PSA: Stop using your Casely Power Pods wireless charger immediately

Casely has reannounced a recall of its Power Pods 5,000mAh MagSafe E33A charger after dozens of people were injured and one even killed by the defective devices, the US Consumer Product Safety Commission (USCPSC) announced. It's recommended that you stop using the devices immediately, dispose of them safely and seek a replacement from the manufacturer. 

A year ago, Casely and the USPSC published a recall of 429,000 units of the power bank with the model number E33A. That followed 51 incidents of the devices "overheating, expanding or catching fire" and burning users in multiple cases. 

However, many of the devices have remained in use and are even more dangerous than initially thought. "In August 2024, a 75-year-old woman from New Jersey, was charging her cell phone with the power bank on her lap when it caught on fire and exploded," the USCPSC reported. "The victim suffered second and third degree burns and later passed away from complications from her injuries." In another incident this year, a 47-year-old woman was charging her phone on a plane when it caught on fire and exploded, giving her first degree burns.

As a result, the recall has been reissued due to "a risk of serious injury or death from fire and burn hazards to consumers," according to the Commission. 

The defective Casely Power Pods 5,000mAh charger is identifiable by the Casely embossed logo on the front and model number E33A on the back. It was sold at various online retailers including getcasely.com and Amazon between 2022 and 2024.

Casely is offering free replacement units as a remedy (it's not clear if you can get a full refund). Those seeking one should write "recalled" on the battery pack in permanent marker and submit a photo, along with a second photo showing the E33A model number as pictured above. Owners are instructed to dispose of them by contacting a facility that handles lithium-ion batteries. Do NOT throw them away with regular household waste, recycling, or standard battery disposal bins due to the risk of fire and explosion.

This article originally appeared on Engadget at https://www.engadget.com/general/psa-stop-using-your-casely-power-pods-wireless-charger-immediately-062120825.html?src=rss

VitaLink Just Put a 13-Inch Screen and Keyboard Into One Foldable Slab

Working on the go rarely looks as tidy as productivity-tool adverts suggest. Most people who travel with serious work needs end up carrying at least two or three things that don’t quite fit together: a tablet or laptop, a compact keyboard if the touchscreen isn’t enough, maybe a portable monitor, and a cable situation that somehow multiplies every time you pack.

VitaLink is trying to simplify that. The concept combines a full-size keyboard and a large touch display into one foldable object in a CNC aluminum shell. Connect it to any USB-C device and your workspace expands immediately, without a separate stand, a monitor arm, or a bag pocket devoted to adapters. It folds down to 20mm and opens into something that feels genuinely designed.

Designer: VitaLink

Click Here to Buy Now: $279 $658 (58% off). Hurry, only 491/600 left! Raised over $37,000.

The integrated 13-inch display sits directly above the keyboard in what amounts to a compact laptop form factor. The screen runs at a 3840×1600 pixel resolution, a 2.4:1 ultra-wide format rather than a standard 16:9 panel, giving it an unusual amount of horizontal room. There’s enough space to keep two apps open side by side without either feeling squeezed into a corner.

The 180-degree hinge is what makes the compact form actually practical. When you’re done, everything closes into a flat 20mm slab that slips into a laptop sleeve without awkward bulk. The open footprint sits at around 34 × 15 cm, compact enough for a plane tray table, a crowded café counter, or a hotel desk that never seems to fit anything comfortably.

The panel supports 10-point touch, runs at 60 Hz, and delivers 298 PPI pixel density with 100% sRGB color coverage. Touching a screen this size changes how you interact with content. You can swipe, drag, and tap directly on the display while still using the keyboard below, which means managing layers in an editor, scrubbing a timeline, or pulling up references doesn’t require switching between input modes.

The keyboard uses scissor-switch mechanisms with 0.8mm of key travel and wider-than-typical spacing. That added spacing sounds like a minor detail until you’ve spent an hour trying to type accurately on a portable board that prioritizes size above everything else. Three RGB backlight modes let you set the visual tone, and the keys are designed to stay quiet enough for cafés and shared offices.

Two USB-C ports handle video, data, and power delivery through a single cable, and the plug-and-play setup works across Windows, macOS, Linux, iOS, and Android without requiring additional drivers. That compatibility extends to mini PCs, tablets, and handheld gaming consoles, so VitaLink isn’t tied to one kind of device. You’re not locked into a single workflow or a single ecosystem, which is most of the appeal.

