The BALLET compass is sheer temptation for stationery lovers

Some call it compass, some call it rounder, I call it absolutely breathtaking. Designed with a minimal appeal that one often doesn’t see in geometry tools, the Ballet is a beautifully simplistic compass (yes, that’s the technical term for it) that looks as beautiful as a uni-body metal pen. Milled to precision from what I reckon is aluminum, the Ballet is perfectly cylindrical, with a hint of a parting line running vertically down the center, giving you a compass that splits into two, pivoted near the top. The Balance also comes with two knobs, one to control the tightness of the pivot, and the other one to deploy and secure the graphite lead. The lead itself is an interesting detail too. Rather than have a separate lead and a needle, the Ballet merges the two together, almost how ballerinas’ feet look when they’re posing on their tip-toes. The detail right at the bottom is singular, and is half needle, half lead. Open the compass out and the two separate, becoming two individual volumes, just like the compass’ legs!

Designers: Andreu Gadea and Jorge Ros (Maki Studio)

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I am a professional dancer. No really, my other job involves not just performing, but also running and directing the Ballet Theatre of Indiana. That’s why this particular GoPro video caught my eye. Normally, GoPro videos are a shaky capture of some dude with a soul patch doing something “extreme,” but this wasn’t. This was dance, and yes, it was also extreme.

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Every piece I’ve ever performed in or choreographed involved one or more people standing on the floor and doing cool stuff. Gravity, being what it is, gets pretty annoying. You can jump until your quads feel like they’re on fire, but it’s unlikely that you’ll be able to spend 10 seconds sailing through the air or manage more than three turns before hitting the ground. If you do manage the elusive triple saut de basque, it will no doubt be followed by the phrase “did anybody see that?” but I digress. These two dancers decided to give gravity the finger and just do what they want by simply picking a sideways floor, otherwise known as a wall, and dancing on that instead. The result is awesome and beautifully alien-looking.

Daddy like.

[via YouTube]

If Ballet Shoes Could Kill… Oh Wait, This Pair Probably Could!

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Talk about killer dance moves.

I’m not referring to Miley Cyrus and her set at the VMAs, but rather, I’m talking about ballerina Amélie Ségarra and a short number she does wearing ballet shoes that have knives attached to them. Yes, knives. But that’s not all. The kicker has got to be the fact that Amélie’s stage happens to be a piano that she scars and destroys as she dances.

The ballerina appears as an eerie figure expressing effort, sacrifice and pain in her strive for perfection. Both fragile and cruel. Initially shy and hesitant, her steps become more and more emphatic, menacing and not exempt of violence, scraping and cutting into the delicate surface of the piano with her sharp pointe shoes.

The piece is by Javier Perez, who attempts to investigate and reflect on the human condition by presenting such a sharp contrast (and yes, pun intended.)

VIA [ Geekologie ]