Author Archives: Mariella Moon

Lyft will have to tell drivers how much they can truly earn, with evidence

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Lyft has agreed to to tell its drivers how much they can truly earn on the ride-hailing platform — and back it up with evidence — as part of its settlement for a lawsuit filed by the US Justice Department and the Federal Trade Commission. The lawsuit accused the company of making "numerous false and misleading claims" in the advertisements it released in 2021 and 2022, when the demand for rides recovered following COVID-19 lockdowns in the previous years. Lyft promised drivers up to $43 an hour in some locations, the FTC said, without revealing that those numbers were based on the earnings of its top drivers. 

The rates it published allegedly didn't represent drivers' average earnings and inflated actual earnings by up to 30 percent. Further, the FTC said that Lyft "failed to disclose" that information, as well as the fact that the amounts it published included passengers' tips. The company also promised in its ads that drivers will get paid a set amount if they complete a certain number of rides within a specific timeframe. A driver is supposed to make $975, for instance, if they complete 45 rides over a weekend. 

Lyft allegedly didn't clarify that it will only pay the difference between the what the drivers' earn and its promised guaranteed earnings. Drivers thought they were getting those guaranteed payments on top of their ride payments as a bonus for completing a specific number of rides. The FTC accused Lyft of continuing to make "deceptive earnings claims" even after it sent the company a notice of its concerns in October 2021, as well. 

Earlier this month, the company launched an earnings dashboard that showed the estimated hourly rate for each ride, along with the driver's daily, weekly and yearly earnings. But under the settlement, Lyft will have to explicitly tell drivers how much their potential take-home pay is based on typical, instead of inflated, earnings. It has to take tips out of the equation, and it has to to clarify that it will only pay the difference between what the drivers get from rides and its guaranteed earnings promise. Finally, it will have to pay a $2.1 million civil penalty. 

This article originally appeared on Engadget at https://www.engadget.com/transportation/lyft-will-have-to-tell-drivers-how-much-they-can-truly-earn-with-evidence-120011572.html?src=rss

Lyft will have to tell drivers how much they can truly earn, with evidence

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Lyft has agreed to to tell its drivers how much they can truly earn on the ride-hailing platform — and back it up with evidence — as part of its settlement for a lawsuit filed by the US Justice Department and the Federal Trade Commission. The lawsuit accused the company of making "numerous false and misleading claims" in the advertisements it released in 2021 and 2022, when the demand for rides recovered following COVID-19 lockdowns in the previous years. Lyft promised drivers up to $43 an hour in some locations, the FTC said, without revealing that those numbers were based on the earnings of its top drivers. 

The rates it published allegedly didn't represent drivers' average earnings and inflated actual earnings by up to 30 percent. Further, the FTC said that Lyft "failed to disclose" that information, as well as the fact that the amounts it published included passengers' tips. The company also promised in its ads that drivers will get paid a set amount if they complete a certain number of rides within a specific timeframe. A driver is supposed to make $975, for instance, if they complete 45 rides over a weekend. 

Lyft allegedly didn't clarify that it will only pay the difference between the what the drivers' earn and its promised guaranteed earnings. Drivers thought they were getting those guaranteed payments on top of their ride payments as a bonus for completing a specific number of rides. The FTC accused Lyft of continuing to make "deceptive earnings claims" even after it sent the company a notice of its concerns in October 2021, as well. 

Earlier this month, the company launched an earnings dashboard that showed the estimated hourly rate for each ride, along with the driver's daily, weekly and yearly earnings. But under the settlement, Lyft will have to explicitly tell drivers how much their potential take-home pay is based on typical, instead of inflated, earnings. It has to take tips out of the equation, and it has to to clarify that it will only pay the difference between what the drivers get from rides and its guaranteed earnings promise. Finally, it will have to pay a $2.1 million civil penalty. 

