MorningBlues Record R1 Makes Holiday Gifting Personal for Music Lovers

Choosing a Christmas gift for a music lover gets more interesting when you think about the songs that mean something to them. The MorningBlues Record R1 speaker gives those favorites a place in the home, pairing a record-inspired body with album artwork and animated lyrics. It’s a gift that invites a shared listen, starting with the track you both remember for completely different reasons.

The circular body recalls a vinyl record, with the screen sitting where you’d expect the label. Solid walnut legs and acoustic fabric give it a furniture-like character, a thoughtful detail when you’re choosing something for a person who’s particular about their surroundings. There’s no spinning platter here, of course, but someone who grew up admiring record sleeves might appreciate the reference before the music even starts.

Designer: MorningBlues

Click Here to Buy MorningBlues Record R1: $975 $1699 ($724 off, use coupon code “holiday26”). Hurry, Black Friday Deal ends soon!

Holiday gatherings offer another reason to give the screen some attention. The R1’s nine dynamic lyric scenes put the words where people sharing the room can follow along, adding something to an after-dinner playlist beyond background music. An old favorite could turn into an impromptu sing-along, or finally settle an argument about a misheard line. Of course, some relatives might insist their version is still better.

The approximately 12.8-inch circular display also brings album artwork into that shared space. For a parent who remembers buying a particular record, its cover could be the beginning of a story you’ve never heard. For a partner, it might recall the album that accompanied your first road trip. The screen gives those visual associations room to register, rather than leaving them tucked away on a phone.

MorningBlues Record R1

There’s dedicated audio hardware behind those moments, too. The R1 combines a 6.5-inch subwoofer with separate midrange drivers and tweeters in a five-driver, 2.1-channel system, developed in partnership with audio expert Jamo. That arrangement keeps the listening setup within one enclosure, without separate speaker cabinets to position around the room. That consolidated format has an obvious appeal for someone who prefers fewer objects around their favorite chair.

The first playlist could be part of the present, too, especially if it includes songs you’ve shared over the years. Bluetooth handles playback, while the MorningBlues app supports setup and the lyric experience. Once everything’s ready, you could spend Christmas afternoon working through those tracks together. There’s something pleasantly personal about explaining why you picked a song, even if the recipient immediately questions your taste.

After the guests leave, the R1 can accompany a quieter part of the holiday. A favorite album beside the reading chair offers a different evening from another round of television, while clock mode gives the display a purpose between listening sessions. Someone who treasures those slower hours at home will surely appreciate how the gift becomes part of a routine that continues well beyond the Christmas break.

Lyric SonicGlass A1

For the music lover who prefers a more unexpected design, the Lyric SonicGlass A1 ($739 $999 – $260 off, use coupon code “holiday26”) offers another option. Its transparent design and 21.5-inch display let dynamic lyrics appear to float, turning favorite songs into a visual performance. It could be a thoughtful choice for the friend who enjoys sharing musical discoveries, giving their next holiday gathering something to watch as well as hear.

The Stereo Frame Lyrics Speaker T2

The Stereo Frame Lyrics Speaker T2 ($639 $1499 $860 off, use coupon code “holiday26”) takes a gallery-inspired direction, pairing a paper-like screen with artwork and personal photo albums for someone who loves decorating their home. The Cabinet S1 Stereo Nightstand Speaker ($539 $1299 $760 off, use coupon code “holiday26”), on the other hand, suits a different recipient: one who looks forward to winding down in a cozy bedroom. Its warm ambient lighting, built-in audio, and wireless charging bring practical comforts to their evening routine without adding more bedside devices.

Cabinet S1 Stereo Nightstand Speaker

With the MorningBlues Record R1, the gift can begin with a song rather than a demonstration of everything the speaker can do. You might choose the album a parent used to play on Sunday mornings, then let them take over the playlist. By the time someone asks to hear another track, the wrapping paper could still be on the floor and the afternoon’s plans happily forgotten.

