Meet Draco, the 90mm smart telescope that wakes itself up to shoot the night while you sleep

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About 4,500 years ago, while the Egyptians were busy stacking pyramids, the North Star was a completely different star called Thuban. It sat in the constellation Draco, the dragon, and it held the job for centuries before Earth’s wobble handed the title to Polaris. Astrophotographers have spent the last hundred-odd years obsessing over that pole, because lining a mount up with it (a ritual called polar alignment) is the price of admission for long, sharp exposures. It’s fiddly, it’s cold, and it usually happens in the dark with a red flashlight in your teeth. So I find it delightful that DWARFLAB named its new flagship smart telescope Draco, because the whole point of this thing is letting you skip that ritual altogether.

Draco is a 90mm smart telescope from DWARFLAB, the team behind the pocketable DWARF II and DWARF 3, and it argues that serious imagers no longer have to trade ambition for convenience. It packs a folded f/3.8 optical system, a 50MP telephoto camera, a wide-angle camera for Milky Way shots, and a dedicated guide camera into a 12.1-pound (5.5kg) body you carry with one hand. The headline trick is a sensor that physically rotates to cancel out the sky’s spin, which lets Draco hold single exposures for up to 300 seconds on a simple alt-azimuth mount. Your phone handles the rest, from finding the target to stacking the final image. The SHO Edition is up for pre-order at $1,599, while the $1,399 Standard Edition has already sold out.

Click Here to Buy Now: $1599

A sensor that spins with the sky for five-minute exposures

Polar alignment exists because of field rotation. On a simple alt-azimuth mount (the up-down, left-right kind every smart telescope uses), the stars slowly twirl around the center of your frame during a long exposure, turning sharp points into little smears. Draco’s fix is wonderfully direct: the CMOS sensor itself rotates in step with the sky. A separate monochrome guide camera watches for drift and nudges the tracking in real time. The payoff is single frames of up to 300 seconds, when most smart telescopes have topped out around 60, which puts the category in traditional deep-sky territory. The guiding gear that normally takes an hour to balance in the cold now lives inside.

A traditional deep-sky rig is a parts list: optical tube, equatorial mount, polar alignment, guide scope, guide camera, filter wheel, mini-PC, and a nest of cables. Draco folds the optics, mount, guide camera, filters, field rotation, and onboard computing into one 5.5kg body, so the system stops being your homework. Early smart scopes won over beginners with short exposures and heavy stacking, so serious imagers kept their real rigs. For targets almost directly overhead, where rotation speeds up, the all-metal base tilts into Equatorial Mode and the app walks you through the angle. The aluminum tripod weighs about 17 ounces (480g) and opens to a preset angle.

Ninety millimeters of aperture and a sensor that bins four pixels into one

Going from the 50mm aperture common in smart telescopes to Draco’s 90mm gives you roughly 3.2 times the light-collecting area, which is the optical threshold serious imagers demand. The folded optics land at a 340mm focal length and f/3.8, a fast ratio that gathers light quickly, so faint targets build up sooner. An aberration-corrected design keeps stars pin sharp from the center of the frame to the edge. For context, ZWO’s Seestar S50 Pro ($999) runs a 50mm, f/5.2 setup. Draco costs a few hundred dollars more for nearly twice the aperture.

The 1/1.3-inch, 50MP sensor works in two modes. For nebulae and galaxies, it bins 2×2, merging four 1.2µm pixels into one 2.4µm pixel for roughly 12MP images with cleaner faint detail. For the Sun, Moon, and planets, it switches to the full native readout and crops around the target, which is how you get craters, sunspots, Saturn’s rings, and Jupiter’s Great Red Spot. A second camera with a 23.3mm equivalent focal length shoots at the same time, covering an 85.74° diagonal for Milky Way panoramas and star trails. Active TEC cooling and waste-heat dew prevention make thermal management part of the design instead of an accessory bolted on.

The SHO Edition automates Hubble Palette imaging

In 1995, Hubble’s Pillars of Creation image made sulfur, hydrogen, and oxygen glow like a gold-and-teal cathedral, and amateurs have chased that look ever since. The recipe maps sulfur II to red, hydrogen-alpha to green, and oxygen III to blue, each captured through a narrowband filter (one that passes only a thin slice of color, 13nm wide here). The SHO Edition carries an Hα + O III filter and an S II + O III filter, runs them in sequence, and merges the data automatically. Doing this by hand usually means a filter wheel, a laptop, and a weekend lost inside editing software. Draco makes it a native capability, calibration included, and asks for one tap.

