Tag Archives: bauhaus

This Bold & Bulky Sofa Is Available In A Bauhaus Edition Referencing The Modernist Art School

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A beautiful piece of furniture can complete a room. It can be the final piece that makes a space come full circle, building a comfortable and cohesive haven, rather than a random area. Furniture pieces make or break a home, they add to the essence or soul of a home, hence one needs to be extremely picky while choosing a furniture design. The design should be a reflection of you, and what you want your home to be. When you place a piece of furniture in a room, it should instantly integrate with the space, creating a wholesome and organic environment. And, there’s something about unique, stunning, and well-done furniture design that completely wins my heart – for example the Cocoon sofa by Jens Juul Eilersen.

Designer: Jens Juul Eilersen for Eilersen

Designed by third-generation designer Jens Juul Eilersen for the Danish brand Eilersen in 2008, the Cocoon sofa is a comfortable and cozy seating design amped with all kinds of cushions to create an immersive nest-like space for users. The sofa was designed to imitate the feeling of retreating into a pupa. Recently, the brand launched three new multicolor variants of the Cocoon sofa, including an exciting Bauhaus edition that is a wonderful interplay of primary colors and geometric forms.

“As I played around with the idea of what it must feel like to be a caterpillar spinning silk, the image of a gigantic toy box arose,” said Jens Juul Eilersen. “A giant toy box with triangular cushions, lumbar cushions, head cushions, armrests, neck cushions – in fact, cushions of all shapes and sizes. It allows you to choose your own level of comfort while also having fun building and sitting on the sofa.”

The Bauhaus edition really caught my eye as it is pretty urban and cool. It combines a bunch of pastel and jewel shades of red, yellow, and blue which makes an interesting and strong reference to the modernist art school. An emphasis is also laid on the diverse shapes and sizes of the cushions. Besides the Bauhas edition, the sofa is also available in Bloom and Blues variants. The Bloom iteration uses shades such as green, pink, and yellow, while the Blues version is inspired by coastlines and calmness.

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What is Bauhaus Design Style: The Significance of Art United Under One Haus

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Staatliches Bauhaus originated as a German school of arts in the early 20th century and transformed into one of the most influential art schools in the history of the world. Bauhaus, meaning ‘building a house in German,’ was established six months after the First World War in 1919 and aimed to build a new society after the ravages and destruction of the war. Throughout the 1920s and 1930s, Bauhaus art marked a new period of history and found its presence in paintings, graphics, architecture, and interior design. It celebrates the fusion of individual artistry and vision, emphasizing mass production and function. Additionally, it formed the catalyst and paved the way for modern architecture and furniture design.

Designer: Walter Gropius

Founded by German architect Walter Gropius, he combined two schools, the Weimar Academy of Arts and the Weimar School of Arts and Crafts, into what he called the Bauhaus. The whole idea of the Bauhaus was to produce a functional and aesthetically pleasing object for the mass society instead of individual items for the wealthy. With a utopian aim to create a new form of design by combining fine arts, crafts, design, architecture, and technology, the Bauhaus promoted rational and functional design that embraced the principles of form following function and the less is more ethos. Despite being in existence for only 14 years, it has been the most impactful movement where the teachers and students worked in tandem with each other.

What is the history of Bauhaus?

Before the Bauhaus movement, fine arts such as architecture and design were highly esteemed concerning other art streams like painting and woodworking. Gropius asserted that all the crafts could be brought together and ensured that performing arts, design, and applied arts were given equal status as he tried to unite all branches of art. He envisioned bridging the gap between art and the industry by crafting pieces that combine aesthetics and beauty with function and utility. As a result, notable teachers Marianne Brandt and Marcel Breuer replaced the traditional pupil-teacher relationship with the idea of a community of artists working together.

Artist: Angel Estevez

Where were the Bauhaus art institutes located?

Bauhaus existed in three cities, functioning through a tough time of social and political upheaval. Nevertheless, it left one of the most significant stamps on art, architecture, and design in the 20th century.

Weimar -1919-1925

Gropius laid the foundation of Bauhaus in Weimar, which aimed to serve a social role with no division of craft-based disciplines.

Dessau- 1925-1932

Dessau was selected after the close of Weimer due to political reasons. However, it was the most fruitful period of activity when Gropius designed the famous Bauhaus building – a landmark of modern, sculptural architecture that was dissolved on 30 September 1932. Currently, it is a UNESCO world heritage site that attracts many tourists.

Berlin-1932-1933

Little work was done during this period due to pressure from the Nazis regime and lack of funding. Unfortunately, it was permanently closed in July 1933 under immense political pressure and threat.

