How to buy a vlogging camera in 2022

With the explosion of TikTok and the growth of video on YouTube, Twitch, Instagram and other platforms, interest in vlogging has increased exponentially since we last updated our guide. If you’re one of those vlog creators and a smartphone is no longer good enough, it may be time to upgrade to a purpose-built vlogging camera.

Some models are specifically designed for vlogging, like Sony’s ZV-E10 mirrorless camera that launched last year, or Panasonic’s compact G100. Others, like the new Panasonic GH6, Sony A7S III and Canon EOS R6 are hybrid cameras that offer vlogging as part of a larger toolset.

All of them have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and image stabilization. Prices, features and quality can vary widely among models, though. To that end, we’ve updated our guide with all the latest models designed for every vlogger from novice to professional, in all price ranges. Engadget has tested all of these to give you recommendations for the best vlogging cameras, and we’ll even discuss a few rumored upcoming models.

One caveat to this year’s best camera guide is that a parts shortage has limited production of many cameras, causing shortages and higher prices. Sony, for one, halted production of the aforementioned ZV-E10 for a time, and models from Fujifilm and others are also hard to find. The good news is that the shortage appears to be easing, so hopefully we’ll see normal supply levels in the near future. 

What do you need in a vlogging camera?

Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It has to be good not just for filming yourself, but other “B-roll” footage that helps tell your story.

The number one requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.

How to buy a vlogging camera in 2020
Steve Dent/Engadget

Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some still do it better than others.

If you move around or walk a lot, you should look for an action camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of the limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.

4K recording is another key feature for video quality. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K video recording at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.

Video quality is another important consideration, especially for skin tones. Good light sensitivity helps for night shooting, concerts, etcetera, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when you go to edit your vlog.

Don’t neglect audio either — if the quality is bad, your audience will disengage. Look for a camera with an external microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.

You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.

The best action and portable cameras

If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.

DJI Pocket II

DJI Pocket 2
DJI

Last time around we recommended the original Osmo Pocket, but the Pocket II (no more “Osmo”) has some big improvements. As before, it’s mounted on a three-axis gimbal and has impressive face tracking that keeps your subject locked in focus while video recording. However, the new model has a larger, much higher resolution 64-megapixel sensor, a faster lens with a wider field of view and improved microphones. As before, you can get accessories like an extension rod, a waterproof case and more.

What really makes the Pocket II great for vlogging are the follow modes combined with face tracking. If you’re working solo, you can simply set it up and it’ll rotate and tilt to follow you around. That also applies for walk-and-talk vlogging, so you don’t have to worry about focus or even pointing the camera at yourself. For $346, it’s not only good for beginners, but is a handy tool for any vlogger.

Buy DJI Pocket II at Amazon - $349

GoPro Hero10 Black

The GoPro Hero 10 Black is $100 off at Amazon
Engadget

The Hero10 Black is what we called a “big, invisible upgrade” over the Hero9, itself a much improved camera over the Hero8 Black we recommended last time. That’s largely due to the new processor that unlocks features like higher-resolution 5.3K 60p and 4K 120fps video, much improved Hypersmooth 4.0 stabilization, an improved front-screen and more. All of that makes the GoPro Hero10 Black ideal to mount on a drone, vehicle, helmet, bicycle and more, at a very manageable $350 price with a 1-year GoPro subscription.

Buy Hero 10 Black bundle at GoPro - $350

DJI Action 2

Someone holds up the new DJI Action 2 camera against a dingy monotone background.
DJI

DJI took a much different approach compared to GoPro with its latest Action 2 camera – no with more Osmo branding. Rather than being a standalone camera, it’s a modular system with a magnetic mount that lets you add a touchscreen module with a secondary OLED display and three additional microphones, or a battery module for longer life and an extra microSD slot. As with the Pocket 2, it offers tons of accessories like a 3-in-1 extension rod and more. It’s a versatile option if you do more than just action shooting, and is priced well starting at $399.

Buy DJI Action 2 at Amazon - $399

The best compact vlogging cameras

Compact cameras are a step-up option from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, it’s the best option. 

Sony ZV-1

How to buy a vlogging camera in 2020
Steve Dent/Engadget

Sony’s ZV-1 came out in 2020 and it’s still the best compact vlogging camera available. Based on the RX 100 V, it has a decently large 1-inch 20.1-megapixel sensor and fixed 24-70mm f/1.8-2.8mm equivalent lens. Based on the RX100 V, it has a 1-inch 20.1-megapixel sensor and fixed 24-70mm f/1.8-2.8mm (equivalent) lens. It also offers a lightweight body, built-in high-quality microphone (plus a microphone port), flip-out display, best-in-class autofocus and excellent image quality. It also has vlogging specific features like “product showcase” and background blur.

