Grand Theft Auto VI’s return to Vice City is officially scheduled for fall 2025. On Thursday, parent company Take-Two Interactive wrote in its Q4 2024 earnings report that it’s narrowed GTA 6’s previously announced 2025 window to autumn of next year.
“Our outlook reflects a narrowing of Rockstar Games’ previously established window of Calendar 2025 to Fall of Calendar 2025 for Grand Theft Auto VI,” Take-Two Chairman and CEO Strauss Zelnick wrote in the earnings report. “We are highly confident that Rockstar Games will deliver an unparalleled entertainment experience, and our expectations for the commercial impact of the title continue to increase.”
The sixth mainline installment in the open-world series will be set in Leonida (Rockstar’s Florida equivalent), focused mostly on Vice City (Miami). The game appears to have a contemporary setting, as opposed to the charming '80s cheese from 2002’s Grand Theft Auto: Vice City. You can catch a glimpse of protagonists Jason and Lucia in the trailer below.
This article originally appeared on Engadget at https://www.engadget.com/grand-theft-auto-6-will-arrive-in-fall-2025-205513138.html?src=rss
Grand Theft Auto VI’s return to Vice City is officially scheduled for fall 2025. On Thursday, parent company Take-Two Interactive wrote in its Q4 2024 earnings report that it’s narrowed GTA 6’s previously announced 2025 window to autumn of next year.
“Our outlook reflects a narrowing of Rockstar Games’ previously established window of Calendar 2025 to Fall of Calendar 2025 for Grand Theft Auto VI,” Take-Two Chairman and CEO Strauss Zelnick wrote in the earnings report. “We are highly confident that Rockstar Games will deliver an unparalleled entertainment experience, and our expectations for the commercial impact of the title continue to increase.”
The sixth mainline installment in the open-world series will be set in Leonida (Rockstar’s Florida equivalent), focused mostly on Vice City (Miami). The game appears to have a contemporary setting, as opposed to the charming '80s cheese from 2002’s Grand Theft Auto: Vice City. You can catch a glimpse of protagonists Jason and Lucia in the trailer below.
This article originally appeared on Engadget at https://www.engadget.com/grand-theft-auto-6-will-arrive-in-fall-2025-205513138.html?src=rss
On Wednesday, the US House of Representatives passed a bill that could provide at least some accountability for Ticketmaster and other live event vendors. NBC Newsreports the TICKET Act (not to be confused with the Senate’s separate bill with the same try-hard acronym) would mandate that ticket sellers list upfront the total cost of admission — including all fees — to buyers.
In addition to the full pricing breakdown, the bill would require sellers to indicate whether the tickets are currently in their possession. It would also ban deceptive websites from secondary vendors and force sellers to refund tickets to canceled events. The bill doesn’t appear to address price gouging or extravagant fees.
It now moves to the Senate, which is floating two separate event-reform bills: the other TICKET Act and a bipartisan Fans First Act. The latter was introduced in December to strengthen the 2016 BOTS Act that bars the use of bots to buy tickets, a practice that Taylor Swift fans (among others) can attest is still all too common.
Reforming the ticketing industry became a political point-scoring item in late 2022 after Ticketmaster’s Taylor Swift fiasco. The Live Nation-owned service, which has a stronghold on the industry, melted down as millions of fans battled “a staggering number” of bots. Ticketmaster said presale codes reached 1.5 million fans, but 14 million (including those pesky bots) tried to buy tickets.
Live Nation President and CFO Joe Berchtold testified in front of the Senate Judiciary Committee in January 2023, where he largely passed the buck to Congress to fix the mess. He suggested the government strengthen the BOTS Act, which one of the Senate’s bills would try to do. During the hearing, Senator Richard Blumenthal (D-CT) needled the executive for dodging blame, accusing the company of pointing the finger at everyone but itself.
Representatives Gus Bilirakis (R-FL), Jan Schakowsky (D-IL), Cathy McMorris Rodgers (R-WA) and Frank Pallone Jr. (D-NJ) issued a joint statement on Wednesday about the House’s TICKET Act. “This consensus legislation will end deceptive ticketing practices that frustrate consumers who simply want to enjoy a concert, show, or sporting event by restoring fairness and transparency to the ticket marketplace,” the group wrote. “After years of bipartisan work, we will now be able to enhance the customer experience of buying event tickets online. We look forward to continuing to work together to urge quick Senate passage so that we can send it to the President’s desk to be signed into law.”
Artists publicly supporting legislation to combat the ticketing industry’s failures include (among others) Billie Eilish, Lorde, Green Day, Cyndi Lauper, Jason Mraz and Dave Matthews. “We are joining together to say that the current system is broken: predatory resellers and secondary platforms engage in deceptive ticketing practices to inflate ticket prices and deprive fans of the chance to see their favorite artists at a fair price,” a joint letter from over 250 musicians reads.
