Amazon Black Friday deals almost always include discounts on Fire TV devices and Fire TV sets. This year is no different, and some of the best discounts bring Fire TV streaming dongles down to near record-low prices. Case in point: the Fire TV Stick 4K Max is 41 percent off and down to only $35.
The Fire TV Stick 4K Max is one of Engadget's favorite streaming devices. The stick supports a solid mix of advanced technologies for its price: Dolby Vision, Dolby Atmos, 4K and HDR10+. As long as the rest of your entertainment setup can handle it, you'll get a high-quality picture and sound. It also supports Wi-Fi 6E, enabling better, faster connectivity with compatible routers.
The 4K Max has the fastest processor of any Amazon Fire TV Stick, so expect zippy navigation. It also supports Amazon's Ambient Experience. This mode displays art (like on Samsung's The Frame) while the device is in standby. It's also a solid choice for gaming: It supports Xbox cloud streaming and works well as a retro game emulator, too.
The UI is where Amazon appears to be subsidizing the device's low cost. Expect to see loads of Prime Video content promos, along with other ads. But for $35 (compared to its MSRP of $60), you may find it easier to justify that tradeoff.
Also on sale is Amazon's Fire TV Stick HD, our pick for the best budget streaming stick. This model doesn't support 4K; instead, it limits you to 1080p at 60 fps. At $18 for Black Friday, it's certainly cheap. But if you have a 4K TV (or plan to soon), you may want to consider the slightly more expensive model.
This article originally appeared on Engadget at https://www.engadget.com/deals/amazon-black-friday-deals-pick-up-the-fire-tv-stick-4k-max-for-only-35-132100145.html?src=rss
This story about Paul McCartney begins with one of his old bandmates. "I'm not really Beatle George," the ever-philosophical George Harrison once said. "For me, Beatle George was a suit or a shirt that I once wore. And the only problem is, for the rest of my life, people are going to look at that shirt and mistake it for me."
On one hand, that’s, well, George being George. But his quote does speak to our need to mythologize the Beatles. It’s hard not to! The music is so exquisite, influential and timeless that we look for grand stories to tell about it. We want a stronger connection to it, so we pore over biographies, interviews and documentaries. We seek meaning and purpose in their story.
Still, it must be surreal to be one of the four protagonists of that story. At some point, the narrative takes on a life of its own that may not reflect your experience. McCartney alluded to that in the 2013 song "Early Days." "Now everybody seems to have their own opinion on who did this and who did that," he sang. "But as for me, I don't see how they can remember when they weren't where it was at."
So, I’ll try not to mythologize the Beatles too much as I describe my experience photographing Sir Paul McCartney last month. I will, of course, fail spectacularly at that mission.
The crowd ranged from seniors to teens in Sgt. Pepper costumes.
Will Shanklin for Engadget
Months before I watched him play for nearly three hours in front of 15,000 fans (at age 83!) at Albuquerque’s Isleta Amphitheater, I sent a press request to his team. A few days before the concert, I learned that my photography pass had been approved. Once it sank in, I screamed and giggled, not unlike the teenagers in Ed Sullivan's audience. (Don't judge those gals until you've been near a Beatle!)
But there wasn’t much time to soak up the excitement. Without any real cameras on hand — my iPhone 17 Pro certainly wasn’t going to cut it — and only a few days to prepare, some quick decisions were in order. After enough internal debate to make my head spin off its axis, I settled on an oddball combination. For the body, I went with the Canon EOS R50, an ultra-compact mirrorless with a 24-megapixel APS-C sensor.
Was it the best one available? Not at all. But instead of renting a $3,000 camera, I decided to buy something in my budget that I'll enjoy using for years. I'd already eyed it after handling a display model and reading Steve Dent's review. Plus, it created a fun challenge: How can a sub-$800 consumer-facing camera stand up to the unique demands of concert photography?
The lens, on the other hand, is no place to mess around. So I rented the Canon EF 70-200mm f/2.8 L IS USM, a gargantuan, professional-grade telephoto one. (It's the precursor to this $2,399 one.) This choice was simple: It was by far the most concert-appropriate lens available to rent. It maintains sharpness and contrast across its long zoom range, its autofocus is fast and its f/2.8 aperture is crucial for the unique demands of stage lighting.
Put the tiny camera and ginormous lens together (with this $38 adapter), and you get the odd couple you see below. To say this sucker was front-weighted would be an understatement.
"She's so heavy..."
