Bio-Cement: A Potential Material That May Replace Regular Cement

Industrial designer Mary Lempres has unveiled a groundbreaking bio-cement structure named Reef Rocket, inspired by the intricate and resilient nature of oyster reefs. Designed to combat coastal flooding, filter seawater, and foster biodiversity, Reef Rocket utilizes biomimicry principles to mimic the functionalities of naturally occurring oyster reefs.

Designers: Mary LempresAhmed Miftah

The structure comprises two bio-cement modules with ridged surfaces that can be stacked to form a distinctive rocket-like shape when assembled underwater. Lempres collaborated with bio-geotechnical specialist Ahmed Miftah to develop a unique method for growing plant-derived cement, drawing parallels to the irrigation systems used for plant cultivation.

Biomimicry, the practice of seeking solutions to human design challenges in nature, guided Lempres in creating ridged modules that emulate coastal oyster reefs. These reefs naturally filter algae from seawater, attract aquatic organisms, dissipate wave energy, mitigate storm surges, and manage eroding coastlines.

The bio-cement modules are formed by pouring a non-toxic solution containing a crude extract from globally grown plants over crushed aggregate. The aggregate, sourced in New York City, consists of crushed glass and oyster shells recovered from local restaurants and New York Harbour.

Lempres explained that the substrate, saturated for three to nine days, becomes natural concrete as the extracted biocatalyst causes minerals to form “mineral bridges” between the glass and shell waste. The resulting product is water-resistant, durable, and comparable to standard concrete but with the added benefit of being environmentally friendly and sustainable.

What sets Reef Rocket apart is its ability to grow in any environment without the need for heat or burning fossil fuels. Lempres emphasized its affordability and scalability as a sustainable alternative to traditional cement. The bio-concrete shares chemical similarities with the material oysters use to grow their reefs, but the key difference lies in the speed of growth, with Reef Rocket taking only several days compared to millennia for natural oyster reefs.

Lempres and her team experimented with “hundreds” of prototypes before settling on prefabricated molds for the modules. These molds allow the bio-cement to be packed and set without the need for heat or chemicals, offering an accessible and efficient assembly process.

Reef Rocket’s deliberate design prioritizes small size, lightweight construction, and ease of assembly, aiming to make the innovative solution accessible to a broad audience. Lempres envisions a future where durable materials can be grown like crops, regenerating waste and mitigating environmental pollution. The project stands as a testament to the potential of biomimicry and sustainable design in addressing the challenges posed by climate change and coastal resilience. Reef Rocket represents a significant step towards harmonizing human infrastructure with the resilient and regenerative capacities of the natural world.

The post Bio-Cement: A Potential Material That May Replace Regular Cement first appeared on Yanko Design.

This 3D printed urban reef is constructed from mycelium to increase biodiversity in cities!

Mycelium is a natural material taking over the sustainable design world one industry at a time! A Netherlands-based company is hopping on that train – they are experimenting with mycelium and computational design to create a series of 3D-printed urban reefs that will stimulate water circularity and biodiversity. In simpler terms, your concrete jungle where dreams are made of will be more jungle and less concrete so more living organisms can thrive!

Dutch designer duo Pierre Oskam and Max Latour came up with this innovative solution to make cities more biodiverse. It involves using natural materials to create structural ecosystems that can be integrated within existing environmental elements (eg. fountains). A 3D printer is used to create complex geometrical designs with porous materials like ceramics and composites (made from coffee grounds and mycelium). The moisture in the air is able to pass through and create the perfect environment for various fungi to grow thus bringing the structures to life!

“The most feasible option we are working with is ceramics, but since baking it requires a lot of energy we are investigating more sustainable alternatives,” says Latour. The studio is also experimenting with materials made from coffee and algae. At present, the team has developed two concept products as a result of their research, first in the form of the “Rain Reef” rain collector with an undulating shape that increases the contact area of the water and the potential hatching surface for vegetation.

“It is 3D printed with a porous material (made from a mixture of seeds, coffee grounds and mycelium), which can get saturated with the collected rainwater, making it accessible to vegetation growing on the outside,” explains Latour. “The intention is to develop a printable material which is porous, durable, sustainable and bio-receptive.”

The second product is the “Zoo Reef”, which Urban Reef intends as a substitute for fountains in cities. “There is a lot of potential for biodiversity stimulation around urban fountains,” says Oskam. “We propose a complex labyrinth of spaces which are all interconnected. By differentiation in sizes, orientation regarding sun, wind and rain, varieties of microclimates would develop.”

“Rather than determining top-down which organisms should live where, a range of potential habitats is generated.” They might be early in the research and development phase but Latour and Oskam’s Urban Reef project could have real-world applicators in the future. As an idea, it’s not so dissimilar from a living wall, except in this case the choice of materials and the structural design promotes their integration within cities without human intervention.

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“At Urban Reef we consider the city as a potential habitat to organisms, not exclusively humans,” the duo explains. “We position ourselves as human within the natural environment deviating from the modernist view of the human transcending nature. From that perspective, we aim to gain a profound knowledge of natural processes to both integrate those in our design methods as well as design with ecologies in mind.”

Designer: Pierre Oskam and Max Latour

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A Wireless Hairdryer That’s Fit for Display!

Some household products appear aesthetically neglected in regard to their often out-dated design, and one of these offenders is the hairdryer. Not only are the bulky, unimaginative and undesirable devices a bit of an eye-sore, but they can also be extremely inconvenient when it comes to storing them. Reef offers a solution to these problems, by carrying a form that you won’t want to hide!

The form of Reef was dictated by the comfort of the user; the user-optimized grip led to a form that is almost symmetrical, allowing for a beautiful sense of balance. Gone is the annoying, restrictive cable that limits the user and makes storing the device difficult; the handheld device sits upon a base that houses wireless charging capability!

Reef’s considered design language is shared across both components of the product; gentle, flowing curves have been paired with subtle surface detailing, which are accompanied by flashes of gold that make it perfect for the domestic environment!

Designers: Seungeop Lim & Kim Hyunsoec