Sony didn't announce any new home theater audio gear at CES, so it was only a matter of time before the company would reveal its latest soundbars and speakers. Today, the company unveiled its new Bravia Theater line, a moniker that the company's soundbars and living room speakers will carry for the foreseeable future. Sony is ditching the HT-XXXX naming scheme, which should be less confusing for all parties. For the initial offering, the company has two new Dolby Atmos soundbars, a four-speaker surround system and a wearable neckband speaker.
At the top of the list sits the Bravia Theater Bar 9. This is Sony's new flagship soundbar, but the company says it's 36-percent smaller than the former premium model, the HT-A7000. Inside, a 13-speaker setup includes three tweeters, four woofers, two beam tweeters, two up-firing and two side-firing drivers. The slightly smaller Bravia Theater Bar 8 houses 11 total speakers, lacking the the two beam tweeters from the Bar 9. Sony says the Bar 8 is 30-percent smaller than the unit it replaces, the HT-A5000.
Both soundbars feature very similar spec sheets, including support for Dolby Atmos, DTS:X, 360 Reality Audio and Hi-Res audio content. The pair will also gain IMAX Enhanced capabilities with a pending update, but that feature will require additional wireless rear speakers and a subwoofer. Connectivity is the same on both models with one HDMI input and one HDMI output (eARC). HDMI 2.1 is supported, so you can expect 4K/120 passthrough and all the other perks that standard affords.
Sony Bravia Theater Bar 8
Sony
There's also a host of Sony-specific features on both soundbars. That list includes Sound Field Optimization for room calibration and 360 Spatial Sound that places virtual speakers around a space for more immersive audio via virtualization. Acoustic Center Sync combines the speakers of a Bravia TV with either of these soundbars for a more realistic cinema experience where it sounds like the audio is coming directly from the screen. The soundbars also support Voice Zoom 3 from Sony's Bravia TVs, a tool that uses AI to recognize human voices and amplifies them so it's always heard clearly.
The Bravia Theater Bar 9 and Bravia Theater Bar 8 are compatible with Sony's current rear satellite speakers and subwoofers. Those include the SA-RS5 and SA-RS3S speakers and the SA-SW5 and SA-SW3 subs. Unfortunately, there's no bundle option, so on top of a $1,400 (Bar 9) or a $1,000 (Bar 8) soundbar, you'll have to shell out hundreds more for a better setup. At the very least, you'll want a subwoofer, which will currently cost you either $350 (SW3) or $620 (SW5).
Sony Bravia Theater Quad
Sony
And then there's the Bravia Theater Quad. This four-speaker set replaces the HT-A9 that Sony introduced in 2021. Instead of four cylindrical units, the company opted for flat, square designs this time, which will allow you to mount them on a wall more easily. Like the A9, there's a separate box that holds all of the necessary connections. You'll get HDMI 2.1 here too, with one input and one output (eARC).
Inside of each speaker, there are four drivers: one tweeter, one mid-range, one woofer and one up-firing unit. That's a total of 16 across the set, and Sony says you can add on either the SW3 or the SW5 subwoofer for more low-end thump. The Sony-developed features from the new Bravia Theater Bars are here as well, including 360 Spatial Sound, Sound Field Optimization, Acoustic Center Sync and Voice Zoom 3. Dolby Atmos, DTS:X, 360 Reality Audio and Hi-Res tunes are in the mix too, and IMAX Enhanced will arrive later via an update (you'll need a sub to use it). The Bravia Theater Quad is the priciest of the bunch, setting you back $2,500 for the initial set without a bundled subwoofer.
Lastly, Sony has a new neckband speaker for "open-air yet personal listening." The Bravia Theater U ($300) supports Dolby Atmos when paired with a compatible Bravia TV. Two of the company's X-balanced speakers power the device, which supports 360 Reality Audio on its own. There's also 12-hour battery life, multipoint Bluetooth and a built-in mic for calls.
Sony says the Bravia Theater Bar 9 and Bar 8 will be available for preorder this spring from Amazon and other retailers. Ditto for the Bravia Theater U. The Bravia Theater Quad is available for preorder now.
This article originally appeared on Engadget at https://www.engadget.com/sony-debuts-bravia-theater-line-of-dolby-atmos-soundbars-and-speakers-160034176.html?src=rss
Sony didn't announce any new home theater audio gear at CES, so it was only a matter of time before the company would reveal its latest soundbars and speakers. Today, the company unveiled its new Bravia Theater line, a moniker that the company's soundbars and living room speakers will carry for the foreseeable future. Sony is ditching the HT-XXXX naming scheme, which should be less confusing for all parties. For the initial offering, the company has two new Dolby Atmos soundbars, a four-speaker surround system and a wearable neckband speaker.
At the top of the list sits the Bravia Theater Bar 9. This is Sony's new flagship soundbar, but the company says it's 36-percent smaller than the former premium model, the HT-A7000. Inside, a 13-speaker setup includes three tweeters, four woofers, two beam tweeters, two up-firing and two side-firing drivers. The slightly smaller Bravia Theater Bar 8 houses 11 total speakers, lacking the the two beam tweeters from the Bar 9. Sony says the Bar 8 is 30-percent smaller than the unit it replaces, the HT-A5000.
