5 Homes That Prove You Don’t Need More Space to Live In Style

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Architectural thinking is steadily shifting away from oversized, underused spaces toward a more intentional design philosophy. Luxury is now defined by the quality of spatial flow, thoughtful proportions, and the authenticity of materials, rather than by sheer scale.

By eliminating the unnecessary, a deeper relationship emerges between the built environment and its natural context. This process of refinement creates homes that feel calm, immersive, and closely connected to their surroundings. Such spaces deliver lasting value through clarity, comfort, and enduring design relevance. The move toward smaller, well-crafted environments reflects a conscious design approach that prioritizes meaning, performance, and long-term experiential value over excess.

1. Light as Architecture

In compact environments, light becomes a primary architectural material rather than a functional afterthought. Careful modulation of daylight and artificial illumination shapes perception, atmosphere, and movement, transforming limited space into a refined and calming sanctuary. The goal shifts from brightness to balance, where light enhances form, texture, and emotional comfort.

Vertical glazing strategies draw in changing natural light, subtly extending spatial boundaries without increasing area. At night, layered lighting is woven into the architecture through recessed coves and low-level washes. This approach softens edges, reduces visual fatigue, and creates a gentle rhythm of movement, allowing the space to unfold gradually through light.

As domestic spaces increasingly accommodate multiple functions, lighting has become central to shaping comfort and usability within the home. Novablok’s Mini Blok addresses this shift through a design that prioritizes natural illumination as a defining architectural element. Fully glazed façades allow daylight to enter from multiple angles, ensuring the interior remains bright and visually open throughout the day. This generous access to light reduces reliance on artificial sources while creating an atmosphere that feels calm, expansive, and closely attuned to its surroundings. The transparency also strengthens the connection between interior and exterior, allowing changes in weather and daylight to influence the living experience subtly.

Internally, the controlled simplicity of the structure allows light to move freely across surfaces, enhancing spatial clarity despite the compact footprint. Optional interior finishes in light-toned wood further soften and diffuse daylight, preventing glare while maintaining warmth. Carefully integrated electrical lighting complements natural light after sunset, ensuring the space remains functional without disrupting its serene character. The result is a home environment where light actively shapes mood, rhythm, and everyday living.

2. Precision Over Volume

In compact spaces, every dimension carries intention, making precision the core of design value. The focus shifts from creating volume to investing in quality, where materials and details are selected for their long-term sensory and experiential impact. Thoughtful allocation of resources enhances durability, tactility, and visual depth, proving that refinement delivers greater value than scale.

Authentic materials such as natural stone and carefully finished wood replace broad applications of lesser finishes, allowing surfaces to age with character. Clean detailing, including shadow gaps and refined junctions, removes visual clutter. This disciplined approach creates architecture that feels calm, honest, and enduring, where quality itself becomes the strongest return on investment.

In the dense urban fabric of Taichung City, where apartment layouts often follow rigid, compartmentalized formulas, this residence has been thoughtfully reimagined by Very Studio | Che Wang Architects into a calm and uplifting retreat. The designers transformed a conventional Taiwanese unit – previously defined by interior-facing public spaces – into a light-filled environment shaped by flowing geometries and restrained materiality. Rather than pursuing dramatic visual statements, the project focuses on cultivating a gentler spatial experience, emphasizing comfort, clarity, and sensory balance as core design principles.

Prior to renovation, the living and dining areas were enclosed at the center of the plan, limiting daylight and ventilation to a single southern opening. The architects overturned this logic by introducing a pentagon-based spatial order that replaced rigid corners with angled walls. This new geometry extends sightlines, softens light, and encourages natural airflow. Openings on multiple sides now allow sunlight and air to circulate evenly, while subtle acoustic and lighting strategies define functional zones. The result is a minimal yet atmospheric home that prioritizes wellbeing through light, air, and thoughtful spatial organization.

