DJI is entering the portable power station market in the US and Europe with the launch of the Power 1000 and Power 500 aimed at home users or road warriors. The devices (released in China at the end of last year) can be used to power small appliances or charge devices like laptops or drones, and work in concert with solar panels to provide power on the road.
The Power 1000 (13kg or 29 pounds) has a 1,024 Wh capacity and can output up to 2,200W — enough to run a home microwave oven for about 1.3 hours and a car refrigerator for 19 hours, or charge a drone up to 12 times. The Power 500 (7.3 kg or 16.3 pounds) delivers 512 Wh of capacity and 1,000W of output for half the price.
DJI
The larger version supports 1200W fast recharge or 600W standard recharging (540W and 270W for the smaller version). Both can be fast-charged in 70 minutes for a 100 percent battery or 50 minutes to an 80 percent charge. Along with standard AC plugs, both have a pair of USB-C PD output ports that support 140W/100W charging for the Power 1000/Power 500 — enough for most laptops.
The market is fairly saturated with such devices (Jackery, Bluetti, Anker, others), but DJI is pitching this as an ideal way to charge its drones and other products. Released in China in December, it was already available in the US at Amazon and elsewhere via the grey market.
The Power 1000 is now on sale for $1,000 at DJI's store, while the Power 500 costs $500. You can add a 120W Zignes solar panel for $299. For the latter, you'll need DJI's Power Solar Panel Adapter Module or DJI Power Car Power Outlet to SDC Power Cable.
This article originally appeared on Engadget at https://www.engadget.com/djis-new-backup-battery-can-power-small-appliances-charge-your-drone-130037610.html?src=rss
Google has fired 28 employees involved in protests against the company's "Project Nimbus" cloud contract with the Israeli government, according to an internal memo seen by The Verge. That follows the arrest and suspension of nine employees on April 16 and a previous firing related to the same project last month.
Some of the fired workers were forcibly removed after occupying the office of Google Cloud CEO Thomas Kurian. Google head of global security Chris Rackow said that the company "will not tolerate" such incidences and warned that the company could take further action.
"If you’re one of the few who are tempted to think we’re going to overlook conduct that violates our policies, think again," he told employees in a letter. "The company takes this extremely seriously, and we will continue to apply our longstanding policies to take action against disruptive behavior — up to and including termination."
Behavior like this has no place in our workplace and we will not tolerate it. It clearly violates multiple policies that all employees must adhere to — including our Code of Conduct and Policy on Harassment, Discrimination, Retaliation, Standards of Conduct, and Workplace Concerns.
However, workers in the "No Tech for Apartheid" group organizing the protests called the dismissals "a flagrant act of retaliation." It added that the Google saying protests largely involve people not working at the company is "insulting," adding that the push to drop Project Nimbus is supported by "thousands" of their colleagues.
"In the three years that we have been organizing against Project Nimbus, we have yet to hear from a single executive about our concerns,” it wrote in a Medium post. "Google workers have the right to peacefully protest about terms and conditions of our labor. These firings were clearly retaliatory.”
This article originally appeared on Engadget at https://www.engadget.com/google-fired-28-workers-who-protested-israeli-government-cloud-contract-084444878.html?src=rss
Netflix has been accused of using AI-manipulated imagery in the true crime documentary What Jennifer Did, Futurism has reported. Several photos show typical signs of AI trickery, including mangled hands, strange artifacts and more. If accurate, the report raises serious questions about the use of such images in documentaries, particularly since the person depicted is currently in prison awaiting retrial.
In one egregious image, the left hand of the documentary's subject Jennifer Pan is particularly mangled, while another image shows a strange gap in her cheek. Netflix has yet to acknowledge the report, but the images show clear signs of manipulation and were never labeled as AI-generated.
Netflix
The AI may be generating the imagery based on real photos of Pan, as PetaPixel suggested. However, the resulting output may be interpreted as being prejudicial instead of presenting the facts of the case without bias.
A Canadian court of appeal ordered Pan's retrial because the trial judge didn't present the jury with enough options, the CBC reported.
One critic, journalist Karen K. HO, said that the Netflix documentary is an example of the "true crime industrial complex" catering to an "all-consuming and endless" appetite for violent content. Netflix's potential use of AI manipulated imagery as a storytelling tool may reinforce that argument.
Regulators in the US, Europe and elsewhere have enacted laws on the use of AI, but so far there appears to be no specific laws governing the use of AI images or video in documentaries or other content.
This article originally appeared on Engadget at https://www.engadget.com/netflix-true-crime-documentary-may-have-used-ai-generated-images-of-a-real-person-090024761.html?src=rss
Last year Adobe launched Firefly, its latest generative AI model building on its previous SenseiAI, and now the company is showing how it'll be used its video editing app, Premiere Pro. In an early sneak, it demonstrated a few key features arriving later this year, including Object Addition & Removal, Generative Extend and Text to Video.
The new features will likely be popular, as video cleanup is one a common (and painful) task. The first feature, Generative Extend, addresses a problem editors face on nearly every edit: clips that are too short. "Seamlessly add frames to make clips longer, so it's easier to perfectly time edits and add smooth transitions," Adobe states. It does that by using the AI to create extra media, helping cover an edit or transition.
Adobe
Another common issue is junk you don't want in a shot that can be tricky to remove, or adding things you do want. Premiere Pro's Object Addition & Removal addresses that, again using Firefly's generative AI. "Simply select and track objects, then replace them. Remove unwanted items, change an actor’s wardrobe or quickly add set dressings such as a painting or photorealistic flowers on a desk," Adobe writes.