Both soundbars feature very similar spec sheets, including support for Dolby Atmos, DTS:X, 360 Reality Audio and Hi-Res audio content. The pair will also gain IMAX Enhanced capabilities with a pending update, but that feature will require additional wireless rear speakers and a subwoofer. Connectivity is the same on both models with one HDMI input and one HDMI output (eARC). HDMI 2.1 is supported, so you can expect 4K/120 passthrough and all the other perks that standard affords.
Sony Bravia Theater Bar 8
Sony
There's also a host of Sony-specific features on both soundbars. That list includes Sound Field Optimization for room calibration and 360 Spatial Sound that places virtual speakers around a space for more immersive audio via virtualization. Acoustic Center Sync combines the speakers of a Bravia TV with either of these soundbars for a more realistic cinema experience where it sounds like the audio is coming directly from the screen. The soundbars also support Voice Zoom 3 from Sony's Bravia TVs, a tool that uses AI to recognize human voices and amplifies them so it's always heard clearly.
The Bravia Theater Bar 9 and Bravia Theater Bar 8 are compatible with Sony's current rear satellite speakers and subwoofers. Those include the SA-RS5 and SA-RS3S speakers and the SA-SW5 and SA-SW3 subs. Unfortunately, there's no bundle option, so on top of a $1,400 (Bar 9) or a $1,000 (Bar 8) soundbar, you'll have to shell out hundreds more for a better setup. At the very least, you'll want a subwoofer, which will currently cost you either $350 (SW3) or $620 (SW5).
Sony Bravia Theater Quad
Sony
And then there's the Bravia Theater Quad. This four-speaker set replaces the HT-A9 that Sony introduced in 2021. Instead of four cylindrical units, the company opted for flat, square designs this time, which will allow you to mount them on a wall more easily. Like the A9, there's a separate box that holds all of the necessary connections. You'll get HDMI 2.1 here too, with one input and one output (eARC).
Inside of each speaker, there are four drivers: one tweeter, one mid-range, one woofer and one up-firing unit. That's a total of 16 across the set, and Sony says you can add on either the SW3 or the SW5 subwoofer for more low-end thump. The Sony-developed features from the new Bravia Theater Bars are here as well, including 360 Spatial Sound, Sound Field Optimization, Acoustic Center Sync and Voice Zoom 3. Dolby Atmos, DTS:X, 360 Reality Audio and Hi-Res tunes are in the mix too, and IMAX Enhanced will arrive later via an update (you'll need a sub to use it). The Bravia Theater Quad is the priciest of the bunch, setting you back $2,500 for the initial set without a bundled subwoofer.
Lastly, Sony has a new neckband speaker for "open-air yet personal listening." The Bravia Theater U ($300) supports Dolby Atmos when paired with a compatible Bravia TV. Two of the company's X-balanced speakers power the device, which supports 360 Reality Audio on its own. There's also 12-hour battery life, multipoint Bluetooth and a built-in mic for calls.
Sony says the Bravia Theater Bar 9 and Bar 8 will be available for preorder this spring from Amazon and other retailers. Ditto for the Bravia Theater U. The Bravia Theater Quad is available for preorder now.
This article originally appeared on Engadget at https://www.engadget.com/sony-debuts-bravia-theater-line-of-dolby-atmos-soundbars-and-speakers-160034176.html?src=rss
Whether they're designed to be used indoors or outside, a lot of the best pizza ovens that you can currently buy can only cook a 13-inch pie. That's great for most situations, especially if you're keen on hosting a party where everyone can choose their toppings. However, there are times when you need more space, either for larger pizzas or to bake or roast other foods. Ooni is filling the void with its latest model, the Koda 2 Max, which is the company's largest pizza oven so far. The 24-inch, gas-burning unit can bake pizzas up to 20 inches while still achieving the high-heat cook quality Ooni ovens are known for.
In addition to being the biggest option in Ooni's lineup, the Koda 2 Max has several additional features that make it an upgrade over some of the company's other models. First, it offers dual-zone cooking with independent controls for both burners. This will allow you to cook two things at different temperatures simultaneously, or to simply have a hot and cold side of the oven when needed. To facilitate this, Ooni positioned the two burners on the sides of the Koda 2 Max rather than having one at the rear of the oven. The company says its G2 gas technology includes burners with tapered flames for more efficient heat distribution and more consistent cooking stone temps.
Another update is the color digital temperature display mounted on the front. While this isn't the first Ooni oven to show you the temp inside, it is the first to do so in color and it's the first to send those stats to your phone. The Koda 2 Max retains the overall look of previous gas-burning Koda products, including the folding legs for transport. It will also connect to a propane tank like previous models in order to provide fuss-free cooking where you don't have to manage a fire while you're making pizza and other dishes.
The Ooni Koda 2 Max will be available in May for $999, making it the most expensive outdoor-only option in the company's pizza oven range. The all-electric Volt was the same price at launch, but it currently goes for $899. If you can do without all of the fancy new features and extra cooking space, the Koda 16 ($599) and Koda 12 ($399) are hundreds of dollars cheaper, baking 16- and 12-inch pizzas as the names imply.
