Darth Maul’s standalone series premieres on Disney+ on April 6

Darth Maul, the beloved, sometimes spider-legged former Sith Lord first introduced in Star Wars: Episode 1 — The Phantom Menace, is officially getting his own animated spin-off on April 6, 2026, based on a new teaser trailer published by Disney. Star Wars: Maul — Shadow Lord was originally announced at Star Wars Celebration in 2025, and is set after Maul's arc in Star Wars: The Clone Wars but before his appearance in Star Wars: Rebels.

The 10-episode series covers Maul's plot to rebuild his criminal syndicate "on a planet untouched by the Empire," according to Lucasfilm. "There, he crosses paths with a disillusioned young Jedi Padawan who may just be the apprentice he is seeking to aid him in his relentless pursuit for revenge." Shadow Lord will premiere with two episodes on April 6, and will stream two episodes a week on Disney+ through May 6.

Like most of Disney's popular animated Star Wars shows, Maul — Shadow Lord is created by Dave Filoni, a George Lucas supplicant, co-creator of The Clone Wars and newly minted President and Chief Creative Officer at Luscafilm. Besides picking up the story threads he helped establish in his previous animated work, Maul — Shadow Lord could be representative of the work that will define his tenure: stories that play in the pre-existing Star Wars sandbox.

Since completing their sequel trilogy in 2019 with Star Wars: The Rise of Skywalker, Disney and Lucasfilm have struggled to define what the future of their franchise will actually be. New projects have languished in pre-production, interesting TV shows have gotten cancelled and the only things that seem to come out with any consistency are spin-offs of The Mandalorian and The Clone Wars. Disney and Lucasfilm will release The Mandalorian and Grogu on May 22, 2026, the first new Star Wars movie to hit theaters in seven years. The Shawn Levy-directed Star Wars: Starfighter, the first film set chronologically after the events of Rise of Skywalker, is slated to premiere on May 28, 2027.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/darth-mauls-standalone-series-premieres-on-disney-on-april-6-224036720.html?src=rss

David Ellison extends deadline for Warner Bros. Discovery takeover offer

Paramount Skydance CEO David Ellison is apparently still hopeful that investors will approve his $108.4 billion hostile takeover of Warner Bros. Discovery. Paramount Skydance announced Thursday that it's extending its all-cash offer to acquire the storied studio, and giving investors until February 20, 2026 to accept. The company's previous offer expired on January 21, but with a lawsuit in the works and a revised Netflix deal to compete with, Paramount Skydance wants to stay in the conversation.

Netflix and Warner Bros. Discovery originally announced their $82.7 billion acquisition agreement in December 2025. Netflix's deal is for a significant portion, but notably not all, of Warner Bros. Discovery as it exists today. If approved, the streaming service would acquire Warner Bros. film studios, New Line Cinema, HBO, HBO Max, the company's theme parks, game studios and select linear channels like TNT, but not the collection of reality TV and news programming that Warner Bros. Discovery calls “Global Networks.”

Paramount Skydance made its competing offer of $108.4 billion for all of Warner Bros. Discovery a few days later in December, with the recommendation that shareholders reject the Netflix deal. To add pressure, Paramount Skydance also sued Warner Bros. Discovery in January alleging that the company had not provided adequate information about why it favored Netflix over Paramount. Beyond offering more money, Paramount contends its deal is more likely to be approved by regulators because owning Warner Bros. doesn't "entrench Netflix's market dominance." Warner Bros. Discovery claims that funding for Paramount's deal "remains inadequate" and that the company is uncertain Paramount Skydance will actually be able to complete the deal.