Think about what that actually means. You’re in a hotel room with just your iPad and need a proper keyboard and enough screen space to write, edit, and reference something at once. Or you’re at a café with a mini PC and want a setup that doesn’t take over the whole table. Those are the moments where having the keyboard and the display in one object makes a real difference.

The aluminum body does more than keep things thin. CNC-machined aluminum with a frosted anodized finish gives it a rigidity that plastic travel accessories rarely have, protecting the display in transit and keeping the keyboard deck from flexing during typing sessions. It carries more like a slim hardcover notebook than a peripheral, which is a meaningful difference for anyone who’s dealt with a flimsy portable monitor in a crowded bag.

There’s something worth noting in the fact that portable work setups have gotten faster without necessarily getting more cohesive. The bag is still a loose collection of things that don’t quite belong together. VitaLink is at least making a case that the keyboard and the display belong in a single intentional object, built from the start for people whose work doesn’t stay in one place.

Click Here to Buy Now: $279 $658 (58% off). Hurry, only 491/600 left! Raised over $37,000.

The post VitaLink Just Put a 13-Inch Screen and Keyboard Into One Foldable Slab first appeared on Yanko Design.

This Cybertruck-Inspired Electric Trike Solves Urban Delivery Problems Tesla Never Bothered With

Three-wheeled vehicles occupy this weird liminal space in transportation design. Too substantial to park with bicycles, too small to merge confidently on highways, weird enough that most traffic laws forget they exist. The tuk-tuk owns this category in Southeast Asia, the Reliant Robin became a British punchline, and the Piaggio Ape dominates European deliveries despite looking like a Vespa that ate too much pasta. Most attempts to electrify and modernize this form factor end up either too expensive, too fragile, or too obviously designed by people who’ve never actually navigated a city during rush hour. The Scooter P-Two from Voyager feels different because it acknowledges these problems up front and builds around them.

Belgian designers Jeroen Claus and Fabian Breës published this concept on Behance in February 2025, positioning it as purpose-built micro-mobility for dense urban environments. Enclosed cabin for weather protection, modular cargo area that adapts between hauling mode and passenger mode, classic trike geometry that keeps the profile narrow enough to slip through traffic. The styling borrows from Cybertruck’s angular vocabulary and Rivian’s adventure-utility aesthetic, but executed at a scale where those geometric moves actually make practical sense. Voyager describes the P-Two as small on the outside, spacious on the inside, which usually signals marketing delusion, but the visualizations suggest they might have actually solved that packaging puzzle through clever interior architecture and a glass area that doesn’t compromise sight lines.

Designers: Jeroen Claus & Fabian Breës

What’s interesting is how this tackles the last-mile problem from a completely different angle than Tesla’s robotaxi approach. Autonomous ride-hailing solves personal transportation, sure, but it does absolutely nothing for the grocer who needs to deliver three bags of produce, the courier hauling packages, or the mobile coffee vendor setting up at a street market. Those use cases require cargo capacity, weather protection, and the ability to park in spaces where a Model 3 would get towed. The P-Two addresses all three without requiring a silicon valley-scale AI development budget.

The front fascia carries that now-familiar horizontal light bar spanning the full width, a move Cybertruck popularized and every EV startup has since borrowed. A vertical red accent element breaks up the horizontal monotony and gives the face definition without resorting to fake grilles or busy details. That two-tone split (charcoal gray below, off-white above) does real visual work, breaking up what could read as a bulky form into something that feels lighter and more considered. The surfacing stays clean and geometric, channeling that angular confidence Tesla brought to trucks but rendered at tuk-tuk proportions where it actually looks intentional rather than confrontational.

The cargo solution tells you these designers actually think about how people move things around cities. That roll-up door in back solves problems that hinged and sliding doors create. Hinges eat precious loading width and force awkward angles when you’re trying to maneuver boxes. Sliders need tracks, seals, and mechanisms that add cost and failure points. A simple roll-up shutter gives you the full cargo opening without mechanical drama, and the modularity extends beyond simple package hauling. The concept shows configurations for mobile retail, delivery work, passenger mode, which suggests the platform could adapt across use cases instead of forcing you to pick one function and stick with it forever.

The trike layout means this handles more like a powered two-wheeler than a micro-car, which changes the entire feel of how you’d navigate traffic. That exposed front wheel carries conventional tire sizing rather than the pencil-thin rubber most stand-up scooters use, which matters for stability over rough pavement and confident braking. The rear axle provides your planted base when stopped and your drive traction when moving. You trade four-wheel planted feel for genuine lane-filtering ability and a footprint that can actually navigate the spaces cars can’t reach. In dense European city centers where streets predate automobiles and parking costs more than rent, that tradeoff makes complete sense.