This article originally appeared on Engadget at https://www.engadget.com/oonis-largest-pizza-oven-yet-offers-dual-zone-heat-control-and-temperature-tracking-on-your-phone-181537924.html?src=rss
Whether they're designed to be used indoors or outside, a lot of the best pizza ovens that you can currently buy can only cook a 13-inch pie. That's great for most situations, especially if you're keen on hosting a party where everyone can choose their toppings. However, there are times when you need more space, either for larger pizzas or to bake or roast other foods. Ooni is filling the void with its latest model, the Koda 2 Max, which is the company's largest pizza oven so far. The 24-inch, gas-burning unit can bake pizzas up to 20 inches while still achieving the high-heat cook quality Ooni ovens are known for.
In addition to being the biggest option in Ooni's lineup, the Koda 2 Max has several additional features that make it an upgrade over some of the company's other models. First, it offers dual-zone cooking with independent controls for both burners. This will allow you to cook two things at different temperatures simultaneously, or to simply have a hot and cold side of the oven when needed. To facilitate this, Ooni positioned the two burners on the sides of the Koda 2 Max rather than having one at the rear of the oven. The company says its G2 gas technology includes burners with tapered flames for more efficient heat distribution and more consistent cooking stone temps.
Another update is the color digital temperature display mounted on the front. While this isn't the first Ooni oven to show you the temp inside, it is the first to do so in color and it's the first to send those stats to your phone. The Koda 2 Max retains the overall look of previous gas-burning Koda products, including the folding legs for transport. It will also connect to a propane tank like previous models in order to provide fuss-free cooking where you don't have to manage a fire while you're making pizza and other dishes.
The Ooni Koda 2 Max will be available in May for $999, making it the most expensive outdoor-only option in the company's pizza oven range. The all-electric Volt was the same price at launch, but it currently goes for $899. If you can do without all of the fancy new features and extra cooking space, the Koda 16 ($599) and Koda 12 ($399) are hundreds of dollars cheaper, baking 16- and 12-inch pizzas as the names imply.
This article originally appeared on Engadget at https://www.engadget.com/oonis-largest-pizza-oven-yet-offers-dual-zone-heat-control-and-temperature-tracking-on-your-phone-181537924.html?src=rss
Sony’s Extra Bass line of headphones has given listeners an added dose of low-end tone for years, and was generally cheaper than its high-end 1000X cans. The company is still keen on offering brain-rattling bass to those who want it, but the Extra Bass moniker and its confusing alpha-numeric product names are gone (more to come on that change). Today, Sony is introducing ULT Power Sound, a feature it’s calling the “ultimate step into the evolution” of its portable audio gear.
ULT Power Sound will also be available on Bluetooth speakers of various sizes, but the first headphones to feature the new audio direction are the ULT Wear ($200). A direct replacement for the WH-B910, the ULT Wear contains 40mm drivers that Sony says are specifically designed for deeper bass. If the stock tuning isn’t enough, there’s a ULT button for two more levels of low-end boost. Plus, the company crammed in some of its best features from more-expensive headphones: the V1 audio chip, 30-hour battery life, Quick Attention mode, 360 Reality Audio with head tracking and more.
The first thing I noticed about the ULT Wear is its design. These headphones don’t immediately strike me as less-than-premium cans. The matte white finish on my review unit helps mask the mostly plastic construction which looked cheap on previous products like the WH-CH720N. It’s definitely a more refined aesthetic than the WH-XB910 that’s being replaced. There are certainly some nods to the premium 1000X line in a few areas, like the curves of the ear cups and headband.
Sony decided on a mix of physical and touch controls for the ULT Wear, which is another way it’s bridging the gap between its most affordable and most expensive headphones. On the edge of the left ear cup is a power/pairing button and a control for cycling between active noise cancellation (ANC) and ambient sound modes. Further up along the bottom is a third button for ULT bass boost. This item switches between off, ULT 1 (deep bass) and ULT 2 (more powerful sound with deep bass). Over on the right, the outside of the ear cup has a touch panel that you can tap and swipe on for playback controls, volume adjustments and calls.
As the ULT Wear sits in the middle of Sony’s headphone lineup, it has a few of the handy features from the 1000X line that the company’s cheaper options don’t employ. For example, placing your open hand over the right ear cup activates Quick Attention mode that lowers the volume so you can respond to a co-worker or grab your cortado without pausing your tunes. Adaptive Sound Control is here as well: Sony’s long-standing tool that automatically adjusts the headphone’s settings based on your activity or location. General niceties like multipoint Bluetooth and wear detection are present too. The convenient Speak-to-Chat function from more-recent 1000X headphones isn’t available though, which is a considerable omission in terms of overall utility.
Photo by Billy Steele/Engadget
Bass reigns supreme for the ULT Wear’s tuning and you certainly get a heavy dose of it. Those new specifically tuned drivers muster a lot of low-end thump before you even start exploring the ULT boosts. The out-of-the-box level was good enough for me for most genres, although the overall sound can get muddy with more chaotic styles like metal and some synth-heavy electronic tracks. For the most part though, the stock bass provides depth and range that complements full mids and cutting highs.
