This recycled stool is created from 4000 disinfected and hand-spun disposable face masks!

Those blue and white face masks have become the unofficial icon of the pandemic era for all the wrong reasons. Seeing the disposable face mask worn by people has become just as common as seeing them on littered city sidewalks and street corners. Caught up in tangles of twigs and plastic waste, disposable face masks end up as floating marine debris since they cannot be recycled due to the potential risk of indirect infection and viral transmission within the recycling system. UK-based designer Joe Slatter noticed the blue and white litter all over the streets of London and decided to do something about it, weaving disinfected masks from the streets into what he calls the Veil Stool.

After collecting close to 4,000 masks from the streets of London, Slatter disinfected them by coating them in ozone spray and leaving them out in direct sunlight for four weeks. Once they were sanitized and prepared for the next step, an experimental period followed that led to Slatter discovering that 3-ply face masks, the blue and white disposable ones, could be spun into a soft yarn or melted down into a dense polypropylene structure. The stool’s final form finds a threaded, cushioned seat made from facemasks spun into a yarn mounted on top of three short stool legs hardened from melted face masks. Slatter’s recycled stool highlights not only the soft, cottony and dense, supportive nature of face masks but also the beauty that can come from confronting such a destructive issue as pollution.

For Slatter, this project goes beyond a simple recycled design, noting both the environmental and cultural significance of spinning disposable face masks into a stool, “The name ‘Veil’ comes from the notion of a veil being a fine material used to conceal the face, similar to that of a face mask. Veils are generally considered beautiful and therefore the name implies that it can be possible to see beauty in an object that is often disregarded, such as a face mask.”

Designer: Joe Slatter

By melting some of the face masks, Slatter created a three-leg base for the soft cushion, made from hand-spun face masks, to mount.

Following a period of experimentation, Slatter found out three-ply face masks could be spun into soft yarn.

4,000 masks were taken from the streets of London to create one stool.

The blue and white gradient is reminiscent of the iconic face masks but can stand alone just as well.

The yarn looks and feels familiar, but its hand-spun from three-ply face masks.

Materials used to build Veil Stool all derive from blue and white face masks.

This biodegradable toothpaste + recycled disposable toothbrush combo leaves zero footprint on the environment!

Disposable paper products come in handy more often than we might expect. While it’s a responsible and sustainable choice to go with disposable alternatives considering their plastic rivals, it can also be a convenient one. Whether we find ourselves backpacking in the mountains, camping in the woods, or road-tripping across the country, disposable home products are lightweight to carry and easy to get rid of.

A team of designers based in China unveiled their own disposable home product, a recycled paper toothbrush called Cycle that even comes complete with biodegradable toothpaste. Made from food-grade recycled paper, Cycle boasts an environmentally friendly design that’s as physically safe as it is biodegradable. Cycle comes in sets, complete with a protective covering for the toothbrush’s bristles and a detachable sachet of toothpaste. Before use, consumers can remove the protective covering, and rip off the attached packet of toothpaste and once the job is done, Cycle can then be discarded without fear of harming the environment. Packaged in sets of four or five, Cycle makes the ideal travel companion for short camping trips or even indoor getaways that call for a couple of days’ worth of brushing your teeth.

With sustainable design growing in popularity and demand, designers have taken to recycled packaging and biodegradable construction material to home in on their commitment to the environment. The team of designers behind Cycle takes on this global sustainability initiative with a disposable toothbrush that gives value to a new mode of recyclable design, leaving no footprint on the environment.

Designers: Liu Ming, Qin Yimeng, Chen Yuxuan, Lin Weiting, & Yan Tian

Coming in sets of four to five, Cycle comes with a protective covering and detachable sachet of toothpaste for easy application. Users simply remove Cycle’s protective covering, detach toothpaste sachet, apply the toothpaste, and discard after use.

Rivaling only with pre-existing plastic toothbrushes, Cycle leaves no footprint on the environment.

LEGO is experimenting with sustainable bricks made from recycled plastic bottles





Since 2018, LEGO has been making strides towards sustainability initiatives including removing single-use plastic from their boxes and producing specialty elements from bio-polyethylene, a natural polymer sourced from sugarcane. Today, the iconic toy company reveals its latest sustainability effort, a prototype brick produced from recycled PET plastic. Derived from discarded plastic bottles, LEGO’s new sustainable prototype marks the culmination of three years worth of testing over 250 variations of PET plastics. The result, a LEGO brick constructed entirely from recycled materials that meet an array of different requirements, including safety, quality, play, and perhaps most exciting, clutch power.

