Author Archives: Tanvi Joshi

This Mindful Seating Platform Turns Sitting Into a Ritual of Stillness and Connection

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In contemporary interiors shaped by speed, productivity, and constant stimulation, seating has largely become passive. It is designed to hold the body while the mind drifts elsewhere. OSOLO challenges this condition. It is not a chair in the conventional sense, but a mindful seating platform, a ritual object that reconsiders how we sit, gather, and occupy space.

OSOLO emerges at the meeting point of two ancient cultures: Japanese stillness and Turkish hospitality. Though geographically distant, these traditions share a deep respect for simplicity, spatial awareness, and human connection. OSOLO translates these values into a contemporary design language, offering an alternative to chair-based living rooted in awareness rather than acceleration.

Designer: Gökçe Nafak

At the heart of OSOLO is the Japanese understanding of space. In Japanese spatial philosophy, emptiness is not absence. It is present. It allows rooms to breathe, objects to soften, and the mind to quiet. OSOLO reflects this belief through its low-profile form and restrained geometry. It does not dominate the room or impose visual hierarchy. Instead, it steps back, allowing architecture, light, and human presence to come forward.

This deliberate restraint transforms OSOLO into an object that reveals space rather than fills it. Its presence heightens spatial awareness, encouraging users to slow down and engage more consciously with their environment.

Inspired by the Turkish sedir tradition, OSOLO is inherently communal. Unlike single occupancy seating, it invites people to sit side by side, fostering shared presence rather than isolated comfort. In Turkish culture, seating is a social ritual. Stories are exchanged, time is stretched, and hospitality unfolds without urgency. OSOLO carries this spirit forward, existing not as an isolated object but as a platform for connection.

Hidden storage beneath the seating surface reinterprets the traditional cultural chest, integrating functionality without visual disruption. This discreet feature preserves the purity of the form while acknowledging everyday needs, allowing utility to exist quietly within stillness.

OSOLO is designed specifically for cross-legged, floor-adjoining sitting, offering an alternative to chair postures that often promote spinal compression and passive leaning. The platform supports the body’s natural intelligence by encouraging an aligned spine, open hips, and active posture.

By enabling balanced pelvic alignment, OSOLO reduces lumbar collapse and allows the torso to carry its own weight. The opening of the hip joints enhances mobility and helps release tension in the lower back, benefits often lost in conventional seating.

The platform’s elevation of approximately 20 to 25 centimeters from the floor is carefully calibrated to minimize pressure on the knee joints while maintaining the circulatory advantages associated with floor-level sitting. This height also isolates the body from direct contact with hard flooring, striking a balance between grounding and comfort.

Comfort is achieved through a dual-density foam system engineered for short to mid-duration activities such as meditation, reading, or creative practice. A high-density base layer ensures structural stability and pelvic support, while a softer upper layer distributes weight evenly to reduce localized pressure points. The result is a surface that remains supportive without collapsing, encouraging posture awareness rather than passive relaxation.

Upholstery surfaces are finished in breathable, high-friction textiles that prevent slippage during dynamic sitting positions. Removable covers allow for easy maintenance and long-term use, with materials selected to meet contract-grade durability standards suitable for both residential and semi-public environments.

The optional back support follows a soft contact principle. Rather than functioning as a rigid backrest, it provides gentle lumbar feedback during reading or meditation, supporting posture without encouraging full recline or slouching.

Available in four carefully curated colorways, OSOLO integrates seamlessly into a range of interior contexts while maintaining its minimalist identity. It is not designed to command attention, but to hold space. OSOLO invites a different relationship with furniture, one rooted in presence rather than performance.

 

The post This Mindful Seating Platform Turns Sitting Into a Ritual of Stillness and Connection first appeared on Yanko Design.

Aghsan Reimagines the Umbrella Stand as a Quiet Ritual After Rain

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There is something quietly poetic about the moment you return indoors after the rain. Shoes pause at the threshold, umbrellas drip in silence, and the air briefly carries that unmistakable scent of wet earth. Yet in most homes and public spaces, this moment is interrupted by clutter. Umbrellas are stacked awkwardly in corners, water pools on the floor, and metal stands tip or rust over time. Aghsan enters this overlooked scene not simply as a solution but as a reimagining of the experience itself.

