Retroid Pocket Duo makes dual-screen gaming feel fresh again with its modern clamshell design

There is something immediately satisfying about a handheld that refuses to make two screens behave like one. Retroid’s new Pocket Duo takes that idea and builds it into a modern clamshell, giving Nintendo DS and 3DS-style gaming a form factor that feels considerably more natural than squeezing both displays onto a single screen.

The Pocket Duo puts a 5.5-inch 16:9 OLED display above a smaller 4.5-inch 4:3 OLED screen, with both running at 120Hz. Rather than treating the second display as an afterthought, Retroid has designed the handheld around the way dual-screen games were originally meant to be played. The company has already demonstrated 3DS titles running at 4x resolution, along with DS games through melonDS.

Designer: Retroid

Under the hood, the Duo has Qualcomm’s Dragonwing Q-7790 – an IoT-focused chip based on the Snapdragon 7 Gen 4 – mated to Adreno 722 graphics. Active cooling helps keep the hardware running under load, while a 6,000mAh battery handles power. The device runs Android 16 and weighs 350g, with a 180-degree free-stop hinge allowing the two displays to be positioned at different angles. Retroid has also paid attention to the physical controls. The thumbsticks sit symmetrically in recessed positions, while the ABXY buttons use tactile clicks. The shoulder buttons are stacked, giving the Duo a layout that is intended to feel like a proper gaming handheld rather than a phone with an extra screen attached.

The Pocket Duo Lite takes the same dual-screen concept and makes some straightforward changes to bring the price down. Its upper display remains 5.5 inches, but switches from OLED to a 60Hz IPS LCD, while the lower screen is slightly smaller at 4.2 inches. Both displays retain their respective 16:9 and 4:3 formats. The Lite also steps down to Qualcomm’s Dragonwing QCS6125 processor with Adreno 610 graphics and runs Android 15.

The handheld uses in-line shoulder triggers instead of the stacked controls found on the regular Duo. Despite those compromises, it retains the 180-degree free-stop hinge, symmetrical recessed thumbsticks, active cooling and a 6,000mAh battery. There are two Lite configurations: 4GB RAM with 64GB storage and 6GB RAM with 128GB storage. It comes in Black, GC, 16Bit, Ice Blue and Clear Purple, matching the colour choices of the standard model.

For anyone who grew up with dual-screen handhelds, the Pocket Duo is an intriguing modern interpretation of a familiar idea. Instead of mere recreation of the classic era, Retroid is giving the format a faster display and contemporary hardware. The Lite, however, makes the same unusual design considerably easier to justify.

The pricing also makes the Lite particularly compelling. The 4GB/64GB version starts at $135 during pre-orders and will retail for $149, while the standard Pocket Duo is priced at $250 during pre-orders and $270 at retail. There is no official release date, though.

The post Retroid Pocket Duo makes dual-screen gaming feel fresh again with its modern clamshell design first appeared on Yanko Design.

Retroid Pocket Duo makes dual-screen gaming feel fresh again with its modern clamshell design

There is something immediately satisfying about a handheld that refuses to make two screens behave like one. Retroid’s new Pocket Duo takes that idea and builds it into a modern clamshell, giving Nintendo DS and 3DS-style gaming a form factor that feels considerably more natural than squeezing both displays onto a single screen.

The Pocket Duo puts a 5.5-inch 16:9 OLED display above a smaller 4.5-inch 4:3 OLED screen, with both running at 120Hz. Rather than treating the second display as an afterthought, Retroid has designed the handheld around the way dual-screen games were originally meant to be played. The company has already demonstrated 3DS titles running at 4x resolution, along with DS games through melonDS.