The intelligence here is how thoroughly Voyager avoided the usual micro-mobility compromises. Most concepts optimize ruthlessly for one metric and sacrifice everything else to hit it. Smallest possible size, maximum theoretical range, absolute lowest build cost. This feels like it started from actual urban movement patterns and built the vehicle around those needs. Enclosed cabin means rain stops being an excuse to drive the car. Cargo flexibility means the same machine handles your morning commute, afternoon grocery run, and weekend side hustle doing deliveries. The styling gives it enough visual mass to read as a legitimate vehicle in mixed traffic rather than an oversized toy or mobility-impaired golf cart.

Whether this actually reaches production, and at what price point, will determine if it reshapes anything or just becomes another beautifully considered concept that dies in the portfolio. But the thinking here is solid enough that I’d genuinely consider one if it showed up at competitive pricing against electric scooters. Cities need vehicles that acknowledge their actual density and infrastructure constraints instead of pretending everyone can just drive smaller cars forever.

The post This Cybertruck-Inspired Electric Trike Solves Urban Delivery Problems Tesla Never Bothered With first appeared on Yanko Design.

This 25sqm Australian Tiny House Feels Anything But Small

The best tiny homes don’t feel small; they feel edited. Removed Tiny Homes, a Queensland-based builder, has built its entire identity around that idea, and the Currumbin is arguably where it lands best. Named after the coastal suburb on the Gold Coast, the Currumbin is the most popular model in the builder’s lineup, and it’s easy to see why. Sitting on a triple-axle trailer, it measures 7.2 metres long, 2.4 metres wide, and stands 4.3 metres tall, coming in at 25 square metres of liveable space. For a home that technically fits on a trailer, it carries itself with surprising generosity.

The layout is designed with couples and downsizers in mind. A loft bedroom sits above the living zone, accessed via a standing-height walkway and staircase, the kind of considered detail that separates a well-designed tiny home from a glorified caravan. A skylight overhead floods the sleeping area with natural light, giving the loft an almost meditative quality. Two layout options are available, letting buyers tailor the floor plan to how they actually live, rather than forcing a compromise.

Designer: Removed Tiny Homes

Downstairs, the kitchen takes centre stage. A large picture window anchors the cooking space, framing the outdoors like a piece of art. The interior features VJ panelling customisable in different tones, wood-like vinyl board flooring, and white walls and ceiling set against black windows, a palette that feels calm and resolved without trying too hard. It’s the kind of interior that photographs well, but more importantly, lives well.

Strategically placed expansive windows provide the interior with ample light, making it feel cosy and bright, a critical move in a home this scale, where the relationship between inside and outside does the heavy lifting. Priced from $128,990, the Currumbin sits at the entry point of Removed’s Classic range, yet it doesn’t feel like a starting point. It feels considered from end to end. The brand’s philosophy of building homes that help people “disconnect from the noise” with calm, clarity, and craftsmanship at the core is felt in every decision, from the stair storage to the picture window placement.

The Currumbin’s success has since led Removed to develop the Currumbin 9.6, a 31.4-foot follow-up that moves the bedroom downstairs with a full walkthrough en-suite bathroom, catering to those who’d rather skip the loft entirely. But the original 7.2 remains the sweet spot. Small enough to move, large enough to mean something.

The post This 25sqm Australian Tiny House Feels Anything But Small first appeared on Yanko Design.

Piaget Just Moved the Watch From Your Wrist to Your Neck

The watch industry has a well-earned reputation for doing the same thing over and over again, just with slightly thinner cases and flashier complications each year. So when a brand genuinely surprises you, it feels worth talking about. Piaget’s Swinging Pebbles, unveiled at Watches and Wonders 2026, did exactly that for me.

These are not watches you wear on your wrist. They’re pendant watches, sculpted entirely from a single slice of semiprecious stone and hung from sinuous twisted gold chains. The stone isn’t just decorative trim or a dial insert. The case itself is stone. The whole object is stone, hollowed out just enough to house a manufacture movement, then sealed back into a smooth, organic pebble shape. You clasp it, but you don’t strap it. It lives at your collarbone, not your pulse point.

