Apple is rumored to release the iPhone 17e on February 19, 2026, as the latest addition to its budget-friendly E series. This mid-cycle launch emphasizes practicality and affordability, offering users a modern iPhone experience without the premium price tag. By reusing the iPhone 16’s design and selectively upgrading key features, Apple aims to strike a […]
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What if the key to never losing your most valuable items again was as simple as a sticker? In a recent YouTube feature, tech creator Alex from “Innovate Now” dives into Bitmo Lab’s latest innovation, the MeetSticker, a innovative tracking device that’s as thin as a piece of paper. Unlike the clunky trackers we’ve come […]
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What if you could build a gaming PC in 2026 that delivers smooth 1440p performance without burning a hole in your wallet? Sounds too good to be true, right? Well, ETA Prime explains how a strategic mix of refurbished components and smart hardware choices can make this dream a reality. By using Intel’s 12th Gen […]
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Most coat hangers exist somewhere between purely functional and aggressively boring. They’re the things we grab without thinking, the wire creatures that multiply mysteriously in closets, or the bulky wooden ones that restaurants seem to breed. But every so often, a design comes along that makes you stop and reconsider something as mundane as a place to hang your jacket.
That’s exactly what happened when Swedish design firm Taf Studio created a coat hanger made entirely of veneer back in 2012. This wasn’t your grandmother’s wooden hanger. This was something that looked more like a sculptural whisper than a closet staple.
Designer: Taf Studio
The design itself is surprisingly simple, which is often the hardest thing to pull off. Taf Studio took thin sheets of veneer and created a form that’s both structural and delicate. It bends and curves in ways that seem to defy the material’s fragility, creating a piece that hovers somewhere between furniture and art installation. Looking at it, you might wonder if it could actually hold anything heavier than a silk scarf. But that tension between apparent delicacy and actual function is precisely what makes it interesting.
What’s even more compelling is that this hanger was never meant to be mass-produced. Taf Studio was approached by two influential concept shops, Merci in Paris and Cibone in Tokyo, to create something special. The brief? Design a limited edition of just ten coat hangers to be sold exclusively for charity. Ten hangers. Not a thousand. Not a production run. Just ten. This kind of exclusivity might seem precious or inaccessible, but there’s something refreshing about design that knows what it is. Not everything needs to be scalable or available at every price point. Sometimes a concept exists to push boundaries, to make people reconsider what’s possible with familiar materials, or to raise money for a good cause. This hanger did all three.
The exhibition at Cibone was curated by Daniel Rozensztroch and initiated by Macy Okokawa, bringing together design communities from two cities that take aesthetics seriously. Paris and Tokyo both have reputations for appreciating craftsmanship and conceptual thinking. They’re places where people actually care about the intersection of form and function, where a coat hanger isn’t just a coat hanger if it’s done thoughtfully.
Veneer itself is an interesting material choice. It’s wood at its most vulnerable, sliced so thin you can almost see through it. Furniture makers typically use it to cover cheaper materials, to give the appearance of solid wood without the cost or weight. But Taf Studio flipped that convention. Instead of hiding veneer or using it as a facade, they made it the star. They worked with its natural flexibility and warmth, letting the material dictate the form rather than forcing it into something it wasn’t meant to be.
There’s a larger conversation happening here about disposable design versus meaningful objects. We live in an era where you can order a pack of fifty plastic hangers for less than the cost of lunch. They’ll arrive tomorrow, they’ll work fine, and they’ll probably outlive you in a landfill somewhere. The Taf Studio hanger exists in direct opposition to that mentality. It’s asking whether we might want fewer, better things. Whether the objects in our homes could matter beyond their basic function. Of course, for most people, a limited edition charity coat hanger isn’t a realistic option. That’s not really the point. The value in projects like this isn’t about accessibility. It’s about possibility. When designers take everyday objects and reimagine them without the constraints of mass production or price points, they create new visual vocabularies. They show us what could be.
The beauty of the veneer hanger is that it makes you look twice at something you’d normally ignore completely. It transforms a utilitarian object into something worth considering, worth discussing, maybe even worth writing about. That transformation is what good design does. It doesn’t just make things prettier or more efficient. It changes how we see the world around us, one thin sheet of wood at a time.
The post This Charity Hanger Was Made From Paper-Thin Wood Sheets first appeared on Yanko Design.