3. Adaptive Spatial Flow

In refined, compact homes, flexibility becomes the foundation of spatial planning. Rather than fixed functions, spaces are designed as a sequence of experiences that respond fluidly to changing lifestyles. This “loose-fit” approach allows the home to evolve over time, supporting both privacy and openness without unnecessary expansion.

Integrated joinery is treated as architecture, not add-on furniture. Floor-to-ceiling storage defines zones, controls clutter, and enhances environmental performance. At the core, concealed sliding panels and pivoting elements enable spaces to transform effortlessly—from focused work areas to generous gathering zones. This intelligent adaptability maximizes use, reduces material excess, and aligns spatial efficiency with long-term sustainability.

At just 26 feet in length, the Vettel Haus challenges conventional ideas of comfort and scale, yet Tamen Arq’s design for myHAUSING demonstrates how thoughtful architecture can transform extreme compactness into spatial generosity. Clad in engineered wood and built on a double-axle trailer, the home is fully mobile while maintaining a sense of permanence through careful detailing. Inside, abundant natural light enters through precisely positioned windows, dissolving any perception of constraint and allowing the interior to feel open, calm, and well-proportioned despite its modest footprint.

The interior layout is defined by intelligent flexibility rather than compromise. The bedroom seamlessly doubles as the living area, with a bed that functions as seating, integrated shelving that maintains visual clarity, and a discreetly placed television. Two separate entrances enhance circulation and usability, while a covered porch extends daily living outdoors. Concealed storage and custom millwork further support an uncluttered environment, proving that spatial quality is driven by design intelligence, not square footage.

4. The Biophilic Cocoon

Contemporary luxury is increasingly defined by closeness to nature rather than physical scale. More compact homes make it possible to organize living spaces around courtyards, gardens, or carefully composed views, fostering a continuous dialogue between interior and exterior. This approach creates environments that feel immersive, calm, and naturally grounded.

Openings are designed as deliberate frames, drawing the landscape inward and turning everyday views into living compositions. The home becomes an extension of its surroundings, not a disruption. With a smaller building envelope, advanced insulation and passive solar strategies can be applied more precisely, resulting in superior thermal comfort, energy efficiency, and long-term environmental performance.

Villa Aa is a biophilic countryside residence in Norway that demonstrates how architecture can exist in quiet harmony with its natural setting. Designed by C.F. Møller, the home draws directly from the landscape, embracing the principles of organic architecture rather than imposing itself on the terrain. A green roof follows the slope of the hillside, allowing the villa to recede almost invisibly into its surroundings. Set within a protected area near the Oslo Fjord, the residence responds sensitively to environmental and regulatory constraints, ensuring the landscape remains largely undisturbed for future generations.

Biophilia continues throughout the interior, where spaces flow seamlessly between garden courtyards, work areas, and living zones. Expansive sliding glass façades dissolve boundaries between indoors and outdoors, framing uninterrupted views of the fjord. Skylights aligned along shared axes connect interior rooms to the planted roof above, while natural materials such as cedarwood, concrete, and steel create a tactile dialogue between the built environment and nature.

5. Minimalism with Depth

Minimalist design gains richness when informed by cultural and philosophical frameworks that value balance, rhythm, and flow. Concepts such as negative space and energetic movement introduce nuance, allowing simplicity to feel intentional rather than reductive. These references enrich the spatial experience, lending contemporary minimalism a quieter yet more resonant character.

Space is treated as an active design element, not an absence. Purposeful voids allow light, air, and life to move freely, creating moments of pause and reflection within the home. This approach supports longevity in design, where forms and materials are chosen for endurance and relevance. Downsizing becomes a thoughtful legacy that is rooted in timeless values with global, lasting appeal.

