Spotify is finally letting the United States join its music video party. Music Videos have started rolling out in beta today to Premium users across the US and Canada, offering not only official artist videos but also new formats like live performances and covers.
Music Videos first arrived last year in 11 countries, but the United States wasn't one of them. The reason for that was simple — Spotify simply didn't have the rights. However, last month the streaming service struck a deal with the National Music Publishers' Association (NMPA) that included new provisions for video content, paving the way for the new feature.
Here's how to access Music Videos. If you're a Premium subscriber in one of Spotify's beta markets, you can simply open a track (on TV, desktop, IOS and Android devices) and tap "Switch to video." The music video will then start playing where the song left off. To return to background listening, hit "Switch to audio." You can get a full-screen experience by turning your device to landscape mode.
When the service first launched, it was limited to "thousands" of music videos, but Spotify promised that the list would expand rapidly. In discussing the benefits to artists, the company said early this year that "users who discover a song and then watch the music video on Spotify are 34 percent more likely to stream the song again the following week." In a job listing spotted by The Verge, Spotify said it planned to build a "best-in-class video experience to rival the biggest players, like YouTube or TikTok."
This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/spotify-finally-brings-music-videos-to-the-us-150037974.html?src=rss
NVIDIA is now allowed to sell its second-best H200 processors to China, rather than just the sanction-approved H20 model that China had previously declined to buy, President Trump wrote on Truth Social. The United States will collect a 25 percent tariff on those sales, the Commerce Department confirmed yesterday.
Trump said that he informed China's President Xi Jinping of the decision and that he "responded positively." The Commerce Department is finalizing details and the administration will take the same approach with AMD, Intel and other US companies. He added that the administration would "protect National Security," so the latest Blackwell and upcoming Rubin chips are not part of the deal. The 25 percent tariff would be higher than the 15 percent the White House suggested in August.
Though the administration won't allow NVIDIA to send its latest high-end chips, it was reportedly concerned that the company would lose business to Huawei if it was completely shut out of China's market, according to Reuters. No details about the number of H200 chips or which companies would be eligible to buy them were released. "Offering H200 to approved commercial customers, vetted by the Department of Commerce, strikes a thoughtful balance that is great for America," NVIDIA said in a statement.
The decision is not without controversy, though. Several Democratic US senators called it a "colossal economic and national security failure" that will aid China's industry and military. Republican representative John Mollenaar put it in even starker terms. "NVIDIA should be under no illusions — China will rip off its technology, mass-produce it themselves and seek to end NVIDIA as a competitor," he said.
Despite the current restriction on Blackwell B200 processors, $1 billion worth of those and other high-end NVIDIA chips have made their way to China via black market sales, according to previous reports. That model, along with the H100 and H200, is far more capable than the H20 chip, which was designed to comply with export restrictions for sale to China. NVIDIA has said that the B200 chip is almost ten times faster than the H200 for some jobs, and the H200 is six times faster than the H20.
Washington's approval doesn't mean that China will purchase NVIDIA's chips, as Beijing has previously told companies not to use US technology. Huawei is currently the most advanced company in that regard and recently unveiled a three-year plan to catch up with NVIDIA and AMD. However, AI chip experts like Richard Windsor have said NVIDIA's tech is still far ahead of anything that Huawei or other Chinese companies can currently produce.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/nvidia-can-now-sell-its-high-end-ai-chips-to-approved-customers-in-china-trump-says-130007458.html?src=rss
After Netflix announced that it was acquiring Warner Bros. Discovery last week, observers immediatley wondered when or if the deal could obtain regulatory approval. Now, President Trump has made comments indicating that said approval is likely to take awhile if it happens at all, Bloomberg reported.
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"Well, that’s got to go through a process, and we’ll see what happens," Trump told reporters in a recent Q&A scrum. "But it is a big market share. It could be a problem." The President added that he will be personally involved in the approval process.
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As we pointed out last week, Netflix and HBO Max combined would account for around 33 percent of the US streaming video market, ahead of Prime Video's 21 percent share and likely enough to attract the antitrust division of the US Justice Department. For its part, Netflix has said that it will "maintain Warner Bros. current businesses," which includes HBO Max and HBO, theatrical releases for films as well as movie and TV studio operations.
