Tag Archives: MVRDV

This 21-Story Tower Has 104 Green Balconies Inspired by Gaudí

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Taichung’s skyline is about to get a dramatic new addition. MVRDV has secured construction permission for The Island, a 21-story residential tower that reimagines urban living through organic curves, ceramic artistry, and an ambitious vertical garden system. Rising where the city’s North and Beitun districts meet, the project stands in stark contrast to Taiwan’s typical boxy residential architecture. The façade takes direct inspiration from Antoni Gaudí’s mosaic techniques, wrapping white ceramic tiles of varying sizes around flowing curves. Larger pieces cover flat surfaces while finer, granular patterns smooth out tighter bends. This careful choreography maintains continuity across every undulation, creating a sculptural presence that shifts in the light and glows against the surrounding commercial blocks.

The Island earns its name through sheer commitment to greenery. The 9,000-square-meter development packs in 104 private balconies with planted areas, five communal three-story balconies, and 38 standalone façade planters. Street-level planting connects the building to the ground, while a rooftop garden terrace crowns the structure. The plant selection mirrors the biodiversity of Taichung province, turning the tower into a living catalog of regional flora. Each communal balcony carves out a three-story recess that brings depth to the façade while offering planted terraces with sweeping views over the city.

Designer: MVRDV

The green ambition responds to Taichung’s liveable building regulations, which push developers toward outdoor space and vegetation. The site tells its own story of rapid urban transformation. Once positioned near the city’s edge, it now sits deep within a densely packed commercial neighborhood following Beitun District’s explosive 21st-century growth. The Island offers a counterpoint to this density, creating an oasis of planted terraces that rise through the urban fabric. The organic presence softens hard edges that define the surrounding blocks.

MVRDV founding partner Jacob van Rijs frames the design challenge plainly: residential buildings in Taiwan must follow standardized, efficient layouts. Character has to come from details rather than radical spatial experiments. The Island finds its identity through soft curves, the Gaudí-inspired finish, and greenery integrated as part of an organic system rather than stuck on as decoration. Van Rijs describes bringing a soft touch to a city full of boxes, with the building’s character emerging from careful attention to craft and natural integration. Curvature becomes the organizing principle that determines how outdoor rooms and planted pockets arrange themselves along the façade.

Seventy-six apartments sit above two floors dedicated to commercial space and communal amenities, including dining rooms, lounges, and karaoke spaces. The focus on community living targets middle-class buyers and young couples. Shared spaces recognize that urban liveability stretches beyond individual units to encompass social interaction and collective experience. The five communal balconies distributed throughout the building’s height create gathering points that encourage resident interaction while providing access to outdoor planted areas at multiple levels. These shared terraces function as vertical parks, bringing ground-level public space up into the residential floors.

Sustainability reaches beyond visible greenery to encompass broader environmental considerations. The project addresses carbon emissions alongside biodiversity goals, positioning itself within larger ecological conversations about dense urban development. The Gaudí-inspired ceramic technique provides aesthetic distinction while ensuring a durable, easy-to-maintain exterior that will age gracefully. The Island represents MVRDV’s ongoing investigation into how residential towers can soften cities dominated by right angles and glass boxes. Through historical reference, material craft, and environmental integration, the project suggests that density and nature need not exist in opposition. It offers instead a model where urban living and ecological consciousness merge into a single architectural expression.

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MVRDV’s Spherical Grand Ballroom Redefines Mixed-Use Architecture in Tirana

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A luminous sphere is rising in Tirana, Albania, and it’s set to become one of Europe’s most audacious architectural statements. MVRDV, the Dutch architecture firm known for pushing boundaries, has won the international competition to reimagine the site of the old Asllan Rusi Sports Palace with The Grand Ballroom—a 100-meter-diameter orb that defies conventional building typologies.

The project merges seemingly incompatible programs into a single sculptural form. A 6,000-seat arena for basketball and volleyball sits at the heart of the structure, surrounded by hotel rooms, residential apartments, restaurants, and public spaces. Where most architects would separate these functions into distinct volumes, MVRDV stacks them vertically within the spherical envelope, creating a building that reads as both monument and machine for urban living.

Designer: MVRDV

The organizational strategy reveals a sophisticated understanding of public and private gradients. At ground level, where the sphere meets the earth, it creates an impression in the landscape, carving out a lower floor that welcomes visitors into the building’s most accessible spaces. From there, the programming ascends in horizontal layers, transitioning from communal arena spaces through semi-public hotel facilities to private residential units at the upper reaches. This vertical choreography ensures each function occupies its optimal position within the geometric constraints of the sphere.