Both editions share the Astro filter, a dark-frame shutter, and the Hα + O III filter, which also helps with emission nebulae under light-polluted skies. The Standard Edition ($1,399) adds a built-in ND filter (think sunglasses for a telescope) that swaps into place with one tap for solar imaging. The SHO Edition ($1,599) trades that for the sulfur filter and includes a magnetic external ND filter you snap on before aiming at the Sun. Solar System Mode then centers, focuses, and locks onto the Sun or Moon, so sunspots and eclipses are fair game. Galaxies and the Milky Way still shine brightest under dark skies, which is a fine excuse for a road trip.

A capsule you carry like a lantern and control remotely

The body is a smooth capsule column with the optical tube hinged off one side, and stowed away it looks like a very expensive thermos or, in the right light, an Among Us crewmate. A recessed grip lets you carry it one-handed from the backyard to the car, and the all-metal base locks into a metal frame for a rigid stance on the tripod. Tap your phone to the body and NFC launches the app, where an AR Sky Finder shows what’s visible overhead, obstructions included. Pick a target, tap GoTo, and Draco handles focus, calibration, tracking, and stacking. The 10,000mAh battery runs roughly five hours.

PhotonLink remote control lets you run Draco from anywhere through the app, and Ethernet over USB gives it a wired connection for long deployments. Schedule a target and it wakes up, finds it, and shoots under clear skies while you sleep, so the hardware runs the session instead of you babysitting it, with Mega Stacking combining nights and Astro Mosaic widening the view. Stellar Studio in the app handles star reduction, star removal, and the Hubble Palette effect, with FITS and TIFF export for your own workflow. Pre-orders are open at dwarflab.com/us, with the SHO Edition at $1,599 and shipping estimated within three months. Traditional astrophotography exposes the system to the user. Draco turns the system into the product.

Click Here to Buy Now: $1599

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The 5 Best Home Office Upgrades of October 2026 That Don’t Look Like Office Equipment

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A laptop stand can be useful all day and still feel like an unwelcome guest at dinner. That’s the problem with building a home office on a dining table or in the corner of a bedroom. The equipment tends to stay visually on duty long after you’ve signed off. Better design considers what these objects contribute to the room when the laptop is closed, and nobody is answering another email.

These five home office upgrades are selected for the way they handle that overlap. Some pack away when the workday ends. Others stay visible because their materials and forms belong comfortably among books, artwork, and furniture. Each has a specific job beyond looking good, though they solve different problems. Think of this as a menu for a shared room, rather than a prescription to buy five more objects for it.

1. MOSSLAB Moss Hexa

MOSSLAB’s Moss Hexa brings greenery onto the wall through a system of hexagonal modules. This crowdfunding project combines Basic moss panels, illuminated Light panels, and wood-finish accents using shared magnetic mounting hardware. Once the brackets are installed, individual panels can be swapped without replacing that hardware. For a desk corner that feels visually bare, the attraction is texture at eye level without another pot occupying the work surface. The composition can change as the surrounding furniture and your preferences change.

The moss is a living material, so this isn’t an install-and-ignore purchase. MOSSLAB recommends keeping panels out of direct sunlight and misting them lightly about once a week, with care adjusted to conditions. Choose a wall you can reach easily for that routine.

Click Here to Buy Now: $59 $90 ($31 off). Hurry, only a few left! Raised over $130,000.

What we like

  • Greenery moves off the desk and becomes part of the room’s wall composition.
  • Interchangeable modules let you adjust the balance of moss, lighting, and wood-finish accents.

What we dislike

  • The living moss requires regular misting and suitable placement.

2. Logitech Casa Pop-Up Desk

Logitech’s Casa Pop-Up Desk looks like a fabric-covered book when it’s closed, with an elastic band keeping everything together. Open it, and the case becomes a laptop stand, with dedicated storage for the included wireless keyboard and touchpad. A separate compartment holds smaller things such as cables and stationery. That packaging is the important design move: three pieces that would normally be scattered across a table have one home, and the storage object becomes part of the working setup itself.

For a shared dining table, Casa is easier to justify than a permanent array of peripherals. The case lifts the laptop while the separate controls let you position your hands independently of its screen. Logitech says the stand supports most laptops from 10 to 17 inches. You still need a stable tabletop, and anyone devoted to a mouse may miss having one in the kit. Pack the components away, close the cover, and the table is ready for something else.

What we like

  • The storage case doubles as the laptop stand, giving the packaging an active role.
  • The keyboard, touchpad, and smaller accessories pack away together.

What we dislike

  • Despite the name, it needs an existing table or desk.
  • The included pointing device is a touchpad, so mouse users may want another accessory.

3. Courant MAG:3

Courant’s MAG:3 takes the familiar valet tray and gives it a charging role. A dedicated charging area sits beside an open compartment for glasses, keys, or whatever usually migrates across your desk. Italian leather and Belgian linen versions offer a material vocabulary closer to home accessories than computer peripherals. The layout makes particular sense beside a laptop because the phone and small belongings already tend to collect there. Giving them defined places makes the arrangement easier to read and maintain.