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Headwinds were likely with any deal, so in November Netflix's co-CEO Ted Sarandos reportedly met with Trump at the White House, arguing that the acquisition wouldn't create a monopoly. Trump said that Warner Bros. Discovery should sell to the highest bidder, and Sarandos left the meeting feeling that Netflix wouldn't face White House opposition in the short term.
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Even before regulators address the acquisition, more drama may ensue. Paramount, which first expressed interested in buying WBD when it wasn't even for sale, may launch a hostile bid. And Hollywood's unions and guilds are up in arms over fears that Netflix may significantly reduce Warner Bros.' theatrical distribution, along with its back end profits and production jobs.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/trump-says-if-netflix-buys-warner-bros-its-market-share-could-be-a-problem-123004774.html?src=rss
Portal shooter Splitgate 2 is coming back with a new name and rebuilt experience after being pulled back to beta earlier this year, developer 1047 Games announced. The free-to-play Splitgate: Arena Reloaded will relaunch on December 17th across platforms including Xbox Series X/S, PlayStation 5 and PC.
"After months of community feedback, testing and rebuilding the entire experience, this is Splitgate refocused on what made it special in the first place: classic arena combat without factions, abilities, or extra noise," the developer shared in a blog post, along with a gameplay video.
Splitgate 2 originally launched in June, but 1047 Games pulled it back to beta after deciding that the release had been rushed. For the new version, the company said, "we took the best of Splitgate 1 and Splitgate 2" and cut the parts that didn't fit, while refining the ones that did. "in the process, we not only rebuilt the game, we reconnected with the magic of the genre that built this studio in the first place: a return to the Arena."
Here are some key changes made:
Removed Splitgate 2's factions, abilities, and select equipment so the focus is back on classic arena combat without the extra noise.
Rebuilt progression from the ground up so your time in game feels rewarding, with weapon and character cosmetics you can earn simply by playing.
We've added a true Classic Arena mode with even starts and new map pickups, recapturing the feel of the original.
Fine tuned combat to better match expectations for a modern arena shooter, with more meaningful gunfights and fewer "what just happened" moments.
Completely overhauled the ranked system so your rank reflects your actual skill for players who love to climb and compete.
Added key systems you have been asking for: Mode Select, Player Stats, Ranked Leaderboards, and Account Levels.
Introduced five brand new maps and six fully reworked arenas, bringing the total map pool to 20.
Added three new LMG primary weapons and the iconic Power Weapon, the Railgun.
1047 Games was savaged earlier this year by Splitgate players after co-founder Ian Proulx wore a hat at Summer Games Fest stating "Make FPS Great Again." Later, he posted to the studio's X account on Splitgate 2's release date that he was "not here to apologize" and that the hat was "not a political statement," finally admitting that it was all basically a publicity stunt.
This article originally appeared on Engadget at https://www.engadget.com/gaming/splitgate-arena-reloaded-tries-to-fix-what-splitgate-2-broke-130027714.html?src=rss
Netflix is in exclusive talks to acquire Warner Bros. Discovery's film and TV studios and HBO Max streaming service, according to sources from Bloomberg. That suggests Netflix submitted a superior offer to rivals including Paramount Skydance Corp (owned by billionaire Larry Ellison) and Comcast, which owns NBCUniversal. The deal could be consummated within days and, if approved, would change the landscape of Hollywood and the streaming market.
Warner Bros. Discovery's cable channels including CNN, TBS and TNT, valued at more than $60 billion, would not be part of the deal and spun off prior to the closing. However, Netflix would become the owner of the HBO network and its library of series (The Sopranos, Game of Thrones, etc.), along with its Burbank studios and massive film and TV archive consisting of 12,500 feature films and 2,400 TV series, including properties like Batman, Lord of the Rings and Friends.
A big sweetener offered by Netflix was a $5 billion breakup fee if the deal isn't approved by regulators, according to people familiar with the discussions. That's a considerable risk on Netflix's part, as the acquisition is likely to be closely scrutinized by the FCC and even President Trump himself, who reportedly has close ties to Ellison. It would also need to pass muster with regulators from other nations, considering the wide reach of WBD and Netflix.
After multiple suitors, including Paramount Skydance expressed interest in buying Warner Bros. Discovery, CEO David Zaslav put the company up for sale in October. The bidding process has been heated, with Paramount's lawyers complaining that WBD "embarked on a myopic process with a predetermined outcome that favors a single bidder," namely Netflix. Paramount argued that its deal would be more palatable to regulators around the world.