The Mizuho home by Ikigai Collective presents a refined vision of compact living rooted in Japanese minimalism and mindful design. Created as a contemporary tiny house, it blends traditional Japanese aesthetics with modern construction technologies within a carefully considered footprint. Designed for one or two occupants, the home prioritizes simplicity, calm, and efficiency, offering an environment that encourages intentional living rather than excess. Built in collaboration with local craftsmen in Nozawaonsen, the Mizuho reflects a strong commitment to quality, authenticity, and thoughtful detailing throughout.

Inside, the open-plan layout allows the living, sleeping, and working areas to coexist seamlessly without feeling constrained. A flexible desk transforms into a dining surface, while integrated storage maintains visual clarity. The compact yet highly functional kitchen and serene bathroom further enhance daily comfort. Durable Galvalume steel cladding, full insulation, and customisation options ensure the home adapts easily to varied climates, making the Mizuho a quietly resilient and deeply considered place to live.

Luxury downsizing reflects architectural maturity, where value is defined by lived experience rather than scale. Through honest materials, precise detailing, and strong biophilic ties, compact homes become meaningful sanctuaries. The power of less lies in intent—creating sustainable, refined spaces that enrich daily life far beyond excess.

The post 5 Homes That Prove You Don’t Need More Space to Live In Style first appeared on Yanko Design.

Raw-Edges Just Designed a Chair That Needs Zero Fasteners

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Upholstery has been done the same way for centuries. Foam gets glued, tacked, or stapled onto a frame, and that’s more or less the end of the story. It’s functional, it’s reliable, and it’s almost never questioned. London-based Raw-Edges Design Studio decided it was worth questioning.

Yael Mer and Shay Alkalay, the duo behind Raw-Edges, have built their entire creative identity around exactly this kind of thinking. Founded in 2007 after the two met at the Royal College of Art, the studio has spent nearly two decades treating everyday objects as unsolved puzzles worth reopening. Their latest experimental chair design is a perfect example of how they operate: take a convention that everyone has accepted without debate, strip it down to first principles, and see if a smarter answer has been sitting there all along. The answer, in this case, is a notch.

Designer: Raw-Edges Design Studio

The chair, still unnamed and currently in the design phase, uses no adhesives, no tacks, no staples, none of the usual fasteners that hold most upholstered furniture together. The wooden frame is carved with a deliberate groove, and the upholstered foam cushion is simply wedged into it. Friction does the rest. The whole thing holds together through the logic of fit rather than the intervention of hardware. It sounds almost too simple, and that’s kind of the point.

I keep thinking about why this feels so satisfying to look at, and I think it comes down to the fact that we’ve been conditioned to accept over-engineering as a sign of quality. More parts, more steps, more materials, more adhesives: these feel like indicators of a serious product. Raw-Edges pushes back on that quietly. The notch solution is elegant precisely because it asks less of the chair, not more. It treats the materials as intelligent components that can work together without being forced.

This thinking is very on-brand for Raw-Edges. Their work sits comfortably in the permanent collections of MoMA, the Vitra Design Museum, and The Art Institute of Chicago, and the studio has collaborated with names like Louis Vuitton, Vitra, Stella McCartney, and Moroso. They’ve won the A&W Designers of the Year award, a Wallpaper Design Award, and were named Designers of the Future at Design Miami/Basel. None of that happened by accident. It’s the result of a studio that consistently asks questions other designers tend to skip over.

Their philosophy, as they describe it, begins with humble experimentation and a search for unconventional principles. That’s a gracious way of saying they don’t assume the current answer is the best one. The project is being developed in collaboration with Italian furniture company Bolzan, which strongly suggests this isn’t destined to stay a prototype forever. A saleable product feels like the logical next step, and that’s worth getting excited about.

The implications here also stretch beyond aesthetics. A chair held together by friction rather than glue or staples is, by nature, easier to take apart. The foam can be removed, replaced, or recycled separately from the frame. In a design culture increasingly preoccupied with repairability, longevity, and what happens to products at the end of their lives, this approach carries real practical weight. And it doesn’t feel like a sustainability talking point bolted onto a product after the fact. It feels like an idea that was right from the start.