Designer: Retroid

Under the hood, the Duo has Qualcomm’s Dragonwing Q-7790 – an IoT-focused chip based on the Snapdragon 7 Gen 4 – mated to Adreno 722 graphics. Active cooling helps keep the hardware running under load, while a 6,000mAh battery handles power. The device runs Android 16 and weighs 350g, with a 180-degree free-stop hinge allowing the two displays to be positioned at different angles. Retroid has also paid attention to the physical controls. The thumbsticks sit symmetrically in recessed positions, while the ABXY buttons use tactile clicks. The shoulder buttons are stacked, giving the Duo a layout that is intended to feel like a proper gaming handheld rather than a phone with an extra screen attached.

The Pocket Duo Lite takes the same dual-screen concept and makes some straightforward changes to bring the price down. Its upper display remains 5.5 inches, but switches from OLED to a 60Hz IPS LCD, while the lower screen is slightly smaller at 4.2 inches. Both displays retain their respective 16:9 and 4:3 formats. The Lite also steps down to Qualcomm’s Dragonwing QCS6125 processor with Adreno 610 graphics and runs Android 15.

The handheld uses in-line shoulder triggers instead of the stacked controls found on the regular Duo. Despite those compromises, it retains the 180-degree free-stop hinge, symmetrical recessed thumbsticks, active cooling and a 6,000mAh battery. There are two Lite configurations: 4GB RAM with 64GB storage and 6GB RAM with 128GB storage. It comes in Black, GC, 16Bit, Ice Blue and Clear Purple, matching the colour choices of the standard model.

For anyone who grew up with dual-screen handhelds, the Pocket Duo is an intriguing modern interpretation of a familiar idea. Instead of mere recreation of the classic era, Retroid is giving the format a faster display and contemporary hardware. The Lite, however, makes the same unusual design considerably easier to justify.

The pricing also makes the Lite particularly compelling. The 4GB/64GB version starts at $135 during pre-orders and will retail for $149, while the standard Pocket Duo is priced at $250 during pre-orders and $270 at retail. There is no official release date, though.

The post Retroid Pocket Duo makes dual-screen gaming feel fresh again with its modern clamshell design first appeared on Yanko Design.

Retroid Pocket Duo makes dual-screen gaming feel fresh again with its modern clamshell design

There is something immediately satisfying about a handheld that refuses to make two screens behave like one. Retroid’s new Pocket Duo takes that idea and builds it into a modern clamshell, giving Nintendo DS and 3DS-style gaming a form factor that feels considerably more natural than squeezing both displays onto a single screen.

The Pocket Duo puts a 5.5-inch 16:9 OLED display above a smaller 4.5-inch 4:3 OLED screen, with both running at 120Hz. Rather than treating the second display as an afterthought, Retroid has designed the handheld around the way dual-screen games were originally meant to be played. The company has already demonstrated 3DS titles running at 4x resolution, along with DS games through melonDS.

Designer: Retroid

Under the hood, the Duo has Qualcomm’s Dragonwing Q-7790 – an IoT-focused chip based on the Snapdragon 7 Gen 4 – mated to Adreno 722 graphics. Active cooling helps keep the hardware running under load, while a 6,000mAh battery handles power. The device runs Android 16 and weighs 350g, with a 180-degree free-stop hinge allowing the two displays to be positioned at different angles. Retroid has also paid attention to the physical controls. The thumbsticks sit symmetrically in recessed positions, while the ABXY buttons use tactile clicks. The shoulder buttons are stacked, giving the Duo a layout that is intended to feel like a proper gaming handheld rather than a phone with an extra screen attached.

The Pocket Duo Lite takes the same dual-screen concept and makes some straightforward changes to bring the price down. Its upper display remains 5.5 inches, but switches from OLED to a 60Hz IPS LCD, while the lower screen is slightly smaller at 4.2 inches. Both displays retain their respective 16:9 and 4:3 formats. The Lite also steps down to Qualcomm’s Dragonwing QCS6125 processor with Adreno 610 graphics and runs Android 15.

The handheld uses in-line shoulder triggers instead of the stacked controls found on the regular Duo. Despite those compromises, it retains the 180-degree free-stop hinge, symmetrical recessed thumbsticks, active cooling and a 6,000mAh battery. There are two Lite configurations: 4GB RAM with 64GB storage and 6GB RAM with 128GB storage. It comes in Black, GC, 16Bit, Ice Blue and Clear Purple, matching the colour choices of the standard model.