While the $799 ZV-1 can’t shoot 10-bit video, it comes with Sony’s S-Log picture profiles that give you increased dynamic range for shooting in challenging lighting conditions. The flaws include a lens that’s not quite wide enough when you’re using electronic stabilization, mediocre battery life and the lack of a true touch display and headphone port. That aside, if you’re looking to step up from a smartphone, it does the job nearly perfectly.

Buy Sony ZV-1 at Amazon - $799

Canon G7 X Mark III

Canon G7X Mark III vlogging
Engadget

Canon’s G7 X Mark III should also be front of mind for vloggers looking for a compact option. It also packs a 20-megapixel 1-inch sensor, but has a 24-100 mm f/1.8-2.8 35mm equivalent zoom — quite a bit longer than the ZV-1 at the telephoto range. It can shoot 4K at up to 30 fps, while offering optical image stabilization, a microphone input (though no headphone jack) and even the ability to livestream directly to YouTube. The downsides are contrast-detect only autofocus and a screen that tilts up but not to the side. For $749, it’s still a great option, though.

Buy Canon G7 X Mark III at Amazon - $749

The best mirrorless/DSLR vlogging cameras

This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, extra complexity and higher prices.

Fujifilm X-S10

Fujifilm X-S10 APS-C mirrorless camera
Jonas Dyhr Rask/Fujifilm

Fujifilm’s X-S10 has displaced the X-T4 as the best vlogging camera out there, thanks particularly to the more affordable price. It ticks all the boxes for vloggers, offering in-body image stabilization, 10-bit 4K external video with F-Log recording (at up to 30fps) along with 1080p at a stellar 240 fps, a screen that flips out to the side and easy-to-use controls. It also comes with a headphone jack and USB-C port that doubles as a headphone jack. The main downside is the limited touchscreen controls, but you get a lot of camera for just $1,000.

Buy Fujifilm X-S10 at Adorama - $999

Sony ZV-E10

Sony suspends orders for the new ZV-E10 because of chip shortages
Sony

The best Sony APS-C camera for vlogging is now the ZV-E10. While using many of the same aging parts as the A6100, including the 24.2-megapixel sensor, it has a number of useful features for self-shooters. High on the list is Sony’s excellent autofocus, which includes the same background defocus and Product Showcase features found on the ZV-1 compact. It also offers electronic SteadyShot, a fully articulating display and more. The biggest drawback is rolling shutter that can get bad if you whip the camera around too much. If you can find one, it’s priced at $700 for the body or $800 in a bundle with Sony’s 16-50mm F/3.5-5.6 power zoom lens.

Buy Sony ZV-E10 at B&H - $698

Panasonic GH6 and GH5

Panasonic GH6 review: A vlogging workhorse and improved camera
Steve Dent/Engadget

Panasonic’s GH5 was an incredibly popular vlogging camera for a very long time and was actually replaced by two cameras, the $2,200 GH6 and more budget-oriented $1,700 GH5-II. The GH6 is a large upgrade in nearly every way, offering 5.7K at 60 fps and 4K at up to 120 fps, along with ProRes formats that are easy to edit. It also comes with the best in-body stabilization on any camera and great handling. The downside is sub-par contrast-detect autofocus and battery life that’s not amazing.

It’s also worth a look at the GH5 Mark II, which is not only $500 cheaper but particularly well suited for live-streamers. It’s not a huge upgrade over the GH5, but does more than most rival cameras for the price, offering 4K 10-bit 60p video, a fully articulating display and excellent in-body stabilization. As with the GH6, the main drawback is the contrast-detect autofocus system.

Buy Panasonic GH6 at Amazon - $2,200Buy Panasonic GH5 at Amazon - $1,700

Panasonic G100

Panasonic G100 vlogging camera
Panasonic

Panasonic’s G100 is purpose built for vlogging like the ZV-1, but also allows you to change lenses. It has a fully-articulating flip-out screen, 5-axis hybrid (optical/electronic) stabilization, 4K V-Log-L video at up to 30 fps (though sadly cropped at 1.47X for 4K video), 1080p at up to 60 fps, and contrast detect AF with face/eye detection. The coolest feature is the Nokia OZO system that can isolate audio to a specific person via face-detection tracking — something that can theoretically improve audio quality. Best of all, you can grab it right now with a 12-32mm lens for $750.

