LEGO Finally Gives Tintin’s Moon Rocket Its Brick-Built Moment

The moon landing happened in 1969. Tintin got there in 1954. That’s the kind of detail that makes you stop, reconsider, and immediately want to tell someone about it. Hergé, the Belgian cartoonist behind The Adventures of Tintin, published Destination Moon and its sequel Explorers on the Moon in the early 1950s, a good fifteen years before Neil Armstrong ever set foot on the lunar surface. What makes that even more remarkable is how seriously Hergé took the science behind it. He corresponded with space experts, commissioned a physical rocket model to verify its accuracy, and drew every last detail with a level of rigor that would feel at home in an aerospace manual. The rocket he designed, that now-iconic red-and-white checkered tower, wasn’t just a narrative prop. It was a genuine vision of what a moon mission could look like, built from the best technical knowledge available at the time.

And now LEGO has turned it into 1,283 bricks. The LEGO Ideas Tintin Moon Rocket (Set #21367) is available now, priced at $159.99, and it is exactly as satisfying as you’d want it to be. Standing at 49cm tall with the red-and-white checkered pattern faithfully recreated in brick form, it works beautifully as a display piece, which is clearly the whole point. This is part of LEGO’s Ideas line, designed for adults 18 and up, and it carries that same particular energy as the Botanical Collection or the vintage typewriter set: you build it once, and then it earns a permanent spot on your shelf.

Designer: LEGO

The set includes six figures, Tintin, Captain Haddock, Professor Calculus, the twin detectives Thomson and Thompson, all in detailed space suits with helmets and oxygen tanks, plus Snowy. There’s also a removable panel on the nose cone that opens to reveal a miniature control room inside. That’s the kind of considered detail that makes a $159 price tag feel reasonable rather than indulgent.

But the more interesting story is really about the design of the rocket itself. The checkered pattern on Hergé’s original wasn’t just a visual choice. It was a functional one. The two-tone design was rooted in actual aerospace practice, used to track a rocket’s roll and rotation during launch. Hergé based the rocket’s overall silhouette on the German V-2, the most advanced rocket technology the world had seen at that point, developed under Wernher von Braun’s direction during World War II. The full-circle irony is that von Braun, the man whose V-2 work first inspired Hergé’s fictional rocket, later became NASA’s chief rocket architect and was instrumental in developing the Saturn V that carried Apollo 11 to the actual Moon. Fiction and history were chasing each other the whole time, and somehow Tintin was always a step ahead.

This is also the first LEGO Tintin set ever made, which, given how culturally massive the franchise is, feels like it took longer than it should have. Over two dozen albums, translations into dozens of languages, a presence spanning continents and generations. The set started as a fan submission from Portuguese designer Alexis Dos Santos, known online as Tkel86, who put it through the LEGO Ideas community voting process before it reached full production. That origin story is fitting. Tintin has always been driven by devotion rather than obligation.

The LEGO Ideas line has a reliable instinct for picking the right icons, and the Tintin Moon Rocket belongs here. It works on multiple levels at once: a display piece that’s genuinely beautiful, a nostalgic touchstone for anyone who grew up with the comics, and a design artifact with a richer backstory than most people expect. The checkered pattern that looks so striking on a shelf today is the same pattern that was quietly grounded in real rocket science more than seventy years ago. For anyone who appreciates when design, history, and storytelling land in the same object, this one is absolutely worth your attention.

The post LEGO Finally Gives Tintin’s Moon Rocket Its Brick-Built Moment first appeared on Yanko Design.

Amazon’s satellite internet service is scheduled for mid-2026 availability

Amazon Leo (formerly Project Kuiper) will launch mid-2026, according to Andy Jassy. On Wednesday, the Amazon CEO dropped the news in his annual letter to shareholders. The company says Leo will support download speeds up to 1 Gbps. By comparison, Starlink’s download speeds typically range between 45 and 280 Mbps.

Jassy didn't specify whether the mid-2026 launch date will include consumer availability. (An Amazon spokesperson told Engadget that the company doesn’t have any more details to add right now.) We do know that "select enterprise customers" began testing the high-speed satellite service late last year. Delta and JetBlue have already signed on to use Leo for in-flight Wi-Fi. Other businesses striking deals include AT&T, Vodafone, DirecTV Latin America and NASA.

