An Anthropic model submitted a false homicide tip to Philadelphia police
Thankfully, it does not seem to have diverted police resources.
Wild Land PickupMate Trunk turns your pickup into two-story camping space at the push of a button
If you’re like me, constantly looking for a new way to carry, camp, and explore with the pickup, chances are you’ve heard about Wild Land. Yes, the same manufacturer that brought the lightest, most spacious rooftop tent for an off-roader to Kickstarter. Now the manufacturer is playing it different, not just releasing a truck cap, but a versatile alternative that opens up a multi-story living space on the truck bed, which installs using a remote control or onboard control.
The Wild Land PickupMate Trunk, as the new camping solution from Wild Land is called, is designed for pickup owners who want more versatility without complicated modification. The Trunk thus turns the truck bed into a customizable space, ensuring that the original flexibility, usability, and off-road clearance remain unhindered.
Designer: Wild Land
Created with convenience in mind, the camping solution mounts onto the truck bed without drilling. Its lightweight folding structure installs with strong multi-point support. It can triple as a truck cap, rooftop tent, and a storage box, a combination that you will not get in any other alternative to the Trunk. Its dual-level layout is the striking aspect, which opens up the space from a box shape into a two-story living space, ideal for 2-3 people.
What makes the PickupMate Trunk really interesting is its electro-actuated scissor-lift frame that mounts onto the upper perimeter of the pickup bed. Instead of manually setting up an entire camp, you can expand or fold the structure in mere seconds at the push of a button. It supports remote and app control, making it easy to switch between the compact storage configuration and expanded living space whenever you want. Its folding structure also allows it to return to a compact form when the extra living space is not needed.
When it is deployed, the dual-level layout offers up to 9 feet of interior height, creating a spacious environment you would typically expect from a pickup bed setup. The first level provides a compact living area, while the second level expands into a larger space, with interior dimensions reaching 118 inches in length. Wild Land has also paid attention to the details that make a camping space more comfortable for camping, overlanding, hunting, and even fishing.
It has been provided with panoramic windows that allow natural light and ventilation, opening up the living area to the surroundings. Integrated lighting, power, and smart controls offer convenience, while a built-in 4.0 surround sound system means your entertainment is taken care of inside the Trunk.
The PickupMate Trunk comes in two versions: the smaller variant weighs 459 lbs, while the large version comes in at 485 lbs. When folded, the small model measures 67 x 59 x 24 inches, and the large version measures 73 x 59 x 24 inches, the company notes. The compact closed dimensions make travel more convenient and easy. The automatic setup of the camping solution, irrespective of the size, is powered by an 86.4Wh battery, which supports approximately six setup cycles. This allows users to operate the lifting and folding system without having to manually handle the change its configuration.
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This plastic stool is a giant Esc key, and it hides your clutter
I have a soft spot for objects nobody bothers to credit, and the plastic stool might be the champion of them. It’s the monobloc chair’s shorter, scrappier cousin, and it gets about half the respect. You’ll find it at night markets, under kitchen sinks, and propping open a door somewhere in Asia. Nobody can name the person who designed it. Every few years a design student gives it a glow-up, and then it goes right back to being ignored.
This time the glow-up comes with a joke. Dream Research Society, a Chinese product studio, turned the stool into a giant Esc keycap, complete with tapered sides and a little white ESC legend. The top pops off like a lid, so the stool also hides your shoes, toy bricks, or that one box of cables you swear you’ll sort someday. The designer says you can buy it now on major Chinese e-commerce platforms, in transparent, black, or white. Finally, a stool with a punchline.
Designer: Dream Research Society
Scale a computer keycap up to stool size and most of the work is already done. The tapered skirt, the softly rounded corners, and the slightly lighter top cap with a bold white ESC legend all carry over straight from the keyboard. The corners of the skirt are cut away, which leaves four small feet and gives the stool its stance. No dimensions are listed, so I can’t give you a seat height, but the photos show a low, squat piece that looks built for tying shoelaces rather than hosting dinner. A keycap that helps you leave the house is a decent joke.
The whole top lifts off as a lid, with a small finger slot on one edge, and underneath is a hollow body. The promo renders fill it with toy bricks, picture books, and plush animals. In the transparent version you can see all of it through the walls, so the clutter becomes a display. The one compromise is obvious from the form: the lid is also the seat, so grabbing anything inside means standing up first. That works for shoes and gets a little annoying for toys, especially when the one brick you need is at the bottom. Call it a keyboard shortcut that takes two steps.