Buy Panasonic GH100 at Amazon - $750

Canon EOS M50 Mark II

Canon EOS M50 Mark II APS-C mirrorless camera
Canon

Another good buy if you’re on a budget is Canon’s EOS M50 Mark II, particularly if you’re okay with 1080p video only. While not a huge upgrade over the original M50, Canon has made it more compelling for vloggers with a fully-articulating display, continuous eye-tracking in video and live streaming to YouTube. It does support 4K, but with a heavy 1.5 times crop and contrast-detect autofocus only. Still, it’s a good option for folks on a budget, selling for $699 with a 15-45mm lens.

Buy Canon EOS M50 Mark II at B&H - $699

Canon EOS R6

Canon EOS R6 camera
Steve Dent / Engadget

If you’ve got the budget for it, Canon’s EOS R6 offers nearly every feature you need in a vlogging camera. You can shoot 10-bit 4K video at up to 60 fps, and the Dual Pixel autofocus with eye and face tracking is incredibly reliable. It also offers 5-axis optical stabilization, a flip-out display and a relatively compact size. As you may have heard, overheating can be an issue, but firmware updates have improved that issue and it only applies to the more demanding video settings.

Buy Canon EOS R6 at Amazon - $2,500

Fujifilm X-T4

Fujifilm X-T4 mirrorless camera review
Steve Dent/Engadget

The Fuijfilm X-T4 is a great all-around mirrorless camera for vlogging. It has everything you need, including a fully-articulating display, continuous eye- and face autofocus, 10-bit 4K log recording at up to 60 fps, 5-axis in-body stabilization, microphone and headphone jacks (the latter via USB-C) and lower noise in low light.

Image quality, especially in the skin tones, is lifelike and the sensor has minimal rolling shutter. It also offers good battery life and comes with dual UHS-II card slots. Finally, it’s fairly light considering all the features, and Fujifilm has a good selection of small lenses ideal for vlogging. What I don’t like is an autofocus system not quite as fast or accurate as Sony’s and the fairly steep $1,700 asking price for the body only.

Buy Fujifilm X-T4 at Amazon - $1,700

Nikon Z fc

The Nikon Z FC camera seen from head on.
Nikon

If you want to look great while vlogging, check out Nikon’s stylish Z fc. It’s largely identical to the Z50, with features like a 20.9-megapixel APS-C sensor, 4K at 30 fps and a reliable phase-detect autofocus system with face detection. However, the Z fc brings a vari-angle touchscreen to the party and has a beautiful vintage body covered with convenient manual controls. It doesn’t have built-in optical stabilization, but you can get that via a lens. The best feature, though, is the price – you can get one for $1,100 with a 16-50mm lens.

Buy Nikon Z fc at B&H - $1,100

Upcoming cameras

If you’re not quite ready to buy, there are some interesting options on the horizon. Canon just announced the EOS R7, a mirrorless EOS R version of its popular EOS 7D DSLR. It has an APS-C sensor and all-new RF-S lenses, meaning that it might replace Canon’s current M-series cameras. Specs include a 32.5-megapixel APS-C sensor, 4K 60 fps video, an articulating display and more. All of that will make it a top vlogging option, if our upcoming review confirms the hype.

On top of that, Canon also announced a cheaper EOS R10 model with a 24.2-megapixel sensor that could also be an ideal vlogging camera. Both cameras are coming out towards the end of 2022.

In addition, Fujifilm just launched the X-H2S, its new $2,500 flagship mirrorless camera. With a 26.2-megapixel stacked and backside-illuminated sensor, it offers a raft of impressive features. Some of the highlights include 40 fps blackout-free burst shooting, faster autofocus, 6.2K 30fps video, a flip-out display and 7-stop in-body stabilization. If you’ve got the budget, this could be a solid vlogging choice when it arrives on July 7th.

DJI rolls out the Mavic 3 Classic, a ‘relatively affordable’ flagship drone with a Hasselblad camera

While it’s standard to announce new products that are better than the stuff you’ve previously made, DJI’s switching things up by releasing a more affordable, lower-spec version of its high-end drone from last year. The Mavic 3 Classic is DJI’s answer to everyone who wanted the latest in drone technology but didn’t have $2,199 to spare on a drone. Priced at a much more conservative $1,469, the Mavic 3 Classic cuts back on the secondary telephoto camera found on its predecessor but retains all the other features that make it such a stunning piece of hardware. The Classic drone shoots in 5.1K at 50fps using a 20-megapixel 4/3 CMOS Hasselblad camera that provides incredible detail with industry-leading color accuracy and has a flight time of a whopping 46 minutes, which gives you enough time to pretty much capture everything from sports shots to aerial time lapses of cities and other landscapes.

