From Weeks to Days: Inside Europe’s Fastest 3D-Printed Housing Development

In the small Danish town of Holstebro, something remarkable is unfolding. Skovsporet, which translates to “The Forest Trail,” is rewriting the rules of residential construction as Europe’s largest 3D-printed housing development. Designed by SAGA Space Architects, this 36-apartment student village represents more than technological innovation—it’s a glimpse into how we might build affordable housing in the future. The project’s ambition is matched by its execution, combining cutting-edge construction technology with thoughtful design principles that prioritize both human comfort and environmental stewardship.

Six buildings, each containing six student apartments, form a connected community near VIA University College’s campus. What makes this development extraordinary isn’t just its scale but the speed at which it’s coming together. The first building took several weeks to print, a timeline that seemed impressive on its own. By the final structure, however, that timeline collapsed to just five days. That’s more than one apartment per day, a pace that would make traditional construction methods seem glacial by comparison. This dramatic improvement demonstrates how 3D printing technology becomes more efficient with each iteration, learning and optimizing as it goes.

Designer: SAGA Space Architects

SAGA Space Architects approached this project with a clear vision: create genuine homes, not just proof-of-concept structures. Each apartment spans 39 to 50 square meters and includes everything students need—kitchen, study area, lounge, bathroom, and double bed. Large roof windows punctuate the slanted ceilings, flooding the compact spaces with natural light and creating an atmosphere of openness despite the modest footprint. The architects understood that 3D-printed concrete walls, while structurally impressive, could feel cold and industrial. They deliberately softened this with warm timber finishes and modern glass elements, creating spaces that feel inviting rather than experimental, comfortable rather than clinical.

The printing process itself reveals an elegant efficiency. COBOD’s BOD3 printer, operated by 3DCP Group, deposits concrete with millimeter precision, building walls layer by layer exactly where structural support is needed. This approach dramatically reduces material waste compared to conventional construction, where excess materials often end up in landfills. There’s a philosophy embedded in this method—nothing excess, nothing wasted. The printer creates only what’s necessary, achieving both structural integrity and environmental responsibility through the same process. This waste reduction represents not just cost savings but a fundamental rethinking of how construction materials should be used.

What truly sets Skovsporet apart is its respect for the natural environment. The site was originally wooded, and rather than clear it for easier construction, the team worked around existing trees. Print beds were carefully positioned to preserve 95 percent of the original vegetation, a remarkable achievement that required precise planning and flexibility. Walking through the development, you’ll find century-old trees standing between clusters of apartments, their canopies providing shade and character. The main concrete printing phase wrapped up in November 2025, marking a significant milestone. Roof structures are now being installed while interior work progresses on schedule, with students expected to move into their 3D-printed homes in August 2026.

The implications extend far beyond student housing in a small Danish town. With affordable housing shortages affecting cities across Europe and beyond, Skovsporet offers a compelling alternative to traditional development models. The speed, reduced waste, and scalability of this approach could reshape how we think about residential construction, particularly for social and affordable housing projects where budgets are tight and demand is high. For SAGA Space Architects, Skovsporet represents the successful transition of 3D printing technology from novelty to a viable housing solution. What began as an idea just two years before construction started is now a functioning neighborhood, proving that radical innovation in architecture doesn’t require sacrificing livability, sustainability, or design quality.

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This Curved-Light Overhaul Rewrites How a Taiwanese Apartment Breathes and Feels

In the dense fabric of Taichung City, where many apartments follow a predictable rhythm of boxed rooms and tight circulation, one home has been quietly re-scripted into something far more uplifting. Very Studio | Che Wang Architects took a standard Taiwanese unit – one that had long conformed to the typical formula of interior-facing public spaces – and reimagined it as a sanctuary of white light, flowing curves, and subtle sensory cues. The transformation is not dramatic in gesture, but in ethos. The designers approached the project as an opportunity to create a gentler way of inhabiting space.

Before renovation, the apartment suffered from a condition that many urban Taiwanese homes share: the living and dining spaces sat deep in the centre, encircled by rooms that blocked natural light and ventilation. Only one opening on the south side offered sunlight, creating an uneven distribution of brightness and a general feeling of being enclosed. The home wasn’t dysfunctional, but it lacked the openness and warmth that contemporary living often requires.

Designer: Very Studio | Che Wang Architects

The architects began by overturning the logic that kept the apartment so compartmentalised. Instead of adhering to a rectilinear grid, they introduced a pentagon-shaped spatial order—an entirely new geometry that subtly reshaped the experience of moving through the home. By replacing rigid corners with angled walls, they created sightlines that extend rather than stop, and movement paths that feel organic instead of imposed. Light, travelling across these oblique surfaces, gains softness; shadows no longer cut sharply but instead drift gradually, as if sliding across curved paper.