Adobe shows a couple of examples, adding a pile of diamonds to a briefcase via a text prompt (generated by Firefly). It also removes an ugly utility box, changes a watch face and adds a tie to a character's costume.
Adobe
The company also showed off a way it can import custom AI models. One, called Pika, is what powers Generative Extend, while another (Sora from OpenAI) can automatically generate B-Roll (video shots). The latter is bound to be controversial as it could potentially wipe out thousands of jobs, but is still "currently in early research," Adobe said in the video. The company notes that it will add "content credentials" to such shots, so you can see what was generated by AI including the company behind the model.
A similar feature is also available in "Text to Video," letting you generate entirely new footage directly within the app. "Simply type text into a prompt or upload reference images. These clips can be used to ideate and create storyboards, or to create B-roll for augmenting live action footage," Adobe said. The company appears to be commercializing this feature pretty fast, considering that generative AI video first appeared just a few months ago.
Those features will arrive later this year, but Adobe is also introducing updates to all users in May. Those include interactive fade handles to make transitions easier, Essential Sound badge with audio category tagging ("AI automatically tags audio clips as dialogue, music, sound effects or ambience, and adds a new icon so editors get one-click, instant access to the right controls for the job"), effect badges and redesigned waveforms in the timeline.
This article originally appeared on Engadget at https://www.engadget.com/adobe-previews-ai-object-addition-and-removal-for-premiere-pro-130034494.html?src=rss
Tesla has halted Cybertruck deliveries, telling owners that there has been an "unexpected delay regarding the preparation of your vehicle," Carbuzz has reported. One buyer on the Cybertruck Owners Club said he was told that Tesla issued a recall over a problem with the accelerator.
"We have just been informed of an unexpected delay regarding the preparation of your vehicle. We need to cancel your delivery appointment on Sunday and we will reach out again when we're able to get you back on the schedule," Tesla wrote to another client. "We apologize for the inconvenience and look forward to hosting your Cybertruck delivery soon!"
One owner posted a TikTok showing what might be the potential issue. Due to a problem with excessive lubricant on the accelerator pedal, the cover can loosen and slide toward the front, jamming into a gap in the floorboard. That effectively causes the accelerator to fully engage, creating an obviously dangerous situation. However, Tesla has not confirmed the exact reason for the delay or recall.
Tesla said deliveries should resume on April 20 (yep), but the situation might create a ripple effect that slows later deliveries as well. The vehicle, which finally went into production late last year after numerous delays, has seen other complaints from buyers, too. Those include a lack of visibility, offroading difficulties, potential danger to occupants due to a lack of crumple zones, issues with the CCS adapter, lower range than expected, discoloration of the stainless steel body panels and more.
This article originally appeared on Engadget at https://www.engadget.com/tesla-halts-cybertruck-deliveries-due-to-unexpected-delay-123007030.html?src=rss
Blackmagic Design released its annual NAB 2024 update and announced over a dozen new products, including a new version of its popular DaVinci Resolve editing suite. Other key products include the Micro Color Panel for DaVinci Resolve on iPad, a 17K 65mm camera and the Pyxis 6K cube camera.
Davinci Resolve 19
DaVinci Resolve has become a popular option for editors who don't want to pay a monthly subscription for Adobe's Premiere Pro, and is arguably more powerful in some ways. The latest version 19 takes a page from its rival, though, with a bunch of new AI-powered features for effects, color, editing, audio and more.
DaVinci Resolve 19 'Color Slice' tool
Blackmagic Design
Starting with the Edit module, a new feature lets you edit clips using text instead of video. Transcribing clips opens a window showing text detected from multiple speakers, letting you remove sections, search through text and more. Other features include a new trim window, fixed play head (reducing zooming and scrolling), a window that makes changing audio attributes faster and more.
The Color tool introduces "Color Slice," a way to adjust an image based on six vectors (red, green, blue, yellow, cyan and magenta) along with a special skin tone slider. For instance, you can adjust any of those specific colors, easily changing the levels of saturation and hues, while seeing and adjusting the underlying key. The dedicated skin slider will no doubt make it attractive for quick skin tone adjustments.
DaVinci Resolve 19 Intellitrack
Blackmagic Design
Another key feature in Color is the "IntelliTrack" powered by a neural engine AI that lets you quickly select points to track to create effects or stabilize an image. Blackmagic also added a new Lightroom-like AI-powered noise reduction system that quickly removes digital noise or film grain from images with no user tweaking required.
"Film Look Creator" is a new module that opens up color grading possibilities with over 60 filmic parameters. It looks fairly easy to use, as you can start with a preset (default 65mm, cinematic, bleach bypass, nostalgic) and then tweak parameters to taste. Another new trick is "Defocus Background," letting users simulate a shallow depth of focus via masking in a realistic way (unlike smartphones), while Face Refinement tracks faces so editors tweak brightness, colors, detail and more.
The Fusion FX editor adds some new tools that ease 3D object manipulation and on the audio (Fairlight) side, BMD introduced the "Dialogue Separator FX" to separate dialogue, background or ambience. DaVinci Resolve 19 is now in open beta for everyone to try, with no word yet on a date for the full release. As usual, it costs $295 for the the Studio version and the main version is free.
Micro Color Panel
Blackmagic Design
BMD's DaVinci Resolve for iPad proved to be a popular option for editors on the go, and now the company has introduced a dedicated control surface with the new Micro Color Panel. It'll offer editors control that goes well beyond the already decent Pencil and multitouch input, while keeping a relatively low profile at 7.18 x 14.33 inches.
A slot at the top front lets you slide in your iPad, and from there you can connect via Bluetooth or USB-C. The company promises a "professional" feel to the controls, which consist of three weighted trackballs, 12 control dials and 27 buttons. With those, you can perform editors, tweak parameters like shadows, hues and highlights, and even do wipes and other effects.