This article originally appeared on Engadget at https://www.engadget.com/us-house-passes-ticket-act-to-force-event-pricing-transparency-202852148.html?src=rss
On Wednesday, the US House of Representatives passed a bill that could provide at least some accountability for Ticketmaster and other live event vendors. NBC Newsreports the TICKET Act (not to be confused with the Senate’s separate bill with the same try-hard acronym) would mandate that ticket sellers list upfront the total cost of admission — including all fees — to buyers.
In addition to the full pricing breakdown, the bill would require sellers to indicate whether the tickets are currently in their possession. It would also ban deceptive websites from secondary vendors and force sellers to refund tickets to canceled events. The bill doesn’t appear to address price gouging or extravagant fees.
It now moves to the Senate, which is floating two separate event-reform bills: the other TICKET Act and a bipartisan Fans First Act. The latter was introduced in December to strengthen the 2016 BOTS Act that bars the use of bots to buy tickets, a practice that Taylor Swift fans (among others) can attest is still all too common.
Reforming the ticketing industry became a political point-scoring item in late 2022 after Ticketmaster’s Taylor Swift fiasco. The Live Nation-owned service, which has a stronghold on the industry, melted down as millions of fans battled “a staggering number” of bots. Ticketmaster said presale codes reached 1.5 million fans, but 14 million (including those pesky bots) tried to buy tickets.
Live Nation President and CFO Joe Berchtold testified in front of the Senate Judiciary Committee in January 2023, where he largely passed the buck to Congress to fix the mess. He suggested the government strengthen the BOTS Act, which one of the Senate’s bills would try to do. During the hearing, Senator Richard Blumenthal (D-CT) needled the executive for dodging blame, accusing the company of pointing the finger at everyone but itself.
Representatives Gus Bilirakis (R-FL), Jan Schakowsky (D-IL), Cathy McMorris Rodgers (R-WA) and Frank Pallone Jr. (D-NJ) issued a joint statement on Wednesday about the House’s TICKET Act. “This consensus legislation will end deceptive ticketing practices that frustrate consumers who simply want to enjoy a concert, show, or sporting event by restoring fairness and transparency to the ticket marketplace,” the group wrote. “After years of bipartisan work, we will now be able to enhance the customer experience of buying event tickets online. We look forward to continuing to work together to urge quick Senate passage so that we can send it to the President’s desk to be signed into law.”
Artists publicly supporting legislation to combat the ticketing industry’s failures include (among others) Billie Eilish, Lorde, Green Day, Cyndi Lauper, Jason Mraz and Dave Matthews. “We are joining together to say that the current system is broken: predatory resellers and secondary platforms engage in deceptive ticketing practices to inflate ticket prices and deprive fans of the chance to see their favorite artists at a fair price,” a joint letter from over 250 musicians reads.
This article originally appeared on Engadget at https://www.engadget.com/us-house-passes-ticket-act-to-force-event-pricing-transparency-202852148.html?src=rss
YouTube said it would comply with an order blocking access to videos of Hong Kong’s protest anthem inside the region, according to The Guardian. The platform’s decision comes after an appeals court banned the protest song “Glory to Hong Kong,” which the largely China-controlled government (predictably) framed as a national security threat.
Alphabet, YouTube and Google’s parent company, followed its familiar playbook of legally complying with court orders undermining human rights while issuing statements puffing up its advocacy for them. “We are disappointed by the Court’s decision but are complying with its removal order,” YouTube’s statement to The Guardian said. “We’ll continue to consider our options for an appeal, to promote access to information.”
Alphabet reportedly told the outlet the block would take effect immediately inside the region. It added that it shares the concerns of human rights groups that it could deal a blow to online freedoms.
YouTube reportedly said links to the videos will eventually no longer be visible in Google Search inside Hong Kong. I tried using a Hong Kong-based VPN server while in the US, and the videos were still viewable on Thursday morning. However, The Guardian said attempts to view it from inside the region show the message, “This content is not available on this country domain due to a court order.”
This article originally appeared on Engadget at https://www.engadget.com/youtube-reportedly-agrees-to-block-videos-of-hong-kongs-protest-song-inside-the-region-174245129.html?src=rss
YouTube said it would comply with an order blocking access to videos of Hong Kong’s protest anthem inside the region, according to The Guardian. The platform’s decision comes after an appeals court banned the protest song “Glory to Hong Kong,” which the largely China-controlled government (predictably) framed as a national security threat.
Alphabet, YouTube and Google’s parent company, followed its familiar playbook of legally complying with court orders undermining human rights while issuing statements puffing up its advocacy for them. “We are disappointed by the Court’s decision but are complying with its removal order,” YouTube’s statement to The Guardian said. “We’ll continue to consider our options for an appeal, to promote access to information.”