Who were the creative artists behind the Bauhaus movement?

Well-known artists like Josef Albers, Wassily Kandinsky, and Paul Klee offered their expertise as instructors. In addition, the Bauhaus flourished under three different architect-directors: Walter Gropius from 1919 to 1928, Hannes Meyer from 1928 to 1930, and Ludwig Mies van der Rohe from 1930 until 1933.

What was the purpose of the Bauhaus Design style?

Since the modern manufacturing method can result in the loss of art, Bauhaus wanted a design style that could merge art and functional design alongside practical everyday objects with the soul of artwork. In addition, there was an emphasis on experiment and problem-solving, which shaped Bauhaus’s teaching approach and greatly influenced contemporary art education.

Wassily chair

Designer: Marcel Breuer (Knoll)

What are the key elements of Bauhaus Architecture?

Designer: archetival

With a holistic approach towards design, mid-century modern homes were inspired by clean lines and functional design. At the same time, the interiors were known for their simplicity and sense of openness. The school played a crucial role in developing modernist architecture and significantly impacted mid-century modern art and design and Scandinavian minimalism. The Bauhaus buildings can be angular and linear or feature curved balconies and round corners, but here are some essential common characteristics:

  • The Bauhaus design style is straightforward; it believes in simplicity, clarity of design, optimum functionality, abstract shapes, the use of primary colors, and balanced visual composition. Therefore, there was no need for additional ornamentation to make things more beautiful as it was allowed only if it followed function.
  • Instead of floral and curvilinear shapes, the Bauhaus focused on minimalism with linear and geometric forms like triangles, squares, and circles. Asymmetry is favored over symmetry alongside a simple, rational, and functional design.

Designer: Adrian Olabuenaga

  • The buildings are designed with flat roofs and glass curtain walls. The popular use of modern materials like steel, glass, and concrete that have become an integral component of contemporary architecture and interior design.
  • The buildings, furniture, and fonts often feature rounded corners and sometimes rounded walls.
  • The Bauhaus design style is true to materials and ensures that the material is used in its most natural and honest form. Hence, Bauhaus architects did not hide brutal and rough materials. Instead, using basic utilitarian materials like steel, concrete, and glass in an unmodified and exposed form emphasizes the beauty of their functionality.
  • The ideology of Bauhaus was to make optimum use of time and smart use of the available resources. With an economical way of thinking, the representatives wanted to achieve controlled finance, increase the productivity of time-consuming projects, and precisely use the available materials.
  • Bauhaus workshops emphasized and embraced technology to merge art and design with mass production and were skillfully used for developing prototypes.
  • According to Walter Gropius, form follows function. Hence the form or elegant geometric shapes of any object or building should be based on its intended function or purpose.

Designer: Rockin Cushions

  • The focus was on design productivity and a strong understanding of basic design principles of composition, color theory, and craftsmanship in various disciplines. In addition, it believed in the oneness of the artist and the craftsman — an excellent design that is durable, economical, beautiful, and accessible to all.
  • Their commitment to finding solutions that were simple, rational, and functional is an approach that is still taught to artists and designers today.
  • The final lesson is that the Bauhaus advocated for a “new guild of craftsmen,” abolishing the elite lines between artist and designer to build a new future.
  • Bauhaus is all about new techniques, new materials, new ways of construction, and new attitudes. Hence, architects, designers, and artists must invent something new using modern technologies and materials. It also led to the emergence of new forms of interior design.

What countries have the most examples of Bauhaus architecture?

96 HaYarkon, Tel Aviv

Designer: Bar Orian

One of the largest collections of Bauhaus-style architecture is in Tel Aviv, Israel. Its city center is a UNESCO-recognized site thanks to more than 4,000 buildings designed by German Jews who fled the Nazis in the 1930s.

Designer: Adobe x Bauhaus

Almost 100 years later, we exist in the future that the Bauhaus imagined and can see the connection and fusion between good artistry and good design.

The post What is Bauhaus Design Style: The Significance of Art United Under One Haus first appeared on Yanko Design.

Roly-poly embodies Hungarian culture and history in playful modular lamps

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More often than not, designers will inject a bit of themselves into their creations, sometimes unconsciously, at other times intentionally. One’s history, culture, and learning influence what we do and make, after all, but sometimes there is a stronger desire to pay homage to the past in new and sometimes indirect ways. On their own, these pendant and standing lamps are already interesting and attractive, their play on shape, colors, and light making them stand out as fun art pieces. Beneath that specular surface, however, lies many ties to various parts of Hungary’s art, cultural, and socio-political history, making the Roly-poly more than just a toy-like fixture but also an expression of the country’s best creative minds as well.