Furniture design doesn’t often make headlines outside trade publications and design weeks, but this concept deserves a wider audience. Not because it’s flashy, and not because it’s about to show up in every furniture showroom next season, but because it demonstrates that design thinking is still genuinely capable of surprise. Sometimes the most powerful idea is a groove in a piece of wood and the confidence to trust it.

The post Raw-Edges Just Designed a Chair That Needs Zero Fasteners first appeared on Yanko Design.

SNK’s Neo Geo console remake works with original cartridges and HDMI

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Not everyone had the money for the original Neo Geo Advanced Entertainment System when it released in the '90s, but there's still a chance to experience it as an adult with disposable income. SNK and Plaion Replai, who is also behind the all-black remake of the Commodore 64, announced a faithful remake of the high-end retro console, called the Neo Geo AES+.

To bring the original console into the modern day, the collaborating companies added HDMI compatibility for resolutions up to 1080p and DIP switches on the bottom of the console to allow for language selection, overclocking and switching display modes. Rounding out the upgrades, SNK and Plaion Replai included a permanent way to retain high scores on a memory card and a low-power usage mode. For the purists out there, the Neo Geo AES+ still works on those chunky CRT displays since it has the original AV output.

Preorders are currently open for two versions of the Neo Geo AES+, including an all-white 35th anniversary edition bundle that includes an Arcade Stick, a limited-edition Metal Slug game cartridge and a memory card, for $349.99. The standard edition in classic black will only come with an arcade stick, but will be available for $249.99. Coinciding with the console release, Replai Plaion will release 10 modernized game cartridges, including Metal Slug, The King of Fighters 2002 and other classics, for $89.99 each. If you think those prices are high, don't forget the original Neo Geo AES' release price was $649.99. The Neo Geo AES+ is set to start shipping on November 12.

This article originally appeared on Engadget at https://www.engadget.com/gaming/snks-neo-geo-console-remake-works-with-original-cartridges-and-hdmi-194509442.html?src=rss

Judge sides with creators of banned ICE trackers who allege DHS and DOJ violated their First Amendment rights

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A judge has granted the makers of the "ICE Sightings - Chicagoland" Facebook group and the Eyes Up app a preliminary injunction to stop the Trump administration from coercing platforms to take these projects down. Judge Jorge L. Alonso of the United States District Court for the Northern District of Illinois found that the plaintiffs, Kassandra Rosado and Kreisau Group, are likely to succeed in their case, which alleges that the government suppressed protected speech under the First Amendment by strong-arming Facebook and Apple into removing ICE monitoring efforts. 

Both Eyes Up and ICE Sightings - Chicagoland use publicly available information to keep tabs on ICE activity. But after pressure from Trump officials, they were removed from Apple's App Store and Facebook, respectively. Similar apps including ICEBlock and Red Dot were also taken down from the App Store and Google Play. The lawsuit cites social media posts by former US Attorney General Pam Bondi and former Secretary of Homeland Security Kristi Noem that demanded and took credit for the removal of these apps. In a document filed on Friday, Alonso called these posts "thinly veiled threats."

The Foundation for Individual Rights and Expression (FIRE), which is defending the plaintiffs, wrote in a post on X that it is "extremely encouraged by this ruling." It continued, "Even though it’s not the end of the case, it bodes well for the future of our legal fight to ensure that the First Amendment protects the right to discuss, record, and criticize what law enforcement does in public."

This article originally appeared on Engadget at https://www.engadget.com/apps/judge-sides-with-creators-of-banned-ice-trackers-who-allege-dhs-and-doj-violated-their-first-amendment-rights-191701801.html?src=rss

Issey Miyake’s Most Beautiful Material Was Always the Scrap

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If you’ve ever watched the pleating process behind ISSEY MIYAKE’s iconic garments, you already know it’s one of the most satisfying things in fashion. The fabric goes in, it comes out textured and alive, and for decades, that has been the whole story. Satoshi Kondo, one of the design directors at MIYAKE DESIGN STUDIO, chose to flip the script. He looked not at the pleated garment coming off the machine, but at what was left behind: compressed rolls of wafer-thin paper, stacked and destined for the bin.