Will Shanklin for Engadget
Camera in hand (and Beatles hoodie equipped), I took my position in the tight press pen. The photography area was about 150 yards from the stage and didn’t allow for lateral movement, so ideas for creative compositions were set aside. My only option was to push that glass out to 200mm (or close to it) and fire away. Save those composition ideas for when it's time to crop.
When photographing someone like Sir Paul, you ideally want an image that captures not only the man and the musician, but also that larger-than-life myth. It should be something grand that you’d want to hang on your wall. No pressure!
Sir Paul's first number was the John Lennon-penned classic "Help!" Until this year's leg of the Got Back tour, McCartney hadn't played the song in full since 1990. We can only speculate about his reasons for pulling it out of his bag now. But I feel like the song's desperate pleas gain new poignancy in 2025. I can't count the times I've wanted to cry out to someone — anyone! — to "Please, please help me" after reading the news.
We were huddled close enough together that I was glad I wore these $16 kneepads under my jeans. When the crowd in front of us settled down a bit, I kneeled to give my photographer cohorts more elbow room. My right knee bounced pleasantly onto the cozy leg pillow.
Will Shanklin for Engadget
With one song already down, the R50's burst mode was getting a workout. The stock Canon battery was still going strong, but I had these two third-party spares stashed in this camera bag to swap out if necessary. (I didn't end up needing them, despite snapping over 600 photos.)
McCartney transitioned into his second number, "Coming Up," the first track from 1980's McCartney II. That LP was ahead of its time, embracing synths, drum machines and other studio tricks before they became commonplace. Contemporary critics didn’t care much for it, but it later became a cult classic. That combination illustrates something about his solo career: always experimenting, sometimes misunderstood, but ultimately vindicated.
Two songs were over in a flash. Macca addressed the crowd, and picture time was over. Off to leave my camera with security, and claim the faraway lawn seat I bought long before I knew I'd have press access.
The rest of McCartney's set included a perfect balance of Beatles, Wings and solo numbers. (There was even an old Quarrymen song, "In Spite of All the Danger.") As you can see in the photos, he started on his trademark Höfner bass. But he moved on to piano, acoustic and electric guitars and ukulele. The latter was for his beautiful rendition of Harrison's "Something."
That number wasn’t the only point that moved me. The most notable was where he teamed with Lennon on "I've Got a Feeling." Present-day McCartney singing with 1969 Lennon, who appeared on the giant screen above (via the restored rooftop concert footage in Get Back), was profound. "I love that one because I get to sing with John again," he said.
Will Shanklin for Engadget
Sir Paul strikes me as someone who’s always looking forward. But the Got Back tour is a chance to look back. It lets us, the romanticizing fans, join him on the long and winding road from the Quarrymen to today. The entire production made me feel like a passenger on his journey.
I could go on. But you don't need me to elevate Paul McCartney's musical legacy any more than you need me to explain Michael Jordan's basketball skills or Meryl Streep's acting chops. Listen to the music — and catch his tour if you can — and you'll feel it.
As for the photos, my favorite is the one at the top of this article. (I also included a color version in the gallery below.) It’s the only one that (to me) captures the man, musician and myth as he plays his Höfner bass. Out of more than 600 rapidly-fired photos, one that feels just right is good enough for me.
But even if they all sucked, who cares! Decades from now, I'll tell everyone at the old folks' home that, when I was young (and my heart was an open book), I snapped some pictures of Sir Paul McCartney. The story may grow more inflated by then, and maybe I’ll invent new details. But perhaps I can be forgiven for a bit of mythologizing.
This article originally appeared on Engadget at https://www.engadget.com/cameras/the-gear-i-used-to-photograph-paul-mccartney-133033591.html?src=rss
Sony AI released a dataset that tests the fairness and bias of AI models. It's called the Fair Human-Centric Image Benchmark (FHIBE, pronounced like "Phoebe"). The company describes it as the "first publicly available, globally diverse, consent-based human image dataset for evaluating bias across a wide variety of computer vision tasks." In other words, it tests the degree to which today's AI models treat people fairly. Spoiler: Sony didn't find a single dataset from any company that fully met its benchmarks.
Sony says FHIBE can address the AI industry's ethical and bias challenges. The dataset includes images of nearly 2,000 paid participants from over 80 countries. All of their likenesses were shared with consent — something that can't be said for the common practice of scraping large volumes of web data. Participants in FHIBE can remove their images at any time. Their photos include annotations noting demographic and physical characteristics, environmental factors and even camera settings.