The magnetic phone pad supplies up to 7.5W, while the second Qi pad provides 5W for a compatible device such as an earbuds case. An extra 10W USB-C output handles another wired accessory. Those figures make this a place for steady charging during the day rather than an urgent battery rescue. Its 11-by-8-inch footprint also deserves consideration on a small desk. You’re trading some surface area for one combined home for charging and the things you’d otherwise leave lying around.

What we like

  • Two wireless charging positions share a tray with useful storage space.
  • Leather and linen finishes give the charger the appearance of a home accessory.

What we dislike

  • Magnetic phone charging is limited to 7.5W.
  • The charcoal linen and black leather versions were sold out on Courant’s site when checked.

4. Samsung Music Frame

Samsung’s Music Frame disguises a wireless speaker as a framed photograph, which feels particularly appropriate in a workspace carved out of a living room. The image is a physical print rather than a digital display, so there’s no extra screen competing with your laptop. Inside the enclosure, six drivers handle the audio, while Wi-Fi and Bluetooth provide wireless connections. It can stand on furniture or mount on the wall, leaving you to arrange it among the objects already living there.

The useful distinction is that your choice of photograph determines much of the object’s personality. A family picture or graphic print can make it belong to the room without relying on another carefully coordinated gadget finish. It still needs mains power, so wall placement involves a cable as well as mounting hardware. Optional Art Panels are sold separately. Choose it for music in the workspace and its decorative flexibility, rather than assuming it can replace a dedicated video calling setup.

What we like

  • A replaceable physical photograph makes the speaker personal without adding another display.
  • Wall mounting offers an alternative to putting a speaker on the desk.

What we dislike

  • Wireless music streaming doesn’t eliminate the power cable.
  • Optional Art Panels cost extra; they aren’t included with the speaker.

5. IKEA VARMBLIXT Smart Table/Wall Lamp

Sabine Marcelis’s smart VARMBLIXT for IKEA keeps the donut silhouette but gives this version a matte white glass shade. The form has enough character to sit beside books or ceramics without resembling a desk accessory. Switch it on, and that glass becomes the surface for changing color. The included BILRESA remote cycles through twelve presets selected by Marcelis. That’s a more considered starting point than expecting every owner to build an appealing lighting palette from scratch through an app themselves.

At 180 lumens, this is an ambient lamp rather than a focused light for paperwork. Put it on a shelf or mount it on the wall to leave your main work surface clear. The smart features need a little planning, too: phone control requires a Thread border router, such as IKEA’s separately sold DIRIGERA hub. The included remote handles basic control without that addition. For a small, shared desk, wall mounting is the feature most likely to earn its keep.

What we like

  • The sculptural glass form works as a decorative object when switched off.
  • The included remote provides dimming and color control without requiring a phone.

What we dislike

  • Its 180-lumen output suits accent lighting, not a complete desk-lighting plan.
  • Phone control requires compatible Thread hardware, which may mean another purchase.

Give the Desk Some Limits

Start with the part of your setup that keeps getting in the way. If it’s the daily business of clearing the table, prioritize equipment that packs away together. If it’s a crowded surface, look at the wall before adding another base or tray. A decorative upgrade earns its place when it changes that specific friction. Buying several attractive objects without deciding where they belong can leave the original problem untouched.

Before committing, measure the available surface, locate the nearest outlet, and decide which controls you actually want to use. Leave room for ordinary things, too: a glass of water, a notebook, somewhere to put your elbows. The point of a more domestic workspace is to make working there less intrusive. When you close the laptop, the room should still feel available for the rest of your life without another rearrangement first.

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Houston’s Proposed O27 Skyscraper Turns Triangular Glass Into a Rippling Facade

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A grid of triangular glass panels follows O27’s swelling, pinched silhouette, making the proposed Houston skyscraper look almost elastic. Designed by Austin-based STG Design for developer Broadview Real Estate, the 32-story office tower is planned for 4701 Westheimer Road, near the River Oaks District. Its approximately 520,000 square feet of office space would occupy a building whose exterior seems reluctant to follow a straight line.

In the renderings, two curving glass surfaces rise above a substantial podium, with terraces tracing the opening between them. The triangular pattern gives those broad surfaces a finer texture, helping the eye register changes in curvature. Near the ground, the glazing sweeps diagonally toward the entrance; higher up, projecting terraces interrupt the smooth outline. The effect is sculptural, with the terrace edges providing a useful sense of scale.

Designer: STG Design

Behind that expressive exterior is a more pragmatic design exercise. According to the developer, an intensive computational design process allowed the architects to refine the tower’s geometry while maintaining efficient, repeatable floor plates. That is the project’s most consequential balancing act: giving the skyline an unusual shape without requiring every office level to become an entirely different planning problem.

