We heard all about GoPro's new action camera series last week, but the company is now unveiling the pricing across its Mission 1, Mission 1 Pro and Mission 1 Pro ILS cameras. The entry-level Mission 1 ($600) features GoPro's new 50-megapixel 1-inch sensor, which the company says will offer a major leap in image quality and low-light performance over the Hero 13 line. While largely looking the same as the Hero series (and still waterproof), the Mission 1 can record 8K video at 30fps and 4K at 120fps. It lacks the higher frame rates of the other Mission 1 cameras, but supports 10-bit GP-Log2 color and 32-bit float audio.
The Mission 1 Pro ($700) is the flagship fixed-lens model this year, aimed at the professional (or semi-pro) videographer. It has upgraded frame-rate capture to 8K at 60 fps and 4K at 240 fps, along with an extreme "burst" slow-motion mode that hits 960 fps at 1080p. It also captures 4:3 "Open Gate" recordings at 8K/30fps and 4K/120fps, covering the entire sensor area, enabling more versatile editing and cropping across different screen sizes, including vertical video.
Steve Dent for Engadget
Then there's the beastly Mission 1 Pro ILS (Interchangeable Lens System). It swaps the standard GoPro lens for a Micro Four Thirds (MFT) mount lens. It otherwise shares the same 1-inch sensor and high-speed 8K/60fps video specs as the Pro model. It also matches the Pro model's $700 price, with an additional $100 discount for GoPro subscribers. However, it won't be launching until Q3 2026.
All of the Mission 1 Series accessories will be available on a rolling basis beginning May 28, with GoPro's own wireless mic system (take note, Rode and DJI) priced at $160. If you preorder a Mission 1 or Mission 1 Pro directly from GoPro now, you'll get the point-and-shoot grip bundled for free. The company still doesn't have an official release date for the cameras.
This article originally appeared on Engadget at https://www.engadget.com/cameras/gopros-mission-1-camera-series-will-start-at-600-130044898.html?src=rss
You’ve probably seen DJI’s stick vlogging cameras everywhere. At trade shows and tech events I’ve attended, it’s often the de facto video camera used by reporters and influencers alike. The Osmo Pocket 3 was easy to use, had sharp focus, potent image stabilization and handled vertical and horizontal video recording with minimal compromises.
That was two years ago, so naturally it’s time for an update. According to our review by James Trew, the Osmo Pocket 4 is the one to beat. It’s still incredibly easy to record with, whether you’re doing talk-to-camera vlogs or ambitious, more cinematic-quality videos. With a new 1-inch sensor, improved framerate capture and an extended battery, it’s better than its predecessor in every way. (Except the $605 price.)
There’s a new dedicated zoom button, and you can assign up to three controls to this button through single, double and triple clicks. There’s also 107GB of internal storage, so you don’t need to add storage — that’s plenty to get started with.
There are some things on our wishlist: we’d love some optical zoom, and the lack of dust- and water-protection might give you pause before more ambitious video shoots.
You can ditch the barrage of short-form videos from your YouTube feed if you don’t want to see them. YouTube has rolled out the capability to set your Shorts feed limit to zero minutes. The video-sharing platform originally launched a Shorts feed limit back in October last year, but the lowest option you could choose was 15 minutes. The priority placement of shorts I didn’t want to watch has rankled me for a while — this could be the solution.
After a short teaser dropped last year, we’ve finally got a full trailer for the newest attempt to bring Street Fighter to cinemas. The good news, to me, is that it’s going to be silly, fun and high camp. Ken and Ryu are squabbling, and M. Bison is still, bafflingly, a head of an international crime org. And Chun-Li plans to take him down. Jason Momoa is playing Blanka and Curtis ‘50 Cent’ Jackson is portraying Balrog, while mask-toting Orville Peck will don another mask as Vega.
Chinese phonemaker Vivo has been pushing the limits of smartphone photography in the last few years. However, the availability of its phones — like last year’s X200 Ultra, with its beefy add-on telephoto — has been intermittent in the West.
The company says the X300 Ultra its first global flagship launch, although there’s still no word on a US launch or pricing at the time of writing. Like the latest phones from Xiaomi and Oppo, Vivo is also obsessing over larger camera sensors, peripherals and a dizzying array of technical photography specs, with a particular focus on cinematic video recording.
Collaborating with Zeiss again, the X300 Ultra features a “triple prime lens” camera system with 85, 35 and 14mm equivalent focal lengths. This can be punched up to 400mm equivalent with a new telephoto extender, the messily-named Zeiss Telephoto Extender Gen 2 Ultra, whose price is also unknown for now.
