Tag Archives: river

Foshan’s Forgotten Warehouses Got a Rooftop Park Under Floating Domes

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Somewhere along the Huadi River in Foshan, China, a cluster of old grain storage warehouses has been turned into one of the most quietly poetic pieces of architecture I’ve seen all year. The Yongping Warehouse Renovation, completed in 2025 by Guangzhou-based Atelier cnS, is exactly the kind of project that makes you stop scrolling and actually look.

The site sits in Dali Town, Nanhai District, a former industrial pocket of the Pearl River Delta that’s been gradually shedding its factory-town skin in favor of something more livable and publicly accessible. These particular warehouses, lined up along the riverfront, were derelict grain storage buildings with no obvious future. Not exactly glamorous source material. But Atelier cnS didn’t flinch, and the result is a project that earns its attention without asking for it loudly.

Designer: Atelier cnS

Because the site has a narrow footprint, the architects pushed the public space upward, placing a landscaped rooftop park above the commercial interiors below. Vertical programming isn’t a new idea, but what makes Yongping feel different is how thoughtfully the transition between levels was handled. The gaps between warehouse blocks weren’t sealed or filled in. Instead, they were preserved and widened into passageways, so as you move through the building, you catch glimpses of the river framed by walls before the whole view opens up at the top. It’s a slow reveal, and it’s deliberate.

And then there are the canopies. A series of translucent, domed structures built from hexagonal frames cluster across the roofline like a quiet gathering of clouds. Atelier cnS actually named the project “A Wisp of Cloud” over Huadi River, and the photos earn that name completely. The domes are light-diffusing, casting shade without blocking river views. They create zones for sitting, moving, and play without ever feeling like they’re closing the space in. They look like they arrived gently, rather than being imposed on the building below them.

The rooftop itself is shaped into slopes, steps, and play surfaces that echo the original pitched forms of the warehouse roofs. It’s one of those details that most visitors probably won’t consciously register, but it’s exactly the kind of architectural memory that makes a renovation feel grounded rather than gratuitous. The old buildings aren’t being pretended out of existence. The new design is in active conversation with what was there before.

I’m genuinely drawn to this project because it gets the balance right in a way that many adaptive reuse projects don’t quite manage. Too often, the renovations that attract the most attention are the ones where the new design overwhelms the original structure, turning the old building into nothing more than a convenient shell. Yongping avoids that trap. The warehouses are still very much present. Their bones dictate the rhythm, the circulation, and some of the visual language of the final result. You can feel the history of the place without having to read about it first.

Atelier cnS has been developing this kind of thinking for years. The studio’s earlier work on elevated public circulation, including a “roof-hopping” design approach explored in their White House Guesthouse project, signals a long-running interest in finding new life in existing structures. Yongping feels like a maturation of that sensibility. More refined, more integrated, and more tuned in to the texture of a neighborhood mid-transition.

The project spans 4,311 square meters, and it’s worth noting what it does beyond the architecture itself. Turning a commercial renovation into a publicly accessible rooftop park, in a district shifting away from its industrial past, is a real act of generosity. A park on a roof could easily read as a private amenity. Here, it reads like a gift to the neighborhood, a place to walk, rest, and look out at the river without needing a reason to be there.

Architecture doesn’t always need to announce itself to be worth paying attention to. The Yongping Warehouse Renovation is understated, purposeful, and lit from above by a cluster of translucent domes that look, from a distance, exactly like a wisp of cloud over the river.

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A Decade of Camping Led to This 747-Square-Foot Cozy River Retreat

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Dan Wheeler spent ten years sleeping in tents on his riverfront property before building anything permanent. The software engineer bought the land along Washington’s Wenatchee River in 2010, drawn by years of rafting trips with friends through the area’s rushing waters. Every camping trip reinforced what he already knew: this spot needed something, but only when the time felt right. Those years weren’t wasted time but rather an extended conversation with the landscape, understanding how light moved through the trees, where water pooled during spring runoff, and which views mattered most when morning broke over the mountains.