At its core, Aghsan is an umbrella stand. In spirit, it is an experience that transforms rainwater into something sensory, calm, and intentional. The name Aghsan, meaning branches, refers to the limbs of a tree reaching between earth and sky, a symbol tied to life, growth, and connection. This metaphor forms the foundation of the design, guiding both its form and its function.

Designer: Samir Hossam

Visually, Aghsan resembles an abstract cluster of intertwining branches rising upward with lightness and balance. Each element feels deliberate, avoiding visual chaos while still expressing movement and vitality. Umbrellas are held individually rather than compressed into a single container, allowing them to dry naturally and remain visually organized. The design recognizes that disorder often comes not from excess but from poor structure, and here that structure is inspired directly by nature.

What truly sets Aghsan apart is how it engages the senses. At the base of the stand lies a water-sensitive aromatic sponge. As rainwater drips from umbrellas, it is absorbed into this layer, triggering the release of a subtle, refreshing fragrance inspired by rainfall. The result is a soft, calming scent that fills the entryway, echoing the feeling of stepping outside just after a storm. Rain is no longer treated as an inconvenience but as part of the atmosphere of the space.

This sensory layer also plays a quiet functional role. Over time, the association between the scent and the presence of an umbrella becomes ingrained. The fragrance serves as a gentle reminder to take the umbrella when leaving, relying on memory rather than instruction. It is designed to work at a subconscious level, supporting everyday behavior without demanding attention.

Functionally,y Aghsan resolves many frustrations associated with traditional umbrella stands. A heavy metal base anchors the design, ensuring stability and preventing tipping, a common issue with lightweight stands. The open perforated structure encourages airflow, while the raised edge of the base keeps umbrellas securely in place even when the stand is partially full or slightly moved. Long umbrellas can be leaned comfortably while smaller ones find their place within the branching openings above, creating intuitive organization without visual clutter.

Material choices further support durability and ease of maintenance. Unlike many metal stands that rust or lose their finish over time, Aghsan is designed to age gracefully. The sponge layer is replaceable, allowing users to refresh the fragrance or change it entirely, adding a personal and almost ritual quality to the object.

By blending organic inspiration with simple technology, Aghsan challenges expectations of everyday household products. It suggests that even the most practical objects can carry emotional value. By turning rainwater into scent clutter into order and routine into experience, Aghsan elevates the umbrella stand from a background object to a thoughtful design presence that brings calm to the threshold of daily life.

The post Aghsan Reimagines the Umbrella Stand as a Quiet Ritual After Rain first appeared on Yanko Design.

This Smart Charging Adapter Finally Flexes So Your Cables Don’t Have To

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Charging phones and portable devices has become one of the most routine actions of modern life. From the moment we wake up to the time we go to sleep, our devices depend on reliable power. We charge at home, in offices, cafés, airports, hotels, libraries, and public transportation spaces. Despite how frequently charging occurs, the physical environments designed to support it often feel like an afterthought. Wall sockets are commonly placed low to the ground, behind furniture, under desks, or in narrow corners that were never designed with daily device use in mind.

As a result, charging cables are routinely forced into uncomfortable positions. They are bent sharply against walls, twisted sideways, or compressed between furniture and outlets. Over time, this repeated stress causes visible wear. The outer insulation begins to tear, internal wiring weakens, and charging reliability declines. Many users replace cables not because they stop working suddenly, but because gradual damage makes them unsafe or frustrating to use. This cycle creates unnecessary waste, financial cost, and ongoing inconvenience.

Designer: Berkan Sunayol

Beyond annoyance, damaged charging accessories raise genuine safety concerns. Continuous pressure on the adapter and cable can degrade electrical contact points, increasing the risk of overheating, inconsistent power delivery, or short circuits. In public and shared environments, where users may not notice early signs of damage, this becomes an overlooked safety issue.

Charging cables are intentionally designed to be flexible. They allow users to route them around objects, across surfaces, and through tight gaps. Charging adapters, however, remain rigid and stiff. This mismatch creates a critical point of failure. When a rigid adapter is plugged into an awkwardly placed socket, it locks the cable into a fixed angle. The cable is forced to bend sharply at the connector, which is often the weakest part of the entire system.

Over time, this rigidity undermines the durability of both the cable and the adapter. Despite widespread awareness of cable damage, most existing solutions focus on reinforcing the cable itself rather than addressing the adapter that causes the stress.