Even without that add-on, Vivo has built its 85mm equivalent 200-megapixel telephoto camera to handle most of your zoom-heavy shooting moments. A “gimbal-grade” APO (apochromatic) camera is designed to correct color fringing and stabilize your shots. These are both typical issues when using higher zoom levels. In a dedicated “snapshot” mode, Autofocus tracking will even work at 60 fps, which I’m excited to test, as the phone can also shoot at up to 12 fps. Vivo says its optical image stabilization can correct up to three degrees of movement.
Other cameras are similarly powerful, spec-wise. The 35mm equivalent Zeiss “Documentary” camera uses a 1/1.12-inch 200MP Sony sensor and is apparently engineered for strong low-light performance and portrait shooting, with an f/1.8 aperture. Finally, there’s a 50MP ultrawide rounding out the camera lineup.
All three rear cameras support up to 4K 120fps 10-bit log video and the same in Dolby Vision. Vivo says the X300 Ultra will capture “film-like” color performance without the need for editing. If you want to dig into editing, however, it supports 10-bit log video for more dynamic range and color depth.
Vivo is going hard on video capture. The X300 Ultra's new “pro video mode" has an upgraded monitoring feature that supports users’ custom LUTs, showing a real-time preview of how it will look while recording in log. Vivo’s log format is also compatible with ACES workflow, making it easier to integrate the X300 Ultra alongside other cinema cameras.
Vivo
To make it easier to use for hypothetical professional shoots, Vivo has collaborated with camera-peripheral maker SmallRig on a video-rig kit. This includes an expandable camera cage with quick-release ports (alongside multiple cold shoe mounts), dual handgrips and even a physical shutter control and zoom buttons. There’s also a cooling fan to keep the X300 Ultra recording at high resolution for extended periods.
It’s otherwise a flagship phone everywhere else, with a Snapdragon 8 Elite Gen5 processor and a 6.82-inch display at 3,168 x 1,440 resolution, topping out at an industry-leading 144Hz refresh rate. The X300 Ultra also supports up to 100W FlashCharge and 40W wireless charging (with compatible Vivo chargers) and a huge 6,600mAh battery.
We’re planning to test the X300 Ultra in the very near future. At the time of writing, the company is keeping pricing and launch dates to itself. We’ll update this story once we hear those crucial details. It’s also likely to face immediate competition from sibling brand Oppo, which has also been teasing an ultra iteration of its latest flagship phone, the Find X9 Ultra.
For now, Vivo says the X300 Ultra will launch across Asia, as well as parts of Europe (Austria, Spain, Poland, Hungary, the Czech Republic, Italy and Russia) and several other countries, including Brazil. And yep, no US, Canada or the UK on that list.
This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/vivo-x300-ultra-launch-powerful-camera-phone-availability-160008605.html?src=rss
If you were looking for the worst AI project announced so far this week, try Meta. According to a Financial Times report, the company is developing its own Mark Zuckerberg AI, training it on Zuckerberg’s mannerisms, tone and publicly available statements. AKA, the good stuff. (Will it smoke meats?)
The company has reportedly been working for some time on creating photorealistic, 3D-animated AI characters that can manage interactions. However, it now appears to be focusing on this Zuckerberg AI character, which would interact with employees in his stead. Yeesh. Remember when the Meta boss introduced legs to the metaverse? Hopefully, a backbone is in the works soon.
Dozens of civil rights organizations have written a letter to Meta CEO Mark Zuckerberg warning of the dangers posed by adding facial recognition technology to the company’s smart glasses. More than 70 groups have urged Zuckerberg to abandon plans to incorporate the tech on the grounds that it would empower stalkers, sexual predators and other bad actors. They also want the company to disclose past or ongoing discussions with federal law enforcement agencies, including ICE, about the use of Meta smart glasses and other wearables, according to a report by Wired.
Adding to the grossness of all this, according to The New York Times, Meta issued an internal memo last year suggesting it could roll out this technology “during a dynamic political environment where many civil society groups that we would expect to attack us would have their resources focused on other concerns.” In short, attempting to add the feature when pushback would be limited or unfocused. The coalition called this “vile behavior” that looks to take advantage of “rising authoritarianism.”
Xbox’s new chief exec, Asha Sharma, reportedly wrote in a memo to employees that the current pricing of the Game Pass subscription service might be too high. According to the note, seen by The Verge: “Short term, Game Pass has become too expensive for players, so we need a better value equation.”