Designer: DJI

For most people, I’d argue the vast majority, two shooters on a drone may feel like overkill. The Mavic 3, however, still pushed the limit by sporting the 4/3 Hasselblad camera along with a 1/2-inch telephoto camera. Probably realizing that the Mavic line (which was built for consumers and not professionals) may have gone a little off course with the Mavic 3, DJI decided to cut back on the secondary camera to deliver a drone that still outperformed others while being relatively affordable for most high-end consumers.

The Mavic 3 Classic, as its name rightfully suggests, brings the Mavic range back to its original trajectory. The drone doesn’t compromise anywhere at all – it still snaps 12-bit RAW stills, and has the ability to shoot 5.1K (5,120 x 2,700) videos at up to 50 frames per second, cinematic and UHD 4K at frame rates of 120, or Full HD can be recorded at 200 fps. The camera sits on the same 3-axis gimbal that captures incredibly clear images and stable videos, and packs a bunch of visual sensors for omnidirectional obstacle detection and avoidance, along with an AirSense ADS-B receiver to warn users of nearby aircrafts.

The Mavic 3 Classic also employs the same O3+ transmission standard for a 1080p/60fps live feed up to a range of 15 km (9.3 miles), with the ability to transmit captured footage over WiFi 6 to your smartphone as soon as the drone lands back on the ground. In addition to its standard features like subject tracking, the Mavic 3 Classic also comes with a new Cruise Control Mode that lets you set a speed and direction, allowing the drone to take control of its own flight so you don’t have to worry about manual controls. DJI also announced a new Night Shots Mode that lets you capture brilliant videos in low-light settings with reduced noise.

The Mavic 3 Classic starts at $1469 for just the drone, or $1599 for the drone with the RC-N1 controller. If you want the high-end controller with the 5.5-inch built-in display and the DJI Fly App pre-installed, the bundle will cost you $1749.

The post DJI rolls out the Mavic 3 Classic, a ‘relatively affordable’ flagship drone with a Hasselblad camera first appeared on Yanko Design.

DJI Osmo Action 3 camera boasts stabilized 4K/120fps recording with unique dual screen setup

Compact action cameras are becoming ever so popular due to their quick nature of use and carrying aesthetics. GoPro has been the undisputed king in this product line, although DJI has not been far behind with the Action 2 modular camera. Now, the brand wants to attract a big chunk of users with a revamped design and fresh name.

Dubbed the Osmo Action 3, the action camera is more inclined towards a design language similar to the first model released in 2019 – the DJI Osmo Action. The look and design are going back to the roots of tried and tested realms of the action camera world for good.

Designer: DJI

Call it a coincidence or a measured move, but the DJI’s camera is announced at the same time as the GoPro’s Hero 11 action cams. For now, we zoom-in the focus on the DJI action cam only, since it has got some major revamps. The vlogging camera gets a beefed-up battery life, dual touchscreens (to access settings from front and back) and an optimized vertical shooting mode for content creators.

The action cam gets a 1/1.7-inch imaging system with shooting capability in a 155-degree field of view at 4K resolution (120fps). There’s the DJI PockSteady 3.0 image stabilization option even at 4K/120 fps settings which is a good option. DJI has brought the HorizonSteady option to keep the footage stable even with intense bumping or abrupt 360-degree rotation for people who are into dynamic adventure sports like surfing or skateboarding. The sweet spot between these two options is the HorizonBalancing feature for things like obstacle course runs.

DJI Osmo Action has a beefy 1770mAh Extreme battery that takes 50 minutes to charge and facilitates around 160 minutes of recording time. DJI has given precedence to heat management (the predecessor has overheating issues) with the resilience of temperatures as low as -4 degrees F. The 4x digital zoom-capable action cam also gets horizontal and vertical mounting to hook onto things like a helmet or handles.

For better audio recording control, the Osmo Action 3 cam has a three-mic stereo recording setup for eliminating wind noise, and voice controls for different scenarios. It also supports direct USB-C connections and external microphones too. Although modularity is no longer a feature now, the action cam has attachments and accessories like a waterproof case for shooting underwater, different mounts and a protective lens cover. The camera itself is waterproof to a depth of 52 feet without the casing.

The pricing for the DJI Osmo Action 3 camera starts at $329 for the Standard combo which comes with things like an extreme battery, horizontal-vertical protective mounting frame, quick-release adapter mount and adhesive base. Compared to the GoPro Hero 11 at $499 it is a cheaper option, and if can live up to its claim, users will fancy the DJI’s action cam!