On Bayside’s There Are Worse Things Than Being Alive, there’s a thundering kick drum to drive the punk-tinged indie rock tunes, but the texture of the crunchy distorted guitars stands out and vocals cut through clearly. Plus, you can add Sony’s DSEE upscaling through its app, a software trick that’s designed to recover sonic elements lost to compression. And if you have access to 360 Reality Audio content, the ULT Wear supports head-tracking so that sounds stay put when you move. This offers a more realistic experience since the immersive audio in this format would otherwise move with your head.
When you hop into the ULT boost modes, things are a mixed bag. Sony has done bass boost better than most other companies here, as songs are still actually listenable across musical styles rather than just becoming a muffled mess. ULT 1, the option for deeper bass, is the best in my opinion. You don’t lose much detail using it and things like kick drums are still punchy throughout. Hip-hop tracks are a better canvas, with songs like Killer Mike’s “Down By Law” blasting bombastic, yet finessed, amplified bass. His album Michael is one of the better-sounding selections I tested with ULT 1 enabled.
ULT 2, a setting for more powerful sound alongside even deeper bass, isn’t great. During my tests, I didn’t find a single track where I thought it sounded good across driving low-end styles like hip-hop and EDM. It sounds like you’re standing in front of the subwoofer at a concert where bass is most prominent and everything else gets drowned out. And while I’m sure some people enjoy that extent of brain rattling, it’s not what I’m looking for.
Photo by Billy Steele/Engadget
Sony improved ANC from the WH-XB910 by installing its V1 audio processor from the 1000X series in the ULT Wear. The result is noticeably improved noise-canceling performance for a set of $200 headphones, but you shouldn’t expect distraction-blocking as robust as what the WH-1000XM5 offers. It’s good in most situations, but in some scenarios it simply dulls the roar. The ULT Wear does, however, do a decent job with human voices – much better than the Sennheiser Accentum Plus I recently reviewed.
The company didn’t go out of its way to discuss call quality on the ULT Wear, but the performance here is slightly above average. It’s not pristine, but it also doesn’t have the obvious speaker phone sound most headphones do. Low-to-mid-volume background noise is also dealt with nicely. Ambient sound mode on the ULT Wear is more natural that what most headphones offer, save for the AirPods Max. You can hear a good amount of your own voice, so you’re free to speak at a normal volume during calls. And any sounds from your surroundings come through clear, so you don’t have to worry about not hearing alerts or announcements.
Sony says you can expect up to 30 hours of battery life with ANC on or up to 50 hours with it off. The company doesn’t specify if either of the ULT modes impact longevity, and I didn’t have them on long enough to tell. After 30 hours of use with ANC on, except for several instances of ambient sound for calls, Sony’s app was showing 18 percent battery left. Both audiomodes were used at around 50-60 percent volume, and trust me, that’s plenty loud here.
If you crave a deep bassy thump that most headphones haven't been able to deliver, the ULT Wear does a much better job boosting low-end tone than Sony’s previous efforts. The sound out of the box is certainly boomy, but not at the cost of any detail, and the company gives you the option to add two more servings of bass when you crave it. These won’t be for everyone as a lot of people will prefer the more even-handed tuning of Sennheiser’s Accentum Plus in the $200 range. However, Sony has done well to dress up a more affordable set of headphones as a premium product, in terms of both looks and features.
The ULT Wear headphones are available in black, white and green color options for $200. Sony says they'll start shipping sometime this spring.
Update April 11 2024, 5:00PM ET: This review has been updated to add more information about the battery rundown test.
This article originally appeared on Engadget at https://www.engadget.com/sony-ult-wear-headphones-review-brain-shaking-bass-160000739.html?src=rss
Sony’s Extra Bass line of headphones has given listeners an added dose of low-end tone for years, and was generally cheaper than its high-end 1000X cans. The company is still keen on offering brain-rattling bass to those who want it, but the Extra Bass moniker and its confusing alpha-numeric product names are gone (more to come on that change). Today, Sony is introducing ULT Power Sound, a feature it’s calling the “ultimate step into the evolution” of its portable audio gear.
ULT Power Sound will also be available on Bluetooth speakers of various sizes, but the first headphones to feature the new audio direction are the ULT Wear ($200). A direct replacement for the WH-B910, the ULT Wear contains 40mm drivers that Sony says are specifically designed for deeper bass. If the stock tuning isn’t enough, there’s a ULT button for two more levels of low-end boost. Plus, the company crammed in some of its best features from more-expensive headphones: the V1 audio chip, 30-hour battery life, Quick Attention mode, 360 Reality Audio with head tracking and more.
The first thing I noticed about the ULT Wear is its design. These headphones don’t immediately strike me as less-than-premium cans. The matte white finish on my review unit helps mask the mostly plastic construction which looked cheap on previous products like the WH-CH720N. It’s definitely a more refined aesthetic than the WH-XB910 that’s being replaced. There are certainly some nods to the premium 1000X line in a few areas, like the curves of the ear cups and headband.