Whenever it does arrive for consumers, Amazon Leo could offer several perks compared to Starlink. It will allegedly offer six to eight times faster uplink performance and double the download speeds than competitors (read: Starlink). Amazon says it will also cost less and offer native AWS integration for enterprise data storage, analytics and AI.

Despite those perks, it may be a while before Leo can deliver Musk-free satellite internet on a large scale. The service is currently behind schedule, with only 241 satellites operating in its constellation. (Starlink has over 10,000.) In January, Amazon asked the FCC for an extension on a July 2026 deadline requiring it to have 1,600 satellites in orbit. The company said at the time that it expected only around 700 to be operating by that deadline.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/amazons-satellite-internet-service-is-scheduled-for-mid-2026-availability-164046305.html?src=rss

This Walnut Box Prints the News You’d Scroll For: Only 10 Were Made

The first thing most people reach for in the morning isn’t a glass of water or a cup of coffee; it’s the phone. From there, it’s a quick trip through news alerts, emails, and a social media feed that didn’t exist last night. Screen fatigue is well-documented at this point, and the solutions that have emerged tend to be more digital tools designed to manage other digital tools.

Designer and furniture maker Travis Miller decided to approach the problem differently. His Paper Console PC-1 doesn’t ask you to manage your screen time; it simply offers an alternative that doesn’t involve one. The device is about the size of a toaster and sits on a desk or nightstand, printing your news, weather, puzzles, and other personally selected content on demand, one strip of thermal paper at a time.

Designer: Travis Miller

The interaction is deliberately simple. A brass rotary dial on the front selects from up to eight customizable channels, and a single button triggers printing. No menus, no tap targets, no notifications pulling your attention away. The channels can be loaded with whatever content matters most to you, from top news headlines and RSS feeds to weather forecasts, email summaries, astronomy updates, and puzzles like Sudoku and mazes.

Each channel can hold multiple modules stacked in whatever order you prefer, so a single press can deliver a full morning digest: weather first, then headlines, then a journal prompt to think about over coffee. Scheduling is built in as well, so the device can print automatically at set times, silently delivering the day’s content without any input. It’s passive in the best sense.

Inside the walnut and brass enclosure is a Raspberry Pi Zero 2 W paired with a 58mm thermal printer. Miller designed and fabricated the case himself, drawing on six years of furniture making, and a 3D-printed internal sled keeps the electronics tidy and mounted. The brass faceplate gives the device the kind of weight and finish that puts it a long way from anything that comes in a retail box.

Miller made only 10 units in this first run, though the full project is open-sourced and documented on GitHub for anyone who wants to build one. That openness suits it well. The PC-1 isn’t a product category or a commercial platform; it’s a personal project that turned out well enough to share. The GitHub documentation is detailed enough to follow and honest about what the build actually involves.

There’s something genuinely refreshing about a device that asks nothing of you except a button press. The Paper Console PC-1 isn’t anti-technology; it’s just more selective about what earns a spot on the desk. Information printed on paper, held in your hand, and torn off when you’re done has a finality that a notification never manages, and for a growing number of people, that difference matters quite a lot.

The post This Walnut Box Prints the News You’d Scroll For: Only 10 Were Made first appeared on Yanko Design.

Rhythm Heaven Groove comes to Switch on July 2

A large chunk of Nintendo’s 2026 plans remain a mystery (that is, unless you take the insiders and leakers at their word), but we have been waiting on release dates for a couple of previously announced first-party titles, including Rhythm Heaven Groove, which officially arrives July 2.

Seemingly announced first on the Nintendo Today! app before making its way to the company’s various social channels, the first new entry in the Rhythm Heaven series in more than a decade is technically launching on the original Switch, but should also be fully playable on Switch 2. Currently the game’s Switch 2 compatibility status is listed as “Untested” on its official store page, but it’s hard to imagine there being any issues there.

If you’ve never played a Rhythm Heaven game before, the series is a bit like a (slightly) less wacky WarioWare, but all the minigames are based around rhythm and beat-matching. The challenges are rarely especially complex in terms of what's required of you, leaving you free to enjoy the always excellent original pop and electronic music.