David Ellison was previously able to merge Skydance with Paramount using the financial backing of his billionaire father Larry Ellison, and the Ellison family's friendly relationship with the Trump administration. Promising to make sure that CBS News represents "a diversity of viewpoints” via a newly appointed ombudsman, and that the merged Paramount Skydance won't create any diversity, equity and inclusion programs was enough to get the FCC to approve the merger. Ellison might have thought acquiring Warner Bros. Discovery would be equally easy, but at least so far that hasn't worked out as planned.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/david-ellison-extends-deadline-for-warner-bros-discovery-takeover-offer-204752313.html?src=rss

Netflix scores Oscar nominations for Frankenstein and KPop Demon Hunters

The nominees for the 2026 Academy Awards were just announced and Ryan Coogler's vampire-adjacent period drama Sinners received a record-breaking 16 nominations. That's the highest number of Oscar nominations for a single film in the history of the awards, followed by Titanic, La La Land and All About Eve with 14 noms each.

Sinners grabbed a nomination in nearly every major category, including Best Picture, Best Director and Best Original Screenplay. The same goes for the performances, as Michael B. Jordan captured the nomination for Best Actor. Even Delroy Lindo got nominated for Best Supporting Actor, which is his very first Oscar nomination after 50 years in the business.

Paul Thomas Anderson's One Battle After Another walked away with 13 nominations and Yorgos Lanthimos' Bugonia scored four. Apple's F1 actually got nominated for Best Picture, which is unusual for a popcorn-style blockbuster. Netflix scored Best Picture noms for both Frankenstein and Train Dreams.

Netflix also got its flowers for the international animated sensation KPop Demon Hunters. It got nominated for Best Animated Feature and, of course, Best Original Song.

The 98th annual Academy Awards will take place on March 15, with Conan O'Brien returning to host. It'll be broadcast live on ABC. The awards ceremony will be moving to YouTube in 2029.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/netflix-scores-oscar-nominations-for-frankenstein-and-kpop-demon-hunters-163521141.html?src=rss

AI Mode in Google search can now pull context from your other apps

After adding Personal Intelligence to Gemini as an opt-in experience, Google has announced that it’s also integrating the feature into AI Mode in Search. What Personal Intelligence does is pull information from your Google apps to tailor its responses based on your history and interests. For Search, in particular, you can allow Personal Intelligence to look for information in your Gmail accounts and Google Photos libraries.

If you use AI Mode to shop for clothes with the new feature enabled, for instance, Google could recommend items or models from a brand you previously purchased from. If it sees plane tickets or other reservations in Gmail, Google could also recommend specific items based on your destination and the season if you’re clothes shopping for that trip.

Personal Intelligence is powered by Google’s Gemini 3 AI model. The company says it doesn’t train its models using information from your Gmail inbox or Google Photos library, but it does use your prompts and AI Mode’s responses. Google also warned that sometimes, the feature’s recommendations could feel inaccurate because it could not fully comprehend the context or could make incorrect connections between separate topics.

At the moment, Personal Intelligence is an experimental feature that’s rolling out in Labs starting today. Google AI Pro and Ultra subscribers in the US, who use the service in English, will automatically have access to it and be able to connect AI Mode to Gmail and Google Photos. It will only be available to personal Google accounts, however, and not for Workspace accounts just yet.

This article originally appeared on Engadget at https://www.engadget.com/ai/ai-mode-in-google-search-can-now-pull-context-from-your-other-apps-160000103.html?src=rss

A-List creatives sign up to fight AI, say it enables ‘theft at a grand scale’

Scarlett Johannsson, R.E.M., Vince Gilligan and over 700 other artists are demanding that tech companies stop “stealing” their work in order to train AI models. A new campaign called “Stealing isn’t Innovation” demands that AI companies take “the responsible, ethical route” through licensing and partnerships, according to the website.

“America’s creative community is the envy of the world and creates jobs, economic growth and exports,” a statement on the website reads. “But rather than respect and protect this valuable asset, some of the biggest tech companies, many backed by private equity and other funders, are using American creators’ work to build AI platforms without authorization for copyright law.”

The group adds that the “illegal intellectual property grab” has resulted in an information ecosystem dominated by “misinformation, deepfakes and a vapid artificial avalanche of low-quality materials [‘AI slop’]… threatening America’s AI superiority and international competitiveness.”