Microsoft raised the price of Game Pass twice in 15 months, and many Xbox exclusives have made their way to rival PlayStation. Game Pass continues to add games: the April update adds indies like Hades 2 and Double Fine-project Kiln alongside Call of Duty: Modern Warfare. The Verge reports the addition of the CoD franchise might have contributed to Game Pass price increases, as in the past, buying the game at retail value was less favorable than a one-month subscription.
It’s a real connected-story edition of TMA today. Bloomberg reports Apple could reveal its smart glasses by the end of this year, and it’s already testing four eyewear styles. Apple is reportedly mulling over a large rectangular frame comparable to Ray-Ban Wayfarers, a slimmer rectangular design, like the one Apple CEO Tim Cook wears, as well as an oval or circular frame in large and small iterations. Apple is also working on a selection of colors.
Apple’s upcoming smart glasses will compete directly with the second-gen Ray-Ban Meta model. While similar, Apple might be differentiating its design with “vertically oriented oval lenses with surrounding lights,” according to the report. Apple’s upcoming product will capture photos and videos but is meant to play better with iPhones, so users can take advantage of Apple’s ecosystem for editing, sharing and more.
Apple has run into “more issues than expected” with its foldable iPhone, which may delay its release, according to the Japanese business newspaper Nikkei. Multiple sources report issues that apparently occurred during early test production phases and may delay first shipments by months.
Component suppliers have supposedly been notified that the foldable iPhone’s production schedule will be delayedand Apple is working to address the problems. Apple was reportedly prioritizing the foldable iPhone and other premium models for its September event this year, due to constrained supplies — that whole RAMmaggedon thing. One fewer iPhone model might reduce the company’s demand for pricey components.
We’re still waiting: A foldable iPhone has been rumored since 201andd rival Samsung released its first one back in 2019. The Galaxy phone maker has faced its own struggles: The very cool Galaxy Z TriFold was pushed into early retirement, seemingly being sold at a loss after its launch late last year.
The federal government wants sole authority over prediction markets.
The US Commodity Futures Trading Commission is suing Illinois, Arizona and Connecticut for attempting to outlaw or regulate prediction markets like Kalshi and Polymarket. These markets allow people to bet on the outcomes of events (for example, who will be the Democratic nominee for president in 2028). There’s been some particularly dystopian bets on recent global military campaigns.
The CFTC believes it has sole jurisdiction to regulate these platforms and that states attempting to classify them as illegal gambling are overstepping their authority. “The CFTC will continue to safeguard its exclusive regulatory authority over these markets and defend market participants against overzealous state regulators,” CFTC chair Michael S. Selig said in a statement.
Mel Brooks, Rick Moranis and other original cast members are back.
Amazon MGM Studios announced the upcoming Spaceballs movie will hit theaters on April 23, 2027, right around the 40th anniversary of the first film. The movie is being directed by Josh Greenbaum and written by Josh Gad, Dan Hernandez and Benji Samit, according to Deadline.
On their way around the Moon, the Artemis II crew managed to grab a few photos.NASA has begun sharing the images, including the one above: Earth through the Orion capsule’s window. It kinda looks like the old iPhone wallpaper. Sorry, I just ruined it.
Screenshots promoting "Instagram Plus" have been spotted by users in the Philippines and Mexico in recent days. According to social media consultant Matt Navarra, a subscription to Instagram Plus includes several Story-focused features not otherwise available to Instagram users. This includes the ability to create multiple audiences for Stories posts, search the list of people who have viewed your Story, extend Stories longer than 24 hours and create "spotlight" Stories. It also mentions something called “super hearts” for reacting to Stories.
A spokesperson for Meta confirmed the test to Engadget, saying that Instagram Plus is currently available in “a few countries.” The spokesperson added that “preview” would allow people to see some of another user’s Story without “showing up as a viewer”. There’s nothing quite like paying to be sneakier on social media.
The idea, as we’ve seen so far, seems closely modeled after Snapchat+, which also offers bonus features to the app's power users. Launched in 2022, the service has now become a significant driver of non-advertising revenue for the company.
Apple has been around for fifty years. It reimagined personal computers, catalyzed the era of the smartphone, enlarged an iPhone and called it the iPad and garnered a strong position in wearable tech through its Watch series and its AirPods. It also popularized software and services like its App Store, FaceTime, iCloud, iMessages and many more.
