Samsung’s Visual Display of Essential, Innovative, Harmonious Design at Milan Design Week 2024

At Milan Design Week 2024, Samsung Electronics unveiled its “Newfound Equilibrium” exhibition. This impressive showcase is all about Samsung’s forward-thinking design philosophy, which they call “Samsung Design Identity 5.0: Essential∙Innovative∙Harmonious.” It focuses on drawing inspiration from people and shaping the future. Samsung has over 1,500 designers spread across seven global studios, all working to keep their design language fresh and relevant for their customers.

Designer: Samsung

INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium

The exhibition is in the Leonardo da Vinci National Museum of Science and Technology in Milan, specifically in Le Cavallerizze. This place is a mix of 16th-century architecture and modern design, showing off Samsung’s knack for blending old and new.

Leonardo da Vinci National Museum of Science and Technology in Milan, Italy, where Samsung Design’s Newfound Equilibrium exhibition is being held.

First up in the exhibition is the “Essential” area. This is all about getting back to basics and focusing on what really matters. It’s shown in the sleek design of the Galaxy S24 series and some really practical home appliances like the all-in-one washer and dryer. There are also some awesome minimalist installations with translucent cubes and playful lighting that really get the point across.

ESSENTIAL, the first exhibition space of Samsung Design’s Newfound Equilibrium

ESSENTIAL, the first exhibition space of Samsung Design’s Newfound Equilibrium

Next, we move to the “Innovative” section. Here, Samsung shows off its drive to make everyday life better with functional advancements. There are interactive displays that change based on how close you are to them, just like Samsung’s smart TVs and vacuum cleaners that adapt to your needs. This part really shouts about Samsung’s ambition to push tech boundaries.

A display shown at INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium, displays forms that shift from solid to ethereal textures as guests move closer or farther away.

INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium

INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium

Then there’s the “Harmonious” section. This is all about how tech can blend into daily life, like the SmartThings ecosystem and the Music Frame that enhance your home without taking over. There are interactive LED displays that mimic natural events, inviting visitors to imagine a world where tech fits in naturally with human and environmental needs.

HARMONIOUS, the third exhibition space of Samsung Design’s Newfound Equilibrium

The exhibition wraps up with the “Infinite Dream” and “New Dawning” spaces, which celebrate the blend of modern tech with traditional craftsmanship, through collabs with artisans like MUTINA and ALPI.

INFINITE DREAM, the fourth exhibition space of Samsung Design’s Newfound Equilibrium

In a nutshell, the ‘Newfound Equilibrium’ exhibition at Milan Design Week 2024 shows off Samsung’s big ideas about the future of tech and design. It’s about tech and design, living together, and making life better for people all over the world. Samsung’s ongoing commitment to thoughtful and progressive design is clear, and it’s really exciting to see what they’re doing to make tech a force for good in our lives.

Bespoke creations that blend modern technology with traditional craftsmanship are showcased at NEW DRAWING, the concluding exhibition space of Samsung Design’s Newfound Equilibrium.

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Seoul Biennale Showcases Opportunities for Coexisting With Nature for a Sustainable Future

In a world grappling with rapid urbanization and its environmental consequences, the Seoul Architecture and Urbanism Biennale has emerged as a beacon of hope, inspiring architects and urban planners to envision a future where cities are green, sustainable, and in harmony with nature. This year, the fourth edition of the biennale takes center stage in South Korea, and at the heart of it lies an exhibition that pushes the boundaries of architectural imagination. Italian studio Migliore+Servetto, led by Ico Migliore, a professor at the Politecnico di Milano, has brought together a group of talented students to present their visionary projects in an exhibition titled “FUTURABILITY: Timeless Utopias for Seoul.”

Designer: Migliore+Servetto

Since its inception in 2017, the Seoul Architecture and Urbanism Biennale has been a platform for addressing the urban and architectural challenges stemming from the staggering growth of South Korea’s capital. The city’s rapid urbanization, while a testament to its dynamism, has also posed considerable challenges. The Biennale has consistently championed the cause of making Seoul a human-centered and eco-friendly city.

The Biennale is structured around five key sections: a Thematic Exhibition, a Cities Exhibition, On-site Projects, Global Studios, and educational programs. These sections provide a comprehensive framework for engaging experts, institutions, and citizens in shaping Seoul’s future. In its fourth edition, the biennale builds upon previous themes such as “Imminent Commons,” “Collective City,” and “Resilient City” by focusing on “Land Urbanism and Seoul.”