The exterior treatment showcases MVRDV’s characteristic attention to facade articulation. A gridded skin of vertical and horizontal structural elements wraps the entire volume, creating rhythmic openings that modulate light and views while maintaining the sphere’s overall coherence. These apertures serve dual purposes: they provide necessary transparency for the various programs while reinforcing the geometric purity of the form through their careful distribution across the surface.

The Grand Ballroom arrives at a moment when Tirana is actively reshaping its architectural identity. The capital city has emerged as a laboratory for contemporary design in recent years, attracting international architects to contribute bold proposals. MVRDV’s sphere positions itself as a civic anchor, a building scaled to read from across the city while engaging pedestrians at street level through its distinctive ground-level imprint.

The technical ambition matches the formal boldness. Engineering a sphere of this scale requires sophisticated structural solutions, particularly when accommodating the varied spatial demands of arena seating, hotel rooms, and residential layouts within a continuous curved envelope. The gridded facade likely performs structural duties alongside its aesthetic function, distributing loads across the entire surface. This project represents a departure from the fragmented, multi-building approach that typically defines mixed-use developments. Rather than clustering separate towers around a shared plaza, MVRDV consolidates everything into a singular object. The sphere becomes a self-contained urban district, a building that functions as both landmark and neighborhood. It’s architecture as spectacle, certainly, but spectacle in service of density and programmatic diversity. The Grand Ballroom positions MVRDV within a lineage of architects willing to embrace geometric extremes. It stands as proof that even the most fundamental shape—the sphere—still holds potential for radical reinvention in contemporary practice.

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Rotterdam Strikes A High Note As Construction Begins On MVRDV’s Saxophone-Inspired Towers

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Construction has officially commenced on one of Rotterdam’s most anticipated architectural projects: The Sax, a striking saxophone-inspired residential development that promises to transform the city’s waterfront skyline. Designed by Dutch architecture firm MVRDV, the project represents a bold fusion of musical metaphor and urban densification, bringing 916 apartments to Rotterdam’s prestigious Wilhelminapier district .

Designer: MVRDV

A Symphony in Steel and Glass

The Sax consists of two interconnected towers that truly live up to their musical namesake. The taller “Havana” tower soars 180 meters across 55 stories, while its companion “Philadelphia” reaches 82 meters with 26 floors. The towers are dramatically connected by a golden skybridge spanning six stories, creating what MVRDV describes as a “saxophone-like silhouette” that will serve as a beacon on Rotterdam’s evolving waterfront.

The building’s facade features a sophisticated pattern of bow windows and undulating balconies that become progressively more pronounced toward the top, creating dynamic light patterns that change throughout the day. As MVRDV founding partner Jacob van Rijs explains, “The varying angles will allow the light to fall differently on the metal facade, so the building will change colour with the time of day”.

Addressing Urban Housing Demands

Beyond its striking aesthetic, The Sax tackles Rotterdam’s pressing housing shortage through strategic densification. With 916 residential units, the project will make the Wilhelminapier “the most densely built-up area in the Netherlands,” according to van Rijs. Crucially, the development prioritizes affordability, with exactly half of its apartments—458 units—designated as affordable rental housing for middle-income Rotterdam residents.

The project exemplifies vertical community living, featuring shared amenities that encourage resident interaction. The golden skybridge houses communal spaces and a rooftop terrace where residents can gather, while the building’s base accommodates nearly 2,000 bicycle parking spaces, reflecting Dutch transportation culture.

Completing an Architectural Constellation

The Sax represents the final piece in the Wilhelminapier’s collection of iconic buildings, joining works by renowned architects including Álvaro Siza, Renzo Piano, Norman Foster, and Mecanoo. This architectural ensemble has established the pier as one of Europe’s most prestigious waterfront developments, and The Sax promises to serve as its crowning achievement. Developed by BPD and Synchroon in partnership with the City of Rotterdam, the project has been in development since MVRDV won the international architectural competition in 2017. The design process involved extensive collaboration with engineering firm ARUP to realize the complex structural requirements of the interconnected towers.

With preliminary construction work now underway, The Sax is expected to reach completion by 2030. Upon completion, it will offer not only residential spaces but also ground-floor retail, restaurants, sports facilities, and an automated underground parking garage, creating a truly mixed-use vertical neighborhood. The project stands as a testament to MVRDV’s innovative approach to high-density living, proving that densification need not sacrifice architectural ambition or community amenities. As Rotterdam continues its remarkable post-war urban transformation, The Sax promises to strike a high note in the city’s evolving symphony of modern architecture.

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