Sony decided on a mix of physical and touch controls for the ULT Wear, which is another way it’s bridging the gap between its most affordable and most expensive headphones. On the edge of the left ear cup is a power/pairing button and a control for cycling between active noise cancellation (ANC) and ambient sound modes. Further up along the bottom is a third button for ULT bass boost. This item switches between off, ULT 1 (deep bass) and ULT 2 (more powerful sound with deep bass). Over on the right, the outside of the ear cup has a touch panel that you can tap and swipe on for playback controls, volume adjustments and calls.
As the ULT Wear sits in the middle of Sony’s headphone lineup, it has a few of the handy features from the 1000X line that the company’s cheaper options don’t employ. For example, placing your open hand over the right ear cup activates Quick Attention mode that lowers the volume so you can respond to a co-worker or grab your cortado without pausing your tunes. Adaptive Sound Control is here as well: Sony’s long-standing tool that automatically adjusts the headphone’s settings based on your activity or location. General niceties like multipoint Bluetooth and wear detection are present too. The convenient Speak-to-Chat function from more-recent 1000X headphones isn’t available though, which is a considerable omission in terms of overall utility.
Photo by Billy Steele/Engadget
Bass reigns supreme for the ULT Wear’s tuning and you certainly get a heavy dose of it. Those new specifically tuned drivers muster a lot of low-end thump before you even start exploring the ULT boosts. The out-of-the-box level was good enough for me for most genres, although the overall sound can get muddy with more chaotic styles like metal and some synth-heavy electronic tracks. For the most part though, the stock bass provides depth and range that complements full mids and cutting highs.
On Bayside’s There Are Worse Things Than Being Alive, there’s a thundering kick drum to drive the punk-tinged indie rock tunes, but the texture of the crunchy distorted guitars stands out and vocals cut through clearly. Plus, you can add Sony’s DSEE upscaling through its app, a software trick that’s designed to recover sonic elements lost to compression. And if you have access to 360 Reality Audio content, the ULT Wear supports head-tracking so that sounds stay put when you move. This offers a more realistic experience since the immersive audio in this format would otherwise move with your head.
When you hop into the ULT boost modes, things are a mixed bag. Sony has done bass boost better than most other companies here, as songs are still actually listenable across musical styles rather than just becoming a muffled mess. ULT 1, the option for deeper bass, is the best in my opinion. You don’t lose much detail using it and things like kick drums are still punchy throughout. Hip-hop tracks are a better canvas, with songs like Killer Mike’s “Down By Law” blasting bombastic, yet finessed, amplified bass. His album Michael is one of the better-sounding selections I tested with ULT 1 enabled.
ULT 2, a setting for more powerful sound alongside even deeper bass, isn’t great. During my tests, I didn’t find a single track where I thought it sounded good across driving low-end styles like hip-hop and EDM. It sounds like you’re standing in front of the subwoofer at a concert where bass is most prominent and everything else gets drowned out. And while I’m sure some people enjoy that extent of brain rattling, it’s not what I’m looking for.
Photo by Billy Steele/Engadget
Sony improved ANC from the WH-XB910 by installing its V1 audio processor from the 1000X series in the ULT Wear. The result is noticeably improved noise-canceling performance for a set of $200 headphones, but you shouldn’t expect distraction-blocking as robust as what the WH-1000XM5 offers. It’s good in most situations, but in some scenarios it simply dulls the roar. The ULT Wear does, however, do a decent job with human voices – much better than the Sennheiser Accentum Plus I recently reviewed.
The company didn’t go out of its way to discuss call quality on the ULT Wear, but the performance here is slightly above average. It’s not pristine, but it also doesn’t have the obvious speaker phone sound most headphones do. Low-to-mid-volume background noise is also dealt with nicely. Ambient sound mode on the ULT Wear is more natural that what most headphones offer, save for the AirPods Max. You can hear a good amount of your own voice, so you’re free to speak at a normal volume during calls. And any sounds from your surroundings come through clear, so you don’t have to worry about not hearing alerts or announcements.
Sony says you can expect up to 30 hours of battery life with ANC on or up to 50 hours with it off. The company doesn’t specify if either of the ULT modes impact longevity, and I didn’t have them on long enough to tell. After 30 hours of use with ANC on, except for several instances of ambient sound for calls, Sony’s app was showing 18 percent battery left. Both audiomodes were used at around 50-60 percent volume, and trust me, that’s plenty loud here.
If you crave a deep bassy thump that most headphones haven't been able to deliver, the ULT Wear does a much better job boosting low-end tone than Sony’s previous efforts. The sound out of the box is certainly boomy, but not at the cost of any detail, and the company gives you the option to add two more servings of bass when you crave it. These won’t be for everyone as a lot of people will prefer the more even-handed tuning of Sennheiser’s Accentum Plus in the $200 range. However, Sony has done well to dress up a more affordable set of headphones as a premium product, in terms of both looks and features.
The ULT Wear headphones are available in black, white and green color options for $200. Sony says they'll start shipping sometime this spring.
Update April 11 2024, 5:00PM ET: This review has been updated to add more information about the battery rundown test.
