If you’ve been eyeing Sony’s WF-1000XM5 earbuds but were put off by the steep price tag, now would be the perfect time to pick up a set. The premium earbuds, normally $300, are down to a record low price of $230 on Amazon, for a savings of $70. This deal only applies to the earbuds in black. The Sony WF-1000XM5 earbuds were released in summer 2023 and brought major upgrades over the previous model. They boast the best noise cancellation and call quality of Sony’s earbuds lineup, and have built-in Alexa support.
The Sony WF-1000XM5 earbuds are our top pick for the best earbuds for this year. They’re more comfortable than the WF-1000XM4s, being 25 percent smaller and 20 percent lighter for a much better fit. The charging case, too, is more compact than its predecessor. In terms of sound quality, they further improve upon the already impressive capabilities of the 1000X line. The speakers are slightly larger than the previous model’s, and their Dynamic Driver X drivers make for rich, clear sound and bassier bass. Sony WF-1000XM5 scored an 87 in our review last year.
The earbuds offer Adaptive Sound Control, which will automatically adjust your noise cancellation settings to work best for the environment you’re in or activity you’re doing. You may want active noise cancellation on when you’re working from home, but switch to transparency mode when you’re going out for a run. You’ll need to enable location services for this feature using Sony’s Headphones Connect app.
The app allows for other types of customization as well, like changing the controls assigned to the touch sensors on the earbuds. Sony’s WF-1000XM5 earbuds also support multipoint Bluetooth connections, which means you can pair them with two devices at the same time. There’s a Speak-to-Chat mode that pauses audio when it senses you’ve started a conversation, and an equalizer in the app where you can adjust your sound settings.
This article originally appeared on Engadget at https://www.engadget.com/our-favorite-sony-wireless-earbuds-are-on-sale-for-a-record-low-price-145310563.html?src=rss
Sony just announced a trio of new speakers in a new line of audio products called the ULT Power Series. This is an attempt by the company to reduce some of the clutter involved with its naming conventions, so say goodbye to the Extra Bass and XE-Series products. Both lines are being wrapped up into the ULT Power Series branding. To suit this new branding, each of the following speakers include something called the ULT button, which provides a bass boost.
The ULT Field 1 is your standard portable Bluetooth speaker. It’s compact and comes in a variety of colors, including black, white, gray and orange. The battery lasts around 12 hours per charge and the casing is IP67 water resistant, dustproof and shockproof. Like many of these ultra-portable Bluetooth speakers, the design lets users stand it on its end or lay it on its side, to make use of space. There’s also a built-in mic for hands-free calling. This speaker costs $130 and will be available later this spring at major retail outlets.
Sony
The ULT Field 7 is basically a beefier version of the Field 1. It’s bigger, though still portable, and includes two dedicated ULT buttons. One provides deeper bass in the lower frequency range and the other brings a powerful, punchy bass. There’s also plenty of ambient LED lighting that synchronizes with the music.
The battery lasts 30 hours, which is a fantastic metric, and includes quick-charging capabilities. It’s also being advertised as a karaoke machine, thanks to the built-in microphone port. Finally, Sony says people can string together up to 100 of these things to make a cacophony of noise that’ll really annoy the pants off of their neighbors. Those neighbors, however, are likely to live in a glorious mansion, as just one Field 7 costs $500. They go on sale later this spring.
Sony
The ULT Tower 10 is, as the name suggests, a Bluetooth tower speaker intended for living spaces. This speaker wirelessly connects to stereo systems and TVs for enhanced audio and includes the same two ULT bass boost buttons found with the Field 7. There’s also a sound optimization feature that detects local noise and adjusts the settings to accommodate the surroundings.
The speaker boasts omni-directional synchronized lighting, which Sony says “makes listeners feel like they are at a music festival.” There are two microphone inputs for belting out karaoke duets and the speaker actually ships with one wireless mic. Listeners can also connect up to 100 compatible speakers at once, including the Field 7. This is one expensive tower speaker, however, so it’ll set you back $1,200 when it releases later in the season.
This article originally appeared on Engadget at https://www.engadget.com/sonys-new-ult-bluetooth-speakers-are-bringing-back-the-90s-bass-boost-button-160056401.html?src=rss
Sony just announced a trio of new speakers in a new line of audio products called the ULT Power Series. This is an attempt by the company to reduce some of the clutter involved with its naming conventions, so say goodbye to the Extra Bass and XE-Series products. Both lines are being wrapped up into the ULT Power Series branding. To suit this new branding, each of the following speakers include something called the ULT button, which provides a bass boost.
