Tag Archives: china

This Glowing Dome Just Turned Shanghai’s Park Into a Moon

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There’s something magical about stumbling upon an unexpected glow in a city park. Shanghai’s Century Park recently hosted one of those rare moments where art, architecture, and cultural tradition converge into something you can actually walk inside and experience. The Osmanthus Moon, a temporary installation by HCCH Studio, turned a semicircular lawn into an enchanted space that reimagined what public art can be.

Picture this: a translucent dome that looks like someone captured the full moon and gently placed it on the grass. It’s not just pretty to look at, though that’s certainly part of the appeal. The structure is actually a sophisticated dance between old and new, tradition and innovation. The framework itself is made of bronze lattice patterned with osmanthus flowers, those tiny blooms that perfume Chinese autumns and carry centuries of cultural meaning. The vines seem to twist and intertwine across the surface, creating shadows and light that shift throughout the day.

Designer: HCCH Studio (Photos by Guowei Liu)

The designers at HCCH Studio stretched a lightweight, elastic fabric across this bronze skeleton, and the result is something that breathes and glows. During daylight hours, natural light filters through, creating this soft, diffused atmosphere inside that feels almost meditative. You enter through irregular openings (because perfect circles would be too predictable), and suddenly you’re cocooned in this luminous space where the outside world feels both close and distant at the same time.

But here’s where it gets really interesting. This wasn’t just about creating something beautiful for Instagram. The installation was commissioned by the Power Station of Art in Shanghai specifically for the Mid-Autumn Festival, that traditional Chinese celebration when families gather to admire the full moon and eat mooncakes. The osmanthus flower isn’t randomly chosen either. In Chinese culture, these tiny golden blooms are practically synonymous with autumn, appearing in everything from tea to poetry to folk tales about moon palaces.

What makes this project stand out is how it connects with folk art heritage. HCCH Studio collaborated with a Zao Hua artist, someone who practices the traditional craft of stove flower painting, which is actually recognized as intangible cultural heritage. The patterns painted on the ground mirror the bronze lattice overhead. It’s like they’re having a conversation across space, each one a reflection of the other, grounding the ethereal structure in literal earth and tradition.

When night falls, though, that’s when the Osmanthus Moon really comes alive. Internal lighting transforms the pavilion into this semi-transparent beacon that seems to float in the darkness. The bronze framework casts shifting shadows across the glowing fabric, creating gradients of light that change as you move around and through the space. It becomes less of a building and more of an experience, something that exists between sculpture and shelter.

The whole thing only lasted twelve days, which feels both generous and tragically brief. That temporariness is part of the point, though. Like the Mid-Autumn Festival itself, like the brief season when osmanthus blooms fill the air with fragrance, this installation was meant to be a moment rather than a monument. At 7.2 meters in diameter and 3.6 meters high, it wasn’t trying to dominate the landscape or make some grand permanent statement. Instead, it created an intimate space for contemplation and celebration.

HCCH Studio, a Shanghai-based practice that’s been gaining recognition for their innovative approach to materials and form, managed to pull off something genuinely special here. They took cultural symbols that could have felt heavy-handed or purely decorative and wove them into a structure that feels contemporary without abandoning its roots. The technical execution, from the fabric tension to the lighting design by ADA Lighting, serves the conceptual vision rather than overshadowing it.

The Osmanthus Moon found that sweet spot where beauty, meaning, and accessibility overlap when public either too obscure or too obvious. It proved that temporary installations can create lasting impressions, and that looking backward to traditional motifs doesn’t mean you can’t move forward in how you bring them to life.

The post This Glowing Dome Just Turned Shanghai’s Park Into a Moon first appeared on Yanko Design.

These Elevated Timber Treehouses Transform A Chinese Forest Into A Living Art Gallery

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Deep in Wuhan’s Dongxihu District, there’s a metasequoia forest where migratory birds gather, and something extraordinary has taken root among the ancient trees. Secret Camp isn’t your typical forest retreat. This collaboration between United Investment Merryda Hotel Management Group and Wiki World has created something that feels part accommodation, part art installation, and entirely magical. More than a dozen treehouses rise through the canopy on Cihui Street, each one carefully positioned so that not a single existing tree was harmed in the process.