Click Here to Buy MorningBlues Record R1: $975 $1699 ($724 off, use coupon code “holiday26”). Hurry, Black Friday Deal ends soon!

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Four Toolheads. One Rail. Nothing Swaps. Meet the $649 Co Print Quadro 3D Printer

Every craft that works in color figured this out long ago. A painter doesn’t rinse one brush between every color; there’s a brush for each one on the palette. Weavers load a separate shuttle for every thread. Pastry chefs fill a piping bag for every shade of frosting. Nobody scrubs one tool clean between colors, because the right one is already waiting. 3D printing took a while to catch up. Most multicolor printers still run every color through one nozzle, and newer four-in-one heads squeeze four colors through a single tip, so every material has to behave the same way. Co Print’s Quadro follows the craftsman’s rule instead: one tool per color. Four independent toolheads, each with its own filament, nozzle and temperature, share a single rail and take turns printing. It’s the oldest trick in the studio, finally built into a 3D printer.

If you’ve printed in multicolor on a single-nozzle machine, you already know about the poop. Every color change forces the printer to flush out the old filament, leaving a pile of rainbow waste that can outweigh the model itself. Toolchangers like the Snapmaker U1 avoid that flushing by picking up and parking whole heads, taking about five seconds per swap. The Quadro skips the pickup entirely, sliding the next head in as the last one leaves, in about one second. Add up to four materials in one print, a 300mm (11.8-inch) cube build volume and early pricing of $649, and this bed-slinger is aiming pretty high.

Designer: Co Print

Click Here to Buy Now: $649 $899 ($250 off). Hurry, only a few left! Raised over $xy.

Four Toolheads, One Rail, and a One-Second Handoff

A $649 multi-material 3D printer with 1-second color changes, up to 90% less filament waste and a 300mm build cube, now live on Kickstarter.

Co Print calls the system IQEX, short for Independent Quad Extruder, and it extends the familiar dual-head IDEX layout to four. Each head gets its own stepper motor and belt, with four belts stacked one above another along the gantry. All four ride a shared 12mm linear rail, which means they physically can’t pass each other. Instead, idle heads tuck into docking stations at either end, clearing the bed for whichever head is working. That’s how every head reaches the full 300 × 300mm print area.

During a color change, the active head drives toward its dock while the incoming head moves into position. Co Print’s real-time footage shows a Tool 1 to Tool 2 handoff taking 1.00 seconds, with switches to Tool 3 and Tool 4 taking 1.40 and 1.57 seconds. That compares with roughly 60 seconds for a filament change on a single-nozzle printer, and Co Print says Quadro cuts filament waste by up to 90%. Nothing gets unclipped, grabbed, or reloaded during the handoff, avoiding the grippers and couplings used by toolchangers.

QDock Parking and the Waste Comparison

The parking spots are called QDock Stations, and each one holds up to three heads. As a head docks, its filament retracts slightly and its nozzle tip gets sealed to limit oozing and keep stray blobs off the print. Parked heads also cool to around 140°C to further reduce leakage. About 30 seconds before a head is needed, the printer starts heating it back to its target temperature. The aim is to have it ready to extrude when it leaves the dock.

Since each filament stays in its own nozzle, there’s no need to flush one color out before loading another. The Quadro does print a small prime tower, though, to establish nozzle pressure when a parked head starts extruding again. Zero Waste Mode moves that step into the model’s infill, eliminating the tower on compatible prints. In Co Print’s own four-color chameleon test, the Quadro finished in 9 hours 34 minutes with 34.16g of waste. The single-nozzle printer in the comparison needed just over a day and produced 180.7g of waste, while the toolchanger took 10 hours 5 minutes and produced 44.65g. That’s more than 14 hours faster than the single-nozzle machine, with about 80% less waste. In a larger scale test, the same four-color model left 1,079g of waste on a single-nozzle printer and just 135g on the Quadro.