Following a year of testing and reassessing of different PET formulations, LEGO will consider moving onto a pilot production phase, which would bring the recycled LEGO blocks into product boxes to hit the shelves for purchase. Sourced from a single one-liter PET plastic bottle, LEGO’s patent-pending PET formulation can produce ten 2×4 bricks, using a custom compounding method to ensure classic LEGO structure and secure linkage. Currently, the prototype is a blend of recycled PET plastics and additives that work to strengthen the recycled plastic and in turn meet specialized LEGO requirements. Vetted by the USA’s Food and Drug Administration (FDA) as well as the European Food and Safety Authority (EFSA), LEGO’s new recycled composition guarantees the same quality building blocks we’ve come to expect from the mega toy company.

Speaking on the brand’s latest step towards producing sustainable and recycled building blocks and the prototype’s proximity to pre-existing bricks, LEGO’s Vice President of Environmental Responsibility notes, “We are super excited about this breakthrough. The biggest challenge on our sustainability journey is rethinking and innovating new materials that are as durable, strong, and high quality as our existing bricks — and fit with LEGO elements made over the past 60 years. With this prototype, we’re able to showcase the progress we’re making.”

Designer: LEGO

LEGO Bricks made from Recycled Plastic Bottles

From a single 10-liter PET plastic bottle, ten 2×4 LEGO bricks can be produced.

LEGO Bricks made from Recycled Plastic Bottles

Complete with the same quality as pre-existing LEGO bricks, the new recycled bricks meet every safety, play, and clutch power requirement.

LEGO Bricks made from Recycled Plastic Bottles

Following three years worth of testing, LEGO finally found an ideal PET formulation for its new recycled brick prototype.

LEGO Bricks made from Recycled Plastic Bottles

By incorporating strengthening additives, LEGO’s recycled prototype maintains the same quality and strength as pre-existing LEGO bricks.

LEGO Bricks made from Recycled Plastic Bottles

LEGO Bricks made from Recycled Plastic Bottles

Sony debuts original sustainable packaging as part of its initiative to achieve a zero environmental footprint by 2050!

Brands across the globe have taken green initiatives to communicate to consumers their commitment to sustainability. While some companies are rolling out products with longer life cycles that reduce waste and overall consumption, other brands are seeking out sustainable building materials for their products and their packaging. Multinational conglomerate Sony has commenced its own sustainability effort by sourcing recycled paper goods and building material from locally grown annuals to replace their previous packaging, which came from mature perennial trees.

Sony’s Original Blended Material, the brand’s new sustainable packaging, consists of 100% paper material derived from bamboo, sugarcane, and post-consumer recycled paper. Whereas most paper packaging comes from mature perennial trees, Sony’s new Original Blended Material is responsibly harvested from annuals like bamboo and sugarcane, generating less CO2 in the process. Annuals, like bamboo, carry CO2 absorption and emission cycles that last only for one year, decreasing the perennials’ emission cycles that can last several decades by more than half. Similarly, the release of CO2 gas emissions given off from sugarcane fiber production for power generation is halted by using the fiber as one of Sony’s Blended Materials. While the bamboo and sugarcane fiber is both sustainably grown and harvested in local farms, Sony also cuts back on shipping and handling by incorporating post-consumer recycled paper goods into the Blended Material, giving packages a crisp, organic look.

Currently, Sony has developed the Blended Material specifically for their new WF-1000XM4 headphones, but future variations of the organic packaging accommodate differently shaped products by adjusting the construction formula. In addition to acquiring sustainably sourced building materials and cutting back on the effects of shipping and handling, Sony’s Original Blended Material ditches ink for embossed signatures and supplemental package coloring for a more organic look.

Designer: Sony

By adjusting the construction formula, Sony’s new Original Blended Material can be made to fit differently shaped and sized products.

Sony ditches ink for embossing their signature.

Without coloring, Sony’s Original Blended Material achieves an organic look.

Constructed for their new WF-1000XM4 headphones, Sony’s Original Blended Material echoes Sony’s initiative to eliminate plastic packaging from newly designed small products, an initiative set for their medium-term environmental target for ‘green management’ by 2025.

This ultralight aircraft seat was designed to help reduce fuel burn and CO2 emissions!

Ensuring that an aircraft maintains a lightweight body and structure is critical for a few reasons. The lighter the aircraft, the less expensive it is to fly. As additional weight is added to any aircraft, more fuel is needed to fly, which in turn means that more CO2 gas emissions are released during flight. Keep that in mind the next time you’re transferring piles of underwear from your suitcase to your carry-on in the middle of the airport lobby. In order to provide the lightest business class seat possible, JPA Design teamed up with Williams Advanced Engineering and SWS Aircraft Certification to create AIRTEK.