FUTURABILITY: Timeless Utopias for Seoul – A Glimpse into the Future

From September 1 to October 29, 2023, the exhibition “FUTURABILITY: Timeless Utopias for Seoul” showcases the results of the New Interiors 2 Laboratory Course, guided by Ico Migliore at Politecnico di Milano. This master’s degree course encouraged students to contemplate Seoul’s future, imagining the city as a green and sustainable utopia that reintegrates its urban fabric with nature.

The exhibition unveils ten futuristic design scenarios for “inhabited bridges” spanning Seoul’s iconic Han River. These projects were chosen from an international pool of 40 submissions, including entries from esteemed institutions like the Architectural Association School of Architecture in London, Pratt Institute in New York, Academy of Art University in San Francisco, and Aalto University in Helsinki. Out of these, two groundbreaking proposals have been selected for a detailed presentation, complete with drawings, renders, sketches, videos, and a 3D-printed model.

BACK TO NATURE – A Bridge to a Sustainable Future

The first winning proposal, aptly named “BACK TO NATURE,” is a collaborative effort by students Ala Zhyvulka, Alice Bazzucco, Giuseppe Addati, and Lorenzo Sardella. Their vision of the Han River bridge is a skeletal marvel, consisting of 13 dodecahedron-shaped modules joined using magnetic fields, allowing the bridge to float gracefully on the river’s surface. These modules serve as the stages of food production: Growing, Distribution and Consumption, and Upcycling.

What sets this proposal apart is its commitment to sustainability. The bridge not only provides a platform for food cultivation but also ensures that no resources go to waste. Any uneaten or discarded food is collected and recycled in a transparent sphere, promoting a circular economy.

The central core of the bridge is made from bio-based materials sourced from recycled food, providing a sustainable and porous foundation for the growth of nature. This unique blend of architecture and ecology is a testament to the harmony that can be achieved between humans, artificial intelligence, and the natural world.

THE BREATHING BRIDGE – A Living Organism

The second winning proposal, “THE BREATHING BRIDGE,” is the brainchild of students Wanqing Yue, Veronica Piunti, Wen Wen Liu, and Yue Zhao. This modular structure reimagines the bridge as a living being that not only connects people but also absorbs and transforms the energy of the city and its inhabitants.

Inspired by the natural breathing process, the bridge adapts to its environment over time. Its design mimics the contours of South Korea’s landscape, encouraging free body movement, recreational activities, and communal gatherings. Inside, galleries provide a serene space for relaxation and interaction, while the membrane covering the modules filters pollutants and harnesses solar energy, ensuring sustainability and environmental harmony.

Migliore+Servetto – Cultivating Cultural Seeds in Seoul

Beyond their involvement in the Seoul Biennale, Migliore+Servetto continues to make a significant impact on the South Korean architectural landscape. They have been invited to participate in the KIA Convention & Exhibition 2023, focusing on the evolution of urban architecture. Here, they explore the concept of “Cultural Seeds,” a concept they have been refining for years. Cultural Seeds represent cultural spaces within cities that activate urban fabric and promote long-term evolution.

Finally, Migliore+Servetto will take center stage at High Street Italy, a multifunctional space in South Korea promoting “Made in Italy” design. Their installation and remarkable performance, accompanied by participation in an international conference, underscore their commitment to fostering Italian-Korean synergies.

In a world where the future of our cities is increasingly uncertain, the Seoul Biennale 2023 and Migliore+Servetto’s visionary contributions remind us that the power of design and innovation can shape a more sustainable, harmonious, and beautiful urban future. As Seoul continues its journey towards becoming a green and sustainable utopia, these timeless utopias showcased at the biennale may become a reality, inspiring cities worldwide to follow suit.

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This Kinetic Sculpture Provides an Elegant Metaphorical Reflection on Environmental Impact through Dots

Our contemporary lifestyles have undeniably left a negative mark on the environment. Despite the ongoing discussions and awareness campaigns, it seems that these efforts have failed to significantly influence the lifestyle choices of the masses. “The Dots,” an interactive installation by Jack Lee, serves as a metaphorical representation, showcasing the undeniable impact of human activities on the environment and its related issues. Through the fusion of kinetic art and technology, this captivating artwork offers a thought-provoking visual narrative that urges viewers to reflect upon their responsibility towards the environment.

Designer: JACK LEE

At the heart of “The Dots” installation are meticulously arranged polarised panels, cleverly designed to create mesmerizing visual effects through physical manipulation. By employing servo motors and sensors, the transparency of these panels dynamically adapts to the proximity of the viewer, revealing a captivating visual story. Jack Lee’s creation exemplifies the essence of his “Matters” project series, catalyzing contemplation and encouraging viewers to consider their impact on the environment.