The tool "affirmed previously documented biases" in today's AI models. But Sony says FHIBE can also provide granular diagnoses of factors that led to those biases. One example: Some models had lower accuracy for people using "she/her/hers" pronouns, and FHIBE highlighted greater hairstyle variability as a previously overlooked factor.
FHIBE also determined that today's AI models reinforced stereotypes when prompted with neutral questions about a subject's occupation. The tested models were particularly skewed "against specific pronoun and ancestry groups," describing subjects as sex workers, drug dealers or thieves. And when prompted about what crimes an individual committed, models sometimes produced "toxic responses at higher rates for individuals of African or Asian ancestry, those with darker skin tones and those identifying as 'he/him/his.'"
Sony AI says FHIBE proves that ethical, diverse and fair data collection is possible. The tool is now available to the public, and it will be updated over time. A paper outlining the research was published in Nature on Wednesday.
Update, November 5, 2025, 2:01 PM ET: This story has been updated to clarify that the participants were paid, not volunteers.
This article originally appeared on Engadget at https://www.engadget.com/ai/sony-has-a-new-benchmark-for-ethical-ai-160045574.html?src=rss
Nintendo's lawsuit against Palworld just hit a snag. The US Patent and Trademark Office (USPTO) has ordered a reexamination of a key Nintendo patent expected to be wielded in the case. Games Frayreports that the office is reviewing the Switch maker's patent regarding "summon subcharacter and let it fight in 1 of 2 modes." If we view Nintendo's Palworld lawsuit as a test bed for monopolizing game mechanics, the development can only be seen as a good thing.
Several factors make the reexamination unusual. First, Nintendo's patent in question (No. 12,403,397) was just granted in September. The review was personally ordered by newly sworn-in USPTO Director John A. Squires. The Trump appointee has historically sided with patent holders, making it harder to contest them. Stranger still, Games Fray says this may be the USPTO's first patent reexamination in over a decade.
Palworld
Pocketpair
Those ingredients suggest widespread blowback may be the driving force. Although Palworld developer Pocketpair is Nintendo's immediate target, it's easy to see the case opening a Pandora's box where developers fear using well-established game mechanics. Indie developers would be particularly vulnerable. The "slippery slope" commentary practically writes itself.
If Nintendo's patent is ultimately invalidated, we may be able to thank Konami. A 2002 patent application from the maker of Metal Gear and Castlevania was cited as prior art, casting doubt on Nintendo's claim. A separate Nintendo patent, published in 2020, was also listed as possible prior art. Games Fray's report dives much deeper into the legal weeds.
Nintendo now has two months to respond. During that period, third parties can come forward with additional prior art references. As a nervous industry eyes Nintendo's case as a potential test bed for monopolizing game mechanics, don't be shocked if gaming lawyers search far and wide for more examples.
This article originally appeared on Engadget at https://www.engadget.com/gaming/nintendo/nintendos-patent-on-summoning-fighting-npcs-is-being-reexamined-180949135.html?src=rss
The esports partnership between the International Olympic Committee (IOC) and Saudi Arabia is no more. On Thursday, the IOC said that it and the Saudi Olympic and Paralympic Committee (SOPC) have "mutually agreed" to part ways. The breakup comes weeks after Saudi Arabia's sovereign wealth fund and other investors bought EA for $55 billion.
The IOC and SOPC agreed on a 12-year esports partnership in 2024. At the time, the IOC was reportedly in talks with publishers of Rocket League, Street Fighter and League of Legends. The two sides discussed holding the Olympic Esports Games every two years. (The first games were initially scheduled for this year, but were pushed back to 2027.) Potential hosts for later installments were said to include South Korea and the US.
Instead, the two sides are now "committed to pursuing their own esports ambitions on separate paths," according to the IOC. The organization now plans to "spread the opportunities presented by the Olympic Esports Games more widely." It still wants the inaugural games to happen "as soon as possible."
The APnotes that the dissolution comes seven months into Kristy Coventry's IOC presidency. We don't know the details of how the deal came apart. However, the IOC wants to connect with younger fans through esports, but in a way that "Olympic values are respected." Saudi Arabia's Esports World Cup features MOBAs, shooters and fighting games.
If the IOC wants to project a squeaky-clean image while connecting with young gamers, it may have an uphill battle. (For the record, games don't lead to violence.)
This article originally appeared on Engadget at https://www.engadget.com/gaming/the-ioc-and-saudi-arabia-call-it-quits-on-their-olympic-esports-partnership-163148341.html?src=rss
Bose's headphones have top-notch comfort and active noise cancellation (ANC). For the latter, you can choose between "Quiet" (full ANC) and "Aware" (hear your surroundings) modes. There's also a wind-blocking feature. The headphones' audio, while not quite on par with the $449 Ultra variant (and missing spatial tricks), far surpasses what you'll typically find for $199.