However, Zaslav's camp has said that it would achieve the best value in a sale by splitting off its cable assets and doing two separate deals, CNN reported. Both Paramount Skydance and Comcast submitted deals to buy all of WBD's assets.
Netflix offered around $28 a share for WBD minus the cable assets, according to Deadline. Shares were as low as $7.50 earlier this year. The acquisition would be far and away the largest for Netflix, which has historically favored organic growth.
An acquisition could have a huge impact on streaming customers and filmgoers. Would Netflix merge its catalog with HBO Max or continue to run the latter as a separate service? It's also not clear if Netflix would honor Warner Bros.' commitment to theatrical releases, considering that Netflix CEO Ted Sarandos has called movie theatres an "outdated concept."
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/netflix-is-reportedly-in-exclusive-talks-to-acquire-warner-bros-and-hbo-082233278.html?src=rss
If you missed the Black Friday sale on Apple's AirPods 4 with ANC, you're in luck — they're back on sale at the same $99 price for a substantial $80 savings (45 percent). What's more, if you're one who frets about damaging your gear, you can grab them with AppleCare+ for $118, saving 43 percent from the normal price.
We think that the AirPods Pro 2 are the best AirPods overall, but the ANC-enabled AirPods 4 are also a solid choice, especially at this price. We gave them a score of 86 in our review.
Apple's AirPods 4 come in two variants, with and without ANC. Though the base model is solid, the version on sale here with ANC offers a number of advantages like Conversation Awareness, Adaptive Audio and Transparency mode. They also have a charging case that supports MagSafe and Qi-compatible wireless charging, along with a built-in speaker that emits beeps when you activate Find My. And as Apple recently announced, AirPods 4 with ANC supports the company's Live Translation feature.
Our main reservation with the AirPods 4 with ANC is that the Airpods Pro 2 are a better noise-cancellation option when they go on sale. At this price, though, the AirPods 4 with ANC are a real bargain if you're looking for new buds — especially if you prefer the open-ears type. As mentioned, for extra peace of mind you can also get the Airpods 4 with ANC plus AppleCare+ protection for $118, or 43 percent off.
Check out our coverage of the best Apple deals for more discounts, and follow @EngadgetDeals on X for the latest tech deals and buying advice.
This article originally appeared on Engadget at https://www.engadget.com/audio/apples-airpods-4-with-anc-are-back-on-sale-for-99-140903670.html?src=rss
The UK has fined a porn operator called AVS Group £1 million ($1.33 million) for failing to have strong enough age checks, regulator Ofcom announced. The company which was also hit with an additional £50,000 fine for its failure to respond to information request and now has 72 hours to introduce effective age checks or face a further penalty of £1,000 a day.
In July, the UK government announced it would start checking compliance by websites that publish or display pornographic content to implement a system for "highly effective age checks." Methods approved by Ofcom include credit card checks, photo ID matching and even estimating a user's age with a provided selfie. However, users have been circumventing the age checks via methods like using a VPN and providing a fake ChatGPT-generated photo ID.
The fine is the third such penalty arising from the UK's Online Safety Act designed to protect children and adults from harmful content. In October, 4Chan was also hit with a £20,000 ($26,700) fine for failing to comply with the internet and telecommunications regulator's request for information under the same law.
The UK isn't the only region to have implemented age checks. Around half of US states now require it, as do France, Italy, Australia and China. Australia took things a step further by banning social media use by children under 16, including sites popular with young people like Twitch and YouTube.
Ofcom's safety director, Oliver Griffiths, said the crackdown on weak age verification for adult sites would continue. "The tide on online safety is beginning to turn for the better. But we need to see much more from tech companies next year and we’ll use our full powers if they fall short."
This article originally appeared on Engadget at https://www.engadget.com/general/uk-fines-porn-company-%C2%A31-million-for-weak-age-checks-130056578.html?src=rss
Video used to be an afterthought for Nikon, but since the company purchased RED last year, content creators are now high on its priority list. A perfect example of that is Nikon’s new $2,200 ZR: a full-frame mirrorless model that stands up against dedicated cinema cameras for a fraction of the price.