This article originally appeared on Engadget at https://www.engadget.com/sony-ult-wear-headphones-review-brain-shaking-bass-160000739.html?src=rss
Shure's MV7 microphone has been a solid option for podcasters and streamers since its introduction in 2020. With it, the company introduced the first mic with both USB and XLR connectivity. This hybrid setup offers the ability to connect easily to a computer or more robust recording setups as needed. It's also $150 cheaper than Shure's workhorse SM7B that you've likely seen in professional podcast videos. Now the company is back with a new version of the MV7, dubbed the MV7+, with a "sleeker design" and a host of software features aimed at improving audio before you fire up any editing workflows.
The most noticeable change is the new multi-color LED touch panel. Shure says this component is fully customizable with over 16.8 million colors for a visual indicator of your sound levels. You can also opt for "an ambient pulse effect." What's more, a tap on the LED panel mutes the MV7+ when you need to cough, sneeze or clear your throat.
In what Shure calls a "Real-time Denoiser," the MV7+ employs digital signal processing (DSP) to eliminate background distractions. The company says this works alongside the mic's voice isolation to produce excellent sound in noisy scenarios. The MV7+ also features a Digital Popper Stopper to combat the dreaded plosives, but this microphone does so virtually without an unsightly filter making an appearance on your livestream.
Shure says it improved the Auto Level Mode on the MV7+, a feature that makes gain adjustments based on distance, volume and room characteristics to automatically balance the sound profile. There's also onboard reverb, offering three settings (Plate, Hall and Studio) before you start tweaking things in your to-go DAW. And just like the MV7, the MV7+ still has hybrid XLR and USB outputs to connect to mobile devices and laptops in addition to a more capable audio mixer. Where the previous model had a micro-USB port for both USB-A and USB-C cables, this new model is all USB-C.
With the MV7+, Shure is also announcing the MOTIV Mix app. In addition to tweaking the colors of that LED panel, the software provides a five-track mixer alongside the ability to adjust settings like sound signature, gain and more. There's also a Soundcheck tool to assist with the optimal gain setting and a monitor mix slider provides individual adjustments for mic output and system audio playback. The company explains that this new Mix app will be available for older mics like the MV7 and MVX2U, but for now it's only available in beta to use with the MV7+
The MV7+ is available now in black and there's a white version on the way "in the upcoming weeks." Both are $279, $30 more than the MV7 was at launch. Shure is also selling a "podcast kit" that bundles the MV7+ with a basic Gator desktop mic stand for $299. If you'd prefer the more versatile boom stand, that package is $339. A three-meter USB-C to USB-C cable is included in the box whether you purchase the standalone microphone or either of the kits.
This article originally appeared on Engadget at https://www.engadget.com/shures-mv7-usbxlr-mic-has-a-customizable-led-panel-and-built-in-audio-tools-142940237.html?src=rss
Shure's MV7 microphone has been a solid option for podcasters and streamers since its introduction in 2020. With it, the company introduced the first mic with both USB and XLR connectivity. This hybrid setup offers the ability to connect easily to a computer or more robust recording setups as needed. It's also $150 cheaper than Shure's workhorse SM7B that you've likely seen in professional podcast videos. Now the company is back with a new version of the MV7, dubbed the MV7+, with a "sleeker design" and a host of software features aimed at improving audio before you fire up any editing workflows.
The most noticeable change is the new multi-color LED touch panel. Shure says this component is fully customizable with over 16.8 million colors for a visual indicator of your sound levels. You can also opt for "an ambient pulse effect." What's more, a tap on the LED panel mutes the MV7+ when you need to cough, sneeze or clear your throat.
In what Shure calls a "Real-time Denoiser," the MV7+ employs digital signal processing (DSP) to eliminate background distractions. The company says this works alongside the mic's voice isolation to produce excellent sound in noisy scenarios. The MV7+ also features a Digital Popper Stopper to combat the dreaded plosives, but this microphone does so virtually without an unsightly filter making an appearance on your livestream.
Shure says it improved the Auto Level Mode on the MV7+, a feature that makes gain adjustments based on distance, volume and room characteristics to automatically balance the sound profile. There's also onboard reverb, offering three settings (Plate, Hall and Studio) before you start tweaking things in your to-go DAW. And just like the MV7, the MV7+ still has hybrid XLR and USB outputs to connect to mobile devices and laptops in addition to a more capable audio mixer. Where the previous model had a micro-USB port for both USB-A and USB-C cables, this new model is all USB-C.
With the MV7+, Shure is also announcing the MOTIV Mix app. In addition to tweaking the colors of that LED panel, the software provides a five-track mixer alongside the ability to adjust settings like sound signature, gain and more. There's also a Soundcheck tool to assist with the optimal gain setting and a monitor mix slider provides individual adjustments for mic output and system audio playback. The company explains that this new Mix app will be available for older mics like the MV7 and MVX2U, but for now it's only available in beta to use with the MV7+
The MV7+ is available now in black and there's a white version on the way "in the upcoming weeks." Both are $279, $30 more than the MV7 was at launch. Shure is also selling a "podcast kit" that bundles the MV7+ with a basic Gator desktop mic stand for $299. If you'd prefer the more versatile boom stand, that package is $339. A three-meter USB-C to USB-C cable is included in the box whether you purchase the standalone microphone or either of the kits.