A Bed-Slinger With a Mostly Metal Frame

Co Print chose a bed-slinger layout, where the build plate moves along the Y-axis, for its relative simplicity and ease of maintenance compared with CoreXY. The frame uses thick-section aluminum rather than thin bent sheet metal, and the load-bearing joints are metal-to-metal. Co Print says roughly 70% of the structure is metal. Even the bed carriage is a single piece of aluminum, designed to stay flat and parallel during high-speed printing.

Two synchronized motors drive the Y-axis through separate belt systems, spreading force evenly across the bed to reduce twisting under hard acceleration. Motion runs on 12mm industrial linear rails, and automatic tensioners are intended to keep the X and Y belts balanced over time, so you should spend less time reaching for a wrench. The Z towers are braced by the filament station structures to help reduce the layer irregularities known as Z wobble. Co Print rates the platform for 600 mm/s travel speeds and 10,000 mm/s² acceleration.

Calibration and Controls Built for Four Nozzles

Four nozzles only produce clean color boundaries if they agree on exactly where they are, down to fractions of a millimeter. The Quadro’s 360° Toolhead Calibration probes each nozzle from multiple directions against a shared reference at the back-right of the bed, then compensates for X, Y, and Z offsets in software. The rest of the calibration routine covers input shaping, bed mesh leveling, and Auto Flow Rate Calibration, which uses a load cell in each toolhead to set pressure advance automatically before every print. All of it sits under one button called Full Self-Check. Co Print says the routine takes minutes. Tap it and go find a snack.

Each head carries a QLight LED that glows in the color of its loaded filament and lights up when that head is active, so you can read the printer’s status from across the room. A wide-angle 1080p camera sits in the right QDock, watching both the bed and the parked heads. Everything runs on QuadrOS, a Klipper-based, open-source platform controlled through a 4.3-inch touchscreen. Co Slicer handles multicolor models and assigns filaments to each head. The open-source foundation leaves room for customization, while the touchscreen and automated setup are meant to keep beginners out of configuration files.

Four Materials in One Print, and What It Costs

Co Print lists PLA, PETG, TPU 95A, PVA, and carbon-fiber-reinforced filaments among the supported materials, with up to four materials available in one print. Each head has its own temperature setting up to 300°C (572°F). Mixed nozzle sizes in one print, such as 0.2mm for detail next to 0.6mm for bulk, are in testing and will arrive as a free update. Direct-drive extruders handle flexible TPU, opening up possibilities such as rigid parts with soft grips. PVA provides dissolvable supports, while PETG can serve as a removable support interface for PLA. An optional enclosure with built-in air filtration adds ABS and ASA, and an attachable filament dryer keeps moisture-sensitive TPU and PVA ready to print. Four independent heads can do more than change colors. Co Print is developing copy and mirror modes, where two heads print the same part, or a part and its mirror image, at the same time, along with CMYK full-color printing that blends cyan, magenta, yellow and black into new shades. Both will come to every Quadro as free updates.

Quadro is now live on Kickstarter, from $649 for Super Early Bird backers against an $899 MSRP (they’re also on display at Formnext 2026 in Berlin from November 17-20th at Hall 12.1 Booth G89). Backers also get launch gifts including Meshy Pro AI 3D modeling, and Kickstarter-only Duo and Farm Pack bundles bring the price to about $625 and under $600 per printer. Shipping starts in Q1 2027, worldwide. Every Quadro includes four complete toolheads, a 300mm cube build volume, and a mostly metal frame. For Co Print, which has been adding color to other people’s 3D printers since 2019, with add-ons for more than 100 printer models and two delivered Kickstarter campaigns, the Quadro is the first machine built entirely around its own idea. That jar of filament poop should fill up a lot more slowly.

Click Here to Buy Now: $649 $899 ($250 off). Hurry, only a few left! Raised over $xy.

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Summer’s Night Dream Fits a Private Downstairs Bedroom Into a 26-Foot Tiny Home

A pocket door separates the bedroom from the living room in Summer’s Night Dream, giving this 26-foot tiny house a degree of privacy that an open sleeping platform can’t offer. Built by Canadian manufacturer Teacup Tiny Homes, the customizable RV model measures 8.5 feet wide and provides a stated 297 square feet of living space, with a main-floor bedroom and an additional sleeping loft.