JPA Design’s aim is simple: to produce an all-composite seat structure to help airlines save fuel and CO2. In doing so, the brains and operation behind AIRTEK have produced an ultralight seat that’s durable and thick, constructed from recycled materials to reduce its carbon footprint without compromising comfort or storage. In order to achieve all of this while maintaining AIRTEK’s lightweight quality, JPA Design designed the seat to be self-supporting so that its loads are supported by the skin and shell of the seat.

Since the seat is largely self-supported, fewer internal structures are required for construction, lending to a more lightweight, yet plush aircraft seat. In addition to a lighter weight, fewer internal structures result in more room for customer perks like more legroom and extra storage space. AIRTEK’s lightweight form and structure not only provides customers with aircraft benefits for long flights and extra carry-on bags but also allows airlines to carry passengers to and from destinations and burn less fuel in the process.

In designing AIRTEK, JPA Design managed to create a patented unibody, composite, monocoque aircraft structure entirely built from recycled materials. From its conceptualization to its construction, the makers behind AIRTEK remained devoted to their initial aim. Setting out to help save fuel and CO2, JPA Design sculpted an ultralight business class seat, with credit to a skillful combination of technical engineering and artful craftsmanship.

Designers: JPA Design x Williams Advanced Engineering x SWS Aircraft Certification

AIRTEK’s monocoque build and self-supported seat provide extra storage area and legroom.

Without the need for extra internal structure, AIRTEK allows more space for customer benefits.

“Our aim is to produce an all-composite seat structure, for optimization of seat mass, which in turn will lead to airlines saving fuel and CO2.”

The ultra-light seat is designed with durable, single material thicknesses and surrounded by safe storage places for your laptop, cabin bag, and personal items.”

The extra storage bin provides travelers with supplemental security when stowing sway their bags, thanks to an elastic strap.

The coat hook from AIRTEK was inspired by fashion footwear, providing a strong, minimal hook.

This minimal electric two-wheeler delivers the striking combination of technical quality and low waste design!

Nowadays, electric scooters belong in cities like boats belong on the water. Some scooters prioritize aesthetics, some cater to environmental sustainability, some just have a need for speed. Then, there are some special designs in circulation today that do it all, delivering both sustainability and aesthetics, as well as an in on the fast lane. NAON, a Berlin-based company devoted to spearheading the sustainable shift in personal mobility, strikes that ideal balance with their new electric two-wheeler prototype called Zero-One.

Taking on a minimalist approach to design, Zero-One’s lightweight feel was purposeful for NAON. Speaking to this, the design team says, “By utilizing functional components as key styling elements, we are able to simplify our product and apply more focus on refining every detail.” For instance, the scooter’s motor is found in the rear wheel’s hub, which gives Zero-One not only better traction and smoother acceleration but also an overall stealthier appearance. With the main motor located in the scooter’s rear wheel, no chains or belts are needed to generate additional moving power. The 7 kW motor is accompanied by 200Nm worth of torque so that no matter the traffic, with Zero-One, you can beat it. One look at this design tells you the designer has stripped away everything unnecessary, leaving behind what is needed in a modern yet sleek case, from the suspensions, the handle, and wrapped till the back too.

As far as speed is concerned, NAON offers two versions of Zero-One, offering different top speeds. The first version, L1e is limited to around 28mph due to street regulations and licensing setbacks. The second version called the L3e offers speeds upwards of 60mph to give each morning’s commute a proper boost. Each Zero-One comes ready with a single, detachable 2.4kWh battery located in the scooter’s footrest, which equips each scooter with just over 12 miles to each full charge. If riders hope to increase their mileage, adding a second battery will double each full charge’s range.

Manufacturing Zero-One produces minimal waste thanks to the combination of recyclable and responsibly sourced construction material – locally manufactured onsite in Berlin, NAON sourced recyclable material to construct Zero-One to maintain a small footprint. Love is in the details when it comes to Zero-One. The scooter’s transparent leg shield, for example, not only offers a refreshing, new perspective for riders and onlookers but was also built to be scratch-resistant and filter UV rays. Additionally, equipped with a high-end brake and suspension system as well as a low overall center of gravity, Zero-One’s two-person bench keeps the balance for a steady ride. City scooters are generally known for their heft and bulk, but everything about Zero-One is light: its matte-smooth body, low overall footprint, and aluminum frame.

Designer: NAON

Modular architectural design that brings a healthy mix of Scandinavian design and sustainability to your home!

Plant Prefab, a California-based architecture firm that prefabricates sustainable homes, recently collaborated with Koto, a UK-based studio that designs modular homes, to build two residences called LivingHomes. Devised to meet both LEED Platinum and net-zero standards, the homes were also designed and built on some Scandinavian design principles: minimalism and biophilia. Biophilia is the hypothetical human tendency to interact with nature. Biophilic design, which could be inherently minimalist, interprets that human tendency for both interior and exterior spaces, producing a design concept used to increase the connectivity between a building’s residents and the natural world. In order to meet sustainability standards that match Plant Prefab’s mission statement, Koto looked toward Scandinavian design standards. Together they created two LivingHomes, constructed with recycled building materials with respect to the natural world, equipped with ultra-efficient heating and cooling systems, smart energy monitoring, LED lighting, recycled insulation and drywall, and low-flow water fixtures.