The ULT Field 1 is your standard portable Bluetooth speaker. It’s compact and comes in a variety of colors, including black, white, gray and orange. The battery lasts around 12 hours per charge and the casing is IP67 water resistant, dustproof and shockproof. Like many of these ultra-portable Bluetooth speakers, the design lets users stand it on its end or lay it on its side, to make use of space. There’s also a built-in mic for hands-free calling. This speaker costs $130 and will be available later this spring at major retail outlets.
Sony
The ULT Field 7 is basically a beefier version of the Field 1. It’s bigger, though still portable, and includes two dedicated ULT buttons. One provides deeper bass in the lower frequency range and the other brings a powerful, punchy bass. There’s also plenty of ambient LED lighting that synchronizes with the music.
The battery lasts 30 hours, which is a fantastic metric, and includes quick-charging capabilities. It’s also being advertised as a karaoke machine, thanks to the built-in microphone port. Finally, Sony says people can string together up to 100 of these things to make a cacophony of noise that’ll really annoy the pants off of their neighbors. Those neighbors, however, are likely to live in a glorious mansion, as just one Field 7 costs $500. They go on sale later this spring.
Sony
The ULT Tower 10 is, as the name suggests, a Bluetooth tower speaker intended for living spaces. This speaker wirelessly connects to stereo systems and TVs for enhanced audio and includes the same two ULT bass boost buttons found with the Field 7. There’s also a sound optimization feature that detects local noise and adjusts the settings to accommodate the surroundings.
The speaker boasts omni-directional synchronized lighting, which Sony says “makes listeners feel like they are at a music festival.” There are two microphone inputs for belting out karaoke duets and the speaker actually ships with one wireless mic. Listeners can also connect up to 100 compatible speakers at once, including the Field 7. This is one expensive tower speaker, however, so it’ll set you back $1,200 when it releases later in the season.
This article originally appeared on Engadget at https://www.engadget.com/sonys-new-ult-bluetooth-speakers-are-bringing-back-the-90s-bass-boost-button-160056401.html?src=rss
Sony’s Extra Bass line of headphones has given listeners an added dose of low-end tone for years, and was generally cheaper than its high-end 1000X cans. The company is still keen on offering brain-rattling bass to those who want it, but the Extra Bass moniker and its confusing alpha-numeric product names are gone (more to come on that change). Today, Sony is introducing ULT Power Sound, a feature it’s calling the “ultimate step into the evolution” of its portable audio gear.
ULT Power Sound will also be available on Bluetooth speakers of various sizes, but the first headphones to feature the new audio direction are the ULT Wear ($200). A direct replacement for the WH-B910, the ULT Wear contains 40mm drivers that Sony says are specifically designed for deeper bass. If the stock tuning isn’t enough, there’s a ULT button for two more levels of low-end boost. Plus, the company crammed in some of its best features from more-expensive headphones: the V1 audio chip, 30-hour battery life, Quick Attention mode, 360 Reality Audio with head tracking and more.
The first thing I noticed about the ULT Wear is its design. These headphones don’t immediately strike me as less-than-premium cans. The matte white finish on my review unit helps mask the mostly plastic construction which looked cheap on previous products like the WH-CH720N. It’s definitely a more refined aesthetic than the WH-XB910 that’s being replaced. There are certainly some nods to the premium 1000X line in a few areas, like the curves of the ear cups and headband.
Sony decided on a mix of physical and touch controls for the ULT Wear, which is another way it’s bridging the gap between its most affordable and most expensive headphones. On the edge of the left ear cup is a power/pairing button and a control for cycling between active noise cancellation (ANC) and ambient sound modes. Further up along the bottom is a third button for ULT bass boost. This item switches between off, ULT 1 (deep bass) and ULT 2 (more powerful sound with deep bass). Over on the right, the outside of the ear cup has a touch panel that you can tap and swipe on for playback controls, volume adjustments and calls.
As the ULT Wear sits in the middle of Sony’s headphone lineup, it has a few of the handy features from the 1000X line that the company’s cheaper options don’t employ. For example, placing your open hand over the right ear cup activates Quick Attention mode that lowers the volume so you can respond to a co-worker or grab your cortado without pausing your tunes. Adaptive Sound Control is here as well: Sony’s long-standing tool that automatically adjusts the headphone’s settings based on your activity or location. General niceties like multipoint Bluetooth and wear detection are present too. The convenient Speak-to-Chat function from more-recent 1000X headphones isn’t available though, which is a considerable omission in terms of overall utility.