"The old DaVinci Resolve Micro Panel model has been popular with customers wanting a compact grading panel, but we wanted to design an even more portable and affordable solution," said Blackmagic Design President Grant Petty. It's now on pre-order for $509.
Pyxis 6K camera
Blackmagic Design
Blackmagic Design is following rivals like RED, Sony and Panasonic with a new box-style camera, the Pyxis 6K full-frame camera. The idea is that you start with the basic brain (controls, display, CFexpress media, brain and sensor), then use side plates or mounting screws to attach accessories like handles, microphones and SSDs. It's also available with Blackmagic's URSA Cine EVF (electronic viewfinder) that adds $1,695 to the price.
Its specs are very similar to the Blackmagic Cinema Camera 6K I tested late last year. The native resolution is 24-megapixels (6K) on a full 36 x 24mm sensor that allows for up to 13 stops of dynamic range with dual native ISO up to 25,600. It can record 12-bit Blackmagic RAW (BRAW) directly to the CFexpress Type B cards or an SSD.
It also supports direct streaming to YouTube, Facebook, Twitch and others via RTMP and SRT either via Ethernet or using a cellular connection. Since the streaming is built into the camera, customers and csee stream status and data rate directly in the viewfinder or LCD. The Pyxis 6K arrives in June for $2,995 with three mounts (Canon EF, Leica L and Arri PL).
Blackmagic URSA Cine 12K and 17K
Blackmagic Design
Along with the Pyxis, Blackmagic introduced a pair of cinema cameras, the URSA Cine 12K and 17K models. Yes, those numbers represent the resolution of those two cameras, with the first offering a full-frame sensor 36 x 24mm with 12K resolution (12,888 x 6,480 17:9) at up a fairly incredible 100 fps. The second features a 65mm (50.8 x 23.3 sensor) with 17,520 x 8,040 resolution offering up to 16 stops of dynamic range.
Both models will come with features like built-in ND filters, an optical low pass filter and BMD's latest gen 5.0 color science. The URSA Cine 12K will come with 8TB of internal storage, or you can use your own CFexpress media. Other features include live streaming, a high-resolution EVF, V-battery support, wireless Bluetooth camera control and more. The URSA Cine 12K model is on pre-order for $14,995 or $16,495 with the URSA Cine EVF, with April availability. The URSA Cine 17K is under development, with no pricing or release yet announced.
This article originally appeared on Engadget at https://www.engadget.com/blackmagics-davinci-resolve-19-arrives-with-ai-powered-motion-tracking-and-color-grading-090013746.html?src=rss
When DJI’s Avata came out in 2022, its agility and people-safe propeller guards made it an instant hit — especially with video pros and content creators. It was hampered by poor video quality, though, and gave users no ability to see the outside world when using the Goggles 2 pilot headset. It was also less maneuverable than other FPV drones and quite expensive.
Now, the company has released its successor, the Avata 2. The camera now uses the same 1/1.3-inch sensor as the Mini 4 Pro, so video quality is highly improved. The Goggles 3 have passthrough cameras to show the world around you and the Avata 2 can now maneuver more like a real FPV drone. Battery life has improved and it’s cheaper to boot.
It sounds great, but how is it in the real world? With my drone and FPV pilot friends, we tested it in a variety of scenarios and events. In general, it's much improved from its predecessor, but there are a few things to know if you’re considering buying one, especially around the Goggles 3.
Body
The Avata 2 has been completely redesigned to improve flight characteristics. It’s more oblong, less top-heavy, comes with a bigger battery and weighs 30 grams less at just 377 grams. It also just looks less toy-like and more professional.
The updated propeller guards and extensive obstacle detection make it far more crash-resistant than other drones. Updated binocular fisheye sensors cover both the bottom and rear views to detect hazards while increasing flight stability. It also features a “turtle mode” that flips the drone back to a normal stance for takeoff if it hits something and flips over during flight.
The propellers have the same 3-inch size as before, but engine noise is reduced to 81dB, making it more suitable for events like weddings.
Steve Dent for Engadget
The camera unit and gimbal are larger and the protective covering is easier to install and remove. The USB-C and card slots, notoriously hard to access on the Avata, are much easier to get to here. Another welcome update is the generous 46GB of onboard storage, more than double the last model and considerably higher than most other drones.
The 18-minute battery life was a big issue with the Avata, but the new model now boasts 23 minutes max flight time, up 28 percent. The batteries can be charged quickly using the charging hub, too, from 0 to 100 percent in 45 minutes with a 60W charger — a bit faster than before, considering the higher capacity. The hub also supports DJI’s new power accumulation feature, letting you completely drain the two weakest batteries to transfer power to the strongest.
Transmission and controls
Like the Mini 4 Pro and Air 3, the Avata uses DJI’s latest O4 transmission system that boosts range to 13km in the US and 10km in Europe — impressive for an FPV drone. It streams a 1080p video feed at up to 100 fps, with latency as low as 24 milliseconds using the Googles 3.
Steve Dent for Engadget
Speaking of, the Goggles 3 have a built-in battery like the Goggles Integra while updating to O4 capability. Along with the improved transmission, they now come with higher-resolution 1080p MicroOLED displays and improved eye comfort compared to the Goggles 2 that shipped with the original Avata.
The big update, though, is the Real View pass-through cameras. With a double tap on the side of the headset or side button on the RC Motion 3 controller, you’ll instantly switch to a forward view outside the Goggles 3. The resolution isn’t very high, but at least you can see outside without removing them. A setting allows you to see the drone view as a picture-in-picture to boost situational awareness.