Alphabet reportedly told the outlet the block would take effect immediately inside the region. It added that it shares the concerns of human rights groups that it could deal a blow to online freedoms.
YouTube reportedly said links to the videos will eventually no longer be visible in Google Search inside Hong Kong. I tried using a Hong Kong-based VPN server while in the US, and the videos were still viewable on Thursday morning. However, The Guardian said attempts to view it from inside the region show the message, “This content is not available on this country domain due to a court order.”
This article originally appeared on Engadget at https://www.engadget.com/youtube-reportedly-agrees-to-block-videos-of-hong-kongs-protest-song-inside-the-region-174245129.html?src=rss
Fujifilm’s successor to the GFX 100S, its 2021 medium format camera with terrific performance but slow speeds, is the aptly named GFX 100S II. The new model is $1,000 cheaper, smaller, lighter and has (shocker) AI features to improve its autofocus, one of our gripes with its predecessor.
The Fujifilm GFX 100S II uses a 102MP high-speed sensor and the X-Processor 5 processing engine. The company says its medium format sensor is about 1.7 times larger than a 35mm full-frame sensor. Its body weighs around 883g (including the battery and memory card), making it the lightest in the lineup.
The camera has “enhanced” in-body image stabilization, allowing for a maximum of eight-stop, five-axis performance. This could boost its image quality when using longer exposure times.
Fujifilm says it improved the sensor’s pixel layout design, enabling a standard sensitivity of ISO80. “When the sensor sensitivity is set at ISO80, the camera can capture images at greater dynamic range and lower noise than with the previous model” when shooting in 16-bit RAW mode, the company wrote in a press release. This should lead to better low-light performance, autofocus accuracy and overall image quality.
The camera’s sensor has an improved micro-lens design, increasing light use efficiency at its edges. Fujifilm says this gives it better image quality and autofocus accuracy around the edges than its predecessor.
Fujifilm
Like nearly every other bit of recent tech gear, Fujifilm is using AI in its products — in this case, AI-based subject detection. Fujifilm says it can automatically recognize animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones and focus accordingly. The company claims its improved autofocus predictive algorithm and a continuous shooting speed of up to seven FPS make it better at tracking high-speed subjects. Autofocus was one of our nitpicks in Engadget’s review of the GFX 100S, so we’ll be curious to see if those claims hold up in practice.
On the video front, the new camera supports 4K / 30P 4:2:2 10bit videos (for more precise color reproduction) when using its internal SD card. It’s equipped with the F-Log 2 profile for improved dynamic range. Its compatibility is boosted by supporting Apple ProRes, but only when using an external solid-state drive connected via USB-C.
The Fujifilm GFX 100S II costs $4,999, or €5,499 in Europe. That’s cheaper than the $7,500 GFX 100 II, trading some extra video perks for less of a hit on the wallet. You can order it on Friday from Fujifilm’s website.
This article originally appeared on Engadget at https://www.engadget.com/fujifilms-medium-frame-gfx-100s-ii-is-lighter-cheaper-and-ai-enhanced-060037826.html?src=rss
Fujifilm’s successor to the GFX 100S, its 2021 medium format camera with terrific performance but slow speeds, is the aptly named GFX 100S II. The new model is $1,000 cheaper, smaller, lighter and has (shocker) AI features to improve its autofocus, one of our gripes with its predecessor.
The Fujifilm GFX 100S II uses a 102MP high-speed sensor and the X-Processor 5 processing engine. The company says its medium format sensor is about 1.7 times larger than a 35mm full-frame sensor. Its body weighs around 883g (including the battery and memory card), making it the lightest in the lineup.
The camera has “enhanced” in-body image stabilization, allowing for a maximum of eight-stop, five-axis performance. This could boost its image quality when using longer exposure times.
Fujifilm says it improved the sensor’s pixel layout design, enabling a standard sensitivity of ISO80. “When the sensor sensitivity is set at ISO80, the camera can capture images at greater dynamic range and lower noise than with the previous model” when shooting in 16-bit RAW mode, the company wrote in a press release. This should lead to better low-light performance, autofocus accuracy and overall image quality.
The camera’s sensor has an improved micro-lens design, increasing light use efficiency at its edges. Fujifilm says this gives it better image quality and autofocus accuracy around the edges than its predecessor.
Fujifilm
Like nearly every other bit of recent tech gear, Fujifilm is using AI in its products — in this case, AI-based subject detection. Fujifilm says it can automatically recognize animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones and focus accordingly. The company claims its improved autofocus predictive algorithm and a continuous shooting speed of up to seven FPS make it better at tracking high-speed subjects. Autofocus was one of our nitpicks in Engadget’s review of the GFX 100S, so we’ll be curious to see if those claims hold up in practice.