Rhythm Heaven is one of Nintendo’s less prolific series’, with the upcoming Groove being only the fifth entry in two decades. The series debuted on the Game Boy Advance in 2006 in Japan as Rhythm Tengoku, with Rhythm Heaven arriving on the DS two years later in the US. That was followed by Rhythm Heaven Fever on the Wii, and the most recent entry was 2015’s Rhythm Heaven Megamix for the 3DS, which was something of a best-of collection.

Rhythm Heaven Groove is notable not only for being the first Rhythm Heaven game of the Switch generation, but also likely one of the console’s last games, as Nintendo prepares to shift its full focus to the Switch 2. Before then we’re also getting the typically charming Yoshi and the Mysterious Book (Switch 2-only) on May 21 and Tomodachi Life: Living the Dream, which launches on both platforms next week, April 16. 

Rhythm Heaven Groove is available to pre-order now for $40.

This article originally appeared on Engadget at https://www.engadget.com/gaming/nintendo/rhythm-heaven-groove-comes-to-switch-on-july-2-155715068.html?src=rss

Roku will stream Savannah Bananas games, along with the entire Banana Ball Championship League

The Banana Ball World Tour is coming to Roku. The platform has signed a deal to stream free content from the Banana Ball Championship League. This, of course, includes Savannah Bananas games.

If that last paragraph didn't make a lick of sense to you, here's a primer. The Savannah Bananas are a wacky baseball team, playing something called Banana Ball. The team has been called the Harlem Globetrotters of baseball, and that's a fairly apt name. Players dress in funny costumes, step into ridiculously tall stilts, perform dance routines and do all kinds of things that could frustrate traditional baseball fans but tend to delight those looking for a unique night out.

To that end, Savannah Bananas games have become massive events. They've been traveling around the country the past few years doing exhibition matches, but the team's success led to the creation of the Banana Ball Championship League and the Banana Ball World Tour. There are now six teams involved and Roku will be streaming games from later this month until September.

First up, the Savannah Bananas face the Party Animals on April 26 at Yankee Stadium, which streams live at 3PM ET on the Roku Sports Channel. The Party Animals are Savannah's main rivals, making them the Washington Generals of Banana Ball.

Roku has published a calendar of streamed matches, but it doesn't include the actual championship game. This inaugural Banana Bowl is scheduled for October 10. Engadget has reached out to the platform to see what their plans are for the final game of the season. Many games are also available to stream on ESPN via Disney+.

The company also says it's working on some kind of "interactive platform" for Banana Ball fans. The matches have a lot of audience participation, so this could be some kind of riff on that. Roku promises to share more details at a later time.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/roku-will-stream-savannah-bananas-games-along-with-the-entire-banana-ball-championship-league-153329667.html?src=rss

Thule builds a new easy-setup Widesky hardshell rooftop tent for more than just sleeping

My love for the outdoors rekindles with the fading spring chill, and I hear voices from the woods calling me to come explore. Of course, backpacking is the most viable option, but when I’m planning with my partner, I prefer the rooftop tent. There are two conveniences of the modern hardshell rooftop tents: they’re light on the vehicle – can even transform for ground camping – and are easy to set up and sleep in at the end of the day.

Over the years, these camping solutions have come a long way. We have seen hardshell rooftop tents with their own power stations and those massive enough to sleep an entire family of four. With few options to make a mark, Thule has introduced the Widesky, its first, and probably also the first-ever rooftop tent with a sofa. How’s that for standing out?

Designer: Thule

Thule Widesky is a premium hardshell rooftop tent that’s easy to set up in seconds. It arrives in a lightweight aluminum hardshell body with telescopic poles that lift the tent from its closed position to a full-size wedge-shaped tent upon undoing the four latches used to secure it closed. It’s not the construction but the fancy interior that really sets the Widesky apart.

Unlike many rooftop tents, the primary focus of the Thule Widesky is not sleeping. The two-person tent wants travelers to have a comfortable living space inside. By placing a quilted foam mattress inside that converts into a sofa-like setting with a supportive backrest, Thule has transformed the space from the usual sleeper into a living quarter you’d love to retire into when it’s raining outside, or you want to just relax midway. And sitting back, I’m wondering, if it were this simple, why didn’t anyone think of it earlier?