Global environmental issues often appear too vast, abstract, and disconnected from individuals’ daily lives. While the public is generally aware of their existence, it is challenging to establish a personal connection with these issues. However, the power to shape the Earth’s environment, whether positively or negatively, lies within the hands of each individual.

The polarising film used in “The Dots” plays a pivotal role in creating its visual effects. This film is applied to both the surface of the panels and the viewer’s face shield, creating a unified polarised environment. Polarisation is a property of light that describes the direction in which its waves vibrate. The film is specially designed to filter and manipulate the polarisation of light passing through it.

As the panels rotate, the relative angle between the polarised film on the panels and the viewer’s face shield changes. This change in angle alters the transmission of light through the panels, affecting their transparency. When the polarization angles align, the panels become more transparent, allowing more light to pass through. Conversely, when the polarisation angles are misaligned, the panels appear darker and less transparent.

This dynamic interaction between the viewer’s perspective and the polarised panels creates captivating visual transformations, enhancing the immersive experience and reinforcing the connection between the viewer and the artwork.

The installation consists of seven precisely arranged circular panels, forming an intriguing hexagonal grid. Guided by servo motors controlled by an Arduino board integrated with an Ultrasonic distance sensor, each panel gracefully comes to life. The panels’ surfaces are coated with a delicate layer of polarised film, similar to the material used in a specially designed face shield that the audience wears.

As the panels elegantly rotate, a mesmerizing metamorphosis unfolds. The transparency of each panel dynamically shifts, influenced by the relative angle between the viewer’s glasses and the panels themselves. This captivating interplay between movement and perception creates a visual symphony, where the degree of rotation echoes the distance between the audience and the installation.

“The Dots” installation serves as a significant initiative toward environmental awareness, but there is room for further development. Currently, viewers require additional equipment like the viewer’s glasses to fully experience the installation. While this adds an extra effort that may deter some individuals, it is crucial to consider inclusivity and accessibility. Finding ways to make the experience more easily accessible can ensure a broader reach and engage even the “lazy” population who might otherwise prioritize ease over environmental concerns.

Looking into the future, “The Dots” holds immense potential for engaging and inspiring audiences in various settings. Beyond its current artistic context, the concept and technology employed in this work can be extended to broader applications.

In public spaces, such as museums or interactive exhibitions, “The Dots” can serve as an immersive experience that encourages public engagement and dialogue. By inviting viewers to reflect on their individual responsibility for the environment, the installation prompts discussions and actions toward a more sustainable future.

Moreover, the technology and techniques used in “The Dots” can inspire innovations in architectural design and urban planning. By integrating similar interactive elements into buildings and public spaces, it becomes possible to create dynamic environments that respond to human presence and encourage eco-friendly behaviors.

Overall, the future application of “The Dots” extends beyond its current art form, presenting opportunities for environmental education, public engagement, and sustainable design solutions. By harnessing the power of interactive technology art, this installation has the potential to contribute to a more conscious and environmentally responsible society. It reminds us that our individual actions, no matter how small, can make a difference in shaping a better future for our planet.

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Hong Kong’s LEADING Annual Design Event Is Here: Enroll NOW for the Knowledge of Design Week (KODW) 2023

Poised to be one of the world’s biggest, most impactful events in the design industry, the Knowledge of Design Week (KODW) 2023 is set to take place in Hong Kong this month. Featuring leading creative and business minds from all over the world, KODW 2023 emphasizes the tremendous potential of design as a powerful tool for driving sustainable development and positive social change.

This 3-day event will feature keynotes from experts, panels, workshops, and masterclasses from industry leaders, and the ability to network with design’s biggest names. Scheduled from 14 to 16 June 2023, it promises an intellectual and creative feast set against the bustling, vibrant backdrop of Hong Kong.

Click Here to Register Now. Hurry, 50% off with promo code “KODWYANKO50”.

Discover ‘The Power of Design: Innovating for a Circular World’ from 14 to 16 June 2023 at Hong Kong Palace Museum

Over 15 forum sessions in KODW 2023 will resume 100% in-person, offering a truly interactive and personal experience.

On the first two days of the conference, June 14th and 15th, we will dive into the captivating world of design at the Hong Kong Palace Museum. Nestled in the vibrant West Kowloon Cultural District, this iconic architectural landmark will set the stage for groundbreaking discussions on circular design. On the 16th, the KODW 2023 will venture into the vibrant cityscape and step into the realm of local partner studios, for off-site workshops. This ingenious addition takes the conference to a whole new level, offering participants a hands-on, immersive experience like no other.