This article originally appeared on Engadget at https://www.engadget.com/transportation/lyft-will-have-to-tell-drivers-how-much-they-can-truly-earn-with-evidence-120011572.html?src=rss

NASA’s Webb telescope detects the first potential brown dwarfs outside our galaxy

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The James Webb Space Telescope is making it possible to detect more celestial objects we previously wouldn't be able to, including ones that can further our knowledge on how our universe began. A team of astronomers, for instance, detected a "rich population of brown dwarf candidates" outside our own galaxy for the first time. The image above was captured using the telescope's Near-InfraRed Camera (NIRCam) instrument. 

We already know of the roughly 3,000 brown dwarfs inside the Milky Way, but Webb made it possible to find candidates 200,000 light years away from our planet. "Only with the incredible sensitivity and spatial resolution in the correct wavelength regime is it possible to detect these objects at such great distances," said Peter Zeidler, the team leader from AURA/STScI for the European Space Agency. "This has never been possible before and also will remain impossible from the ground for the foreseeable future."

Brown dwarfs are neither planets nor stars. They're free-floating objects around 13 to 75 times larger than Jupiter, and they aren't gravitationally bound to a star like exoplanets are. Yes, they're bigger than the biggest gas giants, but they're also not big enough to produce massive amounts of light, which is why they're sometimes called "failed stars." According to the scientists in this study, their observations support the theory that brown dwarfs form like stars do, they merely "don’t accrete enough mass to become a fully fledged star." As NASA notes, scientists think it's possible that a "great deal" of the universe's mass comes in the form of brown dwarfs. Seeing as they're mostly dark and can barely generate any light, they could help answer the "missing mass" problem that astronomers are still trying to solve. 

The team found the new brown dwarf candidates in a star cluster called NGC 602 near the outskirts of the Small Magellanic Cloud dwarf galaxy. They explained that older Hubble observations showed that the cluster contains very young low mass stars, but Webb made it possible to look at them more closely. Based on what they've seen, the cluster exists in an environment comparable to the early universe, which means studying the brown dwarfs could provide more clues on how stars and planets formed billions of years ago.

This article originally appeared on Engadget at https://www.engadget.com/science/space/nasas-webb-telescope-detects-the-first-potential-brown-dwarfs-outside-our-galaxy-120007295.html?src=rss

Amazon’s God of War series hires Ronald D. Moore as showrunner

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A few days ago, Deadline reported that several key personnel behind Amazon's upcoming live-action God of War adaptation have left the project. But the series' production will still push through, and according to the publication, Ronald D. Moore will now serve as its showrunner, as well as one of its writers and executive producers. He's replacing original showrunner Rafe Judkins (Wheel of Time) and EPs Mark Fergus and Hawk Otsby (Children of Men and Iron Man). It'll be Moore's first project with Sony TV after returning to the studio with a multi-year deal in June. 

Moore is known for developing and producing the Battlestar Galactica reboot and for writing dozens of Star Trek: The Next Generation and Deep Space Nine episodes. His writing credits also include several Star Trek movies, Mission Impossible II, and Philip K. Dick's Electric Dreams for Amazon. He worked with the studio for a decade, developing shows that include Outlander for Starz and For All Mankind for Apple TV+, before departing in 2020. 

Judkins, Ferus and Otsby had already written multiple scripts for the show, but Amazon reportedly wanted to move in a different creative direction. Deadline previously reported that in addition to hiring someone new to lead the production, Amazon was also looking to put a new writers' room together. Several EPs from Santa Monica Studio (the game's developer) and PlayStation Production who had been involved from the start are still with the project. 

The God of War series will be based on 2018 game that's inspired by Norse mythology. It will focus on Kratos, as he embarks on a journey with his son to spread the ashes of his late wife from the highest peak. They battled gods, monsters and other entities before they reached their destination, and they unearthed secrets about each other and the realm they live in along the way. 