However, Apple gives and it takes away. For the MacBook Air to exist, the disk drive had to go; ditching the home button led to edge-to-edge iPhone screens. The weight of Apple's influence has led to entire product categories following suit. Or, more typically, there's resistance, complaining and (eventually) following suit.
Two new models of Meta Ray-Ban AI glasses are on the wayand they're going to be catered to those who use prescription lenses, according to a Bloomberg report. While these are supposed to be announced next week, the report noted that these won't be a "new generation" of Meta's smart glasses.
You can already add prescription lenses to Meta Ray-Ban's AI glasses, so who cares? Well, the upcoming models will come in rectangular and rounded styles and will be sold through traditional prescription eyewear channels. It seems like a way to get Meta’s wearables in front of a new group of prospective customers.
Now available on the App Store and Google Play Store, the official White House App claims to give Americans "a direct line to the White House." According to the press release, the app provides "unfiltered, real-time upgrades straight from the source." The White House App's News tab features a carousel of about 35 articles that seem suspiciously cherry-picked, favoring the Trump administration. As Engadget’s Jackson Chen notes, in the Affordability window, the app points out year-over-year price drops for items like eggs, milk and bread, but conveniently omits the recent surge in gas prices.
In the Social tab, there's even a button to "Text President Trump," which auto-populates a new text with "Greatest President Ever!"
Over the last 50 years, Apple reimagined personal computers, catalyzed the era of the smartphone, enlarged an iPhone and called it the iPad and garnered a strong position in wearable tech through its Watch series and its AirPods. It also popularized software and services like its App Store, FaceTime, iCloud, iMessages and many more. For a lot of us, the first time we pinched-to-zoom on a photo was likely on an iPhone.
However, Apple gives and it takes away. Things have had to change, be removed and consumers have to move on to whatever's new. For better or worse, the weight of Apple's influence has led to entire product categories following suit. Or, more typically, there's resistance, complaining and then… following suit. With the benefit of hindsight, most of these cases are examples of Apple seeing where technology was going and getting ahead of a transition that would have been inevitable. Often, these transitions have caused short-term pain for some, but time has proven Apple (mostly) correct about dropping older tech.
As Sir Arthur Quiller-Couch once said: murder your darlings. Here are some of the darlings we’ve lost over the years.
The death of the disk drive (1998)
This is a two-parter. The iMac G3 marked Steve Jobs' return. The colorful all-in-one Mac was a new start in many ways. In 1998, Apple ditched the standard ports and myriad cable types of personal computers, going all in on USB and a little-known thing called the internet. (In fact, that’s what the ‘i’ in iMac stands for.)
In doing so, it also ditched the 3.5-inch floppy disk drive — although it did have a read-only optical disk drive. Even with sluggish internet and USB transfer speeds at the time, the convenience was plain to see and it led to a decade of thumb drives of ever-increasing storage limits. High-capacity alternatives to the floppy disk, like the Zip disk and even Minidisc, attempted to bridge the gap, but never gained the widespread traction and adoption of the original disk drive. But flash drives and, later, internet-based file storage quickly made them obsolete anyway. Apple was just a little early with its dismissal.
Portable music players (2007)
Despite Apple’s iPod being the de facto music player at the time, it was supplanted by the company’s own biggest hit: the iPhone. At its peak, the iPod made Apple the zeitgeisty tech company it is today. It dominated the MP3 player market, and by 2006, iPods were responsible for 40 percent of the company’s revenue. And that was before the era of Apple including a free U2 album with every iTunes account.
When the iPhone launched in June 2007, it was swiftly followed by the iPod Touch in September. This was the iPhone without the phone part — indicating how the company saw the future of music listening. You didn’t need an iPod if you already had an iPhone in your pocket. It’s the best example of Apple cannibalizing a product that defined a decade with something far more impressive and, eventually, more successful.
It was a slow death. Ignoring the countless MP3-playing rivals, (RIP Zune), Apple dropped the classic iPod in 2014. It soon did the same to the tiny iPod nano and iPod shuffle in 2017. Finally, the company discontinued the iPod Touch in May 2022.
The physical smartphone keyboard (2007 plus change)
Unsplash / Thai Nguyen
When the iPhone’s capacitive screen and touch keyboard landed, there was a learning curve. Moving from physical keys (whether it was a 9-key alphanumeric version or the BlackBerry’s QWERTY experience) to a touch screen, especially on the tiny 3.5-inch panel of the first iPhone, wasn’t easy.