That downstairs bedroom is the plan’s strongest decision. Teacup lists an 11-foot vaulted ceiling, allowing the room to retain vertical space rather than placing another bed directly overhead. In the photographed build, a wide window sits above the headboard, while a small bedside surface fits alongside the mattress. Keeping the primary bed downstairs removes the ladder from at least one occupant’s nightly routine.

Designer: Teacup Tiny Homes

The loft occupies the opposite end, reached by a ladder beside the sofa. A vertical timber screen partially shields the sleeping area without closing it off from the room below. Its low ceiling makes the upstairs space better suited to lying down than lingering upright. Teacup rates the home for four sleepers, though the two sleeping areas offer distinctly different experiences.

Between the bedrooms, the kitchen and living area share a narrow, open space. The photographed interior pairs white horizontal wall paneling with dark cabinetry, pale flooring, and a copper-colored pendant. A long counter runs opposite the sofa, extending into a small eating spot near the entrance. This arrangement preserves a recognizable living room, although the dining provision is modest for a home advertised to sleep four.

The featured build includes an oven, cooktop, microwave, and refrigerator, with open shelves supplementing the cabinets. The bathroom groups a shower, toilet, and compact vanity into the remaining enclosed space. Buyers should distinguish those photographed fittings from the base specification: Teacup says every home shown has been customized, and its standard RV appliance package includes a smaller refrigerator and two-burner cooktop.

The manufacturer’s 2026 price list puts Summer’s Night Dream at US $94,700 for the base build, US $108,800 for the Designer tier, and US $122,800 for Luxury. Taxes and delivery are extra. Those figures make customization a substantial part of the purchasing decision, especially when the polished interior in the photographs is what first catches a buyer’s attention.

There’s also a site to prepare. Teacup’s RV homes require connections for power, water, and sewage, and its setup guidance calls for protected water lines and insulated skirting in cold climates. The trailer therefore offers relocation potential without making the house independent of its surroundings. For a buyer drawn to the downstairs bedroom, the next design question is outside the front door: where the home will sit, and what that site needs to function properly.

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Nike’s Air Force 1 Goes Furry Without Losing Its Shape

If you’ve ever owned a pair of Nike’s iconic Air Force 1 sneakers, you’re probably used to their crisp panel boundaries, whether yours were leather or one of the versions in canvas, suede, or Flyknit. One look, though, that might catch you by surprise is the furry-looking Atomic Violet variant, which looks more like a certain furry, purple mascot from a fast-food chain.

There’s no McDonald’s collaboration mentioned in Nike’s launch listing, of course, but it’s hard not to think about Grimace. So if you’ve ever wanted a partnership between Nike and McDonald’s (or specifically Grimace), this might work as an unofficial stand-in. If purple is your favorite color and you don’t mind wearing something furry on your feet, this could be something you’d want as a holiday gift for yourself.

Designer: Nike

Instead of the usual smooth, stitched surfaces, the upper of the Atomic Violet Air Force 1 has a softer, shaggier appearance. Just by changing the surface treatment, you get a different-looking sneaker while still retaining its fundamental form. In fact, the iconic Nike Swoosh blends into the furry material, but you’ll still recognize the shoe because of its familiar silhouette.

The white midsole is an important part of keeping that shape readable. It creates a clean break between the purple upper and the purple outsole, giving your eyes somewhere to land amid all that fuzz. Without it, the shoe might look more like one big purple blob. Here, you can still clearly see where the shaggy upper ends and the sole begins.

Nike hasn’t abandoned the smaller details, either. The purple laces keep the upper mostly tonal, while contrasting stitching traces the panels. The tongue still carries Nike Air branding, and there’s an AF1 lace tag near the bottom of the laces. Around the back, embroidered Nike Air lettering appears on the furry heel tab. Those familiar touches help keep the design recognizable up close.