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/amazons-god-of-war-series-hires-ronald-d-moore-as-showrunner-133004763.html?src=rss

Arm cancels Qualcomm’s license to use its chip design standards

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Arm has taken its feud with Qualcomm to the next level, two years after filing a lawsuit against its former close partner. According to Bloomberg, the British semiconductor company has canceled the architecture license allowing Qualcomm to use its intellectual property and standards for chip design. As the news organization notes, Qualcomm, like many other chipmakers, uses Arm's computer code that chips need to run software, such as operating systems. Arm has reportedly sent Qualcomm a 60-day notice of cancelation — if they don't get to an agreement by then, it could have a huge impact on both companies' finances and on Qualcomm's operations. 

The SoftBank-backed chipmaker sued Qualcomm in 2022 after the latter purchased a company called Nuvia, which is one of its other licensees. Arm argued that the US company didn't obtain the necessary permits to transfer Nuvia's licenses. As such, Nuvia breached their contract and it had terminated its licenses, Arm explained in its lawsuit. Qualcomm has been using Nuvia-developed technology in the chips designed for AI PCs, such as those from Microsoft and HP. But Arm wants the company to stop using Nuvia-developed tech and to destroy any Arm-based technology developed prior to the acquisition. 

Qualcomm will have to stop selling most of the chips that account for its $39 billion in revenue, Bloomberg says, if the companies don't resolve the issue within the next 60 days. It seems the US chipmaker believes this is a tactic by Arm to threaten its business and to get higher royalties, because its spokesperson told Bloomberg and the Financial Times: "This is more of the same from Arm — more unfounded threats designed to strong-arm a longtime partner, interfere with our performance-leading CPUs, and increase royalty rates regardless of the broad rights under our architecture license." Qualcomm also accused Arm of attempting to disrupt the legal process, called its grounds for licensing termination "completely baseless" and said that it's confident its "rights under its agreement with Arm will be affirmed."

Meanwhile, an Arm spokesperson told us: "Following Qualcomm’s repeated material breaches of Arm’s license agreement, Arm is left with no choice but to take formal action requiring Qualcomm to remedy its breach or face termination of the agreement. This is necessary to protect the unparalleled ecosystem that Arm and its highly valued partners have built over more than 30 years. Arm is fully prepared for the trial in December and remains confident that the Court will find in Arm’s favor."

Update, October 23, 2024, 11:33PM ET: This story has been updated to add Arm's statement.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/arm-cancels-qualcomms-license-to-use-its-chip-design-standards-123031968.html?src=rss

Spotify debuts an in-app cover art maker for playlists

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Spotify already lets you upload your own pics to use as playlist covers, but now it has launched a feature that gives you an easy, in-app way to customize them. The audio streaming service's new Create Cover Art feature comes with a set of tools you can use to crop images in different shapes, such as hearts and stars, and then place them against backgrounds in the colors of your choice. It will also give you access to an effects toolset, which includes the fish-eye and radiar blur effects, as well as text tools that you can use to add cover titles in different typefaces. And yes, you can use the effects to transform any text you add to your images. Finally, you can choose from a bunch of stickers to further personalize your cover. 

While the company is releasing Create Cover Art in its beta form, it is rolling out to 65 markets around the world. To try it out, you'll need to be on the mobile app. Find the ellipsis (...) context menu when you open one of your playlists and then look for "Create Cover Art" among the options that pop up. The toolset will show up from there, and you can share anything you create with it on social media if you wish.

Create cover art
Spotify

This article originally appeared on Engadget at https://www.engadget.com/apps/spotify-debuts-an-in-app-cover-art-maker-for-playlists-130026423.html?src=rss

Blade Runner 2049 producer sues Elon Musk for image used in Cybercab launch

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When Elon Musk introduced Tesla's robotaxi, the Cybercab, earlier this month, he showed a slide during his presentation that probably looked familiar to Blade Runner 2049 fans. It featured the back of a person wearing a trench coat against a desert-like landscape with high-rise buildings in the background. Now, a producer behind the movie is suing him for copyright infringement. According to The New York Times, Alcon Entertainment accused him of using "AI-created images mirroring scenes from Blade Runner 2049, including one featuring a Ryan Gosling look-alike." It said that it previously denied a request by Musk, Tesla and Warner Bros. Discovery to use imagery from the film as part of the Cybercab event. The companies were also named as defendants in the lawsuit. 