“Widesky is designed to feel just as inviting during the day as it does at night,” Thule confirms. It weighs only 68 kg on the vehicle’s roof and lifts up to 124 cm at the front for a relaxing space inside. When you’re ready to hit the road, the same tent packs back into a hardshell box measuring just 20 cm high. According to the company, it is compatible with most roof rack systems, and courtesy of its durable recycled fabric walls and an all-weather shell, the tent is suitable for more adventures than those tailored for summer days.

“It’s (Widesky) designed for people who… want a rooftop tent that invites them to sit back, relax, and enjoy the view,” Kajsa Levinsson of Thule informs.

The tent comes with a ladder – mountable on any side of the tent – to climb in. Once comfortably seated/sleeping inside, you can enjoy the vista with the same vividness as you would being outside. To that accord, the Widesky is outfitted with large panoramic doors and mesh panels offering expansive outside views, light, and ventilation. The interior is fashioned with dimmable LED lights to make the space feel warm and welcoming even after sunset. All this goodness is expected to arrive anytime this month, but it will set you back $4,000.   

The post Thule builds a new easy-setup Widesky hardshell rooftop tent for more than just sleeping first appeared on Yanko Design.

The 190sqm Melbourne Renovation That Didn’t Touch the Street

Melbourne’s inner-city suburb of Abbotsford is the kind of place that makes you feel the weight of time. Its streets are lined with single-fronted worker’s cottages, row after row of modest Victorian weatherboards that have been standing since the 19th century, when industrial workers first settled around the nearby factories of Fitzroy and Collingwood. The vernacular is intact, the character deeply established. To build something new here isn’t just a design challenge. It’s a negotiation with history.

That’s what makes the Abbie Abbotsford Terrace by Eckersley Architects so worth paying attention to. Not because it breaks the rules, but precisely because it knows which ones to follow. Completed in 2021, the project began with a single-fronted worker’s cottage situated directly opposite a leafy park and asked a straightforward but deceptively difficult question: how do you expand a home that’s defined by its modesty without losing the thing that makes it meaningful? The answer Eckersley Architects arrived at is one of restraint, context, and a quiet kind of confidence that isn’t always easy to pull off.

Designer: Eckersley Architects

The approach was to preserve and restore the original cottage entirely, keeping it as the street-facing face of the home. The new addition lives at the rear, a modern single-level extension that opens generously onto a private, enclosed courtyard. It doesn’t announce itself. It doesn’t try to compete. The original and the new sit in dialogue rather than in tension, and that matters more than it might first appear.

One of the more understated decisions in the design is how the building form was shaped by its immediate neighbours. To the north, a two-storey dwelling. To the south, a single-level home with very little outdoor space. Rather than ignoring this context, Eckersley Architects used it as a structural premise, positioning Abbie as the bridge between two opposing scales, sitting equally adjacent to both boundary walls and carefully calculated to cause minimal shadowing to the southern neighbour. It’s the kind of considered empathy that rarely gets talked about in residential architecture, but it’s exactly the sort of thinking that separates good design from great design.

The result, at 190 square metres, is a home that punches well above its footprint. The new addition features lofty ceilings and expansive windows that frame the rear courtyard. The living space feels generous without being excessive, and the courtyard itself functions as an outdoor room, extending the home’s liveable area into something that feels genuinely alive. Photography by Dan Preston captures it all with a warmth that makes you want to be there, which is the ultimate compliment to any home.

I keep thinking about why projects like this matter so much right now. We spend a lot of time talking about bold new architecture, the statement builds, the hero houses dropped onto open sites with unlimited vision and budgets to match. And those are exciting, too. But the harder, more quietly radical act is doing exactly what Eckersley Architects did here: entering an existing neighbourhood, respecting its inherited logic, and finding a way to add to it rather than override it. Abbotsford’s rows of Victorian cottages are a form of collective memory. The preservation of that streetscape, maintained by dozens of homes that all quietly hold the line, is what gives the neighbourhood its character. When a renovation like Abbie comes along and chooses to work with that, rather than against it, it earns its place.