The Goggles 3 now allows you to capture up to 1080p video directly to a microSD card on the headset itself and you can even stream live to another Goggles 3 headset simultaneously. Video quality is still higher when capturing directly to the drone, of course, but it does provide a backup. You can also record a view showing the on-screen controls — handy for reviewing flights.
Another new feature is head tracking to control the aircraft and gimbal with head functions, allowing better control for experienced pilots.
Steve Dent for Engadget
There are a few downsides. It still doesn’t support glasses, so folks with astigmatism will need to purchase custom lenses. If you have the Goggles V2, which does support eyeglasses, it’s unfortunately not compatible with the Avata 2.
DJI hasn’t quite nailed the comfort part, either. The padding isn’t soft enough, so the edges pushed against the bridge of my nose, creating some discomfort. It was better after installing the additional (included) pad, but still not perfect.
The RC Motion 3 controller has been considerably revamped for the better. It’s smaller, lighter and has a more comfortable grip. Controls are also more precise, with a new sidelink wireless solution boosting the quality of the joystick’s signal. And for FPV enthusiasts who prefer a classic drone controller, the Avata 2 also works with the new FPV Remote Control 3.
Performance
Steve Dent for Engadget
Where the original Avata dumbed down FPV performance, the Avata 2 goes all in. It’s incredibly maneuverable, and unlike most FPV drones, highly crash-resistant.
Maximum speeds are the same as the Avata at around 60MPH in manual mode with obstacle detection turned off. That might be slower than purpose-built open-propeller FPVs, but it’s fast for a consumer product and won’t slice up bystanders like regular drones.
Though it’s not faster, it’s quicker and more precise than the Avatar thanks to the slimmed-down and better-balanced body. It turns on a dime around obstacles and climbs and descends with alacrity. At the same time, you can plow through small twigs or leaves and barely slow down.
Flying it is truly fun. The improved Goggles 3 with O4 give a clearer view, and the Motion 3 controller allows for precise and intuitive control. For events around people, you can fly in normal or beginner modes for safety, or elsewhere at 35 or 60 MPH in sport and manual modes.
Steve Dent for Engadget
The Motion 3 adds a new trigger setting that rotates the Avata 2 in place for easier maneuvers and it now includes a dedicated mode button for normal or sport flying. The joystick is larger and the controller more responsive and precise overall.
Head tracking is a common feature on FPV and Cinewoop drones, and it now works on the Avata 2. I found it helpful mainly for controlling the camera tilt, as it’s a natural way to adjust that parameter.
If you want to fly the Avata 2 at top speed in manual mode, you’ll need the FPV Remote Controller 3, which is sold separately for $199.
The Easy Acro mode is cool, but a bit cumbersome since you have to switch it on and off. Also, it’s so easy to implement with the RC Motion controller that it's almost... boring. Tricks include slides, 180-degree drifts and flips, though you can’t record video in flip mode.
Steve Dent for Engadget
The Avata 2 is better than before in stiff winds, but can still get buffeted around and often has to lean against the breeze, causing choppy or unlevel footage. Keeping things smooth, particularly outdoors, requires more practice than with a drone like the Mini 4 Pro.
It doesn’t have forward-facing sensors, so its main protection is the prop guards and high durability. It does detect obstacles from the rear and below, and that kept me safe in some tight spots. I still crashed it at least four to five times though, luckily just in the grass or against small twigs and leaves — without leaving a scratch. This could make some pilots overconfident, though.
Battery life is noticeably better than the Avata and eliminates much of the range anxiety typical with FPV drones. However, you only get 18-20 minutes of realistic range. Most serious pilots will want to have at least three batteries with the Fly-More kit, and preferably more.
Video
The Avata 2 eliminates the Avata’s mediocre video quality via a much larger 1/1.3-inch sensor with 10-bit D-LogM capability borrowed from the Mini 4 Pro.
As before it offers normal, wide and ultra-wide shooting with up to a 155-degree field of view. It has two stabilization modes, RockSteady 3.0 and HorizonSteady. The latter is best if you want to keep things level, particularly in high winds — it does tend to lean into wind. RockSteady smooths footage more while allowing the camera to tilt, all the better to show off thrilling maneuvers.
It supports 4K video at up to 60 fps or 1080p and 2.7K at 120 fps. However, it can only capture 12-megapixel JPEG stills, so it’s not ideal for photography.
All that puts it leaps ahead of the Avata for video. Images are generally sharper and colors more accurate. The 10-bit D-LogM mode allows for higher dynamic range in bright or contrasty conditions. The one quality flaw I noticed was occasionally blockiness in video at 4K 60p when flying fast, likely artifacts due to the 130Mbps bit rate (beware of re-encoding for YouTube).
It’s much improved in low light for cityscapes or interiors as well thanks to the larger sensor. It’s not up to the level of a mirrorless camera, but as with the Mini 4 Pro, it’s fine for well lit night scenes in most cases. ISO levels are usable up to 12800 with noise reduction, with the 25600 max setting being for emergency use only.
Wrap-up
Steve Dent for Engadget
The Avata 2 is bound to be another hit for DJI. It eliminates nearly every flaw on the Avata, boosting picture quality, FPV maneuverability, battery life, range and more. Video quality, in particular, will make it even more desirable for content creators, event videographers and others (my pro friends, who already own the Avata, are planning to order one). At the same time, it’s a fantastic FPV drone for beginners — just super fun to use.
It’s also more affordable. The Avata 2 is priced at $1,000 with a single battery in the Fly-More kit with the Goggles 3 and Motion 3 controller, or $1,200 with three batteries, the two-way charging hub and a carrying case. You can also purchase it alone at $490.