Alcon called Tesla's use of AI to create images nearly identical to scenes from the movie an "intentionally malicious gambit." It argued that by connecting the product announcement to the movie, the automaker made the event "more attractive to a global audience" and misappropriated "the Blade Runner 2049 brand to help sell Teslas." In its lawsuit, Alcon said that the connection between Musk and its film has a financial impact on the company, even going so far as calling the defendants' actions as a "massive economic theft," because it's currently in talks with other potential automative partners for its upcoming Blade Runner 2099 television series. 

"Any prudent brand considering any Tesla partnership has to take Musk's massively amplified, highly politicized, capricious and arbitrary behavior, which sometimes veers into hate speech, into account," it reportedly wrote in its complaint. It said it "adamantly objected" to being associated with Musk or any of his companies, and that Musk was personally aware that it refused his company's request. "He thus personally knew and understood that to incorporate ‘BR2049’ into the event presentation at all would be improper and an unauthorized misappropriation of ‘BR2049’ goodwill," the producer wrote. It's worth noting that Musk mentioned Blade Runner during the event, saying that he loves the franchise, but he doesn't "know if we want that future." Musk is one of the biggest supporters of Republican presidential nominee Donald Trump and is known for making divisive, controversial tweets. He had also been caught retweeting fake news in the past, including a doctored Kamala Harris video. 

Alcon called the movie still that Tesla allegedly copied "one of the most iconic images" from Blade Runner 2049. We took the image above from Tesla's live stream, and you can see the still from the film below. 

A man in a trench coat with a car and a desert landscape in the background.
Warner Bros. Picture

This article originally appeared on Engadget at https://www.engadget.com/transportation/blade-runner-2049-producer-sues-elon-musk-for-image-used-in-cybercab-launch-120048345.html?src=rss

Wall Street Journal and New York Post are suing Perplexity AI for copyright infringement

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The Wall Street Journal's parent company, Dow Jones, and the New York Post are suing AI-powered search startup Perplexity for using their content to train its large language models. Both News Corp. publications are accusing Perplexity of copyright infringement for using their articles to generate answers to people's queries, thereby taking traffic away from the publications' websites. "This suit is brought by news publishers who seek redress for Perplexity’s brazen scheme to compete for readers while simultaneously freeriding on the valuable content the publishers produce," the publishers wrote in their complaint, according to the Journal. 

In their lawsuit, the publications argued that Perplexity can serve users not just snippets of copyrighted articles, but the whole thing, especially for those paying for its premium subscription plan. They cited an instance wherein the service allegedly served up the entirety of a New York Post piece when the user typed in "Can you provide the fultext of that article." In addition, the publications are accusing Perplexity of harming their brand by citing information that never appeared on their websites. The company's AI can hallucinate, they explained, and add incorrect details. In one instance, it allegedly attributed quotes to a Wall Street Journal article about the US arming Ukraine-bound F-16 jets that were never in the piece. The publications said they sent a letter to Perplexity in July to raise these legal issues, but the AI startup never responded.  

Various news organizations have sued AI companies in the past for copyright infringement. The New York Times, as well as The Intercept, Raw Story and AlterNet, sued OpenAI for using their content to train its LLMs. In its lawsuit, the Times said OpenAI and Microsoft "seek to free-ride" on its massive investment in journalism. Condé Nast previously sent a cease-and-desist letter to Perplexity to demand that it stop using its publications' articles as responses to users' queries. And in June, Wired reported that Amazon had started investigating the AI company over reports that it scrapes websites without consent. 