The result is The Paper Log: Shell and Core, a special exhibition running at the ISSEY MIYAKE Milan store this April, timed to coincide with Milan Design Week 2026. And it’s the kind of project that makes you want to rethink every process you’ve ever considered mundane.

Designer: Satoshi Kondo of MIYAKE DESIGN STUDIO

The paper in question is a production byproduct. These thin sheets are used to protect the fabric as it moves through the pleating machine, and when the garments are done, the sheets are rolled up, compressed, and typically moved off-site for recycling or disposal. What Kondo noticed during a visit to the manufacturer, though, was that these rolls look like logs. Not metaphorically, but structurally. Each compressed roll stands 80 cm tall and 40 cm wide, and when you look at the end of one, the layered paper creates a marbled, circular pattern that resembles the growth rings of a tree. Hence the name.

That visual parallel carries real weight. The Paper Log doesn’t just look like a tree trunk; it shares its logic. Growth rings mark time in a living thing, and the layers of the Paper Log carry the memory of every garment made at the house. It’s a surprisingly poetic idea from an industry that usually discards its footnotes.

For the exhibition, Kondo brought in Spanish architecture office Ensamble Studio to develop two distinct bodies of work from the same material. The first, Shell, takes the paper log apart and treats it like a sculptural material, creating crisp, delicate objects that feel frozen mid-process. They’re almost ghost-like, holding a shape the way paper holds a crease. The second body of work, Core, goes in the opposite direction. Here the paper is treated as structure, forming actual furniture prototypes including stools, chairs, and tables. Robust and handcrafted, these pieces sit in direct contrast to the fragility of Shell, and that tension is very much the point.

The installation is arranged throughout the store to play Shell and Core against each other, presenting opposing ideas side by side: ephemeral versus concrete, delicate versus robust. I find this curatorial framing genuinely effective. It’s rare to see a single waste material handled in ways that feel this philosophically distinct, and rarer still to see a fashion house direct that kind of rigorous design thinking toward something that would otherwise not exist at all.

What makes The Paper Log worth your attention beyond the visual spectacle is the quiet insistence that process deserves as much consideration as product. Issey Miyake has always been a house obsessed with how things are made. The pleating technology itself is a kind of philosophy, a belief that the mechanics of creation are as meaningful as the finished object. Applying that thinking to the waste materials of that same process feels less like an act of sustainability and more like an act of honesty.

Whether or not furniture made from fashion scraps becomes a commercial category (and it absolutely could), The Paper Log: Shell and Core operates primarily as a provocation. It asks what we overlook when we’re focused on the final product, and suggests that the answer might be the most interesting material in the room. The exhibition runs at the ISSEY MIYAKE Milan store on Via Bagutta 12, from April 21 to May 5, 2026.

The post Issey Miyake’s Most Beautiful Material Was Always the Scrap first appeared on Yanko Design.

Apple avoids a second import ban for its redesigned smartwatches in latest court ruling

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Apple has secured a major victory for its redesigned smartwatches as per the latest decision from the US International Trade Commission. The federal agency ruled against reinstating an import ban on Apple Watches, allowing the tech giant to continue selling its devices with a reworked blood-oxygen monitoring technology.

The ITC decided to terminate the case and refer to a preliminary ruling from one of its judges in March that claimed that Apple's redesigned smartwatches don't infringe on patents held by Masimo, the medical tech company that has long been embroiled in lawsuits surrounding the Apple Watch. Apple thanked the ITC in a statement, adding that "Masimo has waged a relentless legal campaign against Apple and nearly all of its claims have been rejected." We reached out to Masimo for comment and will update the story when we hear back.