Designer: Annabella Hevesi

The name “roly-poly” itself already conveys something less serious, almost whimsical. In some parts of the world, particularly in Eastern Europe, it actually refers to a doll with a round bottom that would wobble on a surface but would eventually return to an upright position thanks to a weight hidden inside. Although these lamps aren’t meant to wobble and tumble in the same way, they still have that playful characteristic of their namesake, bringing a bit of fun to a room thanks to their shape and their color combinations.

The choice of a spherical body and a conical lamp wasn’t just for the sake of resembling the toy, though. The forms and choice of dual colors are marks of the Bauhaus movement that left a strong impression in Hungarian art and design circles. That movement would also influence an architectural style in the 70s that the roly-poly lamps also embody literally.

Although it looks like fragile glass, the rotund bodies of these lamps are actually made from a sheet of metal. To bring out its unique luster, the lamps are fire enameled, a style that became popular in Hungary’s Architectural Enameled Art Camp decades ago. It might be an old method today, but it is also a more sustainable process compared to plastic-based powder coating. The enameled steel surface looks almost glass-like thanks to the indirect light cast by the funnel-shaped head.

Two versions of the Roly-poly lamp exist. The standing lamp is a single piece that resembles the toy the closest, slightly wobbling while also giving the owner complete freedom to position the lamp any which way they like. The pendant lamps bring the modular aspect of lighting, offering the possibility of stringing multiple lamps in a vertical fashion. Such an arrangement can even reach the floor, making the Roly-poly look like a statue from that Enamel Art movement rather than a set of hanging lamps.

Roly-poly is part of the designer’s Burnt Collection, designed to put a spotlight on Hungary’s rich art and design heritage, particularly those influenced by the Bauhaus movement. These toy-like lighting pieces are like hidden history books, pointing to important parts of the country’s cultural and economic past. Even without that backdrop, however, the lamps bring a sense of fun and delight thanks to their playful use of shapes and colors, exactly like a roly-poly toy.

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Dedas sofas bring a touch of Hungarian Bauhaus to public spaces

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When people think of sofas or couches, many might think of very comfortable seating furniture you might even be able to sleep on. Others might actually find them stiff and unappealing, especially public ones that seem to be ironically designed to discourage lounging on them. And then there are sofas that seem to be more like art pieces to look at than something to sit on. Of course, there’s no reason why a sofa can’t be both an artistic expression as well as a piece of comfortable furniture, and the Dedas seating system brings that possibility into the real world, with a lot of help from the Hungarian designers and artists that represented the culture in the Bauhaus movement.

Designer: Annabella Hevesi

The seating system is made up of one, two, and three-seater sofas of different designs and colors, but its flagship variant reflects the art style that serves as both the inspiration and impetus for the entire furniture collection. Taking a few pages from Hungarian artist Ferenc Lantos’ “circle in square” motif, Dedas employs the typical geometric patterns and alternating colors associated with the Bauhaus style to create a visually interesting piece of furniture. But more than just simply taking those same shapes and putting them on the sofa’s backrest, the design takes a softer approach by using only horizontal and vertical lines to bisect the circles and employs rounded corners for the squares.

In contrast to the almost playful and artistic design of the backrest, there is a sense of efficiency and constraint in the way the entire sofa is constructed. The square shapes clearly mark areas where one should sit, and the rather tall sides enclose people in a more intimate and private space, even in a public setting. For extra effect, there is a three-seater model that has even taller backrests that would seem to climb up the wall, presuming you have the sofa set against one.

A very interesting aspect of the Dedas sofas is the upholstery’s hexagonal weaving structure. Since it has no stated direction, the fabric easily stretches even over the curved parts of the backrest, leaving no excess material and creating a seamless surface. The fabric is made using “Cradle to Cradle” CLIMATEX material, making it 100% recyclable when the sofa reaches its end of life. The foam for the filling is said to be made almost entirely of recycled foam, and its cut foam structure means there is no need for expensive and wasteful casting.

Compared to the cushions, the legs are almost invisible but are still distinctive with their iridescent finishing and unique patination. This appearance is achieved through a burning process that would call to mind enameled artworks, especially those from Hungarian Bauhaus artists. This design happens to also be more environment-friendly compared to plastic-based powder coating methods.

Furniture doesn’t have to be functional pieces of equipment only. They can also be an expression and a reflection of one’s unique traits. That includes one’s culture and history, which is often a smorgasbord of the artistic, socio-political, and economic landscapes of times gone by. Dedas and the designer’s entire Burnt Collection attempts to bring those influences to light, especially from Hungary’s rich cultural past. The result is a beautiful set of sofas for public spaces that bring some bodily relief and visual and mental satisfaction.