The post DJI Osmo Action 3 camera boasts stabilized 4K/120fps recording with unique dual screen setup first appeared on Yanko Design.

The DJI Avata is a $629 FPV drone that’s designed to be flown even by beginners

While FPV drone operation remains an incredible skill that requires reflexes, patience, and a lot of money for expensive drone gear, the DJI Avata is making the elusive art of FPV drone flying a little more accessible to the masses.

DJI is on top of the world, metaphorically as well as literally. Not only is the company absolutely dominating the drone market (despite tariffs and restrictions caused by geopolitics), but it’s also been pretty successful in filling every void in the drone category from the needs of beginners to seasoned FPV racers and even filmmaking professionals. Moreover, the company’s latest drone, Avata, is quite literally a high-flyer for a pretty affordable budget of $629.

Designer: DJI

FPV Drones are just built differently from cinematic ones. They’re made for speed, split-second reflexes, and are much more powerful than the average drone. This makes them much more expensive too (DJI’s FPV drone from last year started at $1,299), but DJI is determined to democratize them. The Avata is the company’s flagship ‘consumer-grade’ FPV drone that’s designed for amateurs as well as seasoned flyers. It’s fast, capable, and has an incredible camera, but it’s also heavy, rugged, and built to take a few bruises.

Unlike cinematic drones, FPV drones are designed using a separate template. Given that they focus more on flying forwards rather than upwards, the drones are designed considering the fact that they’re perpetually leaning forward. To this end, the Avata comes (like most FPV drones) with a camera mounted on the front, rather than the underside. The camera sits on a stabilizer, and the drone itself is modeled on the popular quadcopter format, although the Avata’s propellers come with rather sizeable propeller guards to prevent any permanent damage to the drone’s wings. This robust construction adds to the Avata’s weight, bringing it up to 410 grams (which means it’ll need to be registered with the FAA before you fly it around the place).

The DJI Avata comes equipped with a  48-megapixel Type 1/1.7 sensor that’s capable of delivering 4K shots at 60fps, or shooting even at 120fps but at a reduced resolution. The lens on the front features  wide 155-degree FoV that captures more than the human eye can see, sending all that footage at a mere 30ms lag to the drone’s headset so that the ‘pilot’ can instantly react as the drone traverses its path. The Avata comes with 18 minutes of flight time, which may not seem like a lot, but at those speeds, 18 minutes can get you to cover quite a distance. In fact, the Avata drone can transmit video to the goggles up to distances of 10 kilometers.

The drone, aside from the build and the camera, is quite an impressive little beast too. It comes with two sensors on its underside that can help detect obstacles, enabling low-altitude flight and also allowing it to sense when it’s above water (so as to not accidentally land on it). The drone also comes with a halt-and-hover feature that allows it to instantly brake in the air to avoid any chances of head-on collisions.

While capturing footage, the Avata’s RockSteady 2.0 and HorizonSteady abilities help stabilize the footage and keep your horizon relatively, well, horizontal (avoiding having the video tilting dramatically while the drone tilts). Like its predecessor (the more expensive DJI FPV), the Avata offers 3 modes of flying – Normal, Manual, and Sport. It’s compatible with DJI’s Goggles 2 headset, and can even be controlled using the intuitive Motion Controller from the previous FPV drone. Just the drone itself starts at $629, although you won’t get a remote controller, goggles, or the proprietary motion controller at that price. For the full trimmings, be prepared to shell out as much as $1388 which includes all the bells and whistles. It’s still relatively cheaper than the DJI FPV, and much more capable than anything you can build in your own workshop…

The post The DJI Avata is a $629 FPV drone that’s designed to be flown even by beginners first appeared on Yanko Design.

This DJI drone only needs 3 propellers to perform aerial photography

One less propeller means one less motor sucking away at the battery.

Meet the DJI HiTop, a conceptual drone that follows a tricopter format instead of the traditional quadcopter one. In simple words, it uses three rotors to achieve flight as opposed to the traditional four. Designed as more of a consumer-grade aerial toy instead of a highly professional one, the HiTop is a simple drone that’s built to do its job well. The body of the drone is much larger than you’d expect, but this turns out to be a feature, housing a bigger battery and more safety features to keep the drone up in the air for longer. From the top view, the drone assumes the shape of a 6-sided star, with three rotors and three ‘bumpers’ between them, adding as physical barriers to prevent too much damage to the drone or the high-end camera system underneath. The only observable con in this format, however, is that the drone looks incredibly symmetrical on all three sides, which makes it a little difficult to identify which way the drone is facing while you’re in flight.

