This Brutalist Lounge Chair Is 3D-Printed From Recycled Water Bottles

Most furniture sits in a room without saying much. It fills a corner, does its job, and disappears into the background. Nako Baev’s THE OBJECT 01 is not that kind of furniture. The Amsterdam-based designer set out to build a chair that carries the weight of a spatial statement, something that holds its ground without decoration or apology, and in that specific ambition, the object largely delivers.

THE OBJECT 01 is a 3D-printed lounge chair built from recycled PETG, a plastic more commonly found in water bottles than in furniture workshops. At 20kg, it is lighter than its blocky, slab-heavy proportions suggest, though not exactly something you would reposition on a whim. Its dimensions push it closer in scale to a small architectural fragment than to a typical chair, which is likely the whole point.

Designer: Nako Baev

The construction follows a modular panel system, where each 3D-printed block fits into a sequence designed to cut material waste and keep the overall mass structurally lean. Finished in a cold grey Baev calls “Kyoto Fog,” the chair reads somewhere between concrete and matte stone. In a sparse studio or raw loft, it anchors the space with quiet authority. In a more conventional living room, it would likely dominate in ways not every household would welcome.

What makes THE OBJECT 01 genuinely worth attention is how honestly it exposes its own making. The layer-by-layer texture from the printing process is not hidden or smoothed away; it stays visible across the surface, turning the manufacturing method into part of the visual language. That kind of material honesty is far more common in ceramics or cast concrete than in plastic furniture, and it gives the piece a tactile quality that polished renders simply do not convey.

Baev describes the design as sitting between furniture and sculpture, drawing on minimalist brutalism and a quieter Japanese restraint in equal measure. The emotional reference points are more unusual: the designer cites the atmosphere of Silent Hill and Half-Life, those game environments built from silence and abandoned space, as part of what shaped the object’s mood.

The workflow involved AI assistance across early form studies, structural testing, and design refinement, reducing development time considerably. That footnote is becoming standard across the industry, and it doesn’t add or subtract much here. This process might even become the key to sustainable furniture design, as it can help optimize 3D printing, increase efficiency, and reduce waste in the long run.

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This cute chair transforms waste into beauty using recycled plastic bottles

The use of plastic in products has almost become so second nature that we spare no thought about how the material affects the environment in the long run. After all, there are plenty of benefits to plastic, such as its resilience, durability, and affordability, that we easily lose sight of long-term disadvantages. Fortunately, there are also more people who have become aware of this situation nowadays, and they have started to either move away from plastic completely or at least incorporate recycled plastics as much as possible. This chair is one of the latter, and while that in itself isn’t exactly extraordinary, the play of contrasting elements creates a harmonious composition that makes it look not only interesting but also welcoming.

Designer: Xingcheng Zhu

“XOX” might sound like an odd name for a chair, especially since it’s synonymous with a simple yet popular paper-and-pencil game. You immediately see the connection, however, when you view it from an angle and notice the two wooden X’s flanking the half-spherical shape that forms the chair’s seat and backrest. The choice of the name may have been based on that visual, but it also represents the very essence of the chair as a combination of contrasting elements.

While the standard design of a chair involves flat surfaces for the seat and backrest, the XOX Chair employs a hollow sphere that has a portion of it chopped off, forming the cavity for a person to sit inside. This circular shape sits in between the long, tubular legs of the chair, spindly in contrast to the fuller mass of the seat itself. Although the legs are the more visible part of the chair, their simpler and thinner forms draw your eyes immediately to the seat instead.

The materials used also contrast and complement each other. The legs are made of wood, a natural material whose grains create minute yet beautiful imperfections that give each piece a unique character. The middle component, however, is made from recycled PET bottles, resulting in a synthetic perfection with almost no blemishes. The seat is also completely transparent, giving it an airy and ethereal imagery that contrasts nicely with the solid and earthy tones of the legs.

This balance of elements yields a design that is both pleasing to look at and comfortable to use. Although it lacks the traditional armrests that add some support and stability to the body, the open spherical shape evokes feelings of openness and spaciousness, as if enveloping the person in protection and warmth. Best of all, it is also a design that is aware of the impact that furniture has on the planet’s health, implementing a sustainable solution that doesn’t compromise aesthetics and functionality in the process.

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