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Bauhaus Air Purifier Concept is a marriage of art and function

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BAUHAUS Air Purifier Concept Design Details

Bauhaus design style has always been about combining beautiful art with function. They say a good design is both aesthetic and functional and this Bauhaus Air Purifier concept delivers functional design with an artsy industrial form.

This is only a concept design, but it is a perfect example of the brand’s “simple yet sophisticated” design philosophy. This air purifier concept wants us to focus on simple shapes and colors. It shows off ultimate modernity using circles, lines, and squares–all while offering impressing air purifying performance.

Designer: Keereem Lee

BAUHAUS Air Purifier Design

Concept BAUHAUS Air Purifier

The air purifier project was based on a Bauhaus poster that showed a combination of colors and basic figures. The sharing and arrangement of the elements result in a friendly and attractive retro-modern look. The air purifier appears to be like the 3D version of the Bauhaus poster, so you can say this is design coming to life.

The technical specs of the Bauhaus Air Purifier aren’t listed, but since it is from the brand, it would be able to perform well. It doesn’t look like those boring air purifiers we see in the market and have become popular, especially in the past two years of the pandemic. This air purifier can be customized in terms of colors, depending on the owner’s preference. It has a unique style and layout that you can’t find in any other air purifier. It boasts an industrial design that can fit most home interiors. There is a vent hole underneath the round part of the air purifier.

BAUHAUS Air Purifier

Color options include Forest Sunlight which is more dark green like the forest, offering a more relaxing environment. The Rapeseed Flower version shows off the brightness of rapeseed flowers dancing to the wind during the spring breeze in Jeju Island. Pure Snow delivers the pureness of white snow without any trace of footprints. Finally, silent Night is dark gray, showing odd the tranquility of darkness and refreshing night air.

BAUHAUS Air Purifier Concept

BAUHAUS Air Purifier Design Render

BAUHAUS Air Purifier Design Concept

BAUHAUS Air Purifier Concept Image

Just looking at the Bauhaus Air Purifier will inspire any creative or artistic person. It also offers an intuitive design with the placement of the buttons. There is a power button, fan intensity, auto button, timer (1/3/5 hrs), and double mode.

Designer Keereem Lee is no stranger to us. He was the one who introduced the Waiter microwave. We want to see both designs become a reality someday because they are really smart and innovative. You know the designer really knows design as he was able to offer outstanding aesthetics and function that design-savvy people want to see go into production.

BAUHAUS Air Purifier Concept Design

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The Bauhaus school of design inspires the striking stained glass colors and geometric shapes of these vases!

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Trio is a collection of three stained glass vases inspired by the Bauhaus school of art and design to bring a timeless edge to the traditional glass vase.

Finding the perfect vase for flowers is sometimes the most fun when arranging bouquets. Bunchier flowers deserve a bulkier, more bulbous vase. While more delicate flower arrangements could use a skinny, minimalist vase. You know the right vase when you see it.

Vases also carry a long, intricate history in ceramics and glass-making that dates back centuries. Taking notes from one historical art school of design, Bauhaus, Ashley Case designed three different vases in its style to accommodate all types of flower arrangements and create a collection called Trio.

Case’s study on Bauhaus design took shape in the art school’s commitment to simplicity, bold colors, and geometric lines. All three vases are molded from sturdy stained glass that creates shadows of color when natural light pours through them. The first vase, a deep cobalt blue, forms three-quarters of a circle and suspends in midair from a black steel cradle that entirely surrounds the vase.

Then, a vertical, rectangular vase coated in lemon yellow stained glass remains in place inside of a four-bar black steel crate. Finally, an inverted triangular vase dipped in scarlet red balances above an empty platform inside a similar black steel crate. All three vases are undoubtedly inspired by Bauhaus design, an art school devoted to integrating a timelessly modern look into any era.

The Bauhaus school of design came to life in 1919, following geometric and abstract styles of design that feature little to no emotion and personality. Instead, the school encourages a timeless look that nods to no cultural or historical aspect in particular. Ashley Case’s collection of vases called Trio embodies Bauhaus through their minimal profiles and strikingly colorful displays that create dazzling shadows of light color to hearken back to the art school’s heyday.

Designer: Ashley Case

Each vase is molded from the stained glass in striking colors reminiscent of the Bauhaus school of design. 

Each vase can accommodate a variety of different flower arrangements, according to your personal taste. 

This IKEA + Renault concept envisions a sustainable future where vehicles are shipped as flat-pack designs!