KODW 2023 will host workshops and masterclasses led by pioneers from the Partner Country, the Netherlands, and other local and global creative leaders.

This year’s KODW is centered around the key narrative of responsible and circular design. With a strong focus on creating eco-conscious solutions, the conference underscores the role of design in building sustainable and resilient living patterns. It’s an essential call for creative minds to use their skills towards developing solutions that are not just visually appealing, but environmentally beneficial, socially inclusive, and economically sustainable.

Richard van der Laken from What Design Can Do believes design can significantly impact consumer behaviors, business strategies, policymaking, and planetary health.

The event is also a confluence of innovators from diverse fields, with researchers, business leaders, creatives, and experts from other disciplines gathering under one roof to share their insights and experiences. This cross-pollination of ideas from different spheres is what makes KODW an enriching and enlightening experience. The list of featured speakers is a veritable who’s-who of the global design community, including names like Richard van der Laken (What Design Can Do), Clint Nagata (BLINK Design Group), Marieke Rietbergen (Design Innovation Group (DIG)), Dr. Fan Ling (Tezign.com), and L. J. Kim (d’strict), Teo Yang (Teo Yang Studio), Pieter van Os (CIRCO), and Rama Gheerawo (The Helen Hamlyn Centre for Design, Royal College of Art).

Sustainable design in buildings is united with responsible considerations for experience and functionality these days. (Photo Credit: UNStudio Lyric Theatre Hong Kong ©UNStudio & ©DBOX)

L. J. Kim from d’strict will spark a conversation on the power of innovative cultural storytelling to engage with local communities and democratize art experiences on a global scale. (Photo Credit: ARTE MUSEUM – GANGNEUNG FOREST (2021) ©d’strict)

Workshop and masterclass leaders include experts in circular economy, open innovation, and industrial design. They promise to deliver sessions that will challenge conventional wisdom and introduce participants to radical and transformative ideas. These workshops and masterclasses will cover a diverse range of topics, from circular design principles to the role of artificial intelligence in creative business environments, and nurturing of creative leadership, each session promises an enriching learning experience.

The event is organized by the Hong Kong Design Centre, a premier institution known for its commitment to promoting design and innovation. With panel discussions that cover subjects as diverse as preserving urban legacies, cultural storytelling, innovative branding, and curating immersive dining experiences, Knowledge of Design Week 2023 is more than just an event – It is a celebration of the power of design to shape the world as we know it. This year’s edition promises to be more exciting and informative than ever before. Enroll now and experience the future of design at KODW 2023!

Click Here to Register Now. Hurry, 50% off with promo code “KODWYANKO50”.

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Herman Miller design exhibit at Milan Design Week celebrates company’s 100 years

Herman Miller, one of the most highly-regarded office chair designers and producers, is celebrating the 100th anniversary of its brand name. To celebrate, they will have an exhibit of the rich history of their company’s graphic design journey. The exhibit will begin at the Milan Design Week and eventually go to Chicago in June. You would think that this exhibit is all about the furniture but is more the visual journey of their design and marketing materials.

Designer: Herman Miller

Founded by D.J De Pree, Herman Miller was launched back in 1923 and by 1930, they hired Gilbert Rhode to bring modern design sensibilities to their previously traditional furniture. His wife Peggy Rhode was his partner as she took charge of designing their marketing materials, matching the new direction that the company was taking. When George Nelson started designing for the company in 1945, pioneer graphic designers like Irving Harper and Tomiko Miho also brought in a new look to their designs.

Designer John Massey and eventually his protege Steve Frykholm then brought the Pop Art look to the designs in the 60s and 70s. Barbara Loveland and Linda Powell then brought postmodern sensibilities in the 80s and 90s. For the textile division of the company, Alexander Girard is the name to remember as he used “graphics to create motifs with meaning” during his tenure as the founding director. His designs will also be on display at the exhibition. They will also be selling limited-edition prints of the Eames Soft Pad Group poster which is an iconic look for the brand.

The exhibit not only shows Herman Miller’s visual design journey but also looks like a history of graphic design over the past 100 years. You can see the various design movements for every decade so it’s also interesting how the company was able to keep up with all of that. It makes sense that they would put on this kind of exhibit rather than just show off their chairs or furniture (although they’re mostly pretty nice as well).