But it was the future. Physical keyboards took up physical space on devices — especially as those screens grew and grew. The adoption of touch keyboards sped up, thanks to third-party keyboard apps on Android, like Swype, SwiftKey and many others, introducing different input methods, smarter predictive text, typing algorithms and even touch heatmaps. Software keyboards were intrinsically more versatile, supporting multiple languages, infinite key arrangements and eventually emoji galleries. A colon-ellipsis smiley soon didn’t hit the same.
The death of the disk drive, part 2 (2008)
The MacBook Air, introduced by Steve Jobs in 2008, was famously pulled from a manila envelope to demonstrate its ultraportable design. To achieve that slimness, it had to ditch the internal optical drive entirely, making it the first MacBook without one. That move kickstarted an era of ultraportable laptops.
It was a major break from what laptop users were used to, and Apple tried to offer people some options. Apple introduced "Remote Disc," a feature which allowed the Air to wirelessly use the optical drive of a nearby Mac or PC, and offered an external USB SuperDrive as an optional accessory. (I've used mine exactly once since I bought it in 2013.)
While it was considered underpowered compared to Windows competitors, the original MacBook Air set a new design standard for the industry. It positioned Apple’s Macs for a future of App Store software installations, faster internet connectivity, and the rise of streaming media, cloud storage, and the rest. Apple’s MacBook Pro and MacBooks eventually followed suit, ditching optical drives in 2012.
Adobe Flash (2010)
Apple
In the early days of the iPhone, Apple famously refused to support Adobe Flash. This was in the early 2000s, too, when much of the web was built with Flash for animations and video support. The iPhone and iPad notably lacked support, creating a fractured browsing experience for years.
In April 2010, just as the first iPad arrived, Steve Jobs published his "Thoughts on Flash" open letter, criticizing its poor security and a lack of touch-friendliness. Many Flash games and interfaces interacted with the mouse cursor's precise position, something that was invisible on the touchscreen iPhone.
It was also a calculated move. By denying Adobe access to the rapidly growing iOS user base, Apple forced developers to choose between sticking with the aging Flash or embracing open standards like HTML5. Also, by making Flash-based games and tools incompatible, it nudged those developers (and iPhone users) toward the App Store for those very games and tools (and more). There, Apple could curate and monetize those creations.
In a move described by Apple marketing executive Phil Schiller as "courage,” nixing the headphone socket ended up becoming the biggest headline to come from the iPhone 7 launch in 2016. Every flagship iPhone since has lacked the jack, with the most recent iPhone to include it being the original iPhone SE.
To make the change more palatable, Apple bundled a Lightning-to-3.5mm adapter (expect more dongle chat later) with the iPhone 7, 8 and X. In-box headphones also swapped from the typical jack to Lightning. Naturally, this meant you couldn’t charge the phone while you listened to music, unless you already had a pair of wireless headphones.
Of course, this move was ultimately instrumental in making true wireless earbuds ubiquitous. While Apple wasn’t remotely the first company to introduce wireless earbuds (and then headphones), the removal of the headphone jack undoubtedly sped up adoption. Pour one out for the Bragi Dash, the Jabras, the Jaybirds of this world.
Conveniently, alongside the aforementioned iPhone 7, Apple announced the AirPods. Features like one-tap setup and automatic pairing brought the convenience people expected of Apple and put it into a tiny white case.
Despite early resistance and "bragging" from rivals who clung onto the headphone jack, at this point, the socket is mostly confined to cheaper smartphones or phones aimed at audiophiles (hi, Sony) or mobile gamers (ASUS ROG).
Eventually, the iPad Pro also lost its headphone jack, and the rest of the company's tablets followed. The only non-Mac device to keep the jack? The iPod Touch, which had one until its discontinuation in 2022.
Bespoke ports (2016)
Engadget
2016 was the year of donglegate. Apple’s MacBook Pro redesign that year was another drastic shift in the laptop's history. Chasing ever-thinner profiles and less port fuss, Apple stripped away nearly every legacy connector that professionals relied on. This was particularly jarring after the previous-generation MacBook Pro (2015) was often cited as the peak of utility, with a MagSafe charging port, two Thunderbolt 2 ports, two USB-A ports, not to mention a full-size HDMI port and an SD card slot.