The whole project sprang from Wiki World’s Wiki Building School initiative, which sounds academic but is really about pushing the boundaries of how we live alongside nature. Each treehouse has its own personality and tells a different story. Time Machine gleams with futuristic silver that catches sunlight through the leaves. Nomadic Land feels like a cozy capsule for temporary wanderers. Playground brings out your inner child with circulation paths that weave playfully around branches. Then there’s Daydream, which uses mirrored cladding to virtually disappear into the forest, and Red Windmill, standing bold and bright as a beacon in the green canopy. Unicorn takes the vertical route with its loft design and silver panels that hint at mythical stories.

Designer: United Investment Merryda Hotel Management Group & Wiki World

What makes this place special isn’t just the whimsical names or striking designs. The creators drew inspiration directly from the forest itself – local birds, scattered seeds, the organic forms that nature creates without any human input. Every structure sits on elevated timber platforms, leaving the forest floor completely untouched. No paved paths, no manicured landscaping, just the raw beauty of the woodland ecosystem doing what it does best. This approach embodies Wiki World’s “Build Small, Dream Big” philosophy, proving that you can live comfortably without dominating your environment.

But Secret Camp goes beyond just providing a place to sleep among the trees. It transforms the entire forest into an open-air gallery where art happens naturally. Throughout the year, temporary installations pop up, workshops gather creative minds, and exhibitions celebrate the relationship between humans and wildlife. The Forest Reception becomes a buzzing hub where visitors make birdhouses, study natural materials, and participate in projects that blur the lines between accommodation and education. There’s even a Sino-French Construction Festival that brings together people passionate about sustainable building and small-scale living.

The technical side reveals just how seriously they take environmental responsibility. Every structure uses glued laminated timber that’s digitally modeled for precision, then prefabricated off-site to minimize forest disruption during construction. The modular design centers around a clever 2-meter-wide concept that allows for variation while keeping efficiency high. Hand-fired carbonized wood panels give each cabin its natural finish and weather resistance, while small metal joints make everything completely reversible – these treehouses could be disassembled and moved without leaving a trace.

This elevated approach means zero ground contact and zero artificial landscaping, letting the forest maintain its natural rhythms while humans get to experience life in the canopy. Secret Camp proves that sustainable tourism doesn’t have to mean roughing it or compromising on creativity. Instead, it shows how thoughtful design can actually enhance natural settings, creating spaces that engage all your senses while treading incredibly lightly on the earth. It’s accommodation that makes you more aware of the environment, not less.

The post These Elevated Timber Treehouses Transform A Chinese Forest Into A Living Art Gallery first appeared on Yanko Design.

Revolutionary Cross-Sea Tunnel & Bridge System In China Has Broken 10 World Records

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Last month China opened the Shenzhen-Zhongshan Link – a newly built cross-sea tunnel and bridge system in the Guangdong Province, South China. The impressive architectural wonder broke 10 world records, although pretty specific ones! The Pearl River estuary is where the Pearl River joins the South China Sea, and this is one of the most densely populated places in the world. It includes Hong Kong, Macao, and nine other cities in Guangdong, and they are all separated by large water bodies, which is quite difficult to get around. And the Shenzhen-Zhongshan Link has been built to tackle this issue!

The link measures almost 15 miles and is designed to connect the two cities it is named after. Both cities are situated on opposite banks of the Pearl River Estuary. The link isn’t one whole bridge though, it includes an underwater tunnel in the middle, as well as bridges connecting every island to the city. It features eight lanes allowing speeds up to 100 km/h, and it reduces a two-hour drive to only thirty minutes. The link took seven years to construct, and now it finally opened to traffic on June 30.

The Shenzhen-Zhongshan Link has set 10 new world records according to the China Global Television Network (CGTN) –

  1. Largest span for a fully offshore steel box girder suspension bridge (1,666 m/5,466 ft)
  2. Highest bridge deck (91 m/299 ft)
  3. Highest navigation clearance for a sea bridge
  4. Largest offshore suspension bridge anchor (344,