On the video front, the new camera supports 4K / 30P 4:2:2 10bit videos (for more precise color reproduction) when using its internal SD card. It’s equipped with the F-Log 2 profile for improved dynamic range. Its compatibility is boosted by supporting Apple ProRes, but only when using an external solid-state drive connected via USB-C.
The Fujifilm GFX 100S II costs $4,999, or €5,499 in Europe. That’s cheaper than the $7,500 GFX 100 II, trading some extra video perks for less of a hit on the wallet. You can order it on Friday from Fujifilm’s website.
This article originally appeared on Engadget at https://www.engadget.com/fujifilms-medium-frame-gfx-100s-ii-is-lighter-cheaper-and-ai-enhanced-060037826.html?src=rss
After shirking tradition and devoting its entire Google I/O keynote to showcase how it’s stuffing AI into everything imaginable, the company has reserved day two to catch up on the one-time star of the show, Android. Alongside the arrival of the second Android 15 beta on Wednesday, Google is unveiling previously unannounced security features in its 2024 mobile software, including AI-powered theft detection, Google Play fraud protection and more.
Theft Detection Lock is a new Android 15 feature that will use AI (there it is again) to predict phone thefts and lock things up accordingly. Google says its algorithms can detect motions associated with theft, like those associated with grabbing the phone and bolting, biking or driving away. If an Android 15 handset pinpoints one of these situations, the phone’s screen will quickly lock, making it much harder for the phone snatcher to access your data.
A fallback Remote Lock feature lets you quickly lock your handset if someone manages to take it without triggering Theft Detection Lock. With Remote Lock, you can (you guessed it) remotely lock the phone’s screen from any device with only your phone number and the completion of a “quick security challenge.” This is designed to avoid situations where someone gets their phone taken (or loses it) but doesn’t know their Google account password to access Find My Device.
Along similar lines, Offline Device Lock automatically locks your phone’s screen — requiring authentication to unlock — when it’s off the grid. This is designed to counter thieves who quickly take a stolen device offline before the owner can lock or wipe it remotely.
Meanwhile, an update to factory reset protection will require your credentials to use the phone after a data wipe, reducing the incentives for them to steal it in the first place. In addition, disabling Find My Device or lengthening the phone’s screen timeout will require security authentication, voiding another common tactic phone snatchers use to reset the device before getting locked out.
Similar to a feature Apple rolled out earlier this year, Android 15 will also require extra authentication when trying to change account security settings (changing the PIN, disabling theft protection or accessing Passkeys) from an untrusted location.
Catch up on all the news from Google I/O 2024 right here!
This article originally appeared on Engadget at https://www.engadget.com/android-15-will-make-it-harder-for-phone-thieves-to-steal-your-data-170037992.html?src=rss
After shirking tradition and devoting its entire Google I/O keynote to showcase how it’s stuffing AI into everything imaginable, the company has reserved day two to catch up on the one-time star of the show, Android. Alongside the arrival of the second Android 15 beta on Wednesday, Google is unveiling previously unannounced security features in its 2024 mobile software, including AI-powered theft detection, Google Play fraud protection and more.
Theft Detection Lock is a new Android 15 feature that will use AI (there it is again) to predict phone thefts and lock things up accordingly. Google says its algorithms can detect motions associated with theft, like those associated with grabbing the phone and bolting, biking or driving away. If an Android 15 handset pinpoints one of these situations, the phone’s screen will quickly lock, making it much harder for the phone snatcher to access your data.
A fallback Remote Lock feature lets you quickly lock your handset if someone manages to take it without triggering Theft Detection Lock. With Remote Lock, you can (you guessed it) remotely lock the phone’s screen from any device with only your phone number and the completion of a “quick security challenge.” This is designed to avoid situations where someone gets their phone taken (or loses it) but doesn’t know their Google account password to access Find My Device.
Along similar lines, Offline Device Lock automatically locks your phone’s screen — requiring authentication to unlock — when it’s off the grid. This is designed to counter thieves who quickly take a stolen device offline before the owner can lock or wipe it remotely.
Meanwhile, an update to factory reset protection will require your credentials to use the phone after a data wipe, reducing the incentives for them to steal it in the first place. In addition, disabling Find My Device or lengthening the phone’s screen timeout will require security authentication, voiding another common tactic phone snatchers use to reset the device before getting locked out.
Similar to a feature Apple rolled out earlier this year, Android 15 will also require extra authentication when trying to change account security settings (changing the PIN, disabling theft protection or accessing Passkeys) from an untrusted location.
Catch up on all the news from Google I/O 2024 right here!
This article originally appeared on Engadget at https://www.engadget.com/android-15-will-make-it-harder-for-phone-thieves-to-steal-your-data-170037992.html?src=rss