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These massive mosaics are made out of millions of hand-rolled colorful paper quills

Created using hundreds of thousands (if not millions) of hand-rolled paper seeds/quills, Ilhwa Kim’s art-pieces are grand yet detailed. Each hand-rolled paper seed acts as a pixel, playing a small role in the grander scheme of things. Millions of these ‘pixels’ come together to create some staggeringly beautiful pieces of art, which are now on display at The House Of Fine Art (HOFA) in London.

Titled Real Life Architecture, Kim’s latest exhibition “will feature more than 20 large panel artworks. Pieces that explore a liminal space between human perception of existence and the true state of reality, a body of abstract artworks representing true life without the limitations of senses”, HOFA said.

Designer: Ilhwa Kim

Kim’s abstract works are impactful artworks composed of thousands of ‘Hanji’ paper seeds whose inherent dynamism creates works of art that shift between painting and sculpture, delivering art as a new experience of discovery, dynamism, and intrigue.

Kim’s works are larger than life, but start with small, humble pieces of paper. Each segment or seed in these pieces starts as a strip of paper that’s rolled into its flat ‘clump’, and then stuck on a massive canvas. What Kim eventually creates is a dizzying mosaic of thousands of such paper seeds. The South Korean artist’s current collection, titled “Real Life Architecture” explores the ‘chasm’ between what we see and the tactile reality of our visions. The artworks look like Post-Impressionist paintings, with each seed acting as a defined stroke, almost like the works of Van Gogh, Gauguin, or Cézanne.

“My seed works contain the dialogue between our senses and the tactile world surfaces, dreaming to be the monument of our sensory architecture.” – Ilhwa Kim

“Cezanne was right in saying that our senses do not represent the outer world as it is. However, this does not mean we cannot or do not have to represent things as they are. Without knowing the surface of the apple, for instance, we cannot learn how to cut the apple or how to make juice out of it”, Kim said.

You can view Ilhwa Kim’s artwork on the HOFA website, or visit the gallery between October 6th and 20th, 2022.

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Design London 2022: A Peek at the Future of Design Today

In-person events are back in full swing, and there’s no better time to generate collective energy and interest than today. After a highly successful inaugural showcase last year, Design London has returned during a very trending time for the global city. With double the floor space to welcome exhibitors and visitors alike, Design London is gathering not only the finest and widest selection of designs across multiple industries, from architecture to interiors to lighting, from across the world. It is also a venue where discussions between the brightest minds in design will be held, previewing and shaping the trends that will carry design into the future, including topics that will give it a more prominent role in saving our planet.

Attend Design London 2022 by registering here!

Furniture, Lighting, and Interiors

Thanks to recent events, people have become more conscious of the role the furniture and lighting play in setting the correct atmosphere at home. Previously considered to be something that only connoisseurs would appreciate, designer products and bespoke designs have entered mainstream consumer consciousness. We’ve seen a rise in interest and sales of such products, and Design London is curating some of the biggest and rising names that are shaping that market.

Danish brand HAY joins Design London for the first time with Palisade, an intriguing metal bench that snakes across the ground to provide both seating capacity as well as visual interest to any outdoor space. Compatriot Thors Design, meanwhile, is celebrating its 20th anniversary with Gaia and Globe plank tables, the latest in the company’s line of bespoke furniture made from recycled wood.

Designer: Ronan and Erwan Bouroullec (HAY)

Designer: Thors Design

Lighting is just as important as furniture in setting the mood, both through their lights as well as their very design. The Akoya pendant lamp from Fabbian, hangs like a clam ready to drop its precious pearl, an imagery that makes it perfect for beach houses and similar architectures. In contrast, the industrial vibe that the pipes of Ago’s Cirkus pendant lamp give is a better fit for more enclosed and darker spaces.

Designer: Filippo Protasoni (Fabbian)

Designer: Ago

It’s easy enough to downplay the design of the floor we walk on or the walls that get covered up by shelves and decorations, but even these can make or break the ambiance that you’re aiming for. For example, handmade tiles from New Terracotta combine old ancient techniques with modern aesthetics, creating a truly unique appearance for any room. In a similar vein, Creadoor adds a pinch of 3D graphics to traditional woodworking techniques to create stunning bespoke doors and walls that give a room a unique personality of its own.

Designer: New Terracotta

Designer: Creadoor

Design Throughout the World

While it’s natural to presume that many of Design London’s participants will be coming from neighboring countries in the region, it is also an opportunity to showcase design hailing from all over the world, especially from Asia. The Korean Pavilion, for example, will house products from some of the country’s small- to medium-sized design companies. Be mesmerized by the reflective surfaces of iamHERE’s benches and stools, or take comfort in the embrace of Woorim Workshop’s curvaceous wooden lounge.