The Flexible Charge Adapter addresses this issue by rethinking the adapter as an adaptive component rather than a static block. A stretchable silicone structure is integrated into a specific section of the adapter, allowing controlled flexibility where it matters most. This design introduces a small but meaningful bend that aligns naturally with the direction of the cable.

In tight or awkward spaces, this flexibility reduces sharp angles, minimizes pressure at the connection point, and allows the cable to rest in a safer, more natural position. The adapter responds to real-world conditions instead of resisting them, helping preserve the integrity of the cable and the safety of the charging process.

In addition to improving durability and safety, the adapter also supports modern usage patterns. With two charging ports, users can charge multiple devices at the same time, even in confined environments. Phones, earbuds, power banks, and other accessories can be powered simultaneously without crowding the socket or straining cables.

The Flexible Charge Adapter demonstrates how thoughtful design can address everyday frustrations that are often overlooked. By introducing flexibility into a traditionally rigid object, it extends the life of charging accessories, reduces safety risks, and improves the overall charging experience. In a world where charging is constant and unavoidable, this design makes a simple act safer, smarter, and more sustainable.

The post This Smart Charging Adapter Finally Flexes So Your Cables Don’t Have To first appeared on Yanko Design.

This Smart Charging Adapter Finally Flexes So Your Cables Don’t Have To

Posted on by

Charging phones and portable devices has become one of the most routine actions of modern life. From the moment we wake up to the time we go to sleep, our devices depend on reliable power. We charge at home, in offices, cafés, airports, hotels, libraries, and public transportation spaces. Despite how frequently charging occurs, the physical environments designed to support it often feel like an afterthought. Wall sockets are commonly placed low to the ground, behind furniture, under desks, or in narrow corners that were never designed with daily device use in mind.

As a result, charging cables are routinely forced into uncomfortable positions. They are bent sharply against walls, twisted sideways, or compressed between furniture and outlets. Over time, this repeated stress causes visible wear. The outer insulation begins to tear, internal wiring weakens, and charging reliability declines. Many users replace cables not because they stop working suddenly, but because gradual damage makes them unsafe or frustrating to use. This cycle creates unnecessary waste, financial cost, and ongoing inconvenience.

Designer: Berkan Sunayol

Beyond annoyance, damaged charging accessories raise genuine safety concerns. Continuous pressure on the adapter and cable can degrade electrical contact points, increasing the risk of overheating, inconsistent power delivery, or short circuits. In public and shared environments, where users may not notice early signs of damage, this becomes an overlooked safety issue.

Charging cables are intentionally designed to be flexible. They allow users to route them around objects, across surfaces, and through tight gaps. Charging adapters, however, remain rigid and stiff. This mismatch creates a critical point of failure. When a rigid adapter is plugged into an awkwardly placed socket, it locks the cable into a fixed angle. The cable is forced to bend sharply at the connector, which is often the weakest part of the entire system.

Over time, this rigidity undermines the durability of both the cable and the adapter. Despite widespread awareness of cable damage, most existing solutions focus on reinforcing the cable itself rather than addressing the adapter that causes the stress.

The Flexible Charge Adapter addresses this issue by rethinking the adapter as an adaptive component rather than a static block. A stretchable silicone structure is integrated into a specific section of the adapter, allowing controlled flexibility where it matters most. This design introduces a small but meaningful bend that aligns naturally with the direction of the cable.

In tight or awkward spaces, this flexibility reduces sharp angles, minimizes pressure at the connection point, and allows the cable to rest in a safer, more natural position. The adapter responds to real-world conditions instead of resisting them, helping preserve the integrity of the cable and the safety of the charging process.

In addition to improving durability and safety, the adapter also supports modern usage patterns. With two charging ports, users can charge multiple devices at the same time, even in confined environments. Phones, earbuds, power banks, and other accessories can be powered simultaneously without crowding the socket or straining cables.

The Flexible Charge Adapter demonstrates how thoughtful design can address everyday frustrations that are often overlooked. By introducing flexibility into a traditionally rigid object, it extends the life of charging accessories, reduces safety risks, and improves the overall charging experience. In a world where charging is constant and unavoidable, this design makes a simple act safer, smarter, and more sustainable.

The post This Smart Charging Adapter Finally Flexes So Your Cables Don’t Have To first appeared on Yanko Design.