Those were replaced with four (or on the cheapest 13-inch MBP only two!) Thunderbolt 3 USB-C ports and a headphone jack. For power users (like some Engadget editors), it demanded dongles (possibly multiple ones) in order to connect your USB-A thumb drive, wired internet, SD cards, external screens and well, at that point, pretty much everything. Many were particularly furious with the loss of the MagSafe charging connector. Of course, this also meant that one of those USB-C ports would be used primarily to charge the MBP. This sped up the availability of USB-C peripherals and accessories — perhaps because everyone was sick of carrying around so many dongles and hubs — but we still have USB-A devices. HDMI is everywhere. I still have SD Cards.
Eventually, Apple course-corrected itself. The 2021 MacBook Pro redesign reintroduced the SD card reader and HDMI port, and even MagSafe returned, freeing up a USB-C port.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/50-years-of-apple-pushing-tech-forward-for-better-or-worse-170025862.html?src=rss
Honda and Sony announced that they are discontinuing both the Afeela 1 and 2, their electric cars. The company is reviewing its “business direction,” but it's hard to expect much from a car company that’s cancelled all of its cars.
The Afeela 1, casually called the PlayStation Car, was meant to be a fusion of a modern EV and your own digital media bubble. (You could have a God of War-themed dash — if you wanted that.)
There’s a wider pressure on Honda, beyond this risky collaboration with Sony. It expects to take a $15.7 billion loss after writing off a large portion of its EV investment. The US’s removal of federal EV tax credits and the imposition of tariffs have hit everything hard.
The Afeela was exciting on paper, but in person, it was a pretty unassuming sedan. And expensive! Rival EV makers were offering more for less. Also: don’t tease a car for six full years. It’s never a good sign. Check out Tim Steven’s editorial on how it all fell apart.
TikTok and Snap settled ahead of the trial. Smart.
A jury in Los Angeles has found that Meta and YouTube were negligent in a closely watched trial over social media addiction. The two companies were ordered to pay $6 million in damages to a woman who said their addictive features harmed her.
For Meta, it's the second legal setback in recent weeks, after a New Mexico jury ruled against it on child safety issues. Meta was ordered to pay $375 million in penalties, making this settlement seem small in comparison. The companies are planning to appeal.
The Sonos Play could be the company’s reset button, a way to remind people what the company does well – and move on from busted updates, expensive gambits and fussy apps. The $299 Play is a portable speaker that sits between the $499 Sonos Move 2 and the $179 Roam 2. The new speaker sounds great, has a wide and versatile feature set and won’t break the bank. We particularly like the inclusion of Bluetooth grouping.
DJI responded quickly to Insta360’s debut drone, the Antigravity A1, with the Avata 360. It’s drawn from years of drone experience (and tech from its new Osmo 360 action cam). Compared to the A1, it’s safer to fly around people and offers single-camera OIS 4K footage in addition to 8K 360 video. The 360 video it shoots offers incredible editing flexibility, but overall quality is lower than that of DJI’s other drones. It’s cheaper than its 360 drone rival, too, though US availability remains unclear.
It’s coming. Apple’s Worldwide Developers Conference (WWDC) will take place from June 8-12. Going on past timings, CEO Tim Cook will take the stage for the keynote on June 8, most likely at 1 PM ET.
WWDC is a software-focused affair, so expect to see the upcoming "27" operating systems, now that the new naming convention has settled. Apple will likely cover iOS 27, iPadOS 27, macOS 27, visionOS 27, watchOS 27 and macOS 27. However, Bloomberg's Mark Gurman is suggesting that WWDC will be "a fairly muted affair," – but in all fairness, WWDC has never been that explosive.
Still, there are things I want to hear about: Rumors suggest that iOS 27 will deliver big upgrades to Apple Intelligence and — possibly — that overdue Siri overhaul. Reports also suggest the presence of split-pane multitasking, if you’re aching to juggle spreadsheets, web browsing and more on your mobile device.
Senior reporter Karissa Bell marks two decades on Twitter. Twitter/X as changed a lot, especially in the last five years, as AI slop, clickbait, and ragebait keep the algorithm ticking over. More recently, X’s AI assistant was able to ‘undress’ anyone you ask it to. Great.
The social network has moved far away from its exciting heyday of live tweeting, memes and more — or even a place to make new friends and contacts. In fact, I got my job here at Engadget through Twitter DMs to former Engadget editor Richard Lai. As Karissa puts it, "Twitter stopped being that place a long time ago.”
The Phone 4a Pro punches well above its $499 price tag. Nothing has successfully refined its hardware into a more premium, all-metal unibody, losing the jarring camera bump of its predecessor in favor of a sleek design that houses a genuinely impressive camera. There are still a few signs that it’s not quite a flagship (mediocre video recording performance and a lack of wireless charging), but at this price, these seem like minor complaints. Nothing’s next flagship phone needs to offer something, right?