Apple is reportedly preparing to launch its most advanced MacBook Pro models to date, incorporating significant updates such as OLED displays, touchscreen functionality, and the next-generation M6 Pro and M6 Max chips. Expected to debut between late 2026 and early 2027, these updates mark the most substantial redesign since the 2021 MacBook Pro models. With […]
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What if your AI assistant could not only save you time but also adapt to the way you work? Mike Tholfsen takes a closer look at how Microsoft Copilot’s nine new features for 2026 are transforming productivity and collaboration with innovations that feel almost futuristic. From smarter file organization to AI-driven teamwork enhancements, these updates […]
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Apple’s highly anticipated M5 Pro and M5 Max MacBook Pros have yet to make their debut, leaving many tech enthusiasts, including you, eager for updates. While Apple has remained characteristically silent, several indicators suggest the launch is imminent. Clues from internal software updates, supply chain movements, and dwindling inventory levels hint at significant developments behind […]
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What if your streaming service actually understood your viewing habits, and your budget? Below, Phones And Drones breaks down how YouTube’s new personalized bundles are shaking up the streaming world, promising tailored content at a lower price point. Imagine swapping out a bloated channel lineup for a streamlined package that fits your interests, whether you’re […]
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Samsung is reportedly preparing to expand its foldable smartphone lineup with the highly anticipated Galaxy Z Fold 8 Wide, a device that could significantly influence the foldable market. Recent leaks from the GSM AIMEI database reveal multiple model numbers, hinting at a comprehensive global release strategy. With its wider display and innovative aspect ratio, the […]
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Sometimes the best architecture happens when designers refuse to accept what’s been left behind. The Hangzhou Empathy Museum, completed in 2025 by TAOA, is one of those rare projects that transforms architectural leftovers into something genuinely captivating. What started as an abandoned community project in Hangzhou’s Xiaoshan District has become a striking contemporary art space that seems to hover above the ground.
The museum’s exterior is its boldest statement. TAOA wrapped the structure in wave-like stainless steel and anodized aluminum panels that create this hypnotic, continuous curve around the building. It’s the kind of facade that changes throughout the day as light hits it from different angles, turning reflections into part of the architectural experience. The transparent curved panels don’t just look beautiful, they give the building its own visual rhythm that sets it apart from the typical boxy structures you’d expect in a residential neighborhood.
Designer: TAOA
At just 1,628 square meters total, with only 570 square meters above ground, this isn’t a sprawling cultural complex. It’s intentionally compact, which actually works in its favor. The smaller footprint means every space has to earn its place, and architect Tao Lei’s team made that constraint part of the design philosophy. Instead of spreading out horizontally, the museum digs down with two basement levels dedicated to exhibition space while the upper floors handle reception areas and more intimate gathering spots.
What makes this project particularly interesting is how it solves the problem most underground galleries face: the dungeon effect. Nobody wants to view art in a windowless concrete box that feels disconnected from the outside world. TAOA created a vertical void that cuts through the building, tapering as it moves up through each floor. This central opening brings natural light down into those basement galleries, so even when you’re two floors below street level, you’re not completely cut off from daylight and sky.
The interior spaces balance openness with intimacy. The first floor serves as the main reception and leisure area, easing visitors into the experience before they descend to the exhibition spaces. On the second floor, stairs hide behind decorative louvers that add texture and filter light. By the time you reach the third floor, you find an island platform and a lounge area, perfect for those moments when you need to step away from the art and just process what you’ve seen.
The material palette is restrained but sophisticated. Alongside the stainless steel and aluminum exterior, TAOA incorporated aluminum mesh, stone, and rock panels throughout the building. These aren’t flashy choices, but they create subtle variations in texture and light that keep the spaces from feeling monotonous. It’s the kind of design thinking that doesn’t announce itself loudly but rewards people who actually spend time in the space.
What’s refreshing about the Hangzhou Empathy Museum is its purpose. This isn’t a vanity project or a billionaire’s private collection disguised as public culture. It’s genuinely meant to serve the community, with a focus on contemporary art exhibitions that will rotate and evolve. The name itself, Empathy Museum, suggests an intention to create connection rather than just display objects behind glass.
The renovation took three years from initial design in 2022 to completion in 2025, which seems reasonable given the complexity of converting an unfinished shell into a functioning cultural space. TAOA collaborated with specialists in curtain walls, structural engineering, landscape design, lighting, and construction to pull this off, which explains the cohesive feel of the final result.
Architecture like this matters because it shows what’s possible when designers look at incomplete or abandoned structures not as problems to demolish but as opportunities to reimagine. Every city has these half-finished projects, relics of changed plans or economic shifts. Most get torn down or sit empty. The Hangzhou Empathy Museum proves that with the right vision, these spaces can become community assets that add beauty and culture to their neighborhoods.
The post An Abandoned Building Just Became China’s Most Reflective Museum first appeared on Yanko Design.