This Smart Charging Adapter Finally Flexes So Your Cables Don’t Have To

Posted on by

Charging phones and portable devices has become one of the most routine actions of modern life. From the moment we wake up to the time we go to sleep, our devices depend on reliable power. We charge at home, in offices, cafés, airports, hotels, libraries, and public transportation spaces. Despite how frequently charging occurs, the physical environments designed to support it often feel like an afterthought. Wall sockets are commonly placed low to the ground, behind furniture, under desks, or in narrow corners that were never designed with daily device use in mind.

As a result, charging cables are routinely forced into uncomfortable positions. They are bent sharply against walls, twisted sideways, or compressed between furniture and outlets. Over time, this repeated stress causes visible wear. The outer insulation begins to tear, internal wiring weakens, and charging reliability declines. Many users replace cables not because they stop working suddenly, but because gradual damage makes them unsafe or frustrating to use. This cycle creates unnecessary waste, financial cost, and ongoing inconvenience.

Designer: Berkan Sunayol

Beyond annoyance, damaged charging accessories raise genuine safety concerns. Continuous pressure on the adapter and cable can degrade electrical contact points, increasing the risk of overheating, inconsistent power delivery, or short circuits. In public and shared environments, where users may not notice early signs of damage, this becomes an overlooked safety issue.

Charging cables are intentionally designed to be flexible. They allow users to route them around objects, across surfaces, and through tight gaps. Charging adapters, however, remain rigid and stiff. This mismatch creates a critical point of failure. When a rigid adapter is plugged into an awkwardly placed socket, it locks the cable into a fixed angle. The cable is forced to bend sharply at the connector, which is often the weakest part of the entire system.

Over time, this rigidity undermines the durability of both the cable and the adapter. Despite widespread awareness of cable damage, most existing solutions focus on reinforcing the cable itself rather than addressing the adapter that causes the stress.

The Flexible Charge Adapter addresses this issue by rethinking the adapter as an adaptive component rather than a static block. A stretchable silicone structure is integrated into a specific section of the adapter, allowing controlled flexibility where it matters most. This design introduces a small but meaningful bend that aligns naturally with the direction of the cable.

In tight or awkward spaces, this flexibility reduces sharp angles, minimizes pressure at the connection point, and allows the cable to rest in a safer, more natural position. The adapter responds to real-world conditions instead of resisting them, helping preserve the integrity of the cable and the safety of the charging process.

In addition to improving durability and safety, the adapter also supports modern usage patterns. With two charging ports, users can charge multiple devices at the same time, even in confined environments. Phones, earbuds, power banks, and other accessories can be powered simultaneously without crowding the socket or straining cables.

The Flexible Charge Adapter demonstrates how thoughtful design can address everyday frustrations that are often overlooked. By introducing flexibility into a traditionally rigid object, it extends the life of charging accessories, reduces safety risks, and improves the overall charging experience. In a world where charging is constant and unavoidable, this design makes a simple act safer, smarter, and more sustainable.

The post This Smart Charging Adapter Finally Flexes So Your Cables Don’t Have To first appeared on Yanko Design.

This Leaf-Like Tool Turns Everyday Walks Into Small Acts of Care for Hidden Lives

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We have all heard the phrases “Don’t litter.” “Stop global warming.” They appear on posters, billboards, campaigns, and packaging, repeated so often that they begin to blur into background noise. While the intention behind them is urgent and necessary, the language of sustainability has become heavy and exhausting. It often asks people to think at a global scale, to feel responsible for enormous systems that feel far beyond individual control. Over time, this can create distance instead of motivation. But what if sustainability did not begin with fixing the entire planet? What if it started with noticing the small lives right beneath our feet?

LIVIO is a project that reimagines sustainability through small, meaningful actions rooted in everyday experience. On walking trails, mountain paths, sidewalks, and parks, countless tiny creatures move through human spaces each day. Snails, insects, and other small beings navigate these environments quietly, often crossing paths with people who never notice them. It is not uncommon to find these creatures accidentally crushed by footsteps, bikes, or shoes. These moments are brief and easy to overlook, yet they represent lives lost simply because we were not paying attention.

Designer: Subin Kim

The goal of LIVIO is to protect those small lives and to make care feel possible for more people. While many individuals want to help, touching insects or snails directly can feel uncomfortable or even frightening. Fear, hesitation, or disgust often becomes a barrier between intention and action. LIVIO addresses this gap by offering a gentle and thoughtful tool that allows people to help without direct contact.