This article originally appeared on Engadget at https://www.engadget.com/shures-mv7-usbxlr-mic-has-a-customizable-led-panel-and-built-in-audio-tools-142940237.html?src=rss
Companies don’t need to make huge updates to their wireless earbuds across generations. Sometimes, making a great set more reliable and adding features that extend their lifespan are upgrades enough. That’s what Sennheiser has done for the Momentum True Wireless 4 ($300). The company’s fourth-generation earbuds retain the excellent sound quality I’ve come to expect from Sennheiser along with rebuilt Bluetooth tech, higher-resolution sound, support for Bluetooth LE Audio and a tool for battery longevity. But, not everyone will reap all of the benefits I encountered during my Momentum True Wireless 4 review.
Momentum True Wireless 4: Design
The Momentum True Wireless 4 is identical in appearance to the Momentum True Wireless 3, with the only difference being a new copper/black color option alongside the existing silver/black and silver/white versions. Also, you’ll now get a fourth, extra-small, set of ear tips and the company still includes three sizes of stabilizer arcs to help you get an ideal fit. Sennheiser’s Smart Control app has a fit test too, so you’ve got help there. The company has also upgraded the dust and moisture protection here with an IP54 rating, so they now withstand fine debris in addition to water spray.
There are, however, some important changes inside the Momentum True Wireless 4. That includes an update to Qualcomm’s S5 Sound Gen 2 platform with Snapdragon Sound. Part of the Bluetooth overhaul I mentioned is a redesigned antenna, which makes this fourth-gen set of wireless earbuds more reliable. Users had reported issues with dropouts and the companion app failing to recognize the Momentum True Wireless 3, so Sennheiser is clearly addressing those issues here.
Software and features
Like with recent Sennheiser audio gear, the company’s Sound Control app is where you access all of the settings and customization options for the Momentum True Wireless 4. The main interface gives you quick access to battery percentages, Bluetooth connections, personalized sound, ANC settings, transparency level, reconfiguring touch controls, fit test and Sound Zones. That last feature allows you to automate changes to audio settings like ANC and transparency on your location. You can set up to 20 of these “zones” for places like home, work and the gym. Of course, you have to give the app permission to monitor your whereabouts to use this.
Sennheiser has taken steps to future-proof these flagship earbuds – ensuring they last for the next few years, at least. First, they support Bluetooth 5.4, which is ready for LE Audio and Auracast. Those items aren’t available on the Momentum True Wireless 4 just yet, but Sennheiser is planning an update this spring that will deliver features like broadcast audio, audio sharing and assisted listening.
If you have a recent premium Android phone, the inclusion of Snapdragon Sound will come in handy for increased audio quality. The Qualcomm processor in those devices can muster what Sennheiser calls “flawless” lossless audio when streaming from a compatible music service. There are two settings here: high resolution at 24-bit/96kHz via aptX Adaptive and lossless at 16-bit/44.1kHz with aptX Lossless.
The final quality-of-life update concerns the battery. In order to maintain better performance over time, Sennheiser added a battery protection mode that stops the buds from charging past 80 percent. This is important since earbud batteries are almost never replaceable and preventing them from overcharging will extend its lifespan. It’s nice to see the company making a product last longer, which will also have environmental impacts.
Momentum True Wireless 4: Sound quality
Photo by Billy Steele/Engadget
Sennheiser has a longstanding reputation for great sound quality and the Momentum True Wireless 4 continues that tradition. I couldn’t detect a huge difference between the Momentum True Wireless 4 and its predecessor, though, despite the company saying this year’s model has “evolved tuning” that includes things like “smoother treble response, extensive bass and effortless midrange.” And that’s just fine because the Momentum True Wireless 3 already sounded amazing.
There’s still great detail and clarity here, combined with a warm, inviting sound profile that’s enjoyable for hours on end. Even though the bass is boomy and punchy when a song like Incendiary’s “Lie of Liberty” demands it, the low-end tone never overpowers. And you can easily hear the texture of the distorted guitars, clanging hits on the ride cymbal and other subtleties on that bombastic hardcore track. Shift over to something more mellow like Charles Wesley Godwin’s Apple Music Sessions and the level of detail envelopes you even more. Those songs are also available in Dolby Atmos, so they really allow the Momentum True Wireless 4 to shine.
If the stock tuning doesn’t suit you, you can adjust a 5-band EQ and save any custom presets. The app also offers Sound Personalization, which tunes the audio to your listening preference via a quick test. The Momentum True Wireless 4 sounded great out of the box and I left the tuning untouched except for a bit of due diligence.
Android users can take advantage of the increased audio quality I mentioned earlier. There is a noticeable difference in the sound, especially in the finer details, but whether it’s “better” depends on your preferences. Of course, that higher-resolution playback will impact battery life and you’ll need a specific streaming plan (like Tidal’s Hi-Fi or Hi-Fi Plus options) or locally stored files to use what Snapdragon Sound offers in the first place.
iPhone owners shouldn’t feel left out as Apple’s AAC streaming also sounds great on the Momentum True Wireless 4. It’s aided by the fact that Apple Music’s audio quality is superior to other services, especially if the tunes are available in Dolby Atmos.