It’s the first consumer camera to capture video using RED’s 12-bit RAW format, but unlike RED’s Hollywood cameras, it has a fast and accurate autofocus system. It also comes with a huge display, pro video monitoring tools, in-body stabilization and 32-bit float internal audio recording. After shooting a short film that tested its capabilities, I can confirm that the Nikon ZR offers incredible video quality at this price.
Body and handling
While a bit lighter than Nikon’s Z6 III, the 1.19-pound (540-gram) ZR feels solid. It has a boxy design like Sony’s FX2 but a much smaller grip because it’s designed to be rigged up for cinema shooting with cages and handles. However, unlike the FX2 which has multiple 1/4-inch mounting threads to do such rigging, the ZR unfortunately has only one of those on the bottom.
The ZR also lacks an electronic viewfinder like the FX2, but it more than makes up for that with its huge 4-inch display — the largest I’ve ever seen on a mirrorless camera. At 1,000 nits, it’s bright enough to shoot on sunny days, extremely sharp (3.07 million dots) and flips out for vloggers. All of that makes it a perfect primary display for checking the image and controlling the camera.
Nikon has nailed the ZR’s handling, too. While it’s not covered with buttons and dials like some models, it does have two shooting dials to control exposure and a joystick for autofocus. There’s also a camera/video switch, two record buttons, a power switch and five customizable buttons. Many of Nikon’s lenses come with control rings as well, so extra manual control is available.
The menu button is unusual: you press once for the quick menu and hold to see the full menu. Given the large number of settings, I would advise anyone buying this camera to learn all the important adjustments, then customize the controls to avoid wading through dense menus while shooting.
Another unique feature is in the battery compartment. There’s a single fast CFexpress slot to handle RAW video, plus a microSD slot for proxies. The lack of a second CFexpress slot or fast SD card slot for backup isn’t ideal for a professional camera, though.
Finally, the ZR runs on the same N‑EL15c batteries as other Nikon mirrorless cameras. They allow 90 minutes of HD shooting on a charge, or 390 photos per CIPA standards. That’s mediocre, so if you’re planning long shoots, stock up on batteries.
Video
Steve Dent for Engadget
The Nikon ZR has the largest selection of RAW video settings I’ve seen. The centerpiece is RED’s RAW R3D NE light codec (designed by RED for Nikon) with RED’s Log3G10 log format. It also supports Nikon’s N-RAW, ProRes/ProRes RAW and H.265 with resolution that ranges from 6K at up to 60 fps to 4K 120 fps and 1080p at 240 fps. Despite the smallish body, it can capture 6K RAW video continuously for 125 minutes without overheating.
The 24MP sensor uses a dual ISO system with native 800 and 6,400 ISOs, providing a nice range for indoor and outdoor shooting. The company claims 15+ stops of dynamic range, which is more than just about any other mirrorless camera. Other key video features include five-axis in-body stabilization with seven stops of shake reduction, waveform and vectorscope monitoring and a false color display for manual focus.
To test the camera’s features and video quality, I shot a short film in a mix of indoor low light, outdoor daytime and a mix between the two. I also shot handheld (including running with it) to test the stabilization. I primarily captured in R3D RAW, as well as Nikon’s N-RAW at the native 800 and 6,400 ISOs to maximize dynamic range. (You can take 24MP photos with this camera, but I’m focusing on video as it’s mainly designed for that.)
In order to not see a flat log profile when shooting, you’ll need to apply a look-up table (LUT) designed for RED cameras, like "Achromic," "Bleach" or "Caustic." Those are only for in-camera previews and not baked into the video, but you can apply those LUTs later in Adobe Premiere or DaVinci Resolve to get the same look.
Steve Dent for Engadget
With such a high native ISO, I was able to shoot inside with a single studio light. Video quality was outstanding with little noise in shadow regions, even after boosting black levels in post. Meanwhile, the RED R3D codec and Log3G10 gave me extra latitude to reveal shadow detail and dial down highlights when I shot the subject against a bright window.
When you use the R3D codec, exposure is strictly manual with no ability to set auto shutter speed (shutter angle) or f-stop. So, for a scene with varying light, I used Nikon’s N-RAW to see if it would give me the correct exposure at the beginning and end of the scene. It did a good job, with no noticeable jumps during the shot.