OpenAI once argued that it’s “impossible” to train AI without copyrighted materials, since “copyright today covers virtually every sort of human expression.” However, actors, musicians and authors take issue with that idea, particularly when they see their likenesses or work repurposed as slop or worse by large language models (LLMs).

Johansson, for one, previously threatened OpenAI with legal action in 2024 over a ChatGPT voice assistant that effectively cloned her voice. More recently, Elon Musk’s Grok has been accused of creating millions of sexualized images of real people in just days, according to a report today from The New York Times.

“Big Tech is trying to change the law so they can keep stealing American artistry to build their AI businesses — without authorization and without paying the people who did the work. That is wrong; it’s un-American, and it’s theft on a grand scale,” the group proclaimed.

This article originally appeared on Engadget at https://www.engadget.com/ai/a-list-creatives-sign-up-to-fight-ai-say-it-enables-theft-at-a-grand-scale-140000475.html?src=rss

Spotify’s Prompted Playlist lets you describe exactly what you want to hear

Ahead of its upcoming price hike, Spotify is rolling out a more advanced AI playlist feature in the US and Canada. Prompted Playlist, which the company trialed in New Zealand late last year, lets subscribers "control the Spotify algorithm," as the company describes it. "You're not just asking for music, you're shaping how Spotify goes about discovering it for you."

For example, you can guide it to make a playlist of songs you've saved to your Library but haven't listened to yet. (It can tap into your entire Spotify history.) Or, you can tell it to round up songs from a specific television show or movie. (It uses real-time information about pop culture, charts, and history.)

The feature includes options to refresh the playlist over time (daily or weekly). You can edit each playlist's prompt at any time. Each track will include a short note to explain why it was chosen.

Four screens showing the steps to produce a Spotify Prompted Playlist
The standard AI Playlist creator will remain alongside the new Prompted Playlist.
Spotify

Spotify says beta testers have used Prompted Playlist to revisit songs tied to specific moments and filter out tracks they've overplayed lately. "Others are asking for long, lyric-free electronic playlists to power through a workday, or mixing in artists connected to current pop culture moments and viral trends," the company wrote.

There's room for some confusion here because Spotify already has an "AI Playlist" feature. That simpler type will stick around alongside the new "Prompted" variety, which allows for finer tuning and can sift through more data.

Prompted Playlist will be available to Spotify Premium subscribers in the US and Canada "by the end of the month." Once you have access, you can try it by tapping Create, then selecting Prompted Playlist.

This article originally appeared on Engadget at https://www.engadget.com/audio/spotifys-prompted-playlist-lets-you-describe-exactly-what-you-want-to-hear-140000153.html?src=rss

Meta is expanding Threads ads to all users globally

Threads has grown enough for Meta to fully integrate it into its advertising machine. On Wednesday, the company said that, with the platform now hosting 400 million monthly active users, ads are expanding globally to all users. The inevitable move follows a test in 30 countries early last year.

Ads on Threads are powered by Meta's AI-powered advertising system. They'll use the "same level of personalization" (i.e., tracking and profiling) as Facebook and Instagram. Image, video and carousel ad formats will all appear natively in Threads feeds.

Meta said the ad expansion will begin next week, but the full rollout will take months. "Ads on Threads expansion to all users will be gradual, with ad delivery initially remaining low as we reach global user availability in the coming months," the company wrote in a blog post.

This article originally appeared on Engadget at https://www.engadget.com/social-media/meta-is-expanding-threads-ads-to-all-users-globally-183900226.html?src=rss

For All Mankind returns on March 27 for a fifth season

Apple TV+ has become one of the best streaming services for sci-fi, with hits like Pluribus, Severance, Foundation and many more. There are so many shows that it's easy to forget the one that started it all. For All Mankind was the platform's very first attempt at sci-fi and it's finally coming back after two years for season five on March 27.

The next season will run for ten episodes on a weekly basis. It concludes on May 29, with new installments dropping each Friday.

What follows are some slight spoilers for the show, so read with caution. The streamer dropped a short teaser to announce the release date and it shows Alex Baldwin, grandson of the show's original star, careening around Mars on some sort of motorcycle.