That compares to original $630 price for the Avata. That model also cost $1,388 for the Avata with Goggles and Motion Controller, plus another $279 for the 2-battery/charger Fly-More kit (for $1,667 total) — so the Avata 2 is nearly $500 cheaper in that configuration. As mentioned, the FPV Remote Controller 3 is $199, while the ND Filters Set is $79.
The Avata 2 doesn’t have much competition, as regular FPV drones generally lack propeller guards and rivals like Autel don’t offer similar products. That doesn’t really matter, though, as DJI’s latest drone is both powerful and attractively priced — making it a highly desirable product for creators of all stripes.
This article originally appeared on Engadget at https://www.engadget.com/dji-avata-2-fpv-drone-review-a-cheaper-more-potent-tool-for-creators-130052278.html?src=rss
When DJI’s Avata came out in 2022, its agility and people-safe propeller guards made it an instant hit — especially with video pros and content creators. It was hampered by poor video quality, though, and gave users no ability to see the outside world when using the Goggles 2 pilot headset. It was also less maneuverable than other FPV drones and quite expensive.
Now, the company has released its successor, the Avata 2. The camera now uses the same 1/1.3-inch sensor as the Mini 4 Pro, so video quality is highly improved. The Goggles 3 have passthrough cameras to show the world around you and the Avata 2 can now maneuver more like a real FPV drone. Battery life has improved and it’s cheaper to boot.
It sounds great, but how is it in the real world? With my drone and FPV pilot friends, we tested it in a variety of scenarios and events. In general, it's much improved from its predecessor, but there are a few things to know if you’re considering buying one, especially around the Goggles 3.
Body
The Avata 2 has been completely redesigned to improve flight characteristics. It’s more oblong, less top-heavy, comes with a bigger battery and weighs 30 grams less at just 377 grams. It also just looks less toy-like and more professional.
The updated propeller guards and extensive obstacle detection make it far more crash-resistant than other drones. Updated binocular fisheye sensors cover both the bottom and rear views to detect hazards while increasing flight stability. It also features a “turtle mode” that flips the drone back to a normal stance for takeoff if it hits something and flips over during flight.
The propellers have the same 3-inch size as before, but engine noise is reduced to 81dB, making it more suitable for events like weddings.
Steve Dent for Engadget
The camera unit and gimbal are larger and the protective covering is easier to install and remove. The USB-C and card slots, notoriously hard to access on the Avata, are much easier to get to here. Another welcome update is the generous 46GB of onboard storage, more than double the last model and considerably higher than most other drones.
The 18-minute battery life was a big issue with the Avata, but the new model now boasts 23 minutes max flight time, up 28 percent. The batteries can be charged quickly using the charging hub, too, from 0 to 100 percent in 45 minutes with a 60W charger — a bit faster than before, considering the higher capacity. The hub also supports DJI’s new power accumulation feature, letting you completely drain the two weakest batteries to transfer power to the strongest.
Transmission and controls
Like the Mini 4 Pro and Air 3, the Avata uses DJI’s latest O4 transmission system that boosts range to 13km in the US and 10km in Europe — impressive for an FPV drone. It streams a 1080p video feed at up to 100 fps, with latency as low as 24 milliseconds using the Googles 3.
Steve Dent for Engadget
Speaking of, the Goggles 3 have a built-in battery like the Goggles Integra while updating to O4 capability. Along with the improved transmission, they now come with higher-resolution 1080p MicroOLED displays and improved eye comfort compared to the Goggles 2 that shipped with the original Avata.
The big update, though, is the Real View pass-through cameras. With a double tap on the side of the headset or side button on the RC Motion 3 controller, you’ll instantly switch to a forward view outside the Goggles 3. The resolution isn’t very high, but at least you can see outside without removing them. A setting allows you to see the drone view as a picture-in-picture to boost situational awareness.
The Goggles 3 now allows you to capture up to 1080p video directly to a microSD card on the headset itself and you can even stream live to another Goggles 3 headset simultaneously. Video quality is still higher when capturing directly to the drone, of course, but it does provide a backup. You can also record a view showing the on-screen controls — handy for reviewing flights.
Another new feature is head tracking to control the aircraft and gimbal with head functions, allowing better control for experienced pilots.
Steve Dent for Engadget
There are a few downsides. It still doesn’t support glasses, so folks with astigmatism will need to purchase custom lenses. If you have the Goggles V2, which does support eyeglasses, it’s unfortunately not compatible with the Avata 2.
DJI hasn’t quite nailed the comfort part, either. The padding isn’t soft enough, so the edges pushed against the bridge of my nose, creating some discomfort. It was better after installing the additional (included) pad, but still not perfect.
The RC Motion 3 controller has been considerably revamped for the better. It’s smaller, lighter and has a more comfortable grip. Controls are also more precise, with a new sidelink wireless solution boosting the quality of the joystick’s signal. And for FPV enthusiasts who prefer a classic drone controller, the Avata 2 also works with the new FPV Remote Control 3.
Performance
Steve Dent for Engadget
Where the original Avata dumbed down FPV performance, the Avata 2 goes all in. It’s incredibly maneuverable, and unlike most FPV drones, highly crash-resistant.
Maximum speeds are the same as the Avata at around 60MPH in manual mode with obstacle detection turned off. That might be slower than purpose-built open-propeller FPVs, but it’s fast for a consumer product and won’t slice up bystanders like regular drones.
Though it’s not faster, it’s quicker and more precise than the Avatar thanks to the slimmed-down and better-balanced body. It turns on a dime around obstacles and climbs and descends with alacrity. At the same time, you can plow through small twigs or leaves and barely slow down.