Photo by Billy Steele/Engadget
Bass reigns supreme for the ULT Wear’s tuning and you certainly get a heavy dose of it. Those new specifically tuned drivers muster a lot of low-end thump before you even start exploring the ULT boosts. The out-of-the-box level was good enough for me for most genres, although the overall sound can get muddy with more chaotic styles like metal and some synth-heavy electronic tracks. For the most part though, the stock bass provides depth and range that complements full mids and cutting highs.
On Bayside’s There Are Worse Things Than Being Alive, there’s a thundering kick drum to drive the punk-tinged indie rock tunes, but the texture of the crunchy distorted guitars stands out and vocals cut through clearly. Plus, you can add Sony’s DSEE upscaling through its app, a software trick that’s designed to recover sonic elements lost to compression. And if you have access to 360 Reality Audio content, the ULT Wear supports head-tracking so that sounds stay put when you move. This offers a more realistic experience since the immersive audio in this format would otherwise move with your head.
When you hop into the ULT boost modes, things are a mixed bag. Sony has done bass boost better than most other companies here, as songs are still actually listenable across musical styles rather than just becoming a muffled mess. ULT 1, the option for deeper bass, is the best in my opinion. You don’t lose much detail using it and things like kick drums are still punchy throughout. Hip-hop tracks are a better canvas, with songs like Killer Mike’s “Down By Law” blasting bombastic, yet finessed, amplified bass. His album Michael is one of the better-sounding selections I tested with ULT 1 enabled.
ULT 2, a setting for more powerful sound alongside even deeper bass, isn’t great. During my tests, I didn’t find a single track where I thought it sounded good across driving low-end styles like hip-hop and EDM. It sounds like you’re standing in front of the subwoofer at a concert where bass is most prominent and everything else gets drowned out. And while I’m sure some people enjoy that extent of brain rattling, it’s not what I’m looking for.
Photo by Billy Steele/Engadget
Sony improved ANC from the WH-XB910 by installing its V1 audio processor from the 1000X series in the ULT Wear. The result is noticeably improved noise-canceling performance for a set of $200 headphones, but you shouldn’t expect distraction-blocking as robust as what the WH-1000XM5 offers. It’s good in most situations, but in some scenarios it simply dulls the roar. The ULT Wear does, however, do a decent job with human voices – much better than the Sennheiser Accentum Plus I recently reviewed.
The company didn’t go out of its way to discuss call quality on the ULT Wear, but the performance here is slightly above average. It’s not pristine, but it also doesn’t have the obvious speaker phone sound most headphones do. Low-to-mid-volume background noise is also dealt with nicely. Ambient sound mode on the ULT Wear is more natural that what most headphones offer, save for the AirPods Max. You can hear a good amount of your own voice, so you’re free to speak at a normal volume during calls. And any sounds from your surroundings come through clear, so you don’t have to worry about not hearing alerts or announcements.
Sony says you can expect up to 30 hours of battery life with ANC on or up to 50 hours with it off. The company doesn’t specify if either of the ULT modes impact longevity, and I didn’t have them on long enough to tell. After 30 hours of use with ANC on, except for several instances of ambient sound for calls, Sony’s app was showing 18 percent battery left. Both audiomodes were used at around 50-60 percent volume, and trust me, that’s plenty loud here.
If you crave a deep bassy thump that most headphones haven't been able to deliver, the ULT Wear does a much better job boosting low-end tone than Sony’s previous efforts. The sound out of the box is certainly boomy, but not at the cost of any detail, and the company gives you the option to add two more servings of bass when you crave it. These won’t be for everyone as a lot of people will prefer the more even-handed tuning of Sennheiser’s Accentum Plus in the $200 range. However, Sony has done well to dress up a more affordable set of headphones as a premium product, in terms of both looks and features.
The ULT Wear headphones are available in black, white and green color options for $200. Sony says they'll start shipping sometime this spring.
Update April 11 2024, 5:00PM ET: This review has been updated to add more information about the battery rundown test.
