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Acer usually graces our pages for its pico projector range, but the company's taken a leaf out of the high-end book for its latest non-portable model, the K750 LED-laser hybrid. The world's first combo projector spits out 1080p, just as you would expect, at a contrast ratio of up to 100,000:1. Acer claims the color brightness, saturation and fidelity are significantly better than mercury lamps, and appears to be leaning towards the business and education markets, citing the K750's instant on / off capability to sway the productive types. If you fancy one of these in your house, however, better start saving your cash -- AVForums claims it'll be available in the UK later this month bearing a price tag of around £1,700 (approximately $2,650).

Continue reading Acer breeds LEDs with lasers, new hybrid projector is born

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Acer breeds LEDs with lasers, new hybrid projector is born originally appeared on Engadget on Wed, 08 Aug 2012 12:33:00 EDT. Please see our terms for use of feeds.

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In a departure from its last introduction as dramatic as the C300's Hollywood launch itself, Canon has quietly announced two additional cameras to sit alongside the company's former lone flagship. You may have caught a glimpse of the EOS-1D C at the C300 launch, but what six months ago was a mere mock-up has actually become a reality, likely to ship sometime this year. More out of left field, however, is the C500 -- a higher-end version of the C300 that adds several shooting modes, dual 3G-SDI ports and a larger, permanent grip. Both cameras can capture 4K video, but in substantially different ways.

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The $15,000 1D C, which has the same chassis and still shooting features of its less-abled cousin, the EOS-1D X, pipes 4096 x 2160 8-bit 4:2:2 video to a CF card at 24 fps. Unlike the X, however, the C swaps a headphone jack for the X's PC socket, that's usually used for hooking up strobes. The higher-end C500 requires a dedicated external recorder, but offers two full-RAW output options: 4096 x 2960, that will be better suited for motion picture capture, and 3840 x 2160 for 4K TV. Both of these modes offer 10-bit 4:4:4 at 60 frames-per-second. There's also a half-RAW option, at 4096 x 1080 or 3840 x 1080 resolutions, also 10-bit 4:4:4, but at 120 fps. The C500 also includes dual CF slots, but that recording option is only available for 1080p (which can be captured to CF concurrently). Both cameras support Canon Log Gamma, empowering colorists to correct color in post production with more versatility by capturing additional information and a higher dynamic range.

Gallery: Canon Cinema EOS-1D C and C500