The company estimates 24 hours of battery life. It also supports quick charging: Plug in its USB-C cable and get up to 2.5 hours of charge in only 15 minutes.
This model doesn't include an option to turn off ANC altogether, which some people may have appreciated. (That would have led to even more battery life, desirable for frequent travelers.) But if you're like me and always listen in ANC or aware modes, this is as solid a pick as you'll find for the sale price.
This article originally appeared on Engadget at https://www.engadget.com/audio/headphones/the-bose-quietcomfort-headphones-drop-to-199-in-best-buys-black-friday-sale-124501906.html?src=rss
Much like Half-Life: Alyx, Thief's long-awaited return is a VR exclusive. The game was announced in June, but now we know when it will arrive. You can play the pioneering stealth franchise's new chapter, Thief VR: Legacy of Shadow, on December 4.
Thief VR takes place about halfway between the events of the original trilogy and Thief (2014). You play as Magpie, a cunning thief (duh), who discovers a legendary eye artifact with a mysterious connection to the past. You're operating in a city that's under the grip of Baron Ulysses Northcrest, "a tyrant who crushes rebellion before it can take root." That all sounds like an ideal backdrop for sneaking around and stealing shit.
Publisher Vertigo Games offered a glimpse at Meta Quest gameplay, which you can watch below. Thief VR will also be available on PS VR and SteamVR when it arrives on December 4. The title has a $30 list price on Steam and Meta, but can be pre-ordered now for $27. The PlayStation Store version doesn't yet have pricing or reservation info.
This article originally appeared on Engadget at https://www.engadget.com/gaming/thiefs-vr-revival-arrives-in-december-181506849.html?src=rss
On Thursday, Samsung launched a desktop version of its web browser. Why bother putting its mobile browser on Windows? Well, the company offers a hint in describing Samsung Internet as "evolving from a PC browser that waits for input to an integrated AI platform." So, surprise, surprise: It's about AI.
As one would imagine, Samsung Internet on Windows supports cross-platform syncing of data like bookmarks, browsing history and autofill. The company says it also prioritizes privacy and security, offering standard features like tracker blocking and a privacy dashboard.
But those aren't likely the main reasons Samsung is launching a desktop web browser in 2025. (Incidentally, Samsung briefly launched Samsung Internet for Windows in 2024, before pulling it from the Microsoft Store without fanfare.) Instead, this launch appears to be about positioning it in the rapidly emerging landscape of AI browsers.
AI browsers have been all the rage lately. Samsung's move follows the launch of OpenAI's ChatGPT Atlas, Microsoft's Edge Copilot Mode updates, Opera Neon's early access and general availability for Perplexity's Comet browser. Samsung says its cross-platform browser will advance its "vision for ambient AI," anticipating your needs and offering more personalized assistance. If Samsung wants to be part of that fray, it makes sense for its software to be available on the desktop, too.
Samsung Internet is available (via a beta program) for Windows 11 and Windows 10 (version 1809 and up). You can sign up on the product page.
This article originally appeared on Engadget at https://www.engadget.com/computing/samsungs-web-browser-arrives-on-windows-with-an-ai-future-on-its-radar-163526726.html?src=rss
Chalk this one up under "The most clever (alleged) legal sidesteps this side of Tony Soprano." On Wednesday, The Guardianpublished a report about a so-called "winking mechanism" regarding Israeli cloud computing contracts with Amazon and Google. The stipulation from 2021's Project Nimbus is said to require the US companies to send coded messages to Israel. According to the report, whenever Google or Amazon secretly complies with an overseas legal request for Israeli data, they're required to send money to Israel. The dollar amount indicates which country issued the request.
The coding system reportedly involves country dialing prefixes. For example, if Google or Amazon hand over Israeli data to the US (dialing code +1), they would send Israel 1,000 shekels. For Italy (code +39), they would send 3,900 shekels. (Out of morbid curiosity, I discovered that the highest dialing code is Uzbekistan's +998.) There's reportedly even a failsafe: If a gag order prevents the companies from using the standard signal, they can notify Israel by sending 100,000 shekels.
The Guardian says Microsoft, which bid for the Nimbus contract, lost out in part because it refused to accept some of Israel's terms.
In a statement to Engadget, an Amazon spokesperson highlighted customer privacy. "We respect the privacy of our customers, and we do not discuss our relationship without their consent, or have visibility into their workloads," they wrote.
