This Red House Buried in a Czech Forest Is the Opposite of Every Forest Home You’ve Ever Seen

Deep in the spruce forests of Jevany, a municipality of barely 800 people in the Czech Republic’s Central Bohemian Region, a flash of cherry red cuts through the trees. This is Villa Jevany, a new residence by local studio Architektura, and it has absolutely no interest in blending in. Where most forest homes default to timber, stone, and muted tones, Architektura went the other way entirely, dressing the structure in saturated red steel and calling it exactly what it is: a deliberate, uncompromising act of contrast.

The site itself set the terms. The plot spans a generous 3,027 square meters on a steep southern slope, inhabited by deer, birds, and mature trees that tower up to ten meters above the building level. Architektura responded by carving the villa into the hillside rather than placing it on top, creating a structure the studio describes as an “organism” embedded in the earth. The red steel skeleton, visible in the sawtooth carport roof from the moment of arrival, signals that this is industrial thinking applied to domestic life, and it doesn’t apologize for it.

Designer: Architektura

The colour choice is rooted in theory as much as instinct. Architektura used green and red as complementary colors, a logic borrowed from the colour wheel and, more pointedly, from abstract art. The irregularly divided glazing across the façade draws a quiet reference to Mondrian, the rhythmic geometry of the windows creating a visual tension against the organic verticality of the trees behind them. From the road, the house reads almost like a painting hung in the forest. From the inside, the forest becomes the painting.

Internally, the layout unfolds across five distinct levels. The entrance opens into a hall with a 3.5-meter ceiling height, where a curved wall guides visitors into the main living space, or what the architects call the “day zone.” Here, industrial red steel windows frame the surrounding green; white walls meet black details; reddish stone counters anchor the kitchen alongside a floating steel fireplace. It’s a space of deliberate contrasts, domestic in function and raw in feeling.

The private quarters, reached through a long corridor lined with minimalist white cabinetry, are stripped of excess. The parents’ suite and children’s rooms are quiet and restrained, a counterpoint to the drama of the exterior. Terraces and balconies extend the living area into the canopy itself, turning the house into what Architektura intended all along: not just a place to live, but a place to look.

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This ‘Impossible’ Villa Floats on Just 4 Inverted Brick Cones and a Thatched Roof

Shomali Design’s latest residential project does something unexpected with the ground beneath it. Rather than sprawling across the landscape, the Sarchina Villa hovers above it, suspended on four white brick columns that taper downward into inverted cones. This 250-square-meter residence challenges the conventional approach to building at ground level, proposing instead a floating structure that preserves the terrain below. Yaser and Yasin Rashid Shomali developed this approach as a means to strengthen the relationship between architecture and landscape, rather than compromising it.

Those four columns do more than hold up the building. Their geometric form creates shifting shadow patterns throughout the day, turning the ground beneath into an animated space that changes with the sun’s movement. The white brick construction gives the supports a sculptural quality that makes them feel like intentional design elements rather than structural afterthoughts. By reducing the building’s footprint to these precise points of contact, the villa sits lightly on its site while maintaining a strong architectural presence.

Designer: Shomali Design

The pitched thatched roof brings vernacular building wisdom into the composition. Reed covering references construction methods that local builders have refined over generations, chosen not for aesthetic reasons alone but for genuine climate performance. The material insulates naturally while its textured surface contrasts sharply with the geometric precision below. This roof gives the villa its recognizable silhouette, visible from across the garden as a form that connects historical building practices with contemporary spatial thinking.

Glass walls wrap the main living spaces, framed by dark structural elements that organize the transparency without overwhelming it. These facades dissolve boundaries between inside and outside, making the compact floor plan feel significantly larger. Views extend in multiple directions from the main living area and bedroom, pulling the surrounding landscape into the daily experience of the house. The thatched roof overhead creates a sense of enclosure without blocking those sight lines, establishing distinct zones within an open plan.

Climate considerations shaped the villa’s form from the beginning. Lifting the structure allows air to circulate beneath the living spaces, providing passive cooling that reduces mechanical systems. The thick thatched roof handles insulation while its pitch sheds rainwater efficiently. Glazed walls receive shading from the roof’s overhang during harsh sun angles. These strategies work quietly in the background, reducing energy consumption while maintaining comfort.

Sarchina Villa shows what happens when a small residential project receives thoughtful design attention. The building balances lightness against mass, openness against shelter, modern geometry against traditional materials. Its elevated position creates a unique way of occupying the site, one that respects the landscape by touching it minimally. The result is a residence that feels grounded in its context while offering an elevated perspective on the environment around it.

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This Budget Swiss Villa Looks Like It Costs Millions

In Geneva’s exclusive Zone 5 district, where pristine villas typically command premium budgets, Lacroix Chessex Architectes has achieved something remarkable: a stunning concrete residence that embraces bold brutalist aesthetics while working within strict financial constraints. The newly completed villa in Pregny-Chambésy challenges preconceptions about both budget architecture and the warmth potential of raw concrete.

Geneva’s Zone 5 regulations presented the architects with a complex puzzle. Distance requirements from property boundaries, strict limits on built square meters as a percentage of plot area, and environmental mandates governing everything from permeable surfaces to solar panel quotas could have stifled creativity. Instead, the team found freedom within these parameters.

Designer: Lacroix Chessex

“In terms of the proposed architecture, we had quite a lot of freedom,” explains practice partner Virginie Fürst. “It was not complicated to propose this type of architecture for the permission.” This freedom manifested in a neo-brutalist exterior where vertical shuttering marks create dramatic texture across the facade, paired with polished concrete floors and exposed interior walls that maintain visual continuity between inside and outside.

The economic constraint became the design’s greatest strength. Rather than viewing the tight budget as a limitation, the architects embraced raw concrete construction paired with interior insulation as an “unbeatable” combination. Their innovative approach involved pouring solid concrete walls without window openings, then creating floor-to-ceiling gaps for doors and windows between structural elements. This method eliminated costly structural complications while achieving dramatic visual impact.

Perhaps the villa’s most ingenious feature lies in its “fragmentation of cascading volumes.” The ground floor features numerous step-backs and angled elements that create an illusion of expansiveness far beyond the actual square footage. Long axial views contrast beautifully with diagonal sightlines between angled walls, niches, and full-length windows. The architects carefully avoided large spans that would require expensive structural solutions, yet never compromised the sense of openness.

The interior layout flows seamlessly from the entrance hall through the kitchen and dining areas to the living room, while private spaces like the study and bathroom occupy more intimate corners of the idiosyncratic floor plan. Stone edging adds material warmth and textural contrast to the concrete surfaces, preventing the interior from feeling cold or institutional.

Practical considerations shaped the program thoughtfully. A self-contained one-bedroom flat provides independent living space for an older relative, while the traditional Swiss basement houses storage alongside a media and games room. These functional elements integrate seamlessly into the overall design narrative. The villa demonstrates that architectural sophistication doesn’t require unlimited budgets.

By embracing material honesty and working creatively within regulatory frameworks, Lacroix Chessex Architectes has created a residence that feels both contemporary and timeless. The exposed concrete surfaces, rather than appearing harsh, develop character through natural light and shadow play across the textured surfaces. This Geneva villa proves that constraints often breed the most innovative solutions. When budget limitations meet thoughtful design, the result can be architecture that’s both economically sensible and aesthetically compelling, challenging assumptions about what makes a luxury home.

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