This article originally appeared on Engadget at https://www.engadget.com/sony-ult-wear-headphones-review-brain-shaking-bass-160000739.html?src=rss
Sony’s Extra Bass line of headphones has given listeners an added dose of low-end tone for years, and was generally cheaper than its high-end 1000X cans. The company is still keen on offering brain-rattling bass to those who want it, but the Extra Bass moniker and its confusing alpha-numeric product names are gone (more to come on that change). Today, Sony is introducing ULT Power Sound, a feature it’s calling the “ultimate step into the evolution” of its portable audio gear.
ULT Power Sound will also be available on Bluetooth speakers of various sizes, but the first headphones to feature the new audio direction are the ULT Wear ($200). A direct replacement for the WH-B910, the ULT Wear contains 40mm drivers that Sony says are specifically designed for deeper bass. If the stock tuning isn’t enough, there’s a ULT button for two more levels of low-end boost. Plus, the company crammed in some of its best features from more-expensive headphones: the V1 audio chip, 30-hour battery life, Quick Attention mode, 360 Reality Audio with head tracking and more.
The first thing I noticed about the ULT Wear is its design. These headphones don’t immediately strike me as less-than-premium cans. The matte white finish on my review unit helps mask the mostly plastic construction which looked cheap on previous products like the WH-CH720N. It’s definitely a more refined aesthetic than the WH-XB910 that’s being replaced. There are certainly some nods to the premium 1000X line in a few areas, like the curves of the ear cups and headband.
Sony decided on a mix of physical and touch controls for the ULT Wear, which is another way it’s bridging the gap between its most affordable and most expensive headphones. On the edge of the left ear cup is a power/pairing button and a control for cycling between active noise cancellation (ANC) and ambient sound modes. Further up along the bottom is a third button for ULT bass boost. This item switches between off, ULT 1 (deep bass) and ULT 2 (more powerful sound with deep bass). Over on the right, the outside of the ear cup has a touch panel that you can tap and swipe on for playback controls, volume adjustments and calls.
As the ULT Wear sits in the middle of Sony’s headphone lineup, it has a few of the handy features from the 1000X line that the company’s cheaper options don’t employ. For example, placing your open hand over the right ear cup activates Quick Attention mode that lowers the volume so you can respond to a co-worker or grab your cortado without pausing your tunes. Adaptive Sound Control is here as well: Sony’s long-standing tool that automatically adjusts the headphone’s settings based on your activity or location. General niceties like multipoint Bluetooth and wear detection are present too. The convenient Speak-to-Chat function from more-recent 1000X headphones isn’t available though, which is a considerable omission in terms of overall utility.
Photo by Billy Steele/Engadget
Bass reigns supreme for the ULT Wear’s tuning and you certainly get a heavy dose of it. Those new specifically tuned drivers muster a lot of low-end thump before you even start exploring the ULT boosts. The out-of-the-box level was good enough for me for most genres, although the overall sound can get muddy with more chaotic styles like metal and some synth-heavy electronic tracks. For the most part though, the stock bass provides depth and range that complements full mids and cutting highs.
On Bayside’s There Are Worse Things Than Being Alive, there’s a thundering kick drum to drive the punk-tinged indie rock tunes, but the texture of the crunchy distorted guitars stands out and vocals cut through clearly. Plus, you can add Sony’s DSEE upscaling through its app, a software trick that’s designed to recover sonic elements lost to compression. And if you have access to 360 Reality Audio content, the ULT Wear supports head-tracking so that sounds stay put when you move. This offers a more realistic experience since the immersive audio in this format would otherwise move with your head.
When you hop into the ULT boost modes, things are a mixed bag. Sony has done bass boost better than most other companies here, as songs are still actually listenable across musical styles rather than just becoming a muffled mess. ULT 1, the option for deeper bass, is the best in my opinion. You don’t lose much detail using it and things like kick drums are still punchy throughout. Hip-hop tracks are a better canvas, with songs like Killer Mike’s “Down By Law” blasting bombastic, yet finessed, amplified bass. His album Michael is one of the better-sounding selections I tested with ULT 1 enabled.
ULT 2, a setting for more powerful sound alongside even deeper bass, isn’t great. During my tests, I didn’t find a single track where I thought it sounded good across driving low-end styles like hip-hop and EDM. It sounds like you’re standing in front of the subwoofer at a concert where bass is most prominent and everything else gets drowned out. And while I’m sure some people enjoy that extent of brain rattling, it’s not what I’m looking for.
