NHK 8K Super Hi-Vision camera captures native 120Hz footage, we go eyes-on at IBC (video)

NHK 8K Super HiVision camera captures native 120Hz footage, we go eyeson at IBC video

We've seen plenty of 4K cameras, and we've even heard a whisper or two about 8K, but the quality of a viewing experience isn't tied only to resolution -- frame rate also comes into play, especially with fast-moving subjects. NHK's prototype Super Hi-Vision camera doubles the capture rate from the standard 60Hz to a much speedier 120Hz, yielding sharper motion. While the difference isn't noticeable with static or slow-moving scenes, it certainly comes into play when filming rapid-motion sporting events or panning the camera. The Japan Broadcasting Corporation's latest model was on hand at IBC in Amsterdam, and the advantages of a 120Hz cam were immediately crystal clear.

Filming a rotating image that paired ordinary objects and cityscapes with letters and numbers, you could see the difference instantly, with the 120Hz image on the right side yielding far shaper details, while the left side was often a blurry mess. There's no software smoothing on hand here -- because the higher frequency comes directly from the source, it appears perfectly natural, and much more pleasant. We captured a video demonstrating the expo floor rig, but because our camera doesn't sport the same spec, you won't notice a difference in the hands-on clip after the break. You can see the difference in our stills gallery below, however, and you can take us on our word -- the improvement is quite dramatic.

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NHK 8K Super Hi-Vision camera captures native 120Hz footage, we go eyes-on at IBC (video) originally appeared on Engadget on Sat, 08 Sep 2012 16:29:00 EDT. Please see our terms for use of feeds.

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Peter Jackson unfazed by ‘Hobbit’ footage pushback, but will stick to 24 fps for trailers

peter-jackson-hobbit-48fps-complaints-24fps-trailer

Calm down, cinema-goers. It just takes time to "settle in" to the strange new ultra-realistic world of high frame-rates, according to Peter Jackson, who's been responding to audience's rather strong panning of 48fps rough cuts from his upcoming 3D epic, Hobbit. Viewers' main beefs were the surprising appearance of the higher cadence footage, which almost looked like it was shot on video, as well as blemishes on actors and sets which were all-too-visible without the crutch of motion blur. But Jackson insists that the footage lacked special effects and color correction, and that the showing was perhaps too short to judge the frame-rate -- which is why he also says there'll be no 48 fps trailer. He even adds that he's now "very aware of the strobing, the flicker and the artifacts" when he's watching regular 24fps cinema -- so the real struggle for audiences might not be adjusting to the new way, but going back to the old.

Peter Jackson unfazed by 'Hobbit' footage pushback, but will stick to 24 fps for trailers originally appeared on Engadget on Mon, 30 Apr 2012 08:44:00 EDT. Please see our terms for use of feeds.

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