For All Mankind started as an alt-history show that explored what would happen if Russia beat the USA to the moon in the 1960s. However, it has since become famous for time jumps. The next installment takes place in an alternate version of the 2010s and continues the story of competing space agencies after turning Mars into a viable colony.

He is old now.
Apple

Many of the original stars are still kicking around, but the characters are extremely old at this point. Check out this image of an aged Ed Baldwin, still played by Joel Kinnaman. Other returning cast members include Edi Gathegi, Coral Peña and Wrenn Schmidt. New cast members include Sean Kaufman, Mireille Enos, Costa Ronin, Ruby Cruz and Ines Asserson.

The show doesn't get a lot of buzz when compared to some of Apple TV's newer sci-fi properties, but it must still get eyeballs. The platform recently announced a spinoff that will be set in the Soviet Union. It's called Star City but we don't have much information beyond that.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/for-all-mankind-returns-on-march-27-for-a-fifth-season-183212860.html?src=rss

The Prince of Persia: The Sands of Time remake among six games canceled by Ubisoft

Two high-profile upcoming Ubisoft games have been starting to look more and more like vaporware with each passing year. One of them is Beyond Good & Evil 2, which we were assured is still in development last year. The other is the Prince of Persia: The Sands of Time remake, which is now officially canceled, along with five other games on Ubisoft’s release slate.

The news came in a media briefing attended virtually by VGC, in which the French company also announced delays to seven other games as part of a major restructuring. As reported by VGC, the only canceled game currently named by Ubisoft is the remake of its 2003 classic, which was first announced in 2020 and has by all accounts been in various stages of development hell ever since. Three of the others were original new IPs and one was a mobile game.

Ubisoft isn’t putting names to the more than half dozen delayed games either, but VGC’s report says one was supposed to come out in the first quarter of this year, and will now release before April 2027. While it’s yet to be officially announced, a remake of Assassin’s Creed: Black Flag has been heavily rumored for several months and is likely one of the games that has slipped.

Ubisoft also outlined its new organizational model, which will see the company split into five "creative houses" that function as independent business units. One of these is the previously announced, Tencent-backed Vantage Studios, which will oversee a number of the company’s flagship franchises, including Rainbow Six, Assassin’s Creed and Far Cry.

In its Wednesday briefing, Ubisoft also confirmed recent reports that it’s closing its Stockholm and (recently unionized) Halifax studios, with others, including Star Wars Outlaws developer Massive Entertainment due to be restructured as a result of the new model. Ubisoft declined to tell VGC exactly how many layoffs could occur in the wake of the large-scale reorganization of the company.

This article originally appeared on Engadget at https://www.engadget.com/gaming/the-prince-of-persia-the-sands-of-time-remake-among-six-games-canceled-by-ubisoft-175801132.html?src=rss

Netflix mobile app redesign will offer ‘deeper integration’ of vertical video

After testing the feature for the last six months or so, Netflix said it will bring vertical videos to its mobile app sometime later in 2026, TechCrunch reported. So far, the feature has been used to show clips promoting Netflix films and TV shows, letting you swipe to move to the next one à la TikTok or YouTube Shorts.

Going forward, though, it could also serve as a promotion tool for new types of programs. “You can imagine us bringing more clips based on new content types, like video podcasts,” co-CEO Greg Peters said in an earnings call.

That was another subject of discussion, as Netflix is taking on YouTube with new video podcasts. The company debuted the first of those originals last week, including shows from sports commentator Michael Irvin and comedian Peter Davidson. It’s also offering hosting content like the Bill Simmons Podcast and other shows from The Ringer.

Despite increasing competition from YouTube and other social media networks, Netflix is doing all right. In 2025, the company saw $45.2 billion revenue including $1.5 billion in ad dollars from its lower tier subscriptions. The streamer counted 325 million paid subscribers around the world at the end of last year.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/netflix-mobile-app-redesign-will-offer-deeper-integration-of-vertical-video-120000820.html?src=rss