The listing shows three bodies, transparent, black, and white, each topped with a gray lid. Gray on white is the pairing that reads as a keyboard from across the room, like something pulled off a beige-era office desk. Separate renders also show frosted bodies with pink, green, and cream lids, though I can’t tell whether those are sold or just mood. The joke has real history behind it, too. Bob Bemer pushed the escape character into ASCII around 1960, and the key has been the computer world’s emergency exit ever since. Parking that exit button in your entryway, right where you leave the house, is a gag that took 60 years to set up.
The designer says it’s a real product, on sale through major Chinese e-commerce platforms. I couldn’t find a price, materials, weight limit, or brand name, and nothing points to a US release, so American readers get to admire from afar for now. The promo images also include arrow-key versions in clear blue, which I’d love to see as a four-stool cluster, though I can’t confirm they exist beyond the renders. If they do, someone’s living room is about to become a cursor cluster. Until then, the humble plastic stool finally has an inside joke, and all it took was a keyboard.
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Bose Lifestyle Ultra Soundbar review: A great home theater option all by itself
Bose's latest soundbar pulls double duty as both a TV and music speaker. Plus, it doesn't need a separate subwoofer for adequate bass.
Atari Made a $219 Retro Console You Can Actually Write Programs On
There was a time when a computer invited you to do something before it told you what to buy. The Atari 800XL was built for that kind of curiosity, with a keyboard you could use for games or your first lines of code. THE 800XL brings that experience back at full size, rather than shrinking it into another little box beneath the television.
The original’s broad shape mattered because this was a machine you sat down to use, not simply a console to switch on. The recreation keeps that full-size desktop presence and puts a 57-key mechanical keyboard where your hands expect one. Those keys should make typing feel deliberate, but they also keep the computer’s most distinctive design feature from becoming a decorative prop.
Designers: Atari, Retro Games
Switch to Classic Mode and Atari BASIC turns that keyboard into a way to make something yourself. You can write, save, and run programs, then move back to games when the experiment is over. That changes the mood of a retro machine considerably: the keys aren’t there solely to make the housing look authentic. They invite the occasional curious detour between sessions.
Of course, some of the most satisfying rituals need no programming. If you still have an old Atari cartridge, the working slot supports most cartridges from the 400, 800, XL, and XE families. Sliding one into a computer feels different from scrolling through a menu, and it gives an old collection a reason to leave its storage box again.
You don’t need a box of cartridges to begin, though. There are 25 games built in, along with a joystick that adds buttons to the familiar design. That pairing keeps the first evening simple: connect the computer to a television, pick a game, and get reacquainted with a stick in your hand. The keyboard remains close by when play gives way to tinkering.
HDMI is the sensible concession to today’s living room, letting the machine connect to a modern screen without hunting for an old television. USB drives can carry cartridge, disk, and cassette images too, while save states and up to 30 seconds of rewind ease the occasional mistake. These conveniences sit alongside the physical cartridge slot instead of asking it to disappear.
There is a trade-off to keeping the computer at its original scale. THE 800XL takes up desk space that a miniature retro console wouldn’t, and its keyboard may go untouched if all you want is a quick game. At $219.99, it’s a more considered purchase than a novelty for one rainy afternoon, especially when shipping isn’t scheduled to begin until April 23, 2027.
But size is also why this revival makes sense as an object. You can sit down to it, reach for a cartridge, wrestle with a few lines of BASIC, and leave it ready for another evening. The new ports remove some of the friction of bringing an old computer home, while the keyboard keeps the part that made sitting at one interesting in the first place.
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Intel is reportedly launching new CPUs on old sockets that support DDR4 memory
If you guessed the RAMpocalypse is involved...
What it’s like to spend a night in a Pebble Flow EV RV
Staying in the tech-infused trailer can kind of feel like being in a spaceship - in a good way.
3 Lamps Built From Objects Nobody Wanted Anymore
A room can have plenty of light and still feel oddly flat. Overhead fixtures handle the practical stuff, but they rarely give you a reason to linger at the table or look twice at a shelf. Buying another polished, anonymous lamp does not always help. Alexandre Veillon’s three designs offer a different answer: give older objects a new job, then let their quirks become the reason you want them around.
That approach solves a second problem, too. Beautiful pieces of glass and tableware can outlive the settings they were made for. A shade loses its fixture; a plate no longer belongs to a set. Veillon works with such forgotten objects, pairing them with metal structures rather than trying to make them look new again. The results feel less like rescued antiques and more like small, slightly eccentric characters you could actually live with.