For anyone who grew up with dual-screen handhelds, the Pocket Duo is an intriguing modern interpretation of a familiar idea. Instead of mere recreation of the classic era, Retroid is giving the format a faster display and contemporary hardware. The Lite, however, makes the same unusual design considerably easier to justify.

The pricing also makes the Lite particularly compelling. The 4GB/64GB version starts at $135 during pre-orders and will retail for $149, while the standard Pocket Duo is priced at $250 during pre-orders and $270 at retail. There is no official release date, though.

The post Retroid Pocket Duo makes dual-screen gaming feel fresh again with its modern clamshell design first appeared on Yanko Design.

5 Designs That Prove Vinyl’s Comeback Was Never Just About the Music

Vinyl has returned to the cultural spotlight, but its comeback is about much more than nostalgia. A new generation is discovering records as objects of design, ritual, and personal expression. For Gen Z, vinyl offers something increasingly rare in a digital-first world: a physical relationship with music. Choosing an album, holding the sleeve, placing the record on a turntable, and listening from beginning to end creates a slower, more intentional experience.

The renewed interest in vinyl is also influencing interiors and product design. Record players are becoming sculptural objects, album covers are being displayed like artwork, and dedicated listening corners are finding their place inside contemporary homes. Here is how Gen Z is giving an old format a new visual language, transforming the record experience into a lifestyle statement.

1. Vinyl Becomes A Lifestyle

Vinyl has moved beyond the traditional collector’s shelf to become part of a broader lifestyle centered around music, design, and self-expression. Gen Z is attracted to records because they provide something that streaming cannot: a tangible connection to an artist and an album. The large-format sleeve, physical record, and carefully designed packaging create an experience that feels more substantial than tapping a song on a phone.

This shift has also made vinyl increasingly relevant to interiors. Records can sit on open shelving, lean against walls, or become part of carefully arranged listening corners. Collections communicate personality through color, artwork, typography, and genre. Instead of simply storing music, younger listeners are using their collections to shape the atmosphere and identity of their spaces.

The Ripple Turntable transforms sound into a visual language, drawing inspiration from the way audio waves radiate outward from a single source. Its pristine white surface features sculpted ripples that appear to emanate from the center of the platter and the base of the tonearm, intersecting across the surface to create a striking sense of movement. The effect turns an otherwise functional audio device into an expressive sculptural object, giving the act of playing music a distinctly visual dimension.

A sleek gold tonearm introduces a subtle accent against the all-white body, while the black vinyl record provides a strong visual contrast. Its minimalist yet playful character makes it particularly suited to Scandinavian and Japanese-inspired interiors, where sculptural simplicity and thoughtful detailing take center stage.

2. The Ritual Of Listening

Streaming has made listening almost effortless, allowing users to access millions of songs instantly. Vinyl introduces a different rhythm. The listener has to select an album, remove the record from its sleeve, place it carefully on the turntable, and lower the needle. These small actions create a physical ritual that encourages greater attention.

That ritual is particularly relevant to a generation accustomed to constant notifications and rapidly changing digital content. Listening to a record can create a moment of pause, where the album becomes the focus rather than background noise. Turning the record over halfway through also introduces a natural break, making music feel like an activity rather than an endless stream of content.

Oscar Olsson’s TT-90 System reimagines the traditional turntable by combining analog listening with contemporary digital functionality. Flipping the record player 90 degrees, the concept mounts the vinyl vertically on the wall, creating the illusion of a record floating in space as it spins beneath the needle. The unconventional format also addresses a common limitation of traditional turntables: their bulky footprint. Instead of occupying valuable furniture space, the TT-90 becomes part of the wall, transforming an everyday audio device into a striking piece of interior design. Available in black, orange, and white, its streamlined silhouette gives the familiar record player a distinctly futuristic character.