The latest decision could offer some closure to the longstanding legal feud between Masimo and Apple. The patent battle dates back to 2021 with Masimo's first filing against Apple that requested an import ban on Apple Watches. The ITC ended up ruling that Apple violated Masimo's patents, resulting in the previous import ban and the Apple Watch maker redesigning the blood-oxygen reading feature in certain models. However, Masimo wasn't satisfied with this conclusion and sought another import ban on the updated Apple Watch models. Now that the ITC has ruled against that, Masimo is left with the option to appeal the decision with the US Court of Appeals for the Federal Circuit.

While Masimo may currently be on the losing side of this legal battle, it's confronting Apple on multiple fronts. In November, a federal jury sided with Masimo and ruled that Apple has to pay $634 million in a separate patent infringement case.

This article originally appeared on Engadget at https://www.engadget.com/wearables/apple-avoids-a-second-import-ban-for-its-redesigned-smartwatches-in-latest-court-ruling-175600668.html?src=rss

TechDAS Air Force IV turntable floats vinyl playback on a cushion of precision

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In modern times, where digital convenience dominates listening habits, the persistence of ultra-high-end analog engineering feels almost rebellious. The TechDAS Air Force IV turntable leans fully into that defiance, emerging not merely as a playback device but as a precision instrument designed to push vinyl reproduction beyond its traditional limits.

At the core of the future-forward vinyl player’s signature pneumatic architecture is a system that fundamentally rethinks how a turntable handles vibration and resonance. Instead of relying on conventional mechanical isolation, the design uses an air-bearing mechanism that effectively floats the platter, eliminating friction and drastically reducing unwanted noise.

Designer: TechDAS

Complementing this is a vacuum LP hold-down system that secures the record firmly against the platter surface, ensuring stable playback and minimizing distortions caused by warping or micro-vibrations. Together, these “air” technologies aim to deliver a sound profile that is both exceptionally clean and dynamically expressive, setting a new benchmark for analog playback. The engineering emphasis continues with a precision-machined one-piece platter carved from solid A5056 aluminum alloy. Weighing close to 9kg, this heavy platter plays a crucial role in enhancing rotational stability while extending frequency response and improving overall dynamics.

The addition of a specialized damping and anti-static surface further protects records while contributing to a quieter sonic background. The result is an audio presentation marked by a notably low noise floor and refined detail retrieval. Unlike many turntables that integrate all components into a single structure, the Air Force IV separates its motor unit from the main chassis. This external 2-phase, 4-pole AC synchronous motor reduces vibration transfer, allowing the belt-driven system to maintain highly stable rotation. A polished polyester flat belt (borrowed from higher-end models) ensures consistent speed performance, reaching standard playback speeds of 33.3 and 45 RPM with minimal wow and flutter.

Despite its compact footprint compared to other models in the Air Force lineup, the IV incorporates technologies derived from its more expensive siblings, positioning it between the Air Force III and V in the range. The chassis itself is precision-machined from solid aluminum, supported by four specialized suspension feet designed to block external vibrations. Impressively, the design also allows for up to three tonearms, offering flexibility for audiophiles who demand multiple cartridge setups.

The Air Force IV reflects TechDAS’ broader philosophy that analog sound still has room to evolve even after decades of digital dominance. That level of tonal precision by the high-end Japanese audio manufacturer comes at a steep price of £19,998 (approximately $27,140). Obviously, it is only targeted towards audiophiles with fat pockets!

The post TechDAS Air Force IV turntable floats vinyl playback on a cushion of precision first appeared on Yanko Design.

DOJ refuses to help French authorities in criminal probe of X

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The US Department of Justice is siding with X, as the social media platform owned by Elon Musk navigates a criminal investigation unfolding in France. As first reported by The Wall Street Journal, the Justice Department characterized the French probe as "an effort to entangle the United States in a politically charged criminal proceeding aimed at wrongfully regulating through prosecution the business activities of a social media platform.”

