Weber Is Shutting Off the June Oven’s AI Camera, and a $90 Air Fryer Already Does The Same Thing

Somewhere in a warehouse in Illinois, someone at Weber is about to flip a switch that turns a $999 oven back into a very expensive toaster. On September 22, the June Oven loses its cloud, its app, and the camera trick that made it famous in the first place. You can still push the manual buttons. You just lose the part where the oven looks at your chicken thighs and quietly figures out what to do with them.

Here’s the kicker. That exact party trick, the camera that scans your food and picks a cook program for you, now lives inside air fryers that cost less than a nice dinner out. June invented food recognition cooking in 2015 for fifteen hundred bucks. A decade later you can buy the same basic idea for under a hundred dollars on Amazon. The technology didn’t get worse. It just stopped being special enough to protect.

Daewoo Actuate

Weber hasn’t put out a press release about any of this, which tells you plenty on its own. Owners found out by email. Meanwhile the company has been actively expanding Weber Connect, the smart grilling platform June’s own engineers helped build, across its charcoal and gas lineup. So the message, whether Weber meant to send it or not, is that connected cooking tech is worth investing in when it’s attached to a grill, and worth quietly switching off when it’s attached to a toaster oven nobody’s manufacturing anymore.

Daewoo’s Actuate is the cheapest, dumbest version of June’s original idea, and I mean dumbest as a compliment. An internal camera peeks at whatever’s in the basket, matches it against twelve presets like chips, sausages, and chicken, and sets the time and temperature without asking you to tap through a menu. It runs about ninety to a hundred dollars depending on the retailer and the day. No app, no account, no subscription. It just watches your dinner and gets on with it.

Culinix 8.5QT AI air fryer

Here’s where it gets fun. Culinix sells an 8.5 quart fryer in the US with an AI camera that recognizes twelve foods, and the list reads like it was lifted straight off Daewoo’s spec sheet. Chicken goujon. Fish finger. Beef joint. Chick pea. That is oddly specific British supermarket vocabulary to land on two unrelated product pages by coincidence. My guess is neither brand invented this camera module, they just bought the same one off a factory shelf and slapped their own logo on the box, the same way every USB charger secretly comes from three factories in Shenzhen.

Emerson skipped the camera entirely and gave its SmartVoice fryers ears instead. Say “cook pork chops” and it just does it, no app, no wifi, all the processing happening locally on the device. It’s not glamorous, but it solves a real problem for people who find touchscreens fiddly, whether that’s arthritis, low vision, or just being elbow deep in raw chicken and unable to tap anything. I’d argue this is the most quietly useful of the three schools, even though it’ll never trend on a gadget blog.

Dreo ChefMaker

Xiaomi and Dreo took the opposite bet and gave up on guessing entirely. Xiaomi’s Mijia Pro adds a water tank so it can steam and sous vide alongside the usual hot air, which actually changes the physics of what comes out the other end. Dreo’s ChefMaker goes further and sticks a probe straight into the meat, measuring real internal temperature instead of inferring anything from a camera. It’s the only method here that isn’t a guess.

Which brings us back to June. Anova’s newer oven has the same food recognition camera, except the feature only works if you’re actively paying a subscription. So the actual choice in 2026 isn’t camera versus voice versus probe. It’s whether you own the smarts in your kitchen outright, or you’re just renting them from a company that can turn them off the second it stops making sense on a spreadsheet.

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The Cleaning Robot That Knows When a Bathroom Needs It

Public restrooms have, for the longest time, been a design afterthought. They get built, they get scheduled for cleaning twice a day, and everything that happens in between is considered someone else’s problem. Nobody glamorizes it. Nobody puts it on a mood board. And yet the state of public restrooms affects millions of people daily in ways that are deeply tied to comfort, dignity, and public health.

That’s exactly the gap that Yangwoo Choi and Ye Jin Lee, two designers from South Korea, decided to address with Spot, a concept for an autonomous cleaning robot built specifically for public restrooms. Published in June 2026, the project has been picking up attention in design communities, and I think it deserves more eyes than it’s gotten so far.

Designers: Yangwoo Choi, Ye Jin Lee

The premise is straightforward but smart: rather than waiting for the next scheduled cleaning, Spot detects contamination after a user exits and automatically cleans the affected area. It plugs directly into the most persistent failure of public restroom maintenance: the window between cleanings. That window is real, measurable, and for years it’s been treated as an acceptable cost of running a public facility. Facilities managers can only do so much with fixed schedules, and when traffic is high, things go wrong fast.

What the designers have created is not just a functional concept but a genuinely considered one. The robot’s form is compact and minimal, rendered in a calm blue that reads as clean, clinical, and intentional all at once. It doesn’t try to be cute or conspicuous. It belongs in the background, doing its job without demanding attention, which is exactly the right design language for something operating in a space that people want to move through quickly and without thinking too hard.