Designer: Piaget

That shift alone deserves attention. The industry has spent decades debating millimeters of case diameter and whether 40mm is too big or too small for a modern watch. Piaget essentially said: what if none of that matters and the watch just hangs from your neck like a very beautiful rock? It’s a deeply different kind of confidence.

The collection comes in three stone varieties: golden tiger’s eye, grass-green verdite, and pietersite, each with its own mood and temperature. Tiger’s eye has that warm, chatoyant shimmer that catches light differently depending on your angle. Verdite is earthy and lush, the color of an old botanical illustration. Pietersite is the most dramatic of the three, with its stormy, swirling blues and golds that look like a weather system captured in mineral form. Choosing between them feels less like selecting a product variant and more like choosing a personal talisman.

The design draws from two specific moments in Piaget’s archive. The first is the Swinging Sautoirs of the 1970s, a collection born in an era when watches were fused into coins, envelopes, and dice, and wearing one was a full sensory experience. The second is a lesser-known reference: Piaget’s asymmetrical kimono pocket watches from 1974, crafted in malachite and designed to rest in the palm like a smooth river stone. The Swinging Pebbles are clearly carrying those ideas forward, but they don’t feel like a costume. The connection to the archive is felt rather than announced.

Yves Piaget once said, “A watch is first and foremost a piece of jewellery.” The Swinging Pebbles are probably the most literal interpretation of that philosophy the maison has ever produced. The movement is almost beside the point, which is a strange thing to say about a Swiss luxury watch. But the pieces use a quartz caliber (the 355P), and I actually think that’s the right call here. Piaget didn’t let a mechanical complication turn these into something bulky or precious in the wrong way. They stayed committed to the object’s identity as jewelry, and the quartz movement quietly agrees to stay out of the way.

My personal take: this is the kind of design that makes you rethink what a watch category even is. Pendant watches exist at a rare intersection of horology, sculpture, and wearable art, and most brands either treat that intersection as a novelty or ignore it entirely. Piaget has always been the exception. They’ve been dressing dials in lapis lazuli, turquoise, and tiger’s eye since 1963, and this new collection feels like a natural exhale from six decades of accumulated stone fluency.

Whether or not you’d actually wear one is a separate conversation, and probably a deeply personal one tied to your relationship with jewelry, self-expression, and how much you enjoy being the most interesting person in the room. But as an object, as a design statement, as a piece of thinking about what a watch can be, the Swinging Pebbles are quietly radical. They’re not trying to modernize a classic. They’re trying to remind you that some classics were already ahead of their time.

The post Piaget Just Moved the Watch From Your Wrist to Your Neck first appeared on Yanko Design.

Reed Hastings is leaving Netflix after 29 years

Netflix co-founder and current chairman Reed Hastings is leaving the streaming company’s board in June to focus on "his philanthropy and other pursuits," according to a shareholder letter released alongside Netflix's Q1 earnings. Hastings has served as chairman of Netflix's board since 2023, a role he assumed after stepping down as co-CEO and promoting Greg Peters in his place.

"Netflix changed my life in so many ways, and my all‑time favorite memory was January 2016, when we enabled nearly the entire planet to enjoy our service," Hastings said in a statement. "My real contribution at Netflix wasn’t a single decision; it was a focus on member joy, building a culture that others could inherit and improve, and building a company that could be both beloved by members and wildly successful for generations to come. A special thanks to Greg and Ted, whose commitment to Netflix’s greatness is so strong that I can now focus on new things."

Hastings founded Netflix in 1997 as a DVD-by-mail rental service with his co-founder and the company's first CEO Marc Randolph. In 1999, Hastings became CEO, and eventually led the company through its transformation into a streaming service in 2007. Netflix started producing its own television series and movies in 2013, and in 2020, the company's board named Ted Sarandos as Hasting's co-CEO, in part to oversee its growing production business. Hastings stepped down as co-CEO in 2023 to become Netflix’s executive chairman, as then COO Greg Peters was promoted to co-CEO. Among his other contributions, Hasting is also the architect of Netflix's infamous "culture memo," which codified the company's high-performance culture.