For anyone who finds an all-white pair a little too predictable, that’s probably the main appeal. You could wear these with jeans and a plain T-shirt and let the sneakers supply most of the personality. You don’t necessarily need a purple outfit to go with them, although nobody’s stopping you. They’re an option for someone who wants a playful change without moving away from a familiar low-top shape.

One detail worth being careful about is the material description. Nike’s launch page describes the upper as furry but doesn’t specify its exact composition. That means it’s better not to assume what animal or synthetic material is involved, or to mistake “furry” for a confirmed material specification. Likewise, the plush appearance doesn’t tell us whether these feel warmer, softer, or more comfortable than another Air Force 1.

That texture also raises a practical question about upkeep. If you’re considering a pair, check for Nike’s material-specific cleaning guidance rather than assuming your usual sneaker-cleaning routine will work. How the fibers handle dirt, repeated wear, or being flattened in storage is something product photos can’t establish. If easy maintenance matters more to you than an unusual finish, that’s worth weighing before buying.

Nike’s US SNKRS page lists the Air Force 1 “Atomic Violet and White,” style IR1940-500, at $140, with availability scheduled for November 20, 2026. So this is an upcoming retail release, rather than something you can order from that launch page right now. If you’re eyeing it as a holiday gift, that date is the one to keep in mind.

The decision will probably come down to how much purple fuzz you want in your everyday wardrobe. There’s no need to dress these up as a performance breakthrough; the attraction is right there on the surface. For the right person, a familiar sneaker that looks faintly like Grimace might be reason enough to make room for another shoebox.

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Japanese artist Takashi Murakami ventures into high-end watchmaking with Skull Flowers Jumping-Hour Tourbillon

The famous Japanese artist, Takashi Murakami, we have known for some of his artistic collaborations with Hublot, has now taken a leaf out of the Swiss watchmaker to launch his own watch brand. Called the Takashi Murakami Time Objects, the brand unveils the Skull Flowers Cylindrical Jumping-Hour Tourbillon watch, which is a sublime combination of contemporary art and haute horlogerie.

Takashi’s first solo outing with watches could get many thinking, if it’s even the right idea. But the way the artist has been able to turn a titanium skull into a case and fit its eyes with spinning flowers, we presume it to go straight into the collector’s category. Murakami has already established his presence among watch collectors through the collaborations with Hublot, and this collection is raising expectations in his favor.

Designer: Takashi Murakami

At Yanko Design, we have regularly featured Murakami’s product collaborations in luxury timepieces, especially the artist’s partnership with Hublot. We have talked at length about how these collaborative, limited-edition watches integrate his signature sapphire flower motif into mechanical tourbillon watches. And now we are talking about Murakami’s own interesting crossover between art and watchmaking.

The resulting Skull Flowers collection comprises five watches, which have skull-shaped titanium cases with a microblasted finish and black DLC coating, and rotating flowers in the eye sockets. These are the first things you notice at a glance. A closer look actually reveals the side-mounted cylindrical jumping-hour display and a flying tourbillon visible through the sapphire caseback.

Pairing of the skull and flowers can come up as odd to someone who doesn’t know Murakami. But if you look closely, these are part of a theme in Murakami’s work, which indicates life and death coexisting side by side. For instance, the flowers depict life, and the skull reminds us of the eternal truth.

The flowers are, however, more than a celebration of life. They provide a decorative aesthetic to the lifeless skull forming the watch dial. According to reports, ‘the flower petals rotate on ball bearings with the movement of the wrist.’ The skull is the more prominent aspect of the watch. It measures nearly 44 mm in size and is 18.4 mm at the thickest point. The time display on the watch is located at six o’clock, where the hour cylinder jumps at the start of each hour and the minutes rotate on a disc.