The contamination detection element is where the concept earns its credibility. Autonomous cleaning machines already exist, but most operate on timers or fixed routes with little real awareness of actual conditions. Building detection into the process means Spot responds to reality rather than routine, which is a fundamentally different way of thinking about maintenance. That shift matters more than it might seem at first glance.

I think about the places where this would change things most: airports, train stations, shopping centers, schools. These are environments where restroom traffic is constant and unpredictable, where a single cleaning cycle scheduled at 10am has already become irrelevant by 10:45. The problem isn’t laziness or negligence. It’s a structural mismatch between human-managed schedules and the actual pace of use. A robot that responds to contamination as it happens, rather than as it’s predicted, addresses that mismatch directly.

There’s also a human element worth naming. Cleaning restrooms is physically demanding, often invisible labor, and not a job that gets celebrated or compensated in proportion to how much it matters. A concept like Spot isn’t about replacing people outright; it’s about redirecting effort. If autonomous systems handle reactive cleaning between scheduled visits, human cleaners can focus on deeper maintenance, restocking, and the kind of attention that machines genuinely cannot replicate. That’s a more sensible division of labor.

Whether Spot ever moves beyond concept stage is a separate question, and a legitimate one. Autonomous robots in public restrooms face real hurdles: sensor reliability, durability in wet environments, safety around users, cost of deployment at scale. None of these are trivial. But that’s not the conversation the project is asking us to have right now. What Choi and Lee are doing is pointing clearly at a problem and proposing a direction. The execution can evolve. The clarity of the problem statement is the part that sticks.

Good design doesn’t always originate in places we expect. Some of the most interesting work right now is coming out of South Korea, where designers seem particularly willing to take on overlooked, unglamorous problems with serious intention. Spot is that kind of project. It’s not trying to be beautiful for beauty’s sake. It’s trying to make a specific, difficult experience better. That’s the kind of design that actually changes things.

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SteamOS Beta Update Fixes CPU Degradation and Wi-Fi Bugs

SteamOS Beta Update Fixes CPU Degradation and Wi-Fi Bugs The Steam OS beta update screen showing the installation progress bar.

Valve’s latest SteamOS beta update introduces a range of meaningful improvements for its gaming hardware ecosystem, including the Steam Deck, Steam Machine and third-party handhelds. Built on the Linux kernel 6.18.42, the update enhances system stability and resolves long-standing issues like CPU degradation and Wi-Fi connectivity problems. Deck Ready highlights how firmware version 108 for […]

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This LEGO Phoenix’s Talons Actually Grip the Perch, and It’s Weirdly Convincing

LEGO’s official phoenix, the 597-piece Fawkes from the Harry Potter line, does one trick. You turn a crank at the back and the wings flap up and down, forever, in the same arc, like a very committed but slightly limited stage performer. It’s a lovely little set and it looks great on a shelf, but the bird has exactly one thing it can do, and it will do that one thing until the end of time or until you stop turning the handle, whichever comes first.

Swas has taken a different approach on LEGO Ideas. His Blazing Phoenix doesn’t animate, it poses, which turns out to be the better idea for a creature this dramatic. Photograph it upright and it’s regal. Sweep the wings forward and drop the head and it’s about to ruin someone’s afternoon.

Designer: Swas

The wings are where the engineering flexes hardest. Each one runs off a Technic spine with visible pin and axle connections at the root and mid-span, and that hidden skeleton is what lets the whole assembly hold a pose instead of flopping. Four or five overlapping feather ranks are shingled per wing, small scalloped coverts near the shoulder giving way to long individually mounted primaries at the tips that actually fan and separate rather than sitting as one flat slab. Bright yellow stripes run along the length of each feather like flame traveling outward from the body, which is a genuinely smart color call and does more storytelling than the shape alone ever could.

The tail gets the same individual-feather treatment, a long fan of striped blades that either gathers low behind the perch or spreads wide depending on the pose you land on. Every feather looks independently mounted, so the tail reads as one more articulating surface rather than a fixed decorative wedge bolted on as an afterthought.

The head is where the personality lives, and also where my favorite detail is hiding. The beak transitions from bright orange into yellow with a nicely hooked profile, and above the eye Swas has used a small red feathered wing piece as a stand-in eyebrow. That’s the kind of part repurpose that separates builders who are just following a shape from builders who understand how a face actually reads.

Down at the perch, the legs are jointed at hip, knee, and ankle, bending the correct backward-bird way, ending in curved nougat talons that genuinely wrap around the rail instead of resting near it. Swas says the claws grasp, and looking at the renders, that’s not a marketing line, the grip looks load-bearing.

Swas has said the phoenix stuck with him since his teenage years, when the fantasy novels he was reading collided with the mythological stories his grandmother used to tell, and the message that every end is a new beginning is one he still carries around. That’s a nice thing to build a thousand-plus bricks around.

The Blazing Phoenix just crossed 1,000 supporters and is now working toward the 5,000 mark, with 591 days left on the clock. If a poseable, fully articulated phoenix sounds better to you than one that only knows a single flap, head over to LEGO Ideas and give it your vote.

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