Carlo Ratti has done it again with the Playscaper – a 300 ft tall tower that stacks eight tennis courts! In collaboration with Italo the ambitious concept makes tennis courts more accessible in urban areas where space is often an issue. What makes this more interesting is its flexible nature, Playscraper can be quickly assembled and disassembled which makes it easier to host competitions around the world while reducing construction costs and not requiring a large area.
Playscaper will provide 60,000 ft2 (5,500 m2) of total playing space with its vertically layered courts. The tower’s structure will be made using lightweight stainless-steel which is inspired by the outer shell of a spacecraft and developed by Broad Sustainable Building. “This project would not just create a new icon for sports lovers. It also experiments with a new type of public space, extending vertically instead of horizontally. The tower is easy to install and dismantle and can be easily moved. This flexible approach fits the circular nature of today’s sports competitions, which move from location to location throughout the year,” says architect and engineer Carlo Ratti, founder of CRA and director of the MIT Senseable City Lab.
Designed not just for the players on the court, the long sides of each ‘box’ incorporate an electronic façade that can stream sports matches and other digital content. While on the short sides, transparent walls offer panoramic views of the outdoors. The project has been developed for rcs sport, the sport and media branch of the leading European multimedia publishing group rcs mediagroup. Carlo Ratti Associati worked on the design as part of a larger team of engineers and technical consultants.
The world’s health systems are feeling immense pressure to catch up with Covid-19’s reach and speed. With over 400,000 worldwide cases (and still growing), the contagion is spreading so rapidly that health professionals are worried because facilities are already overflowing. We have already seen many countries like Italy, Spain, and China treating people in corridors, makeshift tents, and on streets by simply laying a sheet because beds are not available. The global community, from designers and startups to big fashion and alcohol brands, has been helping out by using all their resources to support the health system. Italian start-up Isinnova has 3D printed valves for ventilators, New York start-up Air Co. is making carbon-negative hand sanitizers to donate, Kering (Gucci’s parent company) and beer maker BrewDog have offered money and production lines to make items needed for the pandemic. The most important need of the hour, apart from the hope of a vaccine, are hospital beds and especially ICUs. The supply is nowhere close to the demand – the USA has 2.8 beds per 1000 people, while a country like India with a population of 1.3 billion only has 0.5 beds per 1000 people. Because there is no international standard for how many beds a country must have in hospitals, there is a huge disparity and despite Italy having 3.2 beds per 1000 people, which is more than India and the USA, it is still grappling with the reality of only treating those with a higher survival rate due to the lack of resources. These heroes are doing everything they can but due to the absence of adequate infrastructure, their efforts to contain the spread can quickly become futile if the space used is unhygienic, so Italian architects Carlo Ratti and Italo Rota have come up with a solution – Intensive Critical Unit (ICU) pods made from shipping containers!
These ICU pods are called CURA (Connected Units for Respiratory Ailments) which means “cure” in Latin (doesn’t that make you feel a little better?) and these will help take some load off the hospitals, especially in Italy. Ratti’s Studio, Carlo Ratti Associati, and MIT’s Senseable City Lab are creating mobile field hospitals with these CURA Intensive Care pods that serve as a biocontainment unit for two patients at a time. “The aim is that they can be quickly deployed in cities around the world, promptly responding to the shortage of ICU space in hospitals and the spread of the disease,” explained the CURA team as they build the first prototype unit at a hospital in Milan. These units can be set up as fast as tents with the benefit of having hospital-level hygiene which will help contain the infection and especially help those suffering from acute respiratory problems as they need intense care. This will also ensure that the health professionals remain safe while treating the infected who will have a better chance at recovery in the biocontainment units. “Whatever the evolution of this pandemic, it is expected that more ICUs will be needed internationally in the next few months,” says a spokesperson from the CURA team.