The triangular glass panels are intended to produce a shimmering surface that changes appearance throughout the day. That remains a design intention, rather than an observed property of a finished facade. Visually, though, the renderings suggest that the diagonal grid will be as important to O27’s identity as its overall profile, breaking the curved elevations into smaller, legible facets.

At street level, Design ALT + TAB is responsible for the entrance drive and lobby. The planned motor court includes a water wall and a canopy embedded with fiber optics to evoke a night sky. Its rendering is emphatically theatrical: golden lighting follows the ceiling’s curves, while water and planting frame the vehicle arrival. The office address is presented with the ceremony of a luxury hotel.

That hospitality approach extends to planned amenities, including a restaurant and bar, fitness and yoga studios, a spa, conference facilities, and a sky lounge. A landscaped terrace would sit above the nine-story parking deck, adding an outdoor gathering space at the point where the tower rises from its base.

The podium is a substantial part of the composition, and its relationship with the street deserves as much attention as the skyline silhouette. Broadview is targeting completion in 2028, but told Bisnow that neither a groundbreaking date nor an equity partner had been finalized. For now, O27 remains an ambitious proposal, with its most interesting promise resting in the reconciliation of fluid form and repeatable workspace.

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A Stained-Glass Caution Sign You’ll Actually Stop to Admire

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The amber shadow on the sidewalk is almost as appealing as the object casting it. Hayden Clay Williams’ stained-glass caution sign takes the familiar folding silhouette and rebuilds it as a sculpture, with golden panels, small colored diamonds, and a slipping figure enclosed in a triangle. I like that you can recognize the source immediately. The glass hasn’t swallowed the design; it gives you a reason to study its familiar parts.

A conventional caution sign has a straightforward problem to solve: make a hazard visible before someone steps into it. Williams keeps that visual shorthand, particularly the upright stance and warning symbol, while changing what happens when light hits the surface. This is an artwork rather than a demonstrated improvement to safety equipment. Its appeal comes from preserving an everyday sign’s identity while making its construction worth a closer look.

Designer: Hayden Clay Williams

The color does much of that work. Rather than reproducing a uniform safety yellow, Williams uses rectangular sections ranging from pale honey to deeper orange and amber. Their uneven textures break up reflections, giving neighboring pieces subtly different appearances. Small diamonds interrupt the grid in green, blue, pink, and rust. The arrangement reminds me of a decorative window transplanted into the cleaning aisle, with enough restraint to keep the warning symbol from disappearing into the pattern.

That symbol deserves its own attention. The triangular border is picked out in pale, translucent glass, separating it from the warmer background without turning it into a completely opaque graphic. Inside, the tumbling figure is drawn through the network of seams between glass pieces. Its circular head and bent limbs remain readable, but the surrounding cuts make the whole triangle feel integrated into the assembly. The image has been worked into the glass rather than simply applied over it.

Williams also retains the less glamorous parts of the original shape. There’s the rounded handle form near the top, the slight taper of the panels, and the rectangular notch between the feet. Those details matter because a flat rectangle of decorative glass with a warning symbol would read very differently. Here, the proportions and cutouts carry the association before you’ve examined the central image. Even the slim perimeter frame leaves the sign’s outline easy to follow.

The construction adds another layer of interest. The two stained-glass panels can be separated, giving the piece a physical logic beyond its surface decoration. Joined at the top, they form the familiar freestanding A-frame. Seen at an angle, the space between them becomes part of the composition, allowing the rear panel’s colors and pattern to appear through the front. I appreciate that Williams has treated the sign as a three-dimensional object, rather than concentrating all the effort on one decorated face.

Sunlight makes that depth particularly clear in the photographs. The panels cast warm, patterned shadows across the ground, extending the grid beyond the sculpture’s edges. The darker seams remain visible within those projections, while the glass contributes patches of color. A molded sign normally occupies a small piece of floor space. Here, the light gives it a second, less predictable footprint, one shaped by where it stands and the direction of the sun.

Of course, glass changes the practical proposition. I wouldn’t mistake the familiar handle shape or folding stance for an invitation to put this beside a supermarket spill. The material introduces a need for care that sits awkwardly, and amusingly, beside the warning about falling. That tension feels earned because the object still looks so much like equipment. Strip away those utilitarian details, and much of the humor would go with them.

I’d display it with room for the shadow, preferably where daylight could pass through both panels. Placing it against a wall would preserve the pattern but lose some of the design’s best work. Williams has made the gap between the panels, the translucent warning, and the surrounding floor worth looking at together. The sculpture needs a little empty space to show how much is happening inside that ordinary silhouette.

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