Designer: Spade Design

Now, there are a few performance differences between tricopter and quadcopter drones, all which really make sense when you come to think about exactly what the DJI HiTop concept hopes to achieve. The HiTop isn’t trying to break the FPV market or even dethrone DJI’s other high-end drones. It’s an aerial drone that’s made to stay in the air for a significant amount of time and capture footage from any vantage point. The tricopter format works rather wonderfully in this situation for the fact that the absence of one propeller means reduced thrust. Since the HiTop isn’t trying to be a high-speed racing drone, reduced thrust isn’t a problem. In fact, its manageable speed makes it perfect for amateurs and regular consumers.

The camera on the HiTop, however, isn’t some regular consumer-grade camera. It actually is the camera module found on the Phantom 4, the company’s flagship drone. This essentially democratizes great photography, making it more accessible to the masses. The 1-inch sensor on the HiTop is more than capable of recording high-quality 4K footage at high frame rates in HDR.

The post This DJI drone only needs 3 propellers to perform aerial photography first appeared on Yanko Design.

The best vlogging cameras for 2024

If you’re a content creator or YouTuber, camera companies increasingly want your business. Last year was no exception, with several new vlogging-specific models released by Canon, Sony, DJI and others. That means there are now over a dozen on sale, alongside regular mirrorless cameras that also do the job well.

Models specifically designed for vlogging include Sony’s new ZV-E1 full-frame mirrorless that launched last year, DJI’s Osmo Pocket 3 or Canon’s compact PowerShot V10. Others, like the new Panasonic G9 II and last year’s Canon EOS R6 II are hybrid mirrorless cameras that offer vlogging as part of a larger toolset.

All of them have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and stabilization. Prices, features and quality can vary widely, though. To that end, we’ve updated our guide with all the latest vlogging cameras designed for novice to professional creators, in all price ranges. Engadget has tested all of these to give you the best possible recommendations.

Factors to consider before buying a vlogging camera

Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It must be good for filming yourself as well as other “B-roll” footage that helps tell your story. The biggest requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.

Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some (notably Canon and Sony) do it better than others.

If you move around or walk a lot, you should look for a camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of its limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.

How to buy a vlogging camera in 2020
Steve Dent/Engadget

4K recording is another key feature. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.

Video quality is another important consideration, especially for skin tones. Good light sensitivity helps for night shooting, concerts and so on, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when it’s time to edit the footage.

Don’t neglect audio either — if the quality is bad, your audience will disengage. Look for a camera with a microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.

You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.

The best action and portable cameras

If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.

The best compact vlogging cameras

Compact cameras are a step up from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, they’re the best option.

The best mirrorless/DSLR vlogging cameras

This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, more complexity and higher prices.

This article originally appeared on Engadget at https://www.engadget.com/best-vlogging-camera-151603452.html?src=rss

DJI’s pocketable microphone system is tailored for content creators on the move

DJI is renowned for its drone products with a successful foray into action cameras and gimbal cams too. Now Chinese technology company wants to try its hand at audio tech too with debut of the first dedicated audio recording gear. Taking a leaf out of Apple’s success handbook, the DJI Mic is looking to attract vlogging, podcast, and content creation individuals. The Apple association comes to my mind from the wireless charging case the microphone system comes in which is similar to the AirPods or other wireless earbuds on the market.

Although the size comparison is unjust, this is a good start for such a product given the need for content creators to formulate professional omnidirectional audio sans all the clutter. The bulky case (compared to the standard earbuds case) holds two wireless microphones (clip-on mics) which pair with a universal receiver for easy handling. Two mics because you’ll come across situations where one mic will not be enough, for example, while recording one-on-one interviews.

Designer: DJI

Connectivity to this useful gadget is going to be important, hence, it is compatible with USB-C, Lighting, or the trusted 3.5mm jack. Each one of the wireless mics weighing 30 grams has a battery life of 5.5 hours which can be further extended to a total of 25 hours which is quite impressive. The red cherry on top is the 8GB of built-in storage in each of the clip-on mics which equates to almost 14 hours of recording done at 24-bit/48 kHz quality. The microphones come with a range of 250 meters in direct line of sight, so vlogging is going to be rather fun with the DJI Mic.