The pods can be assembled and disassembled very quickly, and because it is a shipping container, it can be moved from epicenter to epicenter by road, rail, and ship, around the world to address the need for more ICUs. The units are designed in repurposed 6.1-meter-long (approximately 8 feet x 8.5 feet) shipping containers with a ventilation system that generates negative pressure inside – this prevents the contaminated air from escaping thus reducing the risk of infecting health professionals who are more vulnerable because of a shortage of protective gear. This is a common technique used in hospitals and laboratories and the designers have created CURA to comply with Airborne Infection Isolation Rooms (AIIRs) standards. Each of the ICU pods will have all the medical equipment needed to support two coronavirus Covid-19 intensive-care patients at a time. The beautiful part about CURA is that it is modular – each pod could work as a stand-alone unit or multiple pods can be connected with an inflatable structure to create a bigger intensive care center. These were designed keeping in mind that they would be an expansion to existing hospitals by being set-up in their parking area but have the flexibility to be turned into a larger field hospital if needed. “CURA aims to improve the efficiency of existing solutions in the design of field hospitals, tailoring them to the current pandemic,” explained the team who are working hard to do their bit as non-health professionals in supporting those at the frontline of this outbreak.
While we can’t match the contribution of health professionals, the world needs every single person to play their part right now – designers, engineers, creative professionals, manufacturers, start-ups, brands are all called upon to offer any and every service they can to help ease the ache mankind is feeling. And if you don’t have anything to offer, you still have an equally powerful role to play in breaking the exponential transmission chain by simply staying indoors. Let’s flatten the curve, Avengers assemble…in your homes!
Designers: Carlo Ratti Associati with Italo Rota (Design and Innovation), Massachusetts Institute of Technology (Design and Innovation), Humanitas Research Hospital (Medical Engineering), Policlinico di Milano (Medical Consultancy), Jacobs (Alberto Riva – Master Planning, design, construction and logistics support services), Studio FM Milano (Visual identity & graphic design), Squint/Opera (Digital media), Alex Neame of Team Rubicon UK (Logistics), Ivan Pavanello of Projema (MEP Engineering), Dr. Maurizio Lanfranco of Ospedale Cottolengo (Medical Consultancy).
People rich enough to go on a Royal Caribbean Cruise ship should expect to be treated like royals, and as of late, the Makr Shakr robot bartender is part of the treatment.
Bartender robots that can be controlled with a smartphone app are not exactly a novelty, even though you don’t get to see them everyday, either. However, not many of these helpful robots get to go on a cruise. This sets MIT Senseable City Lab’s Makr Shakr robot bartender apart from the rest of the crowd. Last year, it was showcased at the Google I/O conference, and this November, it will set sail aboard the Quantum of the Seas.
Mind you, the Makr Shakr bartending robot is only one of the geeky things found on Royal Caribbean’s Quantum of the Seas. One of the things this Norwegian cruise line brand prides in having is more Internet bandwidth than all the rest of the cruise ships in the world combined. Other crazy details include virtual balconies in each cabin, a virtual concierge, and RFID for everything.
Carlo Ratti, director of the MIT Senseable City Lab, pointed out that “Makr Shakr is a great example of how digital technologies are changing the interaction between people and products—a topic that our laboratory has been exploring in great depth.” The makers of the robot emphasized that the robot won’t replace humans entirely, and that it’s more of a social experiment.
The fact that Makr Shakr can be controlled with a smartphone or tablet from (I assume) anywhere on the ship will mean that the robot won’t get any rest. Roberto Bolle, principal dancer with the American Ballet Theater, along with Italian director and choreographer Marco Pelle were involved in the development of this bartender robot, as its moves are programmed from the filmed moves of these artists.
Dutch artist and architect Constant Nieuwenhuys gets quoted in the promotional video for the Makr Shakr robot: “In the worldwide city of the future…a society of total automation, the need to work is replaced by a nomadic life of creative play, a modern return to Eden. The ‘homo ludens’, whom man will become once freed from labor will not have to make art, for he can be creative in the practice of his daily life.”
Here’s a crazy thing, though: a couple of innocent typos could turn this robot bartender into Mark Shark, which is something no one would ever want to see while on a cruise in the Caribbean.