If you come across a small creature in crisis, LIVIO gives you a simple way to respond. The tool is designed to feel calm and intuitive rather than technical or intimidating. There are two tool types, each responding to different environmental conditions. In areas with little soil, the tongs allow careful and precise movement. In places where soil is present, the shovel tool lets users scoop the creature together with the surrounding ground, preserving its immediate habitat and reducing harm.

A defining aspect of LIVIO is how the tool is completed. Rather than being fully manufactured, it is finished using fallen branches found in nature. By reducing the amount of silicone used as its main material, the tool becomes even more environmentally conscious. The act of finding and attaching branches transforms the experience from simple use into participation. It encourages users to slow down, observe their surroundings, and engage physically with the environment. Sustainability becomes something playful and personal rather than distant or moralizing.

LIVIO also exists as a shared public resource. Tool stations can be installed on street trees, lamp posts, or along walking paths. Their leaf-like form blends naturally into the environment, making them feel like part of the landscape rather than an intrusion. These stations quietly invite curiosity and care, reminding people that small actions matter.

In the end, LIVIO suggests a different way to think about sustainability. Not as a burden, but as a series of small, human moments of attention and empathy. By protecting the smallest lives around us, sustainability becomes more real, more approachable, and even a little more joyful. Sometimes, meaningful change begins not with grand gestures, but with simply noticing what is right in front of us.

The post This Leaf-Like Tool Turns Everyday Walks Into Small Acts of Care for Hidden Lives first appeared on Yanko Design.

This Leaf-Like Tool Turns Everyday Walks Into Small Acts of Care for Hidden Lives

Posted on by

We have all heard the phrases “Don’t litter.” “Stop global warming.” They appear on posters, billboards, campaigns, and packaging, repeated so often that they begin to blur into background noise. While the intention behind them is urgent and necessary, the language of sustainability has become heavy and exhausting. It often asks people to think at a global scale, to feel responsible for enormous systems that feel far beyond individual control. Over time, this can create distance instead of motivation. But what if sustainability did not begin with fixing the entire planet? What if it started with noticing the small lives right beneath our feet?

LIVIO is a project that reimagines sustainability through small, meaningful actions rooted in everyday experience. On walking trails, mountain paths, sidewalks, and parks, countless tiny creatures move through human spaces each day. Snails, insects, and other small beings navigate these environments quietly, often crossing paths with people who never notice them. It is not uncommon to find these creatures accidentally crushed by footsteps, bikes, or shoes. These moments are brief and easy to overlook, yet they represent lives lost simply because we were not paying attention.

Designer: Subin Kim

The goal of LIVIO is to protect those small lives and to make care feel possible for more people. While many individuals want to help, touching insects or snails directly can feel uncomfortable or even frightening. Fear, hesitation, or disgust often becomes a barrier between intention and action. LIVIO addresses this gap by offering a gentle and thoughtful tool that allows people to help without direct contact.

If you come across a small creature in crisis, LIVIO gives you a simple way to respond. The tool is designed to feel calm and intuitive rather than technical or intimidating. There are two tool types, each responding to different environmental conditions. In areas with little soil, the tongs allow careful and precise movement. In places where soil is present, the shovel tool lets users scoop the creature together with the surrounding ground, preserving its immediate habitat and reducing harm.

A defining aspect of LIVIO is how the tool is completed. Rather than being fully manufactured, it is finished using fallen branches found in nature. By reducing the amount of silicone used as its main material, the tool becomes even more environmentally conscious. The act of finding and attaching branches transforms the experience from simple use into participation. It encourages users to slow down, observe their surroundings, and engage physically with the environment. Sustainability becomes something playful and personal rather than distant or moralizing.

LIVIO also exists as a shared public resource. Tool stations can be installed on street trees, lamp posts, or along walking paths. Their leaf-like form blends naturally into the environment, making them feel like part of the landscape rather than an intrusion. These stations quietly invite curiosity and care, reminding people that small actions matter.

In the end, LIVIO suggests a different way to think about sustainability. Not as a burden, but as a series of small, human moments of attention and empathy. By protecting the smallest lives around us, sustainability becomes more real, more approachable, and even a little more joyful. Sometimes, meaningful change begins not with grand gestures, but with simply noticing what is right in front of us.

The post This Leaf-Like Tool Turns Everyday Walks Into Small Acts of Care for Hidden Lives first appeared on Yanko Design.