The project was completed in 2021 and has only now landed on ArchDaily, which feels right. It was never going to make a loud entrance. It’s a house doing exactly what it needs to do without reaching for attention. The best residential architecture often works that way. It reveals itself gradually, detail by detail. Abbie Abbotsford doesn’t reimagine what a house can be. It simply becomes a very good version of what this one always had the potential to be. And sometimes, that is enough.

The post The 190sqm Melbourne Renovation That Didn’t Touch the Street first appeared on Yanko Design.

Google introduces AI-generated avatars to YouTube Shorts

A new feature that lets you create an AI avatar with your likeness is now live on YouTube. First announced in a blog post earlier this year, avatars are designed to be used in Shorts (provided you still allow them to show up), allowing you to insert yourself into video content in a way that YouTube deems to be safe and secure.

YouTube’s approach to combatting the AI sloppification of the internet and the proliferation of deepfakes appears to be adding more and more AI features to its platform, framing this latest addition as a tool that gives creators more control of their digital identities. Any video generated using an avatar will feature YouTube’s AI disclosure and include visible watermarks and labels like SynthID and C2PA.

YouTube has published a pretty in-depth explainer on how to create and use an avatar in either the YouTube or YouTube Create app, but here’s a brief summary of how to do it using the former. Once you’ve opened AI Playground, you’ll be taking a "live selfie" that also records your voice. You can then preview your photorealistic virtual self and either proceed with it or redo the process if you’re unhappy with anything. Creating an avatar in the YouTube Create app is broadly similar, but you have to navigate to the My Avatar homepage first.

YouTube recommends that you hold your phone at eye level and keep yourself centered as much as possible. Lighting is also important, as is ensuring your whole face is visible, you’re in a quiet area, and there’s nobody else in the background. You also have to be the account owner to create an avatar, and over the age of 18.

Once you have an avatar you like, you simply type in a prompt and wait for the AI to generate a video, which according to 9to5Google can be up to eight seconds long. Alternatively, YouTube will also let you add an avatar to existing "eligible" Shorts by tapping "Remix" and then "Reimagine" with your avatar selected.

Avatars can be deleted or retaken whenever you like, as can any video with your avatar in it. You can also limit who’s able to remix your videos, but deleting a video with your avatar in it won’t also delete the original video, or that avatar from your account. YouTube will automatically delete any avatar that hasn’t been used to create new video content for three years.

The new avatar feature will roll out gradually, and is the latest in a long line of AI-centric tools and updates YouTube has added to the platform in the last year, including automatic upscaling for low-res videos, automatic editing for creators and an AI-generated carousel for search results.

This article originally appeared on Engadget at https://www.engadget.com/social-media/google-introduces-ai-generated-avatars-to-youtube-shorts-140222368.html?src=rss

Samsung Galaxy Z Fold 8 Leak: The 5,000mAh Battery We’ve Been Waiting For

Samsung Galaxy Z Fold 8 Leak: The 5,000mAh Battery We’ve Been Waiting For Samsung Galaxy Z Fold 8 shown open, highlighting the larger inner screen and wider, shorter overall shape.

The Samsung Galaxy Z Fold 8 represents a bold step in foldable smartphone technology, combining innovative hardware with a design that challenges traditional smartphone norms. However, its reliance on older display technology and divisive software changes has sparked debate among users and critics alike. The video below provides more insights into the device’s standout features, […]

The post Samsung Galaxy Z Fold 8 Leak: The 5,000mAh Battery We’ve Been Waiting For appeared first on Geeky Gadgets.

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Siri 2.0: Apple’s Massive iOS 27 Overhaul Makes the Assistant Unrecognizable8

Siri 2.0: Apple’s Massive iOS 27 Overhaul Makes the Assistant Unrecognizable8 App Store mock section highlighting Siri AI add-ons and third-party services ready for iOS 27 integration.

Apple is set to reshape the future of its voice assistant, Siri, with the highly anticipated release of iOS 27. This update introduces new integration with third-party AI services, marking a pivotal moment in the evolution of voice assistant technology. The announcement will take center stage at the Worldwide Developers Conference (WWDC) 2026, with the […]

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