While he'll no longer be on Netflix's board, Hastings still has a seat on the board of AI startup Anthropic and media and financial software company Bloomberg. Netflix, for its part, is continuing to expand outside of the television and film business Hastings helped build, by offering a selection of curated party games, a growing library of video podcasts and live sports.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/reed-hastings-is-leaving-netflix-after-29-years-213136444.html?src=rss

This 3D-Printed Pet House Looks Like a Retro TV That Lets You Watch Your Cat Sleep Instead Of Netflix

Forget the $800 Scandinavian pet cave or the linen-covered cube that your cat ignores in favor of your laptop bag. The most genuinely entertaining piece of pet furniture to cross my feed this year is a 3D-printed house shaped like a vintage CRT television, and the entire joke is that your pet becomes the programming. You sit on the couch. You watch the TV. The TV contains a cat. This is better than anything currently streaming. Designer burnski uploaded the STL pack to Cults3D in January, and the community has been printing it in color combinations ranging from dark grey with cyan accents to warm brown with blush pink ever since, each build landing in someone’s living room like the world’s most wholesome conversation piece.

The file set runs to 39 components, assembles with a dry-fit connector system and superglue, and requires a print bed of at least 240 x 240 x 240mm to pull off at full scale. The form is pitch-perfect: four tapered legs, two ball-tipped rabbit-ear antennas, three knurled channel knobs, a honeycomb speaker grille, and a wide rounded-rectangle screen opening that your cat, dog, or rabbit walks through and promptly falls asleep inside. Community makes already show cats curled up in the screen cavity like they are the most relaxed broadcast in television history, which, honestly, they are.

Designer: burnski

The design language burnski landed on is pure 1960s broadcast era, the kind of chunky, corner-rounded CRT silhouette that populated every American living room before flatscreens made televisions invisible. That specific form carries enormous nostalgic weight right now, showing up on tote bags, neon signs, and enamel pins everywhere you look, but burnski is one of the few people who has taken it somewhere genuinely functional. The rounded body, the splayed legs, the antennas, none of these are decorative afterthoughts. They are load-bearing elements of a visual joke that only works if every detail commits. A CRT pet house with stubby legs and no antennas is just a box with a hole in it. This one reads as a television from across the room, which is the whole point.

Thirty-nine individual STL files cover every component from the outer casing panels, split into eight sections labeled 1A through 2D for assembly sequencing, to the antenna mounting blocks, the knob faces, and the front and rear ventilation grilles. The connector system is built directly into the parts, so the dry-fit assembly process is essentially self-guiding before you reach for the superglue. Burnski recommends two or three filament colors, minimum two walls, and ten percent infill for most structural components, with support material only required under the monitor section. The rear ventilation panels and front grille inlays get a special tip in the build notes: flatten them in your slicer, zero out the top and bottom layers, and the exposed infill pattern becomes a design feature. Community makers have used gyroid and honeycomb infill patterns to striking effect on these panels, visible in the finished build photos circulating on Cults3D.

Given the fact that you’re 3D printing this, you can choose from a variety of colors. The grey-and-cyan version that burnski’s own build photos show is clean and almost graphic, the kind of colorway that would not look out of place in a design-forward apartment. However, you aren’t limited to that – go wild with pastels or neons, or just stick to a single-color print if you’re constrained by filaments and then paint designs/patterns onto it later. It’s ultimately a pet-house, so remember to use paints that are safe and non-toxic.

You can play around with scale to make sure the shelter fits your pet. At 1:1 scale, a full-grown cat fits inside the screen cavity with room to curl up comfortably, which means the assembled unit is genuinely substantial, closer in presence to a bedside table than to a desktop decorative object. That scale is also what makes the living-room-television joke land in person rather than just in photographs. A miniature version would be cute if you own a tinier pet. A version large enough for an actual animal to live inside, sitting on four legs at floor level while you watch it from the couch, is something else entirely.

The STL pack is available on Cults3D for $2.84 USD, making it one of the more absurdly good-value design files on the platform relative to what you actually get. The print time is substantial, the assembly requires patience, and you will need superglue and a printer with a fairly large print-bed if you’re going to print this thing at scale… but the community make photos tell the real story here: people are finishing this build, dropping it in their living rooms, and watching their pets walk straight in and claim it. The channel is always on. The programming never disappoints.

The post This 3D-Printed Pet House Looks Like a Retro TV That Lets You Watch Your Cat Sleep Instead Of Netflix first appeared on Yanko Design.

Vanspeed Album camper van with Murphy bed and versatile lounge is designed to go where you need it

Mercedes-Benz Sprinter camper vans are built for those who want adventure without sacrificing comfort. Taking cues from the Sprinter’s exterior and thriving on its base, California-based Vanspeed has been designing camper vans focused on multifunctional performance. A standout example is the all-new Album camper van.