France launched its investigation into X in July, accusing the platform of manipulating its algorithm and "fraudulent data extraction." Months later, French authorities raided X's office in Paris and issued summonses to Musk and Linda Yaccarino, the former CEO of X, to appear for interviews on April 20 as part of the probe. According to WSJ, French officials are also investigating X for other charges, including disseminating CSAM and Holocaust denial. However, France's latest move to ask the Department of Justice for assistance has been stonewalled.

“This investigation seeks to use the criminal legal system in France to regulate a public square for the free expression of ideas and opinions in a manner contrary to the First Amendment of the United States Constitution," the DOJ wrote in letter, as seen by WSJ.

An xAI official told WSJ that it's "grateful to the Justice Department for rejecting this effort by a prosecutor in Paris to compel our CEO and several employees to sit for interviews." The company spokesperson also said there was "no wrongdoing" and that it was a "baseless investigation."

This article originally appeared on Engadget at https://www.engadget.com/social-media/doj-refuses-to-help-french-authorities-in-criminal-probe-of-x-162654518.html?src=rss

A comet gets destroyed by the sun, data centers endanger the Potomac River, and more science news

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The Artemis II astronauts are settling back into life on Earth, but we're not quite tired yet of hearing about their amazing journey. There's a new PBS documentary now streaming on YouTube that dives into the Artemis program and the latest efforts to send humans to the moon again. Also this week, NASA shared some awesome images of a comet flying into the sun, the nonprofit American Rivers released its annual report on the most endangered rivers in the US and ESA posted a throwback image of Mars to highlight some interesting changes down on the surface. Here are the science stories that caught our attention this week. 

Earlier this month, a recently discovered comet made a close approach to the sun — but it couldn't handle the heat. NASA has shared incredible images of the encounter that took place on April 4, showing the comet exploding into dust as it swings around our star. As NASA notes in a social media post, this was "its first and last observed flyby of the Sun."

The comet, C/2026 A1 (also known as MAPS) was first spotted on January 13 of this year. As it neared the sun, it was observed by a slew of instruments: NASA and ESA's SOHO (Solar and Heliospheric Observatory) spacecraft, NASA's STEREO (Solar Terrestrial Relations Observatory) and NASA's PUNCH (Polarimeter to Unify the Corona and Heliosphere). This allowed for views of its passage from multiple angles. Seen in a narrow-field coronagraph view captured by SOHO, the comet appears to plunge directly into the sun. But, the wide view from NASA's STEREO shows it actually swinging closely around the sun before breaking apart. 

MAPS was one of a family of comets aptly called Kreutz sungrazing comets, and according to Karl Battams, the principal investigator for SOHO’s coronagraph, its destruction occurred likely several hours before what would have been its closest approach. 

The nonprofit conservation organization American Rivers has released its 2026 report on the most endangered rivers in the country, and data centers play a major role in the status of its top pick. According to American Rivers, the Potomac River is the most endangered in the US due both to the threat of sewage pollution from aging pipe systems and the "unprecedented surge in data center development" in its vicinity. 

The Potomac River basin spans parts of Pennsylvania, Maryland, Virginia, West Virginia and Washington, DC. In January, the catastrophic failure of the Potomac Interceptor wastewater pipe in Montgomery County, Maryland dumped hundreds of millions of gallons of untreated sewage into the Potomac River and the Chesapeake and Ohio (C&O) Canal, causing bacteria levels to hit over 4,000 times the safe recreational limit at sites closest to the incident, according to the report. The Potomac Interceptor is over 60 years old, and is just one of many in the region that is at or past the 50-year service life, American Rivers notes. 

On top of that, data center development in places like Virginia and Maryland has skyrocketed, which could put a strain on local water and energy sources. Data centers also have potential to cause further pollution to the river. 