When Wheeler finally decided to build, he approached Seattle-based Wittman Estes with a clear vision. He wanted something modern and sculptural, a structure that would honor the decade he’d spent living simply on the land. What emerged is a 747-square-foot, two-story cabin elevated ten feet above the ground on concrete columns. The metal-clad wedge faces directly toward the river, its form shaped by the surrounding Okanogan Wenatchee National Forest. The angular design creates a striking profile against the forest backdrop while maintaining a compact footprint that respects the wilderness setting.

Designer: Wittman Estes

Architects Matt Wittman and Julia Frost designed the one-bedroom retreat to create what they call “a harmonious relationship between shelter and nature,” seeking interdependence between the ecosystem and the architecture itself. The elevated design serves multiple purposes beyond aesthetics. Lifting the cabin protects it from flooding and snow accumulation while minimizing the footprint on the forest floor. The positioning allows Wheeler to maintain the connection to the landscape he cultivated during those camping years, where cooking happened outdoors and shelter remained temporary.

Inside, the compact footprint forces intentionality. At just over 700 square feet, there’s no room for excess. The design reflects Wheeler’s desire to live with “less stuff,” embracing the simplicity he discovered through a decade of tent living before walls and windows entered the equation. The scale might seem small by contemporary standards, but the visual connection to the river and forest expands the perceived space dramatically. Floor-to-ceiling windows blur the boundary between interior and exterior, making the surrounding wilderness feel like additional living area.

What started as a weekend escape transformed into something unexpected. Wheeler now lives in the cabin full time, proving that downsizing doesn’t mean sacrificing quality of life. The transition from occasional retreat to permanent home happened gradually, much like the decade-long deliberation that preceded construction. The move represents a fundamental shift in how Wheeler defines comfort and necessity, stripping away the accumulated possessions that filled his previous life.

The Wenatchee River Cabin stands as proof that restraint can produce better results than expansion. By waiting, observing, and understanding the land first, Wheeler and Wittman Estes created something that feels inevitable rather than imposed. The cabin doesn’t fight its environment or demand attention. It simply exists where it should, elevated above the forest floor, facing the river that made Wheeler fall in love with the place fifteen years ago. The project demonstrates that the best architecture sometimes requires patience, letting years of experience inform design decisions rather than rushing to build.

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Proposed urban swimming pool in Lisbon brings river closer to the city

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My ideal place to live in is one that is near enough to the sea that I can go to it whenever I want but still be able to live in the city and all its creature comforts. Having a river where I can also swim in and do other activities without spending hours to go there would be the next best thing. Alas, I currently don’t live in a place like that so I have to live vicariously through other people who live in cities that are blessed to be near bodies of water.

Designers: X Atelier and Atelier BAUM

Lisbon is one such city although the nearby River Tagus is not immediately accessible to the city center. A couple of architectural firms have teamed up to propose an urban swimming pool to connect both residents and tourists to the river directly without having to travel or at least spend hours stuck in traffic jams. The Loop Pool Tejo is inspired by the movement of the water and wants to make several aquatic pursuits easier to access for whoever wants to spend a day at the river. It uses the industrial area of the Braço de Prata pontoon as the link from the city to the river.

From the pontoon, you get a walkway to the circular center in the midst of the river which actually draws the circulation flow around it. There is a solarium and amphitheater facing the west and to the south, there is a second slope where people can sit and rest if they get tired from swimming. It’s also the entry point to other activities like paddling and rowing. The west wing also has a diving jump point into the tank in the middle while underneath the water level there is a shaded rest area for those who want to escape the sun.

If you just want to sit on the amphitheater, you’ll get a view of a rippling water drop and the steps around it create a looping effect. It’s a pretty interesting structure to place in the city and in the middle of the river and can also be inspiration for other cities that also have a nearby body of water that can be used for recreation.

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