal temperatures based on the harsh climate.

TuCroquis’ interior designer Ramón Vallejos furnished the cabin with a plywood kitchen, durable furniture from MueblesSur, and washable cushions that can be used both indoors and out. The kitchen area, living/dining spaces and a bathroom are all located on the first floor.

Some of the cabin’s modules have enclosed walls while others are left open for better connection to the outdoors. “The cabin is elevated from the ground and has slopes on the terraces and two floors. The slopes blend with the natural terrain and help reduce costs in foundations. The roof also has a steep slope to protect it from snowfall in the winter,” explains Lagos. The minimal design doesn’t fully express Casa R’s durability but I would love to see it integrate more sustainability or clean energy in its design considering it is all about preserving ecosystems.

Designers:: Felipe Lagos (architecture) and Ramón Vallejos (interior)

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This migrating collection of pods plans to clean the floating islands of plastic in our oceans

While the world handles the COVID-19 crisis, we haven’t forgotten the climate crisis. Designers Lucy Zakharova and Ted Lu have proposed a plan to tackle the ocean pollution problem with a network of five capsules that will work towards restoring the marine ecosystem’s health. The revolutionary project has been rightfully named ‘En·cap·su·lat·ing’! Let’s dive in.

There is actually so much trash in the ocean that we have a designated area called the Great Pacific Garbage Patch. The patch is 1.6 million square kilometers large and these capsules will be built from the plastic waste found here. There are literal islands made of plastic and marine life is forced to either eat plastic or get entangled in it which has been adversely affecting the larger food chain as well as migration – the marine ecosystem is being tested harshly and if not acted upon right now, it could collapse. Each capsule will be deployed at a different depth level in the ocean and work for that zone so the load is divided equally between all five structures. The real revolution here is that each pod of this constellation is non-static or migrating in design, so the pod can move along with the floating islands of plastic.

The capsules will have a non-static infrastructure and move cyclically in their ocean zones. They are not only there to mitigate the crisis caused by humans but also help the animals have a healthier environment. The main goal of this project is to detoxify the ocean by changing the plastic configuration and spread more awareness of its long-term toxic effects. The structures will have dedicated areas for research labs and data collection about the deep sea. Teams will monitor temperature, pressure, salinity, and working on preserving marine life that has not been able to adapt to the climatic changes. Structures like these are crucial for us to understand the weight of our actions and do our best to fix the damage so that we don’t have to deal with another crisis – 2021 can be a good year if we try!

Designers: Lucy Zakharova and Ted Lu

The conceptual designs of the facility

Drone view of the facility.

Top view of the floating structure.

Underwater view of the facility.

The underwater sectional view of the facility.

The underwater view showcasing the three different facilities: education, research, and environmental preservation.

The flattened map of the Earth showing the plastic islands floating in the oceans.

The concentration of the plastic trash in the Atlantic Ocean, the Indian Ocean and the Pacific Ocean

Sketch/ exploration of the environmental preservation station

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