Built atop a Sprinter 144 AWD, it offers an ideal blend of convenience and luxury, making it ready to go wherever you need it. The Vanspeed camper van strips off any fancy exterior addons, keeping the body simple and clean. Only visible addition to the body is the roof ladder on the driver’s side to access the full-length rooftop rack.

Designer: Vanspeed https://www.vanspeedshop.com

Other than the minimalist exterior, there is nothing casual about the Album camper van. It is a fine embodiment of what a functional camper van interior should be. Ready for off-road adventure, the multipurpose interior of the camper is defined by its Murphy bed and partially or fully removable seating, which opens up the center aisle for cargo or adventure equipment, such as your bicycles or surfboard.

Despite the functionality, the interior with wood-style paneling throughout is warm and inviting. The folding bed stacks up against the driver’s sidewall, freeing up space for daytime convenience. You can use the L-shaped seating for relaxing, or pull down the hidden swivel table (from the cabinet just opposite) and use it as a workstation or for dining. In the pictures, you will notice only a bench seat, however, the seating is completed with a detachable crosspiece sofa, creating the complete L-shaped sofa lounge.

At nighttime, you can conveniently fold down the Murphy bed to create a comfortable platform measuring 80 inches (203 cm) long. It can sleep two people and sit stably on its own foundational supports on the sidewalls, without disturbing the cabinetry and lounge setting underneath. While all this is happening toward the rear of the camper van, up ahead, approachable from the side entry is the kitchenette. The counter is provided with a single-burner portable induction cooktop, and a fridge finds a place underneath the kitchen block. For the convenience of daytime campers, the kitchen includes a countertop that extends for outdoor cooking.

Alongside is another multifunctional space: The wet bathroom, which doubles as a storage cabinet. The bathroom is provided with a shower and a removable portable toilet with flippable shelves for storage. The camper van is powered by a lithium battery to render it usable for stays longer than a weekend. If you’re interested, the Vanspeed Album is priced at $219,000.

The post Vanspeed Album camper van with Murphy bed and versatile lounge is designed to go where you need it first appeared on Yanko Design.

Perplexity brings its Personal Computer AI assistant to Mac

Perplexity has just released Personal Computer. The software, which is available starting today for Mac, builds on the multi-model orchestration capabilities the company debuted with Perplexity Computer at the end of February. Like Claude Cowork (and, as of today, OpenAI Codex too), it's a suite of computer use agents that can work with your files, apps, connectors and the web to complete complex and "even continuous workflows." 

Perplexity suggests a few different use cases for Personal Computer, starting with the obvious. “You can ask Personal Computer to read your to-do list,” the company states. “In fact, you can ask it to DO your to-do list." It explains you can open the Notes app on your Mac, ask Personal Computer for help and the system will reason how to best assist you. In the process of tackling that task, it can work across all your files, as well as apps like Apple Messages. When needed, it will also employ multiple agents to complete a request. Like Anthropic did with Claude Cowork, Perplexity says you can also use its software to organize messy folders so files feature sensible names and there's an easy-to-understand structure to everything.

You can prompt Personal Computer with your voice, and you can even initiate and manage tasks from your phone. Perplexity says the app creates files in a secure sandbox, and any actions it takes are auditable and reversible. "A system that acts on your behalf needs to be useful and legible. It should feel like a team you manage, not a rogue employee with keys to your most important data," the company said.   

Personal Computer for Mac is available starting today, beginning with Max subscribers. Perplexity said it would bring the app to its other users soon, prioritizing those who joined the waitlist for the experience. 

This article originally appeared on Engadget at https://www.engadget.com/ai/perplexity-brings-its-personal-computer-ai-assistant-to-mac-202045969.html?src=rss

Call of Duty movie arrives on June 30, 2028

A Call of Duty movie is still happening, but don't hold your breath for it to hit screens any time soon. Today, the popular FPS' social media revealed that the movie's theatrical release date will be June 30, 2028. 

A film adaptation of the game franchise was first revealed last year, and shortly after, we learned that Taylor Sheridan and Peter Berg would be serving as the producers. The duo, whose past credits include Friday Night Lights and Yellowstone, will also be co-writing the project under Berg's direction. We still haven't heard anything about the cast, or even what era of the long-running series will be depicted, so it seems like a safe bet that there's still a ways to go before this wraps. But CoD is nothing if not a money-maker, so reimagining it as a summer blockbuster seems pretty expected.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/call-of-duty-movie-arrives-on-june-30-2028-200033481.html?src=rss