Designer: iamHERE

Designer: Woorim Workshop

The Thai Pavilion, on the other hand, will showcase a variety of furniture and decor sharing a common sustainability theme. The BiiN plant stand, for example, recycles waste material from the industrial sector to create a multi-functional piece of furniture that can act as a plant stand, storage container, or side table. Sarn lamps use traditional weaving patterns and materials to create unique lampshades for pendant lamps.

Designer: Eggwhite Design Studio

Designer: Thingg

Designing for the Future

More than just a showcase for contemporary product designs, Design London will also be a forum for the industry’s luminaries to share their creativity, passion, and vision for what the future holds. It is also an exhibit of a variety of designs that can help change the course of history in making sure that products of the future do right by the planet we live on.

Designer: Lee Broom

A headlining talk from award-winning British designer Lee Broom will go back in time to reveal the influences that gave birth to his many masterpieces that harmoniously blend classic and modern aesthetics. Sustainability advocate Jay Blades MBE will go over his unique approach to making things, as well as his crusade to create and sell furniture using recycled or reclaimed materials.

Designer: Jay Blades MBE

Sustainability has been a big topic in design in the past years, and, unsurprisingly, it has a huge presence this year in London. Net Positive tiles, for example, are made from recycled plastic fishing nets using a zero-waste manufacturing process. Something that can be immediately appreciated is the Island Steps, a 3D printed installation from 100% cement-free concrete that can be a place to sit back and rest while enjoying this guilt-free oasis, whether indoor or outdoor.

Designer: Coldharbour Tiles

Designer: Steuart Padwick (Versarien)

Whether it’s materials for sprucing up your room’s walls or furniture that will give meaning and life to your living space, Design London 2022 will offer eye-catching and mind-blowing designs that display the collective genius of the industry from different corners of the world. Not settling for the status quo, the destination will also provoke the industry’s best minds and talent with talks and discussions, pushing the boundaries of design toward a better future not just for humans but also for the planet.

Register Now to attend Design London 2022!

Design London 2021.
22/09/2021 – Photograph by Sam Frost ©2021.

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This treehouse is built from felled trees to prove the importance of effective woodland management

The Sylvascope is a wooden treehouse built for The Harewood Biennial 2022 exhibit where designers and artists explore why craft is a radical act.

The Harewood Biennial 2022 is a contemporary art exhibit that takes place on the estate of the Harewood House located in Leeds, United Kingdom. The exhibit is meant to explore forms of radical acts within the scope of design and craft. Spread over 100 acres of land, artists and designers embrace radical acts through their own interpretations, from organic architecture to mycelium-based furniture. For Sebastian Cox, a London-based fine furniture maker, his idea of radical acts took shape in the form of a treehouse. Dubbed Sylvascope, the treehouse is a nest-like space constructed by cutting trees down, Cox’s chosen radical act.

Designer: Harewood x Sebastian Cox

Describing the inspiration behind this radical act, Cox describes, “We are planting trees at a rate not seen before in history. The area of woodland in Britain is now back at the level it was in the 14th Century. Despite this, biodiversity within woodlands is declining. How do we save our woodland wildlife? It seems not necessarily by planting more trees–we need to manage our woodland.” In an effort to explore how cutting down trees can help diversify the woodland creatures that populate the forest, the trees used to give rise to Sylvascope came from felled trees located on-site.

Built almost entirely from trees harvested onsite, the Sylvascope treehouse is located in the nucleus of the Harewood Estate to show what managed forests look like. Through this radical act, Cox hopes to help facilitate the growth of brambles and herb undergrowth to boost the area’s biodiversity. Along with cutting trees down, Cox is also planting new seeds and trees in different sections of the forest to provide diverse nesting grounds for different animal species.

“We often think a healthy woodland is one that looks pleasing – with tall trees and a welcoming, leaf-littered woodland floor, easy to navigate with no brambles or undergrowth. But this kind of woodland is not favorable to most of our woodland wildlife,” Cox explains, “When we fell some trees in a woodland, and let light into the woodland floor, other plants, and with the insects, mammals, and birds, can thrive. It seems cutting trees can be more useful than just planting them. Only 41% of Britain’s woodlands are managed, so management should be an equal priority to planting.