Android AirDrop sharing is expanding to more devices. Samsung announced earlier this week that its Galaxy S26 Series is getting AirDrop support via the Quick Share feature.
Google first introduced the Quick Share feature on its Pixel 10 phones last year. The setting allows Android users to send and receive photos and files from an Apple device. Y’know, like AirDrop.
Nothing takes a different tack with its phone series. For the second time in a row, its midrange entry-level A-series smartphones debuted ahead of its next flagship device. The company has even warned that we won’t be getting the Nothing Phone 4 until next year. Until then, the Phone 4a Pro is here to make an impact, with a more restrained design, a less obtrusive camera bump and specs that beat out last year’s Nothing Phone 3 — all for $499. In 2026, Nothing is truly aiming to dethrone the Pixel 10a.
Hardware
Mat Smith for Engadget
It’s a new look. That’s often the case with Nothing’s smartphones as the company typically reimagines or rejigs what you can see through the clear back panel. This year, however, Nothing is making bigger changes: this is its first metal (aluminum) unibody phone.
With a new periscope telephoto camera design, the jarringly thick camera bump of last year’s Phone 3a Pro is thankfully gone, resulting in a slice of smartphone that feels — and to some, looks — more premium and more refined than Nothing’s “flagship” Phone 3.
However, compared to the Nothing phones that came before, it also feels muted, and a little safe. The playfulness of Nothing has been hemmed in a little. You might prefer it, but I’m not sure I do.
Those identifiable Nothing design flourishes — red details, visible screens, lots and lots of circles — are now squeezed into a camera panel. This oblong area with curved corners houses a trio of cameras, a “Now Recording” red light and a tweaked Glyph Matrix, which we last saw on the Nothing Phone 3.
This new Glyph Matrix is bigger and brighter, but at a lower “resolution,” that’s made of 137 mini-LEDs. That’s fewer than the Nothing Phone 3’s 489-strong dot-matrix, but the LEDs here are 100 percent brighter. So bright, in fact, that I had to turn them down to their lowest brightness when I was using them.The 4a Pro, however, lacks the rear button on the Phone 3 that lets you cycle through Glyph functions. Does this mean the company has made it easy to switch between Glyph toys and notifications in the phone’s UI? Sadly not.
You can dip into the Glyph options through the main settings menu, but to change what the Glyph displays is hidden in a sub-tab. I also noticed that the offering of “toys” was limited, with fewer items than even the Nothing Phone 3 had at launch. Hopefully, this will expand once the phone officially launches.
The 4a Pro packs a bigger screen than the company’s flagship, with a 6.83-inch AMOLED screen running at 1.5K resolution. It also has a higher refresh rate than the 6.67-inch Phone 3. And on top of that, the Phone 4a Pro’s display has a peak brightness of 5,000 nits, making it Nothing’s brightest smartphone yet.
I’ve handled so many phones over the last four weeks that it’s often hard to discern the difference between brighter displays. Fortunately, I have the Nothing Phone 3 (and 3a Pro) to compare against the Phone 4a Pro. It’s noticeably brighter, and as we slowly get into sunnier weather, a smartphone that’s easier to read outdoors is always very welcome.
The Phone 4a Pro also has improved IP65 water and dust resistance, while Nothing says it's 42 percent more bend-resistant than the Phone 3a Pro as well. It’s also almost 0.5mm thinner, if you ignore the camera bump for those measurements. Factor that in and the Phone 4a Pro is almost 1.5mm thinner than its predecessor. This design change also makes Nothing’s newest phone feel far less top-heavy than the 3a Pro. Regardless of the aesthetic changes, this is unmistakably refined hardware.
Cameras
Mat Smith for Engadget
Besides the streamlined camera unit, with a new tetraprism periscopic lens that takes up less space, the Phone 4a Pro has improved imaging capabilities (almost) across the board. The new 50-megapixel periscope telephoto lens (which Nothing says also uses less power) has a 3.5x optical zoom, plus computational photography magic that can now crank it up to a (mostly unusable) 140x hybrid zoom.
The main 50MP sensor also features a bigger sensor for improved low-light performance. With an f/1.88 lens though, it doesn’t quite match the Phone 3’s main camera (f/1.68), both on paper and in practice. The array is rounded out with an 8MP ultrawide camera, which sounds like the weakest link, but I rarely use the ultrawide cameras on any phone aside from review testing. Oddly, the selfie camera is a technical downgrade in resolution, with a 32MP sensor on the 4a Pro, down from 50MP on the 3a Pro.