Beyond its space-saving approach, the TT-90 System introduces smartphone connectivity, allowing listeners to control playback digitally alongside onboard controls. Rubber components help reduce vibration against the wall, while a threaded knob secures the record during vertical playback. The result is a playful fusion of physical music culture, modern technology, and sculptural design.

3. Record Players Become Design

The turntable is experiencing its own design revival. Contemporary models are increasingly being designed to look at home alongside modern furniture rather than being treated purely as technical equipment. Minimal controls, warm materials, compact forms, transparent components, and sculptural bases are giving turntables a more furniture-like presence.

For Gen Z, this visual quality matters because technology is increasingly expected to contribute to a home’s aesthetic. A record player can become the centerpiece of a listening corner, positioned alongside books, plants, speakers, and carefully selected objects. The result is a more integrated approach to audio design, where performance and appearance work together instead of technology disappearing into a cabinet.

The Symphony headphones by Przemysław Wolnicki explore an intriguing meeting point between vinyl culture and contemporary personal audio. Instead of simply recreating the look of a record player, the concept translates its tactile interaction into a headphone interface. Each earcup features a miniature vinyl-inspired control surface that functions like a tiny turntable. Rotating the record allows listeners to seek forward or rewind, while the stylus controls track selection and playback. The interaction gives digital listening a physical dimension, creating a playful connection between nostalgic analog rituals and modern wireless audio.

Visually, the Symphony headphones take a distinctly premium approach. Brushed stainless steel gives the concept an audiophile-inspired character, while elongated structural elements add a futuristic, almost automotive quality to the earcups. Transparent sections introduce another layer of visual intrigue, allowing parts of the mechanism to remain visible.

4. Album Art Enters Interiors

Vinyl’s physical scale gives album artwork a presence that digital platforms cannot easily reproduce. A record sleeve can be picked up, examined, framed, displayed, or arranged as part of a larger collection. Its typography, photography, illustration, and color palette can influence the character of an entire room.

Gen Z’s interest in personalized interiors has made this particularly relevant. Rather than following perfectly coordinated design schemes, younger homeowners and renters often use meaningful objects to create spaces that feel individual. A stack of favorite records or a carefully arranged shelf can reveal musical taste while adding visual interest. Music therefore becomes part of interior storytelling, with album artwork functioning almost like a rotating gallery.

Building a vinyl collection comes with an important challenge: keeping records in excellent condition. Unlike digital music, physical records require careful storage and handling, with warping being one of the most common problems. Exposure to heat, pressure, or improper storage can distort a record’s shape, potentially causing skips, pops, and uneven playback. Pro-Ject’s Flatten it offers a dedicated solution for collectors who want to preserve their records or restore warped discs. Designed specifically for vinyl maintenance, the machine gently flattens damaged records while aiming to protect the delicate grooves responsible for their sound.

The Flatten it resembles a sophisticated record player, but instead of playing music, it uses heated aluminum plates to distribute warmth evenly across the record. Temperature controls allow users to adjust the process, while low temperature hysteresis helps maintain consistent conditions. Its solid aluminum construction gives the machine a premium, durable feel, while its straightforward operation makes it approachable even for first-time vinyl collectors.

5. A New Generation Collects

Gen Z is approaching collecting differently from previous generations. Owning vinyl does not necessarily mean building an exhaustive collection of an artist’s entire discography. Instead, younger collectors may choose albums because of their emotional significance, artwork, rarity, cultural relevance, or connection to a particular period of their lives.

Social media has further strengthened vinyl’s visual appeal. Record hauls, listening setups, shelves, packaging details, and limited-edition pressings naturally become content for visually driven platforms. Yet the appeal goes deeper than aesthetics. In an economy built around subscriptions and temporary digital access, owning a physical album offers a sense of permanence. Vinyl gives listeners something they can hold, display, revisit, and pass on.