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Lexon Speakerbuds and Mano Gel Dispenser showcased at the Maison et Object 2022

 

Lexon Speakerbuds Demo

French design brand Lexon continues to develop timeless products that we know bring that ultimate wow factor and aesthetic pleasure. It offers everyday products with award-winning innovative designs that are kept affordable yet beautiful and functional.

At the Maison et Objet 2022, Lexon just introduced two new products: the Speakerbuds LA127 and the Mano LH79 . The new pair of earbuds and the gel dispenser are innovative with their additional functions. However, they also look nothing like other the common earbuds and gel dispensers we have seen yet.

Designers: Alain Berteau, Andrea Quaglio, and Manuela Simonelli

The Lexon Speakerbuds LA12 is a new pair under the Softpower Collection of earbuds from Lexon. Designed by Alain Berteau, the true wireless earbuds also come with a 3W speaker. It features a dual microphone, Bluetooth 5.0 connectivity, and a rechargeable battery. There is the now a standard USB-C port for charging. The pair is IPX4 water-resistant, so you can wear this during a run or workout.

As with most wireless earbuds, the pair allows voice commands and hands-free calls. It can last up to six hours of audio playtime. Charge it up with the charging case, and you can get extra 18 hours. The primary material of the product is ABS with synthetic leather found on the charging case.

Lexon Speakerbuds Hands-on Photos

Lexon Speakerbuds Features

The Lexon 2-in-1 True Wireless Stereo Earbuds with Bluetooth speaker is available in different color options: Red, Blue, Black, and Camel. As a result, the design world is treated again to an innovative and beautiful design for the now familiar wireless earbuds ready for most occassions whether with a group or private listening. The price tag reads 99,90€.

Lexon Speakerbuds Design

The pair already works as a standard pair of earbuds, but the charging case adds a speaker function. Three watts may not be loud to fill the house during parties, but that’s good enough for personal use. Lexon is known for creativity and tapping the best designers in the world. The Speakerbuds design is by Alain Berteau—the same person who created the Nano Garden. Berteau, who is also an architect and professor, has been recognized for his work that marries simplicity and functional innovation.

Lexon Mano Design Details

Lexon has also introduced the Mano-LH79, which is an automatic hand gel dispenser. We finally see nicely designed dispensers from the usual, standard designs. We never imagined we would need dispensers to be beautiful, but the pandemic hit, and the creatives are dying to see and use something more attractive.

The Mano-LH79 is a design by Andrea Quaglio and Manuela Simonelli. If you may remember, Quaglio Simonelli also designed something for Lexon before–the Lexon Oblio Wireless Charger. The new hand gel dispenser features automatic hand detection that helps kill 99.9% of bacteria. There is an LED light, adjustable pump flow, rechargeable battery, and a USB-C port. The LED ring comes with adjustable brightness so you can set the mood.

Lexon Mano Design

Lexon Mano Dispenser

The gel tank is refillable for up to 160ml or 5.4oz of sanitizer gel. You can only use gel and not any other liquid or alcohol. The pump flow is also adjustable depending on the preference of the user. It has an LED indicator so you can know the charging status. Color options are as follows: Gold, Dark Green, Black, Terracotta, and White.

Lexon Mano Dispenser Details

Lexon Mano Features

Lexon Mano Hand Sanitizer Gel Dispenser

Lexon Mano Hand Gel Dispenser

Lexon Speakerbuds Price

Lexon Speakerbuds Details

The post Lexon Speakerbuds and Mano Gel Dispenser showcased at the Maison et Object 2022 first appeared on Yanko Design.

Maison&Objet 2022 Spotlight: Here’s what you can expect at this year’s event held during Paris Design Week

After a measured return to normalcy last year in September, this year’s first Maison&Objet is looking to make an in-person comeback this March 2022. This year’s event, originally slated for January, was pushed forward to March due to the rising Omicron variant sweeping through the world. The event, now slated to be held between March 24th-28th 2022, will explore the theme of ‘New Luxury’, looking at both ‘Uber Luxury’ or the more traditional opulent luxury, as well as a new emerging ‘Lux Populis’, used to describe a luxury that draws inspiration from “the world of street culture, driven by a generation raised on a diet of reality TV, Instagram, TikTok, and gaming.”