This Oreo-shaped Tea Infuser Retains The Dunking Ritual With A Twist!

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There’s something deeply comforting about a cup of tea, especially when it’s paired with an object that makes you smile before you even take the first sip. CookieTea, a tea infuser designed by Peleg Design, turns a familiar daily ritual into a small, joyful moment. Shaped like a classic sandwich cookie, it brings warmth, humor, and intention to the simple act of brewing tea.

At first glance, CookieTea looks almost edible. The resemblance to a real cookie is so convincing that you might hesitate for a second before dropping it into your cup. That playful confusion is part of its charm. Unlike regular tea bags, which tend to disappear into the mug, this infuser is meant to be seen. When dunked into hot water, it looks deliberate and thoughtfully placed, as if it belongs there by design rather than necessity. The act of steeping suddenly feels visual and expressive, not just functional.

Designer: PELEG DESIGN

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The experience goes beyond appearance. CookieTea is genuinely easy to use, even for someone who does not usually reach for loose-leaf tea. One side of the cookie lifts open effortlessly, creating a small compartment where you can add your preferred tea leaves. Once filled, it seals back securely with a simple press. There is no struggle, no fiddling, and no sense of fragility. The interaction feels natural and intuitive.

The cream layer of the cookie hides one of the smartest details of the design. A peelable strip controls how the tea infuses. When closed, it keeps the interior clean and contained. When opened, tiny perforations allow the flavor and aroma of the tea to mix with the water gently. This thoughtful mechanism ensures that the infuser performs just as well as it looks, balancing cleanliness with proper brewing.

Another small but meaningful detail is the hook-shaped edge built into the peelable strip. This allows CookieTea to rest securely on the rim of the cup, preventing it from sinking to the bottom or floating around while steeping. It also makes removing the infuser effortless once the tea is ready. It solves a common annoyance so quietly that you only realize how useful it is once you experience it.

After brewing, CookieTea continues to add value. Instead of feeling like something to hide away, it fits perfectly on a plate beside your cup. It adds to the overall table setting, enhancing the visual experience rather than disrupting it. Whether used during a quiet afternoon break or while hosting guests, it naturally becomes part of the moment.

CookieTea does not try to redefine tea drinking. It simply makes it more pleasant, more intentional, and more human. It is a reminder that good design lives in the details and that even the smallest everyday rituals deserve objects that spark joy.

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The post This Oreo-shaped Tea Infuser Retains The Dunking Ritual With A Twist! first appeared on Yanko Design.

This Designer Turns Children’s Imagination Into Furniture They Can Truly Own

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One of the most powerful moments in the creative process is seeing an idea transform into something real. For a child, that moment carries even greater weight. It builds confidence, validates imagination, and reinforces the belief that creativity is not limited by age. Chair for Kids, a participatory design project developed by Taekhan Yun, captures this experience by translating children’s playful and imperfect drawings into fully functional and usable chairs that children can see, touch, and use every day.

Created in collaboration with students from an English school in Siem Reap, the project places children at the center of the design process. Rather than correcting or refining their ideas to fit adult notions of good design, the project embraces the rawness of children’s imagination. More than seventy children participated, each drawing their own version of a chair or stool as an initial exploration of form, balance, and function. These drawings were treated as genuine starting points rather than symbolic exercises.

Designer: Taekhan Yun

Collaboration played a key role throughout the process. Children gathered to look at and share each other’s drawings, discussing differences in shape, structure, and intention. They then worked in pairs to measure their own height and body dimensions, learning how scale and proportion affect comfort and usability. Based on these measurements, the children described the type of chair they wanted to make, introducing basic ergonomic thinking in an intuitive and accessible way. Each chair was designed specifically to fit the child’s own body, reinforcing the connection between design and lived experience.

To translate drawings into three-dimensional objects, the children created clay prototypes of their chairs. Clay was chosen for its low cost, accessibility, and ease of manipulation, allowing children to freely experiment with volume and structure. These models helped bridge the gap between imagination and fabrication and served as references for the final chairs produced by Taekhan Yun. The resulting forms retain the charm of the original drawings with crooked legs, unexpected angles, and playful proportions while remaining structurally sound and functional.