News Corp. is asking the court to prohibit Perplexity from using its publications' content without permission, and it's also asking for damages of up to $150,000 for each incident of copyright infringement. Whether the company is willing to negotiate a content agreement remains to be seen — News Corp. struck a licensing deal with OpenAI earlier this year, which allows the ChatGPT owner to use its websites' articles for training over the next five years in exchange for a reported $250 million.

This article originally appeared on Engadget at https://www.engadget.com/ai/wall-street-journal-and-new-york-post-are-suing-perplexity-ai-for-copyright-infringement-050135219.html?src=rss

DJI challenges its ‘Chinese military company’ Pentagon designation in court

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DJI has filed a lawsuit against the US Department of Defense over its addition to the Pentagon list that designates it as a "Chinese military company." In its filing, shared by The Verge, the company said it's challenging the designation because it's "neither owned nor controlled by the Chinese military." It described itself as the "largest privately owned seller of consumer and commercial drones," mostly used by first responders, fire and police departments, businesses and hobbyists. 

The company claimed that because the Pentagon has officially proclaimed it as a national security threat, it has suffered "ongoing financial and reputational harm." It also said that it has lost business from both US and internal customers, which terminated contracts and refused to enter new ones, and it has been banned from signing contracts with multiple federal government agencies. 

DJI explained that it tried to engage with the Department of Defense for over 16 months and submitted a "comprehensive delisting petition" on July 27, 2023 to get the agency to remove its designation. However, the agency allegedly refused to engage in a meaningful way and to explain its reasoning behind adding the company to the list. On January 31, 2024, the DoD redesignated the company without notice, DJI wrote in its complaint. DJI alleged that the DoD only shared its full rationale for its designation after it informed the agency that it was going to "seek judicial relief."

The company claimed that the DoD's reasoning wasn't adequate to support its designation, that the agency confused people with common Chinese names and that it relied on "stale alleged facts and attenuated connections." DJI is now asking the court to declare the DoD's actions as unconstitutional, describing the Pentagon's designation and failure to remove it from the "Chinese military company" list a violation of the law and of its due-process rights. 

DJI has long been at the crosshairs of various US government agencies. The Department of Commerce added it to its entity list in 2020, which prevented US companies from supplying it with parts without a license. A year later, it was added to the Treasury department's "Chinese military-industrial complex companies" list for its alleged involvement in the surveillance of Uyghur Muslim people in China. And just a few days ago, DJI confirmed that its latest consumer drones are being held at the border by US customs, which cited the Uyghur Forced Labor Prevention Act. The drone-maker denied that it has manufacturing facilities in Xinjiang, the region associated with forced Uyghur labor. 

This article originally appeared on Engadget at https://www.engadget.com/general/dji-challenges-its-chinese-military-company-pentagon-designation-in-court-120036412.html?src=rss

You can now add songs to Spotify straight from Instagram posts

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With short-form videos becoming extremely common these days, it's not unusual to discover new songs and artists from apps like TikTok and Instagram. Now, Instagram has started rolling out a Spotify integration that will let you add songs you hear from posts and Reels straight to the audio streaming app, 9to5Mac has reported. If an Instagram post uses a song, and it's linked at the bottom of the screen, tap on the song name to go to its audio preview page. There, you'll find a new button that says "Add" with the Spotify logo right next to the audio scrubber. 

When you tap that Add button, the song will get added to the "Liked Songs" in your Spotify library. You'll have to link your Spotify account with your Instagram the first time you do it, but it becomes a one-tap process after that. The feature is now making its way to all users around the world. Back in August, mobile developer Alessandro Paluzzi found another type of integration between the two apps in development. That feature would allow Instagram users to continuously share what they're listening to on Spotify, which would appear as notes on top of your profile picture. 

TikTok has had the ability to add songs heard from videos to your music streaming library since last year. Its version of the feature works not just with Spotify, but also with Apple Music and Amazon Music. 

This article originally appeared on Engadget at https://www.engadget.com/apps/you-can-now-add-songs-to-spotify-straight-from-instagram-posts-120046609.html?src=rss