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In today’s world, where advanced mobility and complex automotive designs dominate the present and the future, a radical approach towards getting from one destination to the other is much needed. Meet Höga by design student Ryan Schlotthauer, a vehicle that adapts IKEA’s winning philosophy of production, packaging, and practical use to give the users a comfortable ride that’s highly functional. This is intertwined with Renault’s advanced mobility platform to create an urban commuter with sustainability in mind. The vehicle’s body is recycled into other products after its lifecycle keeps the waste to a minimum. Design inspiration for the practical commuter comes from the classic Bauhaus principle of clean and purposeful design.

While the vehicle looks pint-sized, its efficient design makes optimum use of every inch out there. The car ships right out of reusable crates to cut on transportation costs, and once it reaches the destination, the containers are reused to ship back broken furniture. Just like IKEA, Höga can be assembled by one person in few hours thanks to its simple LEGO-like attachable frame elements in a perfectly symmetrical design. There are 374 total parts and 114 individual parts (sounds like a lot, but this is a car we are talking about!), which can be put together piece by piece to create the Höga. The skateboard platform of the vehicle houses the four individually moving wheels, which can move in any direction for maneuvering in tight spaces. Höga’s A-frame design comes with roll cage bars and body panel gaps to prioritize the safety of a vehicle so small in size.

The interior is highly customizable to fit in extra luggage or even a small bike or stroller for transportation. The passengers can enter from the front as the windscreen opens completely, and the rear also opens up identically to load more oversized luggage. Optimum usage of space is essential, and the designer has created the blueprints very mindfully for that. At the time of purchase, the customers can try and test different interior configurations to suit their needs and taste, making Höga an irresistible option to ignore.

Designer: Ryan Schlotthauer

This Modular Furniture design pays homage to the Centennial Anniversary of Bauhaus School of Design

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Bauhaus style is one of the most widely received and highly versatile modes of furniture design in circulation today. People around the world take such a liking to Bauhaus because not only is it visually striking, but its mutability instills a feeling of accommodation within consumers. Functionality is what brings this highly individualistic design style into the realm of mass production. In Australia, in honoring 100 years of both Bauhaus and Alma Siedhoff-Buscher, the creator behind some of the most iconic children’s building blocks, the National Gallery of Victoria commissioned Len Furniture to design a system of interchangeable and customizable Bauhaus-influenced furniture pieces.

Bauhaus is inherently captivating in its use of vibrant colors and sophisticated shapes, so Len Furniture felt inspired to create an interior furniture system that encourages workspace play, social interaction, and tranquil professionalism. The pieces of furniture in this collection change shapes and sizes according to your realized, ideal formation to fit into any given room, whether it be a cozy, small office space, or an open-plan public facility. This new Bauhaus collection is comprised of plush, knitted sofa pieces that delicately curve into one another with perfect snugness, presenting colorfully playful, but elegant and refined arrangements.

In order to lean into the design school’s geometric tendencies, Kontouris also paid homage to Alma Siedhoff-Buscher, the German-born designer who created children’s maritime toy blocks. Each one of Kontouris’s furniture pieces mimics a building block’s movement and integration. Kontouris says further on the spirit of her modular furniture system that she felt, “inspired by the thick line work in the National Gallery of Victoria’s Great Hall stained glass ceiling and the simplicity of form from Seidhoff-Buscher’s Bauhaus building blocks, I imagined somewhat mirroring the ceiling and bringing the Bauhaus graphic line work and shapes to life within the space.”

The chameleonic Bauhaus collection can be customized into several different design schemes that generate a sense of respect for a sort of skilled craftsmanship that celebrates changeability. Similar to the popular game of Tetris, one piece of furniture might look like it should attach itself to another, but then a different piece might catch your eye and also makes sense, and then another piece until you notice that the joy in constructing design patterns in the style of Bauhaus rests in the potential of endless possibilities.

Designer: Helen Kontouris

3D Printed Micro-Planter Chess Set

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3d printed planter chess set 3D Printed Micro Planter Chess Set
This might be one of the greatest uses of 3D printing we’ve seen yet. This Micro Planter is a 3D printed chess set with each piece being a tiny micro-planter. Now there’s two ways to kill a piece in this game- using traditional chess moves or just not watering it for a long time. Here’s an overhead shot to see the whole set:
planter chess set 650x433 3D Printed Micro Planter Chess Set
You could even plant herbs or succulents that have a name or shape appropriate to the piece it is. When you’re not playing, the pieces can be nicely displayed on a windowsill without the board and it wouldn’t look out of place at all. The piece design is based off a Bauhaus Style chess set for all you architecture fans out there. If you happen to have your own 3D printer, you can download the files for free and print your own planter chess set at home.

3D Printed Micro-Planter Chess Set