Designer: Alexandre Veillon
The pale green lamp is the most immediately charming of the three. Its glowing shade rises from a brushed-metal cylinder, with a soft, uneven edge held in place by conspicuous bolts and clamps. It reminds me of a flower pushing through a piece of machinery. The hardware could have overwhelmed that delicate glass, but the contrast makes its shape easier to notice. Set against a dark tabletop, it has the presence of a sculpture without needing a spotlight of its own.
The white design takes a quieter, stranger route. A shallow dish, almost like a dinner plate, hovers above its metal base. Light gathers in the recessed center, where a small warm glow gives it the appearance of a candle viewed from across the table. In the photographs, a fork and knife sit nearby, and the arrangement makes perfect sense. It turns a familiar place setting into a gentle visual joke, one that only works because the lamp remains elegant enough to take seriously.
Then there is the blue lamp, whose mottled glass sits inside a cage of curved metal supports. It is the most architectural of the group, but also the one I would most want to touch. The cool color and cloudy texture make the glass look almost soft, while the brackets insist on its weight and fragility. On a ribbed metal surface, it reads like an artifact from an imaginary laboratory. On a bedside table, I suspect it would feel much more intimate.
Across all three, Veillon leaves the joins visible. Screws, brackets, and cylindrical bases are not disguised as decoration or hidden behind seamless finishes. That decision gives each lamp a sense of having been assembled with intention, not simply manufactured to resemble an old object. His approach is about giving forgotten things a place again, rather than restoring them to some imagined original condition. You can see that distinction in every exposed fastener.
I like these lamps partly because they refuse the usual choice between sleek contemporary lighting and sentimental vintage decor. The green shade can be a little odd. The white dish can still resemble a dish. The blue glass does not need a perfectly smooth surface to earn its place in a room. Veillon lets those qualities stay visible, then puts them beside metal that looks decidedly of the present. Each piece carries its history without asking you to decorate around it.
They are not replacements for a bright desk lamp or the light you need when cooking dinner. Their appeal is more atmospheric and personal. You might notice one while walking past, then stop to work out how its parts fit together. That feels like a worthwhile role for an object that lives in plain sight every day. A lamp does not have to disappear into a room to be useful to it.
Of the three, I would choose the green one for a living room, the white one for a dining space, and the blue one for the corner that needs a little mystery. But the pleasure here is not in picking a winner. Veillon has made three convincing arguments for keeping imperfect, familiar objects in circulation. They give off light, certainly, but they also give you a fresh reason to look at what might otherwise have been overlooked.
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Amazon’s new Alexa tablets fix Fire’s biggest limitation with Google Play and Alexa+ support
Buying a tablet often comes down to what you want to do with it. Some people need a bigger screen for work, others want something comfortable for reading or binge-watching shows in bed, and many want a device that runs their favorite apps without fuss. The biggest advantage is that these tablets support the Google Play Store, giving users access to apps like YouTube, Gmail, and Google Docs instead of keeping them within Amazon’s app ecosystem.
Amazon’s new Alexa Tablet range, unlike the earlier Fire line-up, looks to cover these everyday needs with three models featuring 8.7-inch, 11-inch, and 12-inch displays. Prices start at $229.99, and US shipping begins October 14. This gives buyers another option in a market where the Apple iPad, OnePlus Pad 4, Lenovo Yoga Tab Plus, Xiaomi Pad 8 Pro, and Samsung’s Galaxy Tab S series are familiar choices. Those tablets appeal to users looking for everything from premium performance to creative tools, but not everyone needs that level of capability. Amazon’s tablets take a more everyday approach, pairing Android apps with Alexa+ for help with tasks, recommendations, and content. For households already using Amazon services, the appeal is having a device for streaming, reading, browsing, and getting things done without stepping up to a more expensive flagship tablet.
Designer: Amazon
Amazon Alexa Tablet 12 Pro
The Amazon Alexa Tablet 12 Pro is the flagship model, featuring a 12-inch display with a 3:2 aspect ratio, 2.8K resolution, and a 120Hz refresh rate. Its eight-core MediaTek Dimensity 8400 processor delivers up to three times the CPU performance and nine times the graphics performance of the Fire Max 11, according to Amazon. The tablet includes 8GB of RAM, 128GB of storage, quad Dolby Atmos speakers, Wi-Fi 6E, and up to 16 hours of video playback.