Photo by Billy Steele/Engadget
Sony improved ANC from the WH-XB910 by installing its V1 audio processor from the 1000X series in the ULT Wear. The result is noticeably improved noise-canceling performance for a set of $200 headphones, but you shouldn’t expect distraction-blocking as robust as what the WH-1000XM5 offers. It’s good in most situations, but in some scenarios it simply dulls the roar. The ULT Wear does, however, do a decent job with human voices – much better than the Sennheiser Accentum Plus I recently reviewed.
The company didn’t go out of its way to discuss call quality on the ULT Wear, but the performance here is slightly above average. It’s not pristine, but it also doesn’t have the obvious speaker phone sound most headphones do. Low-to-mid-volume background noise is also dealt with nicely. Ambient sound mode on the ULT Wear is more natural that what most headphones offer, save for the AirPods Max. You can hear a good amount of your own voice, so you’re free to speak at a normal volume during calls. And any sounds from your surroundings come through clear, so you don’t have to worry about not hearing alerts or announcements.
Sony says you can expect up to 30 hours of battery life with ANC on or up to 50 hours with it off. The company doesn’t specify if either of the ULT modes impact longevity, and I didn’t have them on long enough to tell. After 30 hours of use with ANC on, except for several instances of ambient sound for calls, Sony’s app was showing 18 percent battery left. Both audiomodes were used at around 50-60 percent volume, and trust me, that’s plenty loud here.
If you crave a deep bassy thump that most headphones haven't been able to deliver, the ULT Wear does a much better job boosting low-end tone than Sony’s previous efforts. The sound out of the box is certainly boomy, but not at the cost of any detail, and the company gives you the option to add two more servings of bass when you crave it. These won’t be for everyone as a lot of people will prefer the more even-handed tuning of Sennheiser’s Accentum Plus in the $200 range. However, Sony has done well to dress up a more affordable set of headphones as a premium product, in terms of both looks and features.
The ULT Wear headphones are available in black, white and green color options for $200. Sony says they'll start shipping sometime this spring.
Update April 11 2024, 5:00PM ET: This review has been updated to add more information about the battery rundown test.
This article originally appeared on Engadget at https://www.engadget.com/sony-ult-wear-headphones-review-brain-shaking-bass-160000739.html?src=rss
Marshall portable speakers are up to 25 percent off right now via Amazon. The sale includes the attractive and highly useful Middleton speaker, which is available for $237. This is a discount of 21 percent and marks a record low for the portable Bluetooth device.
The Middleton made our list of the best portable Bluetooth speakers, and for good reason. It’s the company’s flagship portable speaker, so it’s packed with both bells and whistles. It offers 50-watts of 360-degree sound and a rugged IP67 exterior. There are dual woofers and tweeters for the front and back, in addition to passive radiators along the side. In other words, people attending your backyard barbecue will have no problem hearing the tunes, and the same could be true of your neighbors.
The speaker also features the company’s Stack Mode, allowing it to easily pair with other Marshall speakers. This includes other Middleton units, the Willen and the Emberton II. We also enjoyed the multi-use joystick that can turn the unit on, change the volume, select tracks and adjust bass and treble.
Marshall’s Willen speaker is also part of this sale, with a current price of $90. That’s 25 percent off. This diminutive, yet powerful, speaker made our list of the best gadgets of 2023. We praised the sound quality, the reliable Bluetooth connection and the battery, which lasts over 15 hours per charge. It’s just about the perfect little speaker, especially for the price.
The sale goes beyond portable speakers. Marshall’s Minor III earbuds are on sale for $100, which is a discount of $30. These no-frills headphones feature custom-tuned 12mm drivers, touch controls and IPX4 water resistance. You can expect around five hours per charge, with the included charging case offering an additional 20 hours.
This article originally appeared on Engadget at https://www.engadget.com/marshall-portable-speakers-are-up-to-25-percent-off-right-now-164056685.html?src=rss
Marshall portable speakers are up to 25 percent off right now via Amazon. The sale includes the attractive and highly useful Middleton speaker, which is available for $237. This is a discount of 21 percent and marks a record low for the portable Bluetooth device.
The Middleton made our list of the best portable Bluetooth speakers, and for good reason. It’s the company’s flagship portable speaker, so it’s packed with both bells and whistles. It offers 50-watts of 360-degree sound and a rugged IP67 exterior. There are dual woofers and tweeters for the front and back, in addition to passive radiators along the side. In other words, people attending your backyard barbecue will have no problem hearing the tunes, and the same could be true of your neighbors.