Flying it is truly fun. The improved Goggles 3 with O4 give a clearer view, and the Motion 3 controller allows for precise and intuitive control. For events around people, you can fly in normal or beginner modes for safety, or elsewhere at 35 or 60 MPH in sport and manual modes.
Steve Dent for Engadget
The Motion 3 adds a new trigger setting that rotates the Avata 2 in place for easier maneuvers and it now includes a dedicated mode button for normal or sport flying. The joystick is larger and the controller more responsive and precise overall.
Head tracking is a common feature on FPV and Cinewoop drones, and it now works on the Avata 2. I found it helpful mainly for controlling the camera tilt, as it’s a natural way to adjust that parameter.
If you want to fly the Avata 2 at top speed in manual mode, you’ll need the FPV Remote Controller 3, which is sold separately for $199.
The Easy Acro mode is cool, but a bit cumbersome since you have to switch it on and off. Also, it’s so easy to implement with the RC Motion controller that it's almost... boring. Tricks include slides, 180-degree drifts and flips, though you can’t record video in flip mode.
Steve Dent for Engadget
The Avata 2 is better than before in stiff winds, but can still get buffeted around and often has to lean against the breeze, causing choppy or unlevel footage. Keeping things smooth, particularly outdoors, requires more practice than with a drone like the Mini 4 Pro.
It doesn’t have forward-facing sensors, so its main protection is the prop guards and high durability. It does detect obstacles from the rear and below, and that kept me safe in some tight spots. I still crashed it at least four to five times though, luckily just in the grass or against small twigs and leaves — without leaving a scratch. This could make some pilots overconfident, though.
Battery life is noticeably better than the Avata and eliminates much of the range anxiety typical with FPV drones. However, you only get 18-20 minutes of realistic range. Most serious pilots will want to have at least three batteries with the Fly-More kit, and preferably more.
Video
The Avata 2 eliminates the Avata’s mediocre video quality via a much larger 1/1.3-inch sensor with 10-bit D-LogM capability borrowed from the Mini 4 Pro.
As before it offers normal, wide and ultra-wide shooting with up to a 155-degree field of view. It has two stabilization modes, RockSteady 3.0 and HorizonSteady. The latter is best if you want to keep things level, particularly in high winds — it does tend to lean into wind. RockSteady smooths footage more while allowing the camera to tilt, all the better to show off thrilling maneuvers.
It supports 4K video at up to 60 fps or 1080p and 2.7K at 120 fps. However, it can only capture 12-megapixel JPEG stills, so it’s not ideal for photography.
All that puts it leaps ahead of the Avata for video. Images are generally sharper and colors more accurate. The 10-bit D-LogM mode allows for higher dynamic range in bright or contrasty conditions. The one quality flaw I noticed was occasionally blockiness in video at 4K 60p when flying fast, likely artifacts due to the 130Mbps bit rate (beware of re-encoding for YouTube).
It’s much improved in low light for cityscapes or interiors as well thanks to the larger sensor. It’s not up to the level of a mirrorless camera, but as with the Mini 4 Pro, it’s fine for well lit night scenes in most cases. ISO levels are usable up to 12800 with noise reduction, with the 25600 max setting being for emergency use only.
Wrap-up
Steve Dent for Engadget
The Avata 2 is bound to be another hit for DJI. It eliminates nearly every flaw on the Avata, boosting picture quality, FPV maneuverability, battery life, range and more. Video quality, in particular, will make it even more desirable for content creators, event videographers and others (my pro friends, who already own the Avata, are planning to order one). At the same time, it’s a fantastic FPV drone for beginners — just super fun to use.
It’s also more affordable. The Avata 2 is priced at $1,000 with a single battery in the Fly-More kit with the Goggles 3 and Motion 3 controller, or $1,200 with three batteries, the two-way charging hub and a carrying case. You can also purchase it alone at $490.
That compares to original $630 price for the Avata. That model also cost $1,388 for the Avata with Goggles and Motion Controller, plus another $279 for the 2-battery/charger Fly-More kit (for $1,667 total) — so the Avata 2 is nearly $500 cheaper in that configuration. As mentioned, the FPV Remote Controller 3 is $199, while the ND Filters Set is $79.
The Avata 2 doesn’t have much competition, as regular FPV drones generally lack propeller guards and rivals like Autel don’t offer similar products. That doesn’t really matter, though, as DJI’s latest drone is both powerful and attractively priced — making it a highly desirable product for creators of all stripes.
This article originally appeared on Engadget at https://www.engadget.com/dji-avata-2-fpv-drone-review-a-cheaper-more-potent-tool-for-creators-130052278.html?src=rss
DJI occasionally knocks us sideways with cutting-edge innovation à la the Ronin 4D, but it's usually just refining existing products to stay ahead of rivals. That applies to the new RS4 and RS4 Pro gimbals, which boast multiple improvements over the previous RS3 models, particularly in the size and capacity of cameras they can support, but no new standout features.
However, the company also unveiled the Focus Pro, a new version of its LiDAR focus system that works either standalone or with the RS4 Pro. This product is more on the cutting-edge side, adding a host of new capabilities to the company's gimbal and camera systems.
DJI RS4
The mainstream RS4 gimbal is largely the same as the last model, with a carrying capacity of 6.6 pounds (3kg) that accommodates most mirrorless cameras and a good load of accessories. However, the tilt axis has been extended 8.5mm compared to the RS 3, giving you more balancing space for longer lenses or front-heavy add-ons like ND filters. It also uses DJI's latest 4th-gen stabilization algorithm for improved smoothness and control.