Mat Smith for Engadget
One new addition was co-developed by Google. Ultra XDR blends Android’s native HDR processing with Nothing’s own approach, capturing 13 RAW frames at different exposures and combining them to deliver greater dynamic range and detail. However, as proof of how new they are, your Ultra XDR images can’t be shared as easily. They do work with Google Photos and Instagram, at least. If it’s any consolation, Ultra XDR so far doesn’t seem hugely far away from typical HDR capture. I’ll keep testing the cameras and if I figure out where it really shines, I’ll update this review.
Mat Smith for Engadget
If one thing disappoints on the 4a Pro, it’s recording video. Switching between zoom levels will often completely derail exposure settings. Even if you record on a single camera at the same focal length, exposure levels seem extremely sensitive and struggle to stay locked. Footage is often muddy and low-light performance isn’t great, even if using the Ultra XDR video mode. You aren’t forced to endure this with the Pixel 10a, but then again, there’s no zoom on Google’s mid-range phone — just a lossless crop. In more forgiving lighting, video is adequate, but quality drops off beyond the 3.5x optical zoom. Still, the versatility and quality of the still images from both the main camera and the telephoto lens put it above every other smartphone at this price.
Performance and software
The Phone 4a Pro is now powered by a more capable processor: Qualcomm’s Snapdragon 7 Gen 4. Nothing claims that, in addition to its own on-device optimizations, it improved CPU performance by 27 percent, GPU performance by 30 percent and AI performance by 65 percent compared to the Phone 3a series.
There’s certainly a big difference in performance while gaming. While the 3a series struggled with more complex games, the 4a Pro kept up with Red Dead Redemption and Diablo Immortal. It’s not the most polished interpretation of Decard Cain and the lands of Sanctuary, but it's responsive and playable, even at 60 fps, with only a few frame drops.
The Phone 4a has a 5,080mAh battery, roughly equivalent to its predecessor. It supports up to 50W fast charging, a tad faster than the Pixel 10a, though it lacks wireless charging support, unlike Google’s midranger. It’s one of the few signs that this isn’t Nothing’s “true” flagship, even if it looks the part.
I was pleasantly surprised by the battery life, too. Typically, phones are getting increasingly bigger batteries, but as I mentioned, that’s not the case here.. However, the 4a Pro lasted 24 hours in our battery rundown test, five hours more than last year’s model.
The Phone 4a Pro has all the software features either present or teased in older Nothing Phones. Essential Search is a system-wide search that can find terms in messages, files and the rest of your phone. There’s also a new Breathing Break widget; we definitely need that in 2026.
Essential Memory is Nothing’s name for its background algorithms and analysis, scrutinizing your phone’s contents as well as whatever’s saved in Essential Space. Nothing has added cloud storage for Space, aimed at devoted upgraders, meaning everything you saved on older compatible Nothing phones can be transferred over. Sure, it’s a little niche, but it was an early frustration while testing the Phone 3 after the 3a series. If, for some reason, you have to reset your device, keeping everything in Space backed up elsewhere is a boon.
Mat Smith for Engadget
Also, while it’s technically a hardware tweak, Nothing has also moved the Essential Key to the left edge of the phone, making it far less likely to be triggered when you’re adjusting the volume and more in line with other phones and my own smartphone muscle memory.
One caveat from previous Nothing devices remains. The company says it will deliver three years of Android updates and an additional three years of security patches. Compare that to Samsung’s seven years of Android updates for this year’s S26 series (and Google’s Pixel 10a), and you can see how it falls short.
Wrap-up
The Phone 4a Pro punches well above its $499 price tag. Nothing has successfully refined its hardware into a more premium, all-metal unibody, losing the jarring camera bump of its predecessor in favor of a sleek design that houses a genuinely impressive camera. The improved camera versatility, coupled with its class-leading 24-hour battery life and a more capable processor, makes this a serious threat to the Pixel 10a.
However, some of Nothing's signature playfulness has been dialed back. The Glyph Matrix, while brighter, is lower-resolution and its “toys” are disappointingly limited at launch. The lack of wireless charging is another nod to its midrange status.
Nothing’s Phone 4a Pro is a device with a clear identity, delivering on the essentials for half the price of many rivals.
This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/nothing-phone-4a-pro-review-glyph-matrix-130042005.html?src=rss