In the final stage, the children actively participated in finishing their chairs. Crayons were used to apply color directly onto the surfaces, transforming each piece into a personal expression of identity. Acrylic lacquer spray was then applied to seal the drawings, followed by varnish to protect the finish. This process preserved the spontaneity of the children’s marks while ensuring durability, resulting in furniture that feels joyful, expressive, and intentional.

Beyond individual expression, Chair for Kids also highlights the potential for scalability. The chairs are low-cost and easy-to-build designs that rely on simple materials and straightforward construction methods. This makes them well-suited for mass manufacturing and adaptation across schools, community centers, and educational environments, particularly in resource-constrained contexts. The project demonstrates how participatory design can produce furniture that is not only meaningful and educational but also practical, affordable, and replicable.

Each chair reflects the imagination of a single child while contributing to a collective outcome. Chair for Kids shows how design education rooted in participation and making can empower children, build confidence, and reimagine furniture as a tool for learning, inclusion, and creativity.

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Louis Vuitton’s Beijing Flagship Turns Retail Into a Vertical, Immersive Journey

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Retail and hospitality design is one of those rare territories where architecture gets to perform on multiple levels at once. It is not just about function or spectacle, but about storytelling, how materials, light, circulation, and atmosphere come together to momentarily detach visitors from the outside world and immerse them in a carefully choreographed experience. The newly opened Maison Louis Vuitton Sanlitun in Beijing is a compelling example of this ambition realized at an urban scale.

Designed by Jun Aoki for Louis Vuitton, the flagship is located in Beijing’s energetic Sanlitun district. The building brings together retail, hospitality, and exhibition spaces within a single vertically organized envelope, offering an experience that unfolds floor by floor rather than spreading outward. In doing so, it rethinks what a luxury flagship can be in one of the city’s most intense commercial neighborhoods.

Designer: Jun Aoki & Associates

The project continues Jun Aoki’s long-standing collaboration with the House, following earlier Louis Vuitton buildings in Tokyo and Osaka. In Beijing, however, his approach feels particularly attuned to context. Rather than competing with Sanlitun’s visual noise, the building introduces a sense of material depth and calibrated transparency. The architecture does not shout; it subtly absorbs and refracts the city around it.

The most striking element is the facade. Drawing inspiration from Taihu stones, scholars’ rocks historically associated with classical Chinese gardens, Aoki translates their eroded, organic character into an outer skin of hand-curved glass panels. Each panel is individually shaped, creating irregular contours and a layered surface that reads differently as daylight shifts. The glass possesses translucent and dichroic qualities, producing chromatic changes that respond to sun angle, weather, and movement. From close range, the facade feels tactile and sculptural; from across the block, reflections stretch and compress, giving the building a constantly changing presence.

Behind this expressive outer layer sits a secondary envelope that handles thermal performance and weather protection. This dual-skin strategy allows the facade to operate simultaneously as cultural reference, environmental filter, and urban interface, an architectural device that balances symbolism with performance.

Inside, visitors enter directly into a central atrium that rises through three levels and organizes the Women’s collections. Daylight filters through the glass facade into this vertical void, animating floors, balustrades, and circulation cores. Retail programs are distributed across four levels, housing Women’s and Men’s Leather Goods, Ready-To-Wear, Shoes, Jewelry, Accessories, Perfumes, and Beauty. Movement remains clear and legible, with escalators and stairs positioned to preserve long sightlines through the atrium and back toward the city. More private client lounges are tucked into quieter zones, defined through subtle shifts in material and lighting rather than overt separation.

A distinct tonal shift occurs on the third floor, where the Louis Vuitton Home collection is presented. Furniture, textiles, and tableware by designers such as Patricia Urquiola and Cristian Mohaded are displayed in rooms scaled closer to domestic interiors, with softer finishes and calmer light, allowing the objects to breathe.

At the top, Le Café Louis Vuitton crowns the building, the brand’s first café in Beijing. Arrival begins with a mirrored vestibule that multiplies reflections before opening into a flowing dining space. The bar references the proportions and layered construction of Louis Vuitton trunks, while a terrace runs along the facade, partially screened by the glass skin and offering views across Sanlitun and the surrounding city.

By combining retail and hospitality within a single architectural envelope, Maison Louis Vuitton Sanlitun demonstrates how experiential design can transcend shopping alone. Through material storytelling, spatial sequencing, and a sensitive response to context, the building creates an immersive world, one that briefly pulls visitors away from Beijing’s relentless pace and invites them into a more deliberate, crafted experience.

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