ANC performance
Photo by Billy Steele/Engadget
Like its predecessor, the Momentum True Wireless 4 has an adaptive ANC setup that automatically adjusts to changes in your environment for a more “immersive listening experience.” Sennheiser didn’t point out any differences in its noise-canceling setup on this new model and I didn’t notice any discernible improvement or decline. The ANC works just fine in most settings, but like most earbuds and headphones, it struggles with sounds like human voices. I also found that it’s not as robust as the best buds from Bose and Sony with some sources of constant noise, like white noise machines and noisy fans.
Call quality
Sennheiser uses six microphones to handle calls on the Momentum True Wireless 4. Overall quality is good, but not pristine, as long as you’re in a quiet spot. Constant noise like a raucous fan comes across as a nondescript hum, but it’s still noticeable. Transparency mode helps a bit during calls, if only to let you be aware of your surroundings. It has a natural sound compared to other earbuds, but doesn’t pipe in your voice, so the end result isn’t as good as Apple’s AirPods Pro.
Momentum True Wireless 4: Battery life
The Momentum True Wireless 4’s battery is rated to last seven hours with ANC on, but you can extend that 30 minutes by disabling it. During my tests, which consisted of mostly ANC listening at around 70-percent volume with a few calls using transparency mode, I easily hit the seven-hour mark. Factor in the case, which supports wireless charging, and you can expect up to 30 hours of playback on the go. There's also a wireless quick-charge feature with the battery protection mode that gives you an hour of use in just eight minutes.
The competition
The leader of the pack is still Sony’s WF-1000XM5. While the Momentum True Wireless 4 has the edge in terms of sound quality, Sony’s earbuds offer better noise-canceling and a host of handy features. Tools like Speak-to-Chat automatic pausing and DSEE Extreme audio upscaling cannot be overlooked. Sony also provides the ability to automatically change sound settings based on your location like Sennheiser does, so you don’t have to sacrifice that feature. The WF-1000XM5 debuted last July, which means you can find them on sale often. They’re currently going for $278, $22 less than the Momentum True Wireless 4.
Wrap-up
No new design? No problem. Sennheiser has made enough upgrades to the Momentum True Wireless 4 to make it a compelling entry in a growing line of stellar-sounding earbuds. Sound quality is great as always, and that’s the biggest selling point for me. Combine that with the higher-resolution audio on Android, forward-facing features and solid battery life, and this model checks a lot of boxes for a flagship set of buds. Sure, ANC could be better and some folks will yearn for spatial audio, but just because the Momentum True Wireless 4 is superb in some areas doesn’t mean it’s perfect.
This article originally appeared on Engadget at https://www.engadget.com/sennheiser-momentum-true-wireless-4-review-stellar-sound-forward-looking-features-153004419.html?src=rss
When Samsung announced its unique Music Frame speaker at CES, the company left out two key pieces of information: price and availability. It's following up now that the device is nearly ready to ship. The Music Frame is up for preorder starting today for $400. Samsung says it's planning to starting shipping the speaker the week of April 8, so you shouldn't have to wait too long to use it.
While the Music Frame will complement Samsung's Frame TVs, the speaker holds printed artwork rather than housing a display. But, you can swap the bezels for a different color as needed. Still, the idea if for otherwise obtrusive home theater gear to blend in rather than stick out. Music Frame is equipped with two woofers, two tweeters and two mid-range drivers and offers Dolby Atmos sound. The company says that having the woofers fire out the back and the other drivers face the front leads to a clear, natural sound profile.
Samsung's SpaceFit tech is used to calibrate the audio to the room you place the speakers in so that their "wide radial sound range" stays in prime operating condition. Plus, Music Frame is compatible with the company's Q-Symphony tech that utilizes TV speakers as part of a home theater setup. You can also install two of them beside your TV for a stereo pair, with the ideal companion being the Frame. Samsung says Music Frame can also be used as rear speakers in the living room or as a standalone subwoofer.
The Music Frame is a smart speaker too, offering access to Bixby and Alexa with a spoken cue. Plus, it's ready to be wall mounted or can sit on a table using the built-in stand. What's more, Music Frame can be used as a standalone Bluetooth or Wi-Fi speaker. That connectivity enables wireless Dolby Atmos, Spotify Connect, Tidal Connect, Chromecast and AirPlay. Samsung's Tap Sound feature allows you to play whatever is on a compatible phone on the Music Frame by gently tapping the device on the speaker.
During my brief demo at CES, I was pleasantly surprised by the sound quality of this speaker. It's more powerful than I expected, with crisp, clear highs and mids. The bass was more subdued, but that could've been due to the clamor of the crowded demo area, so I'll reserve judgement there. I was also only able to hear selected music tracks, not the speaker being used with a TV.
As part of the preorder process, Samsung is offering a $50 credit on its website if you preorder there before April 11.
This article originally appeared on Engadget at https://www.engadget.com/samsungs-music-frame-speaker-is-now-available-for-preorder-for-400-150002344.html?src=rss