The 2022 Maison&Objet is described as ‘Business as Usual’, with over 3000 brands attending the March event, spread across 14 sectors/universes, with as many as 20+ conferences covering the 4-day trade fair. The fair will be held at the Paris Nord Villepinte exhibition center and is open to anyone who wants to attend. Described as the epicenter of design, Maison&Objet, held twice every year, becomes the hotspot for anyone and everyone in the decoration & design world, allowing brands and retailers to showcase their latest work, consumers and media to see what the upcoming trends are, but most importantly, the event acts as a buzzworthy networking ground, allowing people to intermingle, interact, and innovate. Yanko Design will be on the ground at this year’s Maison&Objet March event, giving the readers a glimpse of what the world’s biggest decor and design trade fair has to offer! However, for a sneak peek at some of the designs on our ‘must-watch’ list, just scroll below!

Click Here to Buy Tickets Now: $77.11 (€70)

Transparent Speaker by Transparent


Modern consumer electronics have gotten so incredibly complex in the past few years, you could look at your smart speaker and absolutely not know how to fix it… or what’s even inside it, for that matter. The Transparent Speaker hopes to ditch that approach with a design that quite literally provides clarity! The speaker’s transparent frame lets you know exactly what’s inside the audio device, and moreover, its transparency extends to the product’s build too – which means it can be infinitely repaired and upgraded for life.

Nest by Orbitkey


The Orbitkey Nest reinterprets the stationery box by acting as a storage container for not pencils and erasers, but for your EDC. Designed to complement your tech-filled life, the Nest is perfect for storing your chargers, cables, AirPods, hard-disks, SD cards, pen-drives, etc. It helps keep your workplace organized not just by containing your tech accessories, but also by allowing you to dock/rest your belongings on it. The Nest’s upper surface comes with a slight indentation, perfect for resting your wallet, keys, or watch, while a dedicated zone even acts as a wireless charger for your phone.

Nanoblock by Nanoblock


Designed to be the smaller sibling to the popular brick-based construction toy (you know which one I’m talking about!), the Nanoblock is a 5mm plastic building block that lets you create tiny structures and sculptures piece by piece by layering blocks above one another. The blocks come in a stunning variety of colors, and the fact that they’re just 5mm in height makes the structures vividly more detailed, unlike the LEGO structures which have a ‘pixelated’ effect because the bricks are so big.

MoriMori LED Lantern Speaker by Keen Hsu


The MoriMori LED Lantern Speaker projects the aesthetic charm and classic appeal of a mid-19th-century kerosene lamp, smartly updated with energy-efficient LEDs and a compact Bluetooth speaker. It generates continuous ambient light and crisp 360° sound, creating a harmonious atmosphere in any space. Oh, and just like the original Hurricane lamp that inspired its design, you can easily adjust the brightness with a simple turn of the knob!

Lovebox Color & Photo by Xavier Houy


The Lovebox is a connected, messaging device that pairs with an app to go beyond regular communication and deliver special expressions of affection. Think of it as a physical symbol of your digital memories and intrinsic emotions.

Original Storm Umbrella by Senz°


The Original Storm Umbrella is absolutely gust-resistant! No matter how strong the wind, the umbrella’s unique design won’t ever flip over. Moreover, its aerodynamic shape was calibrated to easily cut through the air with minimal drag too, which means you can hold the umbrella comfortably with one hand in a storm! Oh, and when you’re indoors, the umbrella folds into a compact portable avatar, just like your regular umbrella.

Acoustic Speaker by Kreafunk


With a wonderfully contemporary Danish design, Kreafunk’s speakers look as beautiful as they sound. The way they’re designed makes them blend beautifully into home interiors, with their use of metal, plastic, fabric, and occasionally leather, all combined together to make something that rivals even the best smart speakers. Shown above is the aCOUSTIC, a pretty slick-looking wireless speaker that pumps out a good 30 hours of music on a full charge. It comes with a handle that makes it easy to carry around the house, sports an IP55 dust and water repellent design which means you can carry it outdoors too, and here’s the best part – it supports wireless charging, so you can easily place the speaker on a charging pad when the battery runs low!

Dentelles Lamp And Speaker by Paulien & Kaat


Dentelles refers to the paper doilies used by Lieven and Jenny Vanhalst in the Pastry Shop in the ’70s. If you pile up several doilies, you get the shape of this collection. Another Lamp/Speaker in the collection, this one boasts of a retro aesthetic too (are we sensing a design trend?), although its interpretation is less literal. The lamp has the appeal of something you’d see from Gantri, and comes with a speaker located in its brass base. Both the lamp and the speaker are wireless and therefore easy to move. Moreover, the lamp can simply be dimmed by tapping. The module is 100% recyclable and non-breakable.

Click Here to Buy Tickets Now: $77.11 (€70)

The post Maison&Objet 2022 Spotlight: Here’s what you can expect at this year’s event held during Paris Design Week first appeared on Yanko Design.