The speaker also features the company’s Stack Mode, allowing it to easily pair with other Marshall speakers. This includes other Middleton units, the Willen and the Emberton II. We also enjoyed the multi-use joystick that can turn the unit on, change the volume, select tracks and adjust bass and treble.
Marshall’s Willen speaker is also part of this sale, with a current price of $90. That’s 25 percent off. This diminutive, yet powerful, speaker made our list of the best gadgets of 2023. We praised the sound quality, the reliable Bluetooth connection and the battery, which lasts over 15 hours per charge. It’s just about the perfect little speaker, especially for the price.
The sale goes beyond portable speakers. Marshall’s Minor III earbuds are on sale for $100, which is a discount of $30. These no-frills headphones feature custom-tuned 12mm drivers, touch controls and IPX4 water resistance. You can expect around five hours per charge, with the included charging case offering an additional 20 hours.
This article originally appeared on Engadget at https://www.engadget.com/marshall-portable-speakers-are-up-to-25-percent-off-right-now-164056685.html?src=rss
Shure's MV7 microphone has been a solid option for podcasters and streamers since its introduction in 2020. With it, the company introduced the first mic with both USB and XLR connectivity. This hybrid setup offers the ability to connect easily to a computer or more robust recording setups as needed. It's also $150 cheaper than Shure's workhorse SM7B that you've likely seen in professional podcast videos. Now the company is back with a new version of the MV7, dubbed the MV7+, with a "sleeker design" and a host of software features aimed at improving audio before you fire up any editing workflows.
The most noticeable change is the new multi-color LED touch panel. Shure says this component is fully customizable with over 16.8 million colors for a visual indicator of your sound levels. You can also opt for "an ambient pulse effect." What's more, a tap on the LED panel mutes the MV7+ when you need to cough, sneeze or clear your throat.
In what Shure calls a "Real-time Denoiser," the MV7+ employs digital signal processing (DSP) to eliminate background distractions. The company says this works alongside the mic's voice isolation to produce excellent sound in noisy scenarios. The MV7+ also features a Digital Popper Stopper to combat the dreaded plosives, but this microphone does so virtually without an unsightly filter making an appearance on your livestream.
Shure says it improved the Auto Level Mode on the MV7+, a feature that makes gain adjustments based on distance, volume and room characteristics to automatically balance the sound profile. There's also onboard reverb, offering three settings (Plate, Hall and Studio) before you start tweaking things in your to-go DAW. And just like the MV7, the MV7+ still has hybrid XLR and USB outputs to connect to mobile devices and laptops in addition to a more capable audio mixer. Where the previous model had a micro-USB port for both USB-A and USB-C cables, this new model is all USB-C.
With the MV7+, Shure is also announcing the MOTIV Mix app. In addition to tweaking the colors of that LED panel, the software provides a five-track mixer alongside the ability to adjust settings like sound signature, gain and more. There's also a Soundcheck tool to assist with the optimal gain setting and a monitor mix slider provides individual adjustments for mic output and system audio playback. The company explains that this new Mix app will be available for older mics like the MV7 and MVX2U, but for now it's only available in beta to use with the MV7+
The MV7+ is available now in black and there's a white version on the way "in the upcoming weeks." Both are $279, $30 more than the MV7 was at launch. Shure is also selling a "podcast kit" that bundles the MV7+ with a basic Gator desktop mic stand for $299. If you'd prefer the more versatile boom stand, that package is $339. A three-meter USB-C to USB-C cable is included in the box whether you purchase the standalone microphone or either of the kits.
This article originally appeared on Engadget at https://www.engadget.com/shures-mv7-usbxlr-mic-has-a-customizable-led-panel-and-built-in-audio-tools-142940237.html?src=rss
Shure's MV7 microphone has been a solid option for podcasters and streamers since its introduction in 2020. With it, the company introduced the first mic with both USB and XLR connectivity. This hybrid setup offers the ability to connect easily to a computer or more robust recording setups as needed. It's also $150 cheaper than Shure's workhorse SM7B that you've likely seen in professional podcast videos. Now the company is back with a new version of the MV7, dubbed the MV7+, with a "sleeker design" and a host of software features aimed at improving audio before you fire up any editing workflows.
The most noticeable change is the new multi-color LED touch panel. Shure says this component is fully customizable with over 16.8 million colors for a visual indicator of your sound levels. You can also opt for "an ambient pulse effect." What's more, a tap on the LED panel mutes the MV7+ when you need to cough, sneeze or clear your throat.