Video in sunlight at ISO 800 was also sharp with accurate colors after downscaling to 4K from 6K in DaVinci Resolve. ISO 800 is a relatively high native setting, though, and the ZR doesn’t have a built-in ND filter to reduce exposure. That means you’ll need to buy ND filters for outside shooting or the high shutter speeds will result in choppy video.
Cinema cameras from Blackmagic Design, Arri or RED are manual-focus only. But the ZR is a Nikon camera, and it has the best AF system I’ve seen on any of the company’s models, consistently nailing focus even with moving subjects. You can also automatically track vehicles, birds and other animals. At the same time, the ZR handles manual focus well. That’s thanks to a built-in display that’s big enough to check focus accurately and Nikon’s focus peaking setting with three levels of sensitivity.
Steve Dent for Engadget
In-body stabilization on the ZR wasn’t up to par with Panasonic’s S1 II, however. Video was smooth for handheld shooting if I panned the camera gently, but all my running and walking shots showed noticeable camera shake. That said, the ZR at least has in-body stabilization, unlike most cinema cameras, and most filmmakers will use a gimbal for running shots, regardless of which camera they use. (Note that the rattling you hear when the ZR is turned off is the sensor, which floats by design.)
Finally, I was able to capture good audio quality via an external microphone without any clipping worries thanks to the Nikon ZR’s 32-bit float internal audio capture. The company also touts directional capture using its built-in mics, but as with any such system, audio quality isn’t high enough for production use.
Wrap-up
With the ZR, Nikon has shown that it’s finally catching up to and even surpassing its rivals for content creation. Whether you’re doing social media, YouTube, documentaries or even film production, this camera is versatile and powerful with few compromises. Video quality and ease of use even beats models that are double or triple the price.
The ZR’s primary competition is in the low-end cinema cameras, particularly Sony’s $2,998 FX2 and the $3,899 Canon R5C. While more expensive, both come with an electronic viewfinder that the ZR lacks, and the R5C can shoot up to 8K video. Another option is Blackmagic Design’s Pyxis 6K camera, but it only offers basic autofocus capabilities and lacks in-body stabilization.
Compared to those options, Nikon’s ZR delivers better dynamic range thanks to the inclusion of RED’s R3D RAW codec. It also comes with an excellent autofocus system and decent in-body stabilization. If you’re a creator looking to get the best video quality for the money without losing those niceties, I’d highly recommend the ZR.
This article originally appeared on Engadget at https://www.engadget.com/cameras/nikon-zr-review-a-highly-capable-cinema-camera-at-a-reasonable-price-152634311.html?src=rss
Sony has launched its mid-range flagship mirrorless camera, the A7 V, with a strong emphasis on speed but a bit less on video than some may have hoped. The new model sports a 33MP partially stacked full-frame Exmor RS sensor and an all-new Bionz XR2 processor with built-in AI, powering what the company calls its fastest, most accurate subject-detect autofocus ever. At the same time, it can shoot 14-bit photos at up to 30 fps with 16 stops of dynamic range, the highest ever on a Sony (or nearly any other) camera.
On the video side, the A7 V now supports 4K 10-bit S-Log3 video at 60 fps using the full sensor width with supersampling from 7K. Note that to get full-width video in 4K 60 fps mode, you must turn on a feature called Angle of View Priority that turns off in-camera noise reduction but doesn't affect quality, according to Sony. 4K at 120 fps is also possible with an APS-C crop. The graphite heatsink disperses heat well, so you can record 90 minutes continuously at 4K 60 fps.
However, the A7 V doesn't offer any resolutions beyond that, unlike its primary rivals in this price range: the Canon R6 III (7K 60 fps), Nikon Z6 III (6K at 60 fps) and Panasonic S1 II (6K at 60 fps). Also surprisingly, there's no internal or external RAW capture, unlike all three rival cameras, with recording limited to Sony's XAVC (H.265 and H.264) formats.
Sony
Sony told Engadget that rather than RAW or 7K, it preferred to focus on features that it believes creators really want, namely sharp, high-quality 4K 60 fps that won't fill up your hard drive (along with fast and precise autofocus, of course). It also prioritized speed with the partially stacked shutter in order to reduce rolling shutter for full-frame video.