DJI
The RS4 can pair with the new Focus Pro Motor (more about that in a sec), allowing smooth focus and lens zoom adjustments at a speed 30 percent faster compared to the original DJI Focus Motor. As before, it uses dual-mode Bluetooth tech so you can pair with and control multiple cameras.
Another new feature is improved stability in vertical shooting, steadying jolts for the influencer crowd even when walking or running. The redesigned gimbal horizontal plates allows for "seamless transitions to vertical shooting," the company said, allowing for more efficiency in video creation (to let you quickly get out an Insta Story while filming, for example).
DJI
As before, it comes with automatic gimbal locking and unlocking for ease of use, along with Teflon coatings on all three axes for smooth operation. A new joystick mode switch lets you change from zoom to gimbal control and the customizable trigger can quickly turn on the FPV mode.
The RS4 supports multiple accessories via the RSA communication port, including DJI's RS Tethered Control Handle and third-party options (DJI has an SDK protocol for the RS family). IT also supports the new BG70 High-Capacity Battery Grip that extends runtime to 29.5 hours with a 2.5 hour charge time (compared to , while supporting power delivery to camera and USB-C accessories.
Finally, the RS4 supports DJI's Ronin Image Transmitter, delivering live-action high-definition feeds to other crew members and allowing for remote-control (focus, etc.) capabilities.
DJI RS4 Pro
DJI
The RS4 Pro ups the carrying capacity to 10 pounds (4.5kg) as before, while adding side handles and extra mounting points for accessories. It adds a 20 percent motor torque boost to all axes (compared to the RS 3 Pro) to allow for more responsive tracking even with heavy cameras and accessories.
DJI also introduced a car mount mode, optimizing the stabilizer for vehicle shoots, while updating vertical shooting capability and improving axis locks. Like the RS4, it has DJI's latest 4th-gen stabilization algorithm that's particularly helpful for fast-moving scenes when carrying a heavy camera.
DJI
The primary new capability is functionality with the Focus Pro LiDAR and Focus Pro Motor system, giving cinematographers autofocus capability even with manual focus lenses. It also supports remote control and image transmission, "allowing for remote gimbal operation and intelligent focus assistance," according to the company.
"In collaborative team shooting, the gimbal operator can control the RS 4 Pro gimbal through devices such as the DJI Master Wheels, DJI Ronin 4D Hand Grips, and DJI High-Bright Remote Monitor. Meanwhile, the focus puller can enable LiDAR Waveform on the High-Bright Remote Monitor for intelligent focus assistance, precisely controlling focus using the Focus Pro Hand Unit," DJI says.
DJI Focus Pro
DJI
For creators and cinematographers, the Focus Pro is the most intriguing product in this release. It's a LiDAR focus system consisting of the Focus Pro LiDAR unit, Focus Pro Grip, Focus Pro Motor and FIZ Hand Unit. It gives the operator autofocus capability even with manual lenses, or lets them focus manually via a real-time view from the LiDAR's perspective.
The grip has a full-color touchscreen, 2.5-hour power supply, intuitive visual operation, auto-calibration and data storage for 15 lenses, along with Bluetooth capability for easy start/stop recording. The LiDAR, meanwhile, supports focus at up to 20 meters (three times more than before), and has an ultra-wide 70-degree view for focus. IT has 76,800 ranging points and a 30Hz refresh rate to minimize focus hunting and ensure reliable focus.
DJI
Autofocus includes AF subject recognition and tracking, adjustable focus speed and selectable focus area modes, much like a regular mirrorless AF system. The AMF (auto-manual focus) mode, meanwhile, allows for instant switching between manual and autofocus for tricky shooting scenarios. It also helps camera or focus operators by showing the LiDAR waveform. I tried something similar with the Ronin 4D, and while it takes a while to get used to, it's very effective.
The FIZ Hand Unit allows full remote control over focus, iris and zoom for focus pullers. It uses stepless real-time damping for smooth control, while letting the focus puller be up to 160 meters away. Other features including faster motor speeds, 10ms latency and intuitive dial operation.
Price and availability
The DJI RS 4 is now available for purchase starting at $549 and includes one Gimbal, BG21 Battery Grip, USB-C Charging Cable, Lens-Fastening Support, Extended Grip/Tripod (Plastic), Quick-Release Plate, Multi-Camera Control Cable, and Screw Kit. You can also pick it up for $719 in a combo with a Briefcase Handle, Focus Pro Motor, Focus Pro Motor Rod Mount Kit, Focus Gear Strip, a second Multi-Camera Control Cable, and one Carrying Case. The RS 4 Pro, meanwhile, starts at $869 or $1,099 with the high-capacity battery grip, with the same range of accessories for each.
The Focus Pro creator combo (DJI Focus Pro LiDAR, DJI Focus Pro Grip, DJI Focus Pro Motor and DJI Focus Pro Carrying Case) is $999, or you can buy the All-in-One combo (with the FIZ Hand Unit as well) for $1,899. The RS BG70 high-capacity battery grip is sold for $149 by itself.
This article originally appeared on Engadget at https://www.engadget.com/djis-rs4-gimbals-make-it-easier-to-balance-heavy-cameras-and-accessories-130058134.html?src=rss
DJI occasionally knocks us sideways with cutting-edge innovation à la the Ronin 4D, but it's usually just refining existing products to stay ahead of rivals. That applies to the new RS4 and RS4 Pro gimbals, which boast multiple improvements over the previous RS3 models, particularly in the size and capacity of cameras they can support, but no new standout features.
However, the company also unveiled the Focus Pro, a new version of its LiDAR focus system that works either standalone or with the RS4 Pro. This product is more on the cutting-edge side, adding a host of new capabilities to the company's gimbal and camera systems.