In what Shure calls a "Real-time Denoiser," the MV7+ employs digital signal processing (DSP) to eliminate background distractions. The company says this works alongside the mic's voice isolation to produce excellent sound in noisy scenarios. The MV7+ also features a Digital Popper Stopper to combat the dreaded plosives, but this microphone does so virtually without an unsightly filter making an appearance on your livestream.
Shure says it improved the Auto Level Mode on the MV7+, a feature that makes gain adjustments based on distance, volume and room characteristics to automatically balance the sound profile. There's also onboard reverb, offering three settings (Plate, Hall and Studio) before you start tweaking things in your to-go DAW. And just like the MV7, the MV7+ still has hybrid XLR and USB outputs to connect to mobile devices and laptops in addition to a more capable audio mixer. Where the previous model had a micro-USB port for both USB-A and USB-C cables, this new model is all USB-C.
With the MV7+, Shure is also announcing the MOTIV Mix app. In addition to tweaking the colors of that LED panel, the software provides a five-track mixer alongside the ability to adjust settings like sound signature, gain and more. There's also a Soundcheck tool to assist with the optimal gain setting and a monitor mix slider provides individual adjustments for mic output and system audio playback. The company explains that this new Mix app will be available for older mics like the MV7 and MVX2U, but for now it's only available in beta to use with the MV7+
The MV7+ is available now in black and there's a white version on the way "in the upcoming weeks." Both are $279, $30 more than the MV7 was at launch. Shure is also selling a "podcast kit" that bundles the MV7+ with a basic Gator desktop mic stand for $299. If you'd prefer the more versatile boom stand, that package is $339. A three-meter USB-C to USB-C cable is included in the box whether you purchase the standalone microphone or either of the kits.
This article originally appeared on Engadget at https://www.engadget.com/shures-mv7-usbxlr-mic-has-a-customizable-led-panel-and-built-in-audio-tools-142940237.html?src=rss
Stability AI just unveiled Stable Audio 2.0, an upgraded version of its music-generation platform. This system lets users create up to three minutes of audio via text prompt. That’s around the length of an actual song, so it'll also whip up an intro, a full chord progression and an outro.
First, the good news. Three minutes is huge. The previous version of the software maxed out at 90 seconds. Just imagine the fake birthday song you could make in the style of that one Rob Thomas/Santana track. Another boon? The tool is free and publicly available through the company’s website, so have at it.
Introducing Stable Audio 2.0 – a new model capable of producing high-quality, full tracks with coherent musical structure up to three minutes long at 44.1 kHz stereo from a single prompt.
It primarily works via text prompt, but there’s an option to upload an audio clip. The system will analyze the clip and produce something similar. All uploaded audio must be copyright-free, so this isn’t for the purposes of mimicking something that already exists. Rather, it could be useful for, say, humming a drum part or extending a 20 second clip into something longer.
Now, the bad news. This is still AI-generated music. It’s cool as a conversation piece and as an emblem of a possible future that’s great for tinkerers and bad for musicians, but that’s about it. The songs can actually sound nifty, at first, until the seams start showing. Then things get a bit creepy.
For instance, the system loves adding vocals, but not in any known human language. I guess it’s in whatever language that makes up the text in AI-generated images. The vocals sort of sound like actual people, and other times they sound Gregorian chanters filtered through outer space. It’s right smack dab in the middle of that uncanny valley. The Vergecalled the vocals “soulless and weird," comparing them to whale sounds. That tracks.
Stable Audio 2.0 makes the same weird little mistakes that all of these systems make, no matter the output type. Parts can vanish into thin air, replaced with something else. Sometimes melodic elements will double out of nowhere, like an audio version of those extra fingers in AI-generated images.
There’s also the, well, boring-ness of it all. This is music in name only. Without a human connection, what’s the point? I listen to music to get inside the head of another person or group of people. There’s no head to get inside of here, despite constant proclamations that artificial general intelligence (AGI) is only months away.
So, this tech is an absolute gift for those making silly birthday videos or bank hold music. For everyone else? Shrug. One thing I can say from personal experience: It’s pretty fast. The system concocted an absolutely terrifying big band song about my cat in around a minute.
This article originally appeared on Engadget at https://www.engadget.com/stability-ais-audio-generator-can-now-crank-out-3-minute-songs-160620135.html?src=rss