The first home, Yksi, is a cantilevered, two-bedroom residence that employs biophilic design principles through ample deck space and large windows with unobstructed views of natural surroundings. On the first floor of Yksi, which means ‘first’ in Finnish, there are two bedrooms, a bathroom, an office space, and a utility closet. The bedrooms are located on opposite ends of Yksi’s first floor, giving the feel of separate wings for the home’s residents, which enhances the design team’s devotion to Scandinavian design, conveying a sense of quiet luxury. Each bedroom comes with windows that practically take up an entire facade of the two-floor structure. Moving up to the second floor, Yksi is equipped with an open-plan kitchen for excellent cross-ventilation, a dining area, and two separate, outdoor deck areas for easy access to the open air.

The second home, which is named after the Finnish word for ‘courtyard,’ Piha offers four bedrooms and three bedrooms, two courtyards and a deck, and a vast open living space that forms the heart of the home. On the first floor, the open living space incorporates clever use of walls to delineate distinct rooms such as the kitchen and snug, a hideaway just off the main living area. Punctuating the open living area are two courtyards that offer sweeping views of nature and a deck that can be accessed through double-glass sliding doors. Residents can also find two of the four bedrooms on the first floor, once again on opposite ends for prime privacy and quiet, that are separated by a staircase. Following the staircase up to the second floor, residents will find two more bedrooms, one being the master bedroom, complete with an en-suite bath, marked with massive windows for endless views.

Designers: Plant Prefab x Koto

A Tool Used For Firing Clay in a Kiln Transforms into this Minimalist Bird Feeder!

When considering useful design, we typically begin first by denoting which problem the product claims to be capable of solving, and then we consider the process and ultimate product innovation. Created by the designers at Studio Kononenko, Maverick, a ceramic bird feeder, doesn’t present a new solution for bird feeders but does present an approach for sustainable product manufacturing that solves a problem faced by many designers: the scrap material used during construction, like rings in clay kilns, that is discarded once the product is finished.

In collaborating with Ceramika Design and creating furniture items for the brand, the thinkers at Studio Kononenko wanted to make use of ceramic rings used when firing clay in kilns. On the process, the designers share, “Considering that the reserves of this clay are limited, we thought about extending the life of these elements. We wanted to create a useful thing out of this. This is how a feeder for wild birds appeared.”

The main element of the bird feeder is formed from ceramic – the frame and body of the bird feeder. Covering just about a quarter of the round frame is a plastic plate that functions to store plenty of food for the wild birds. Extending from the middle of the plastic plate is a wooden peg that works as a perch for birds to enjoy their seeds. Industrial, strong metal bolts and nuts hold it all together. The bird feeder itself comes with little frills, as the main purpose of this design rests not in aesthetic intricacy, but usability and sustainability. Another aspect of Maverick that enhances its eco-friendly design method is that the designers at Studio Kononenko made it so that each component of the bird feeder is replaceable on the off-chance that one is damaged either by hungry birds a little too eager for snacking or weak tree branches.

Up north, birds rejoice at the sight of backyard bird feeders as food in the winter months can be hard to come by with frozen topsoil and frost-covered plants. It seems the design of Maverick encapsulates a method of sustainability that inspires a cycle of feedback. In collaborating with Ceramika Design, Studio Kononenko produces items for human’s ease of life, then, the waste acquired is used to produce a bird feeder, which benefits an animal’s ease of life, heightening the natural artfulness of landscape design where the bird feeder is situated, and so on. While the design behind Maverick might be simple, the ecological commitment to recyclability is both bold and clever.

Designer: Studio Kononenko x Ceramika Design


The feeder consists of four materials: ceramic, wood, metal, and plastic linings.


Through an intuitive hanging method, Maverick can be suspended from any sturdy tree branch closeby where birds feed.


“While creating items for [the] brand, Ceramika Design, we paid attention to the rings used in the technological process. They are used when firing clay in kilns, and at the end of the process, they are disposed of. Considering that the reserves of this clay are limited, we thought about extending the life of these elements,” Studio Kononenko shares.


By incorporating plastic plates that enclose bird seeds, the designers at Studio Kononenko successfully transformed a ring-shaped tool used during clay firing into a functional bird feeder.


On Maverick’s aesthetic appeal, Studio Kononenko says, “The object is created in the style of minimalism and will be a cool addition to landscape design, and can also please the eye outside the window on the balcony.”