DJI RS4
The mainstream RS4 gimbal is largely the same as the last model, with a carrying capacity of 6.6 pounds (3kg) that accommodates most mirrorless cameras and a good load of accessories. However, the tilt axis has been extended 8.5mm compared to the RS 3, giving you more balancing space for longer lenses or front-heavy add-ons like ND filters. It also uses DJI's latest 4th-gen stabilization algorithm for improved smoothness and control.
DJI
The RS4 can pair with the new Focus Pro Motor (more about that in a sec), allowing smooth focus and lens zoom adjustments at a speed 30 percent faster compared to the original DJI Focus Motor. As before, it uses dual-mode Bluetooth tech so you can pair with and control multiple cameras.
Another new feature is improved stability in vertical shooting, steadying jolts for the influencer crowd even when walking or running. The redesigned gimbal horizontal plates allows for "seamless transitions to vertical shooting," the company said, allowing for more efficiency in video creation (to let you quickly get out an Insta Story while filming, for example).
DJI
As before, it comes with automatic gimbal locking and unlocking for ease of use, along with Teflon coatings on all three axes for smooth operation. A new joystick mode switch lets you change from zoom to gimbal control and the customizable trigger can quickly turn on the FPV mode.
The RS4 supports multiple accessories via the RSA communication port, including DJI's RS Tethered Control Handle and third-party options (DJI has an SDK protocol for the RS family). IT also supports the new BG70 High-Capacity Battery Grip that extends runtime to 29.5 hours with a 2.5 hour charge time (compared to , while supporting power delivery to camera and USB-C accessories.
Finally, the RS4 supports DJI's Ronin Image Transmitter, delivering live-action high-definition feeds to other crew members and allowing for remote-control (focus, etc.) capabilities.
DJI RS4 Pro
DJI
The RS4 Pro ups the carrying capacity to 10 pounds (4.5kg) as before, while adding side handles and extra mounting points for accessories. It adds a 20 percent motor torque boost to all axes (compared to the RS 3 Pro) to allow for more responsive tracking even with heavy cameras and accessories.
DJI also introduced a car mount mode, optimizing the stabilizer for vehicle shoots, while updating vertical shooting capability and improving axis locks. Like the RS4, it has DJI's latest 4th-gen stabilization algorithm that's particularly helpful for fast-moving scenes when carrying a heavy camera.
DJI
The primary new capability is functionality with the Focus Pro LiDAR and Focus Pro Motor system, giving cinematographers autofocus capability even with manual focus lenses. It also supports remote control and image transmission, "allowing for remote gimbal operation and intelligent focus assistance," according to the company.
"In collaborative team shooting, the gimbal operator can control the RS 4 Pro gimbal through devices such as the DJI Master Wheels, DJI Ronin 4D Hand Grips, and DJI High-Bright Remote Monitor. Meanwhile, the focus puller can enable LiDAR Waveform on the High-Bright Remote Monitor for intelligent focus assistance, precisely controlling focus using the Focus Pro Hand Unit," DJI says.
DJI Focus Pro
DJI
For creators and cinematographers, the Focus Pro is the most intriguing product in this release. It's a LiDAR focus system consisting of the Focus Pro LiDAR unit, Focus Pro Grip, Focus Pro Motor and FIZ Hand Unit. It gives the operator autofocus capability even with manual lenses, or lets them focus manually via a real-time view from the LiDAR's perspective.
The grip has a full-color touchscreen, 2.5-hour power supply, intuitive visual operation, auto-calibration and data storage for 15 lenses, along with Bluetooth capability for easy start/stop recording. The LiDAR, meanwhile, supports focus at up to 20 meters (three times more than before), and has an ultra-wide 70-degree view for focus. IT has 76,800 ranging points and a 30Hz refresh rate to minimize focus hunting and ensure reliable focus.
DJI
Autofocus includes AF subject recognition and tracking, adjustable focus speed and selectable focus area modes, much like a regular mirrorless AF system. The AMF (auto-manual focus) mode, meanwhile, allows for instant switching between manual and autofocus for tricky shooting scenarios. It also helps camera or focus operators by showing the LiDAR waveform. I tried something similar with the Ronin 4D, and while it takes a while to get used to, it's very effective.
The FIZ Hand Unit allows full remote control over focus, iris and zoom for focus pullers. It uses stepless real-time damping for smooth control, while letting the focus puller be up to 160 meters away. Other features including faster motor speeds, 10ms latency and intuitive dial operation.
Price and availability
The DJI RS 4 is now available for purchase starting at $549 and includes one Gimbal, BG21 Battery Grip, USB-C Charging Cable, Lens-Fastening Support, Extended Grip/Tripod (Plastic), Quick-Release Plate, Multi-Camera Control Cable, and Screw Kit. You can also pick it up for $719 in a combo with a Briefcase Handle, Focus Pro Motor, Focus Pro Motor Rod Mount Kit, Focus Gear Strip, a second Multi-Camera Control Cable, and one Carrying Case. The RS 4 Pro, meanwhile, starts at $869 or $1,099 with the high-capacity battery grip, with the same range of accessories for each.
The Focus Pro creator combo (DJI Focus Pro LiDAR, DJI Focus Pro Grip, DJI Focus Pro Motor and DJI Focus Pro Carrying Case) is $999, or you can buy the All-in-One combo (with the FIZ Hand Unit as well) for $1,899. The RS BG70 high-capacity battery grip is sold for $149 by itself.
This article originally appeared on Engadget at https://www.engadget.com/djis-rs4-gimbals-make-it-easier-to-balance-heavy-cameras-and-accessories-130058134.html?src=rss