Buyers can choose between a standard display and an optional Nanomatte version designed to reduce glare while retaining detail and color accuracy. A higher-end configuration offers 16GB of RAM and 256GB of storage. The Alexa Tablet 12 Pro also supports an optional keyboard and stylus for people who want to do some work on their tablet. The optional Pro Pen supports pressure sensitivity and tilt detection, while the magnetic Pro Keyboard connects without Bluetooth pairing. Prices start at $499.99, with the Nanomatte version starting at $549.99 and the 16GB/256GB configuration priced at $679.99.
Amazon Alexa Tablet 11
The Amazon Alexa Tablet 11 is designed for entertainment, browsing, and everyday multitasking. It features an 11-inch display with 2.5K resolution, a 16:10 aspect ratio, and a 90Hz refresh rate. An eight-core MediaTek processor paired with 8GB of RAM powers the tablet, while dual Dolby Atmos speakers provide its audio output. Amazon rates its battery life at up to 15 hours of video playback.
The aluminum-bodied tablet includes Alexa+ for voice and touch interactions, personalized recommendations, and contextual assistance. It also provides access to Google Play apps alongside Amazon services such as Prime Video, Kindle, Audible, and Amazon Music. Available in Graphite, Amethyst, and Matcha, the base configuration comes with 64GB of storage, while a 128GB option is available for an additional $50. Pricing starts at $329.99, with an ad-free version priced at $349.99. US shipping begins October 14, 2026.
Amazon Alexa Tablet 8
The Amazon Alexa Tablet 8 is the most portable model in the lineup, featuring an 8.7-inch display inside an aluminum body measuring 7.95mm thick and weighing 329g. Its compact form is intended for reading, web browsing, and streaming while travelling. The tablet uses an eight-core processor, supports Wi-Fi 6, and offers up to 14 hours of video playback.
Like its larger siblings, the device includes Alexa+ and access to the Google Play Store, expanding its usefulness beyond Amazon’s own applications. Its 1,340 × 800 display resolution is more modest than those of the other two models, reflecting its focus on portability and everyday use rather than premium visuals. The tablet comes in Graphite, Rosette, and Teal. Pricing starts at $229.99 for the 4GB RAM and 64GB storage configuration. A 4GB/128GB version costs $279.99, while the 8GB/128GB model is priced at $299.99. An ad-free option costs an additional $20, and US shipping begins on October 14, 2026.
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Retro Song Bird Is the Record Player Game Boy Cartridges Deserved
Game Boy cartridges usually wait in a drawer until you feel like playing something again. But sometimes it’s the music you miss, not the game. Retro Song Bird gives those little plastic rectangles a different job: slot one into the top of a tabletop player, and it finds the soundtrack for you. No screen, no level to beat, just the tunes you remember.
The idea works because the cartridge remains the thing you choose. Instead of scrolling through a library of files, you pull a favorite from a shelf and plug it in. The prototype’s compact, translucent green housing makes room for a top-mounted slot, a front speaker grille, and simple controls along the side. It behaves a bit like a tiny stereo with chunky albums.
Designer: BJ (Bird Cartel Games) via Retro Dodo
It doesn’t play a stored recording from the cart. Retro Song Bird reads parts of the game’s code and recreates the music using an emulation of the Game Boy sound hardware. Its developer says the system maps more than 1,900 games, though that figure isn’t a tested compatibility list. You can skip between tracks and sound effects without having to play through them.
That makes it suited to the hours when you want a soundtrack but don’t want another screen demanding attention. Let it play through its built-in speaker while you’re working, or connect the stereo line output to your speakers. A melody that once accompanied a difficult boss fight can fill the room on its own, even if you never pick up a controller.
The cartridge slot also turns the player into an archive station. It can back up and restore save data, copy game ROMs, and export music as WAV files. That’s useful if you’ve kept a childhood save that feels too precious to lose. Rather than treating games as sealed collectibles, the design makes it easier to listen to and preserve what’s still inside them.
Musicians can go further. The Game Boy’s four sound channels appear as separate USB audio streams, ready to bring into music software for rearranging or sampling. You could start with a melody you recognize, then hear what happens when the square waves and noise part ways. The same cartridge that entertained you after school becomes a set of sounds to work with.
There’s even room for a wonderfully impractical detour. Insert a Game Boy Camera, connect the device to a computer, and it can serve as a USB webcam at 128×112 pixels, in four shades of gray. Alarm mode can wake you with a cartridge’s music, too. Neither feature is why this box exists, but both show how versatile that slot can be.
For now, Retro Song Bird remains a prototype, with shipping targeted for late 2026 and no listed price. Its mint-green housing may change before release. What makes the idea stick is choosing a cartridge for how it sounds rather than how it plays. A game can take a turn on the stereo without demanding another afternoon in front of a screen.
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