Labyrinth Vinyl LP Pays Tribute to Henson and Bowie

Jim Henson released the weird and cool movie Labyrinth back in 1986, and while it wasn’t a huge hit back in the day, it’s gone on to become a classic. Beyond the cool puppetry, one of the most notable things about the flick was David Bowie played the bad guy Goblin King.

The soundtrack included several songs by Bowie, along with music by composer Trevor Jones. However, the soundtrack went out of production shortly after the film was released.

ThinkGeek has your back if you want some of those quirky ’80s tracks with a remastered version. The artwork on the sleeve is replicated from the original, and features has 12 original tracks, including Underground, Chilly Down, As the World Falls Down, Within You, and Magic Dance.

Westworld LP Has All of Those Awesome Piano Songs

I really like the HBO series Westworld. Unlike Game of Thrones, I was able to get into Westworld right away, and loved every episode. I’m not that into the music scene, so I didn’t even realize that the piano in the bar was playing modern music until the episode where Black Hole Sun was being played.

If you liked Ramin Djawadi’s awesome piano versions of tunes from Soundgarden, The Cure, Radiohead, Amy Winehouse, and NIN, you will want this ThinkGeek exclusive album.

The album’s content itself is by no means exclusive, but the awesome white vinyl is. It reminds me of the milky looking liquid they dip the robots in during the opening sequence.

Here’s a full track list in case you’re interested:

A Side
Main Title Theme – Westworld 1:41
Sweetwater 2:53
Black Hole Sun  2:29
Paint it Black  5:44
No Surprises 4:02
A Forest 2:49

B Side
Motion Picture Soundtrack  2:42
Fake Plastic Trees  2:14
House of the Rising Sun  1:25
Something I Can Never Have  5:56
Back to Black  1:58
Exit Music (For a Film)  4:27
Reverie 1:42

The white Westworld album sells for $29.99(USD) over at ThinkGeek.

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V-Moda’s M-100 audiophile headphones get ready for mass production, we go ears-on

VModa's M100 audiophile headphones get ready for mass production, we go ears on

V-Moda's been seriously edging for the audiophile crowd lately -- namely with its Crossfade M-80 on-ear headphones, the VAMP headphone amp for the iPhone 4/4S, and a soon-to-be disclosed followup dubbed as Vamp Versa. That brings us to its soon-to-be released M-100 headphones, which haven't really been a secret since their inception, making them a special set. Unlike many companies who strive for secrecy in regards to upcoming products, V-Moda's taken a drastically different approach with its latest cans, with owner Val Kolton stating that they're effectively the first crowd-sourced set of headphones.

Many headphone lovers out there likely know that Kolton's been heavily in contact with the Head-Fi community, hoping to craft the best sounding, looking and fitting ear-gear possible. As he puts it, "the easter egg and inside joke is that the [M-100 headphones] can actually stand up. It is the first headphone that we know of that 'stands above the rest' and all others fall down/crawl. It also can stand on top of a few other new brand's models almost like Cirque De Soleil." It may be hard to tell based on the fashion-focused looks, but the company is adamant that its audio gear goes through more stringent research and testing than some of the biggest names out there, and that it'll show in the end products. Most notably, its TrueHertz testing where, for the M-100, "six points from 5hZ to 12kHz are measured to be within [its] obsessive quality control levels." According to Kolton, most companies only check at 1Khz, and allow for much wider variances. He followed up stating that "like fine wine, a headphone is only as good as its fit (taste buds) and its driver variances (grapes/cork). To us, all brands advertising 'HD' sound [aren't being forthright] unless they believe or even know these key components are "'fugazi.'"

For perspective, the M-100 is essentially the third iteration of the Crossfade LP over-ear headphones. Aside from a few tweaks to the design, it's packing an audiophile-focused tuning (rather than DJ) that's based on blending the voicings of its M-80 on-ears and the LP2 over-ears. It wouldn't be unfair to say the company is aiming for a flat, yet fun sound -- all in a package that's fit to take to the streets like its earlier offerings. Those familiar may know that just under 150 of the first 200 production-quality models are currently floating around as early stock and test units for a final bit of real-world feedback before mass-production begins -- and this editor's been lucky enough to get his mitts on a set for some initial impressions. So, is the product shaping up to match all the hype? Click on past the break our take.

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