All five models of the Skull Flowers Cylindrical Jumping-Hour Tourbillon watch are limited edition and range between CHF85,000 (approx. $100,000) and CHF148,000 (approx. $180,000), depending on the configuration you choose. Each watch type is reportedly limited to 12 pieces and could be powered by a Kross Manufacture hand-wound movement that offers a five-day power reserve. Instead of a traditional crown, the watches have a discreet pusher on the left side to toggle mode and time.

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This Nothing QWERTY phone concept is the BlackBerry revival I desperately want

Nothing might be the only phone company whose fans design more products than it ships. The community has already dreamed up the transparent NK-1 keyboard, Glyph-lit game controllers, and a Teenage Engineering-style synth, and now r/NothingTech has added a Nothing smartphone with a full physical QWERTY keyboard to the pile. Redditor ObjectiveOk223 posted the concept along with a pitch that Nothing’s hardware, stripped-back software, and Glyph lighting are practically begging for a BlackBerry-style revival. I’m inclined to agree. It’s a fan concept through and through, and it shows up just as keyboard phones are having a genuine moment.

Frosted translucent plastic wraps the body, while smoked keycaps carry dot-matrix legends that look borrowed from Nothing’s Ndot font. Glyph-style light pipes curl around the bottom corners, and one red key in the bottom row adds the brand’s signature pop of color. That puts it right in the conversation with the Clicks Communicator, which ships in December at $649, and the $489.99 Unihertz Titan 2 Elite. Nothing would walk into that fight with the loudest design language of the lot. With Carl Pei telling fans in September that Nothing should do “less but better,” a keyboard phone feels like a very on-message way to do less.

Designer: ObjectiveOk223 (via r/NothingTech)

A near-square display fills the top half, echoing the 4.03-inch panels on the Titan 2 Elite and the Clicks Communicator. Below it, a four-row keyboard with a split spacebar and plump, domed caps fills the rest. Moving the Glyph lighting to the front makes a lot of sense, since a keyboard phone spends most of its life face up in your palm or on a desk. Red side buttons echo the Essential Key that Nothing added to its Phone (4a) series, and twin speaker grilles flank a USB-C port at the base. The renders have a couple of AI hiccups, including two N keys and some garbled modifier labels, but the design intent comes through loud and clear.

Dot-matrix keycap legends feel right at home here, since Nothing commissioned the Ndot typeface in 2021 for its exclusive use and has stamped it across its wordmark and software ever since. The Glyph has had quite the glow-up too, going from five LED strips on the Phone (1) to eleven on the Phone (2), then to the 489-LED Glyph Matrix on the Phone (3). When Nothing introduced the Glyph Bar on the Phone (4a), it framed the lights as a way to reduce distractions. That happens to be the exact pitch Clicks and Minimal use to sell their keyboard phones. A Nothing QWERTY device would be the brand’s anti-distraction philosophy in its most physical, clicky form yet.

The Clicks Communicator, co-founded by Michael Fisher and CrackBerry founder Kevin Michaluk, was shaped by ex-BlackBerry designer Joseph Hofer and even has its own notification light called the Signal LED. Unihertz’s Titan 2 Elite weighs 5.75 ounces (163 grams), runs a 120Hz AMOLED screen, and blew past its Kickstarter goal in under 12 minutes. The $599 Minimal Phone 2 uses transparent polycarbonate and silicone keys, which makes it the closest visual cousin to these renders. Nothing, meanwhile, already sells its $499 Phone (4a) Pro in more than 500 Best Buy stores across the US. None of the keyboard specialists have a retail footprint anywhere close to that.

Carl Pei’s challenge was to find one thing a Nothing phone does better than an iPhone, and a physical keyboard is a feature Apple has spent nearly two decades refusing to give back. He also told fans that Nothing should rediscover the spirit of the Phone (1) era, when the brand’s hardware felt delightfully weird. Honestly, this concept captures that energy better than a few of Nothing’s recent official releases. Fans have now designed Nothing keyboards, controllers, synths, and a keyboard phone, which is a pretty loud hint about what the community wants to buy. Somebody at Nothing HQ in London should probably start taking notes.

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