The Amazon spokesperson denied that the company has any underhanded workarounds in place. "We have a rigorous global process for responding to lawful and binding orders for requests related to customer data," they said. "[Amazon Web Services] carefully reviews each request to assess any non-disclosure obligations, and we maintain confidentiality in accordance with applicable laws and regulations. While AWS does not disclose customer information in response to government demands unless we're absolutely required to do so, we recognize the legitimate needs of law enforcement agencies to investigate serious crimes. We do not have any processes in place to circumvent our confidentiality obligations on lawfully binding orders."
Google also denied any wrongdoing. "The accusations in this reporting are false, and imply that we somehow were involved in illegal activity, which is absurd," a company spokesperson said. "As is common in public sector agreements, an RFP does not reflect a final contract. The idea that we would evade our legal obligations to the US government as a US company, or in any other country, is categorically wrong."
"We've been very clear about the Nimbus contract, what it's directed to, and the Terms of Service and Acceptable Use Policy that govern it," the Google spokesperson continued. "Nothing has changed. This appears to be yet another attempt to falsely imply otherwise."
We also reached out to the Israeli government for a statement, and we'll update this story if we hear back. The Guardian's full report has much more detail on the alleged leak.
Update, October 29, 2025, 6:29 PM ET: This story has been updated to add a statement from a Google spokesperson.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/google-and-amazons-israeli-cloud-contracts-reportedly-require-them-to-sidestep-legal-orders-164635805.html?src=rss
A decade ago, when smart speakers with built-in voice assistants were the hot new thing, many imagined they'd quickly evolve into highly intelligent companions. (Think C-3PO or Star Trek's Data living inside a speaker.) That road has been much longer than expected, as virtual helpers like Alexa, Siri and Google Assistant seemed to sit in neutral for years.
But now that generative AI is here (for better or worse), smart speakers are finally scratching the surface of those expectations. Google's new version, Gemini for Home, is now available to try. Here's how.
First, keep in mind that the Gemini for Home voice assistant is in early access. This means Google is gathering feedback about its features, and — as with all generative AI — it's wise to assume it will make mistakes. If or when it does, you can send feedback to Google in the Google Home app or by saying, "Hey Google, send feedback."
Devices compatible with Gemini for Home voice assistant
Other models support everything but Gemini Live. That list includes the Google Nest Wifi point, Google Nest Hub (1st gen), Google Home Max, Google Home Mini (1st gen) and Google Home.
Another point is that once you dive in, your Google Assistant days will be over (on your speakers, anyway). That's because Google says that, once you upgrade to Gemini for Home, your compatible devices can't downgrade to Assistant. That shouldn't be a problem, but it's worth keeping in mind before you take the plunge.
How to sign up for early Gemini access
Once you've confirmed that your speaker(s) are at least partially compatible, head to the Google Home app on a mobile device. There, tap your profile picture (or initials) on the top right. Then tap Home Settings > Early Access. Congratulations: You've put in your request.
The bad news is you may have to wait a bit to confirm your entry into the beta program. Once you're in, you'll see a notification from the Google Home app that reads, "Introducing Gemini for Home." Select that, and follow the prompts. (If you accidentally dismiss the notification, you'll see the setup banner under Home settings in the Google Home app.)
Cherlynn Low for Engadget
At that point, all compatible speakers in your home will be upgraded to Google's more intelligent AI assistant. You can now throw more advanced questions at it, similar to what you'd ask text-based chatbots like ChatGPT. Except this one sits on a shelf, ready to field your verbal requests at any moment.
Keep in mind that Gemini Live requires a Google Home Premium subscription. The standard version costs $10 per month or $100 per year. Meanwhile, the advanced tier doubles that: $20 per month or $200 per year. At least for now, the only difference between the two (for these purposes) is that the pricier plan supports a camera history search feature. Both premium tiers unlock access to Gemini Live. So, if that's all you need, you can save money and get standard.
Google offers plenty of examples to get started. You can get quick answers to facts, like "Hey Google, who are the top five scoring players in basketball history?" (FYI: James, Abdul-Jabbar, Malone, Bryant and Jordan.) You can also ask Gemini Live to have a chat about ingredients for people with dietary needs. Or, ask it to explain complex topics (like how Wi-Fi works) in simple terms. It may not be at C-3PO level yet, but it's certainly moving in that direction.
This article originally appeared on Engadget at https://www.engadget.com/ai/early-access-for-gemini-home-voice-assistant-is-now-available-heres-how-to-get-it-191250927.html?src=rss