This new spatial framework allowed the team to reorganise the shared spaces more effectively. By opening up the north, west, and south sides, the apartment no longer depends on a single window for illumination. Sunlight now enters from multiple directions, diffusing evenly through the white interior. Air moves more naturally, creating a cross-ventilation pattern that makes the home feel physically lighter and far more comfortable. What used to be the darkest portion of the unit is now the most breathable—an airy core shaped by light rather than walls.

A particularly thoughtful move was the architects’ decision to use sound as a spatial differentiator. Instead of carving the open area into smaller segments, they gave each pentagonal zone a dome-shaped ceiling. These domes alter acoustics subtly: a soft concentration of sound in one zone hints at gathering space; a more diffused quality in another suggests circulation or transition. This sensory layering allows the home to maintain openness while still creating distinct functional pockets. Lighting concealed around the curves of each dome adds a floating glow that enhances this sense of layered depth.

The result is a home that feels both minimal and richly atmospheric. Arches lead sunlight inward; curves erase the harshness of structural edges; air movement becomes part of the spatial choreography. Nothing is loud, yet everything is intentional. The apartment no longer behaves like a series of rooms; it behaves like an environment.

What this project ultimately demonstrates is the power of reframing the basics. With a few bold shifts in geometry and a heightened sensitivity to light, air, and sound, even an unremarkable apartment can become an unexpectedly serene refuge. Good design doesn’t always announce itself; sometimes it simply makes living feel quieter, clearer, and more considered.

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This Extremely Small Micro-Apartment Makes A Compact Tiny Home Look Spacious & Large

This unique micro-apartment is probably one of the smallest apartments in the world, and it is named the Cabanon. The Cabanon measures around 74 square feet and is tremendously small, However, the home is equipped with a pretty clever layout and folding furniture, which allows users to make the most of such a small space. The home is much more equipped than you would expect and even manages to house a bath and a spa area. The name is inspired by a cabin of the same name, which is owned by the famous architect Le Corbusier. The home is designed by Beatriz Ramo of STAR strategies + architecture and Bernd Upmeyer of BOARD (Bureau of Architecture Research and Design), and they will make it their second home.

Designer: Beatriz Ramo of STAR strategies + architecture and Bernd Upmeyer of BOARD

The little apartment is built in a former attic space in a 1950s residential building located in Rotterdam, the Netherlands. The room was initially used for storage, and if you compare it to a tiny home, you’ll find the tiny home quite spacious. The apartment has a height of 9.1 feet, a width of 6.5 feet, and a length of 11.9 feet. The entire space has been sectioned into four areas. The bedroom is elevated and can be accessed via a removable ladder, which is stored away on the bathroom door. The bathroom is equipped with a toilet and rain shower and is connected to a spa area, amped with two infrared saunas and a whirlpool bath.

The living room and kitchen are one section, and it includes a big storage unit that conceals a sink, fridge, table, and cooking facilities. The pictures give us a better look into how this space is designed. The Cabanon is a truly innovative design, however, the designers don’t see it as a viable plan for future housing, but it is a great example of how small spaces can be better utilized. The apartment focuses on cost-cutting initiatives while making the most of a lack of sufficient space.

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45 square meter Ukraine apartment fuses vintage and contemporary look

One of my home-related dreams is to have a space that is completely designed and customized according to my aesthetic of the moment (which of course, changes every few years or so). And of course, I will probably have just a small space because of budget considerations and also I prefer to have something smaller so it will be easier to clean. For now, I will have to live vicariously through all these spaces I’m writing about and this one is a pretty good dream to have.

Designer: Between the Walls

Between the Walls is a modern design interior studio and one of their newest projects is for their co-founder Victoria Karieva. They designed a vintage but contemporary space for her 45 square meter apartment in Kyiv, Ukraine, incorporating her love for cats and contemporary art as well as several heirloom pieces from her family. The centerpiece of the place is the kitchen combined with the guest room which has a 150-year-old restored cabinet and a 200-year-old icon from her husband’s family.

Since the theme is vintage mixed with contemporary, you also see a mixture of flea market and modern pieces. There are 70s vintage leather chairs and flea market chairs next to a marble round table. There are other smaller touches which play into her love for art, like a handmade wool lamp by a local artist named Nicholas Moon and two paintings by Anton Sayenko. There’s also a “secret” in this space: a sauna that is hidden in a closet. The rest of the apartment uses natural materials like stone, tiles, plywood, with the bathroom using Italian Vague titles. There’s also a lot of storage space even if it’s a small area.

The way the apartment is decorated shows that even if it’s a small area, you can still have a lot of space incorporated with the various small vintage and contemporary furniture. It seems like a perfect space for a couple, with a couple of cats thrown in. As a single woman without a cat, this is something to aspire for, at least in my dreams.

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