The company has a point that while RAW video provides extra quality, a single minute can take up gigabytes of space and requires a powerful PC for processing. That said, I'd personally like to have a 6K or 7K capture option in case I need to reframe a shot or output high-resolution vertical video. However, the A7 V can kind of do that itself with its Auto Framing mode that keeps a human in the scene and crops in on them automatically, like robotic cameraperson.
With all the extra speed, the A7 V can shoot 30 fps blackout-free RAW bursts with accurate AF and auto exposure in electronic shutter mode (with 14-bit RAW quality rather than 12-bit as before), or 10 fps with the mechanical shutter. There's no fully uncompressed RAW option, but it does support lossless compressed RAW and a new lightweight RAW format. It also supports extended RAW processing on PC with high-resolution output, along with 12 creative look presets with custom parameters.
With the new sensor and image processor, Sony is promising precise AF down to EV-4.0 in low light conditions, with 759 phase-detection points that cover about 94 percent of the image area. It also supports pre-capture and speed boost so you won't miss important moments in wildlife or sports photography. In terms of AI recognition, it now supports Human, Animal, Bird, Insect, Car/Train and Airplane detection, along with Auto Recognition of the target.
Sony
The A7 V's five-axis in-body stabilization delivers up to 7.5 stops of shake reduction, compared to 8.5 for Canon and Panasonic's latest models. It offers both Active and Dynamic Active modes depending on how energetically you're handling the camera, with the latter introducing some cropping.
The 2.1-million-dot rear display flips out for vloggers as before, but also tilts up and down for easier hip-level photography. The OLED electronic viewfinder has the same 3.69-million dot resolution as the A7 IV. Battery life via Sony's NP-FZ100 battery stretches out to 750 shots (CIPA), the best of any camera in this category. Rather than the dual-dual card slot configuration of the A1 II, the A7 V offers a hybrid CFexpress Type A (that only Sony uses) and SD UHS II slot, along with single SD UHS II slot. Other features include 3.5mm mic and headphone ports, a full-sized HDMI port, Wi-Fi 6 and two USB-C ports.
With the extra speed, high resolution compared to rivals and gain in picture quality, Sony's A7 V should appeal to hybrid shooters who focus on photography and so some video. It's now on pre-order starting at $2,899 ($3,099 with a kit lens) or $3,699/$3,899 CAD. It's due to start shipping on December 18, 2025, but only in limited numbers to start with.
This article originally appeared on Engadget at https://www.engadget.com/cameras/sonys-much-anticipated-a7-v-is-here-with-a-faster-33mp-sensor-and-4k-120p-video-140403371.html?src=rss
For such a tiny piece of tech, a good wireless microphone can have an outsize impact on the quality of your videos. If you've been waiting for a serious sale to pick up a mic of your own, Cyber Monday may be your chance. The DJI Mic Mini kit is on sale for more than half off: you can snag it for a mere $80. That's an all-time low price compared to the set's usual $170 price tag. The full package includes two mics, a receiver and a charging case, as well as two windscreens and other accessories.
Depending on what peripherals you need along with your wireless microphone, DJI has several other promising Cyber Monday deals. If you don't want the charging case, you can get the Mic Mini without for just $66, which is a of 45 percent discount. Another option is a bundle featuring a single mic, receiver, charging dock and accessories for $45, or 49 percent off the regular price.
DJI's Mic Mini microphones (transmitters) weigh just a third of an ounce and attach easily to subjects via magnets or clips. Everything pairs automatically and they offer high quality 24-bit, 20Hz to 20K Hz recording. They also connect easily to smartphones over Bluetooth and other DJI devices like the Action 5 Pro and Osmo Pocket 3 cams using DJI's OsmoAudio direct connection. With a range of 1300 feet and 48 hours of battery life with the charger case, they're an excellent addition to a creator's bag of tricks. Again, note that you can grab one a big cheaper without the charging case.
DJI's Mic Mini deal includes two mic transmitters and a receiver that can be connected to a camera or phone, along with the charging case, two windscreens, a splitter USB-C cable for charging, a 3.5mm camera audio cable, two magnetic clips, a smartphone adapter, a charging cable and a compact carrying case. At this price the deal may not last the week, so if you've been eyeing one, act quickly.
This article originally appeared on Engadget at https://www.engadget.com/deals/dji-cyber-monday-deals-include-the-mic-mini-kit-with-a-charging-case-on-sale-for-just-80-110007210.html?src=rss