Album artwork has long played an important role in shaping how music is experienced, turning records into visual as well as auditory objects. As streaming has reduced album covers to small digital thumbnails, vinyl has restored the opportunity to create tangible, immersive packaging. OK Go embraces that potential with its album And the Adjacent Possible, featuring an inventive vinyl jacket designed by Yuri Suzuki and Claudio Ripol. The gatefold cover transforms the familiar act of opening a record into an interactive visual experience, extending the album’s creative identity beyond the music itself.

Opening the jacket reveals a three-dimensional pop-up structure featuring geometric red and green domes that rise from the surface. A reflective element beneath them creates an optical illusion, making the partial forms appear like complete spheres. The playful construction recalls the wonder of a pop-up book while maintaining a sophisticated aesthetic. Its precise folds, geometric forms, and restrained palette turn the record sleeve into a sculptural object that connects music, packaging, and interactive design.

Vinyl’s revival reflects a growing desire for tactile, intentional experiences in a digital world. Gen Z is not simply bringing records back; it is redesigning the entire experience around listening, collecting, interiors, and personal expression.

The post 5 Designs That Prove Vinyl’s Comeback Was Never Just About the Music first appeared on Yanko Design.

Aston Martin’s 130-HP road-legal bike brings its luxury design language to two wheels

Aston Martin has finally put its name on a road-ready motorcycle. Developed with Brough Superior, the AMB 002 Roadster is the first street-legal bike from the partnership, fusing Aston Martin’s sculptural design language and Brough Superior’s highly specialized approach into motorcycle engineering. Limited to just 300 individually built examples, it is intended for collectors and street riders alike.

Unlike the earlier AMB 001 and AMB 001 Pro bikes, which were created exclusively for track use, the AMB 002 has been developed from the ground up for road riding. Aston Martin’s design studio has given it a compact, forward-biased silhouette, with smooth carbon-fiber surfaces broken up by crescent-shaped cooling vents along the sides. The bodywork rises around the rider, while slim, stalk-like mirrors and an exposed mechanical structure keep the motorcycle visually light.

Designer: Aston Martin

There are also deliberate references to Aston Martin’s cars. The brand’s signature side-strake has been reinterpreted around the headlamp, while the twin oval exhausts feature ribbed heat sinks inspired by the exhaust finishers used on models including the Vanquish, DB12 S and DBX S. At the rear, thin light blades borrow their visual character from the Aston Martin Vulcan, Valkyrie and Valhalla. Even smaller details, including the backlit ignition button, keyless operation and hand-crafted saddle leather seat pads, reinforce the connection between the motorcycle and Aston Martin’s road cars.

Underneath that carefully shaped bodywork is an all-new 1,083cc water-cooled V-twin producing 130 hp and 110 Nm of torque. Rather than chasing an extreme peak-power figure, the engine has been tuned around strong low- and mid-range torque, giving the roadster a more usable character for winding roads. The engine is CNC-machined from billet and built in-house at Brough Superior’s Toulouse facility, where the motorcycle is also machined and assembled.

The engineering gets particularly interesting around the chassis. A titanium structural frame is milled from a solid billet and weighs only 5 kg. It forms the backbone of the motorcycle while helping achieve a 50:50 weight distribution. Carbon-fiber body panels and the fuel tank help keep the center of gravity low, contributing to a total weight of 190 kg. Up front, the AMB 002 uses Brough Superior’s Fior fork, a double-wishbone system evolved from the setup used on the AMB 001 Pro. By separating steering and braking forces, the arrangement is designed to maintain front-end geometry under hard braking while improving steering precision. Its anti-dive characteristics are particularly useful when braking while leaned into a corner.

The result is an unusually focused road motorcycle where materials and mechanical architecture are as important to the experience as outright performance. Brough Superior will build each AMB 002 by hand in Toulouse, with first deliveries scheduled for the third quarter of 2027. Orders are already being accepted, making this less a conventional new motorcycle launch and more a limited production exercise in Aston Martin’s design language beyond four wheels.

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