"The region currently has over 300 data centers and is on track to have a total of about 1,000 centers occupying roughly 200 million square feet of buildings — enough to cover 3,472 football fields — on an estimated 20,000 acres of land," the report explains. "These facilities pose a significant and growing threat to both water quality and water quantity, yet are being approved without meaningful transparency, regulatory review, and assessment of cumulative impacts."

The organization is calling for Congress to reauthorize infrastructure funding bills so aging systems can be upgraded, and for regulators in these states to require transparency about data centers' resource use, along with comprehensive environmental assessments before development plans are approved. 

An image of a section in Mars' Utopia Planitia showing tan sand on the left side and dark, purplish ash covering the land on the right, creating a stark contrast
ESA/DLR/FU Berlin

The European Space Agency this week shared a look at how a region on Mars has changed since it was observed by NASA’s Viking orbiters way back in 1976. New images captured by ESA's Mars Express spacecraft show how dark volcanic ash has encroached upon a swath of land in an area known as the Utopia Planitia basin. If you visit the blog post, you'll find a side by side comparison of images from the two time periods.

It's a rare example of an observable change on the surface of the red planet that's occurred over such a short period of time, ESA notes. The agency explains, "The spread of the ash over the last 50 years has two possible explanations: either it has been picked up and moved about by martian winds, or the ochre dust that previously covered the dark ash has been blown away."

This article originally appeared on Engadget at https://www.engadget.com/science/a-comet-gets-destroyed-by-the-sun-data-centers-endanger-the-potomac-river-and-more-science-news-160000714.html?src=rss

This Japanese-Inspired Garden Studio in California Is Doing Three Jobs at Once

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The name says two. The building delivers three. Tucked behind a 1912 home in Fairfax, California, Two-Fold Studio is the latest project from San Francisco-based practice ONO, founded in 2020 by Max Obata and Tyler Noblin, and it might be one of the most quietly considered small structures the firm has produced yet.

The client, a general contractor and a ceramic artist who also teaches Pilates, came to ONO with a precise brief: build a pavilion that could hold a Pilates studio, a ceramics workshop complete with kiln, storage, and kitchenette, and, when the occasion calls for it, a guesthouse. Three programmes, one 800-square-foot structure, and a yard full of trees that weren’t going anywhere. The architects delivered on all counts.

Designer: ONO

Rather than bulldoze the site into submission, ONO bent the building around it. The structure contorts into an L-shape, folding around the pre-existing trees to maintain the yard’s existing character. The form then becomes a kind of frame, a viewing pavilion, in ONO’s words, taking direct reference from the Ryoan-ji Rock Garden in Kyoto. The relationship between building and landscape isn’t incidental here; it’s the whole point.

On the outside, the building reads modestly. Cedar shingles tie it back to the original home, keeping the new structure from announcing itself too loudly against the surrounding hills. Sliding glass doors, cheerfully framed in yellow powder-coated aluminum, open one side of the building entirely to the outdoors, creating a small patio underlined by the roof’s generous overhang. The yellow wasn’t arbitrary. Obata has noted that the client works in bold colour in her ceramics, so the palette needed to hold its own.

Step inside, and the two halves of the studio read distinctly but feel continuous. The Pilates side is warm and spare, finished in wood that flows through to a bathroom lined in plaster, a softer material that adds texture without breaking the natural language of the space. The ceramics side opens wider, with blue cabinets, exposed ceiling beams, and zinc countertops chosen specifically for the way they’ll patina into a silvery blue over time. A long work desk doubles as a kitchen counter, adjacent to a kiln neatly tucked into a wall niche.

Clerestory windows flood the ceramics studio with light while maintaining privacy from the street. In summer, with the sliding doors thrown open, afternoon light comes in late and high, ideal, as Obata puts it, for working well into the evening. Two-Fold is small, specific, and built entirely around the person who uses it. That’s what makes it memorable.

The post This Japanese-Inspired Garden Studio in California Is Doing Three Jobs at Once first appeared on Yanko Design.