This New London Café Has a Ceiling Inspired by St Paul’s Dome, and It Sits Right on the Thames

The stretch of the Thames running between Tate Modern and St Paul’s is one of those London views that never quite loses its effect — and London studio Cake Architecture made that exact backdrop the entire design brief for WatchHouse’s newest café, a 60-seat riverside space that absorbs some of the city’s most iconic architecture and folds it into something intimate and grounded.

The project sits directly beside the Thames, though it never leans on the view as a crutch. The design operates at a more atmospheric level, rooted in the tension between the monumental permanence of London’s skyline and the restless, shifting energy of the river running past it. It’s a conceptual starting point that could easily stay theoretical. Here, it doesn’t.

Designer: Cake Architecture

That thinking earns its keep through specific, well-resolved gestures. The most arresting is a dramatic circular void carved into the ceiling, a spatial echo of St Paul’s dome, translated from the sacred to the everyday. Below it, a monolithic espresso counter holds the room together, its weight and material language borrowed from Tate Modern’s industrial character and the infrastructural logic of the riverbanks themselves. Neither move is decorative. Both shift the room into territory that most café designs never reach.

The palette is handled with the same restraint. Colour is drawn from the immediate surroundings: the tonal range of the river at different hours, the bleached stone of the embankment walls, the open and often overcast London sky. Back-painted finishes introduce a soft iridescence to the surfaces, so the room doesn’t read as a fixed thing. It responds to the time of day, softening in morning light and warming as the afternoon settles in.

WatchHouse has always been deliberate about place; each of its London locations takes its visual cues from the neighbourhood it occupies, but this Thames-side outpost feels like one of the most fully resolved in the portfolio. The 60-seat space will serve rare and special coffees alongside breakfast, viennoiserie, and bakery options, giving the room both the footfall and the menu to justify the ambition behind its design. For Cake Architecture, it’s another assured project from a studio building a reputation for spaces that think carefully about where they are. Here, the scale is modest, and the mood is quiet, and it’s all the stronger for it.

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The Harudot Cafe Features A Curving Form With A Baobab Tree Growing Through It

Dubbed the Harudot Cafe, this unique-looking structure in the beachside town of Chonburi, Thailand is designed by local studio IDIN Architects. The building is highlighted by gabled forms clad in blackened wood which are curved, and subtly pulled apart, to form a “dynamic and memorable” space for the cafe brand Nana Coffee Roasters, and the owner of the property. The curving form of the cafe was inspired by the owner’s “particular interest in unique plants”.

Designer: IDIN Architects

The Harudot consists of three interconnected buildings which hold a meeting room, kitchen, and toilets. The various rooms have been arranged in a rectilinear form to the north, while the seating area is situated to the south. The southern structures hold circular areas of planting, wherein the gable roofs pull open, allowing natural light to stream in from above. This unique roof opening also allows a large baobab tree to grow!

“The building is separated into smaller masses to make it more human-scale, which established different zones such as the bar, coffee drinking zone, a lounge, a meeting room, and restrooms. The giant gable roof form of each mass is pulled apart at certain parts, allowing the tree to penetrate through a void to the sky creating a semi-outdoor space underneath. It appears as if the seed of the baobab has been planted long before and grew out through the architecture as time passes,” said IDIN Architects.

You are welcomed into the two curving structures via large triangular entrances that accommodate full-height glazing incorporating doors that connect the various external seating areas to the interiors, forming a well-connected and free-flowing space. Although the three forms are distinct and separate on the outside, internally they are connected via large arched openings. The stone floor is marked with flowing lines and embedded text, which builds a serene sense of continuity.

Harudot’s exterior is quite appealing, as it is clad in vertical blackened timber planks that accentuate the cafe’s curving form, which contrasts with the pale timber and black furniture and fittings. The entire identity of the cafe is inspired by Japanese design, which IDIN Architects describes as “humble simplicity with attention to details”.

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