Options with the pocketable microphone system include audio adjustments from -12dB to +12dB and variable gain control and input/output sensitivity toggle. There’re included two furry windscreens to eliminate noise as the audio needs to be crystal clear even on a blustery day. The niche gadget is compatible with DJI OM 5 and Action 2 cam which is understandable. Both the receiver and the two mics are auto paired by default, and when placed back in the case they’ll reconnect.

This interesting audio recording system can be bought right away for a price tag of $329, and is majorly targeted toward professional content creators who will take the convenience of compact recording equipment without a doubt. The long-distance range of the DJI Mic is one advantage that’ll make it an irresistible prospect indeed.

The post DJI’s pocketable microphone system is tailored for content creators on the move first appeared on Yanko Design.

The wide-angled action camera just got a pretty impressive 360° makeover with this Xiaomi concept

Designed to rival the GoPro, the Insta360, and the newly launched (and highly impressive) DJI Action Cam 2, this sweet little number comes with the Xiaomi brand name emblazoned on it, although it’s just a concept from the mind of Michal Dufka, a budding concept artist and designer based out of Prague.

Titled the Xiaomi Mi Action 360, the camera is a compact device no larger than most action cameras… although it does have a key difference – it comes with a swiveling wide-angle lens that turns regular photos into immersive 360° panoramic shots, allowing you to capture much more than you could with just a generic action cam.

While DJI’s Action Cam 2 focused on ease of use and an abundance of feature-rich modules to make capturing simpler on land and at sea, the Mi Action 360’s design brief is simple – “Capture Everything”. With what looks a lot like an eyeball that independently moves to scan the surroundings, the camera’s movable lens turns photos into panoramas, and lets you easily take panning shots while recording video. The eyeball-shaped lens sits within a rectangular camera body, which comes with a simplified interface with just two buttons, and a small display that acts as a viewfinder while also giving you details about your capturing conditions and quality. The display comes touch-enabled too, allowing you to toggle shooting modes, letting you control the rotation of the camera lens either pre-capture or during capture.

The Mi Action 360 overall champions a rather ‘less is more’ aesthetic. The two-button interface aside the camera’s body also has a battery level indicator, an in-built microphone, and two tripod mounts that let you hook your action camera onto tripods, selfie sticks, or a host of other mount-compatible accessories. It doesn’t match up to the DJI Action Cam’s magnetic mounting system, which I’ve declared my love for pretty publicly. That being said, the Mi Action 360’s core capabilities are entirely different, and judging by the size of the lens, this little bad boy should quite easily be able to capture 360° HDRI images in 4K, which would make for great immersive VR content. It’s a shame this camera’s just a concept… although here’s hoping that an exec at Xiaomi sees this design.

Designer: Michal Dufka

The post The wide-angled action camera just got a pretty impressive 360° makeover with this Xiaomi concept first appeared on Yanko Design.

DJI’s latest action camera just made the GoPro look like an expensive hunk of plastic





With an incredibly diverse eco-system of snap-on modules that let you practically attach the camera anywhere you want, the DJI Action 2 is what you get when you create a camera after intense research and design-thinking… not by simply copying what the rest of the market is doing.

Drone and gimbal makers extraordinaire, DJI seems to be completely disrupting the non-smartphone consumer camera market. The OM, Osmo, and Pocket give you a set of really powerful stabilized on-ground recording capabilities, while DJI’s drones really speak for themselves… With the Action 2, however, the company hopes to conquer yet another market that was up until now dominated by GoPro.

“The blueprint of an action cam is a familiar one – tough, waterproof, in a compact body”, says the narrator in the video above… and in doing so, perfectly describes the pit into which most tech companies fall – the pit of the ‘template’. It’s easy to be the second or the third best company in any domain… simply follow your biggest competitor and provide ‘the next best option’ for consumers to consider. This is something most action cameras have been doing by simply recreating what the GoPro pushed out. Once you hacked the template, you could make your action camera cheaper, have more memory, have a better battery, or cloud storage, and voila… your product was a worthy competitor to the GoPro. What the Action 2 aims at doing is redrawing that template by asking itself “If the GoPro didn’t exist, what would an action camera in 2021 look like?”

What the Action 2 gets right with its design isn’t just the camera (after all, DJI’s cameras are pretty fantastic to begin with) but rather how the camera is operated. The company designed an exhaustive list of modules, holders, and even accessories to go with their camera, all of which affix themselves to the Action 2 using an incredibly powerful set of magnets (a la MagSafe). The modules simply snap on or snap off, and give you a variety of use-cases, from being able to hold the camera in your hand, fix it to your chest/arm/head, attach it to your helmet, handlebar, or dashboard, place it on a steady surface, or even go underwater with it. If there’s a place you could take your Action 2, or an activity you could conduct with your Action 2… DJI’s thought of it and designed a module/accessory for it.

In many ways, this holistic approach is GoPro’s undoing. The way DJI’s modules just magnetically snap on or snap off the Action 2 make it really easy to use the camera anywhere and anyhow… and the camera’s all-terrain + waterproof design, 155° Super-Wide lens, powerful digital stabilization algorithm, and the 4-microphone recording setup make the Action 2 an incredibly compelling purchase.

Perhaps the Action 2’s most defining feature (and you’ll see it practically all their images) is the snap-on touchscreen module. Traditionally, all action cameras have lenses on the front and displays on the rear… and that’s great for filming everything except yourself. DJI’s Front Touchscreen Module basically lets you turn the action camera into a wide-angle vlogging camera. The module snaps right on and lets you attach other accessories like the tripod, selfie stick, car-mount, etc. Moreover, snapping it on doesn’t just give you a front-facing extra screen… it gives you an extra battery pack too, doubling the Action 2’s recording time to 160 minutes, and also adds extra mics for crisper audio recording – a feature that vastly benefits vloggers and influencers who want to be in the spotlight.

Sony is disrupting the photography industry with its Airpeak S1 drone that can mount ANY Sony Alpha camera





Sony is probably the only company at the moment to be able to boast of having a robust camera as well as a burgeoning aerial-tech business. It’s preceded only by GoPro, which launched the Karma drone back in 2016 and discontinued it in 2018 after a very tepid response. GoPro’s cameras, however, are still some of the most popular payload options to add on existing drones, but that pales in comparison to what Sony is offering. Sony’s first drone, the Airpeak S1, is a large pro-level drone that is designed to carry a gimbal along with a full-size mirrorless Sony Camera. It expands what your existing camera is capable of, and essentially means your professional camera (and its lenses) can now take to the skies, capturing professional-grade image and video content.

Make no mistake, the Airpeak S1 isn’t your average drone. It isn’t meant for FPV racing or for consumer-grade aerial shots like drones from DJI or Parrot. The Airpeak S1 is the kind of drone a high-budget photographer or cinematographer would use for taking film-grade shots. The drone comes built entirely by the folks at Sony, engineered to work seamlessly with a 3-axis gimbal and a host of Sony’s cameras, including the A1, A911, A7s111, A7RIV, and FX3 cameras, along with E-Mount lenses between 14mm and 85mm.

The Airpeak S1 is currently the smallest drone ever made to be able to carry a full-size camera. Measuring 644mm in total span, the drone’s most compelling features are its ability to go from 0-50mph in 3.5 seconds, and its stability and wind resistance, making it perfect for aerial shots no matter the weather… although those figures change with different cameras and lenses. According to Sony, the Airpeak can stay stable in winds of up to 44.7 miles per hour, a feat made possible by the 5 additional stereo cameras located on the drone that help it constantly optimize its performance, along with an infrared range-finder that actively helps it avoid obstacles.

For now, the Airpeak S1 can either be controlled via its remote, or the Airpeak Flight app, which will be available later this year only for iOS devices. Sony has worked with drone gimbal experts at Gremsby to develop a bespoke 3-axis stabilizer for the Airpeak S1, although this will be available as an additional purchase. The drone and gimbal can both be controlled singularly by the remote that can hook up to an iPad for viewfinding purposes. Somewhere down the line, Sony will allow the drone and the gimbal to be operated independently (allowing one person to take on piloting activities while the other person oversees cinematography). While launching the drone, Sony also announced that it was working on a cloud-based app called Airpeak Base, that would let users plot automated flight routes and manage a fleet of Airpeak drones.

The Airpeak S1 currently exists as an incredibly niche product that’s made for professional use. Just the drone itself comes with a whopping $9,000 price tag (the gimbal and camera cost extra), which definitely puts it in a class of its own, but then again, the drone lets you mount 8K cameras on it along with a wide range of lenses. While this isn’t something that would probably excite consumers, it opens up an entirely new class of drones, which could one day even work with smartphones (imagine an Apple-branded drone that works with your iPhone 12 Pro).

Sony’s $9,000 drone will be made available at the end of this year – For that price tag, you’ll get the drone along with 2 batteries, a charger, and a remote. The Airpeak S1 still awaits approval from the FAA, although Sony’s even made it clear that the production and manufacturing of all the drone’s hardware is happening in Japan, in light of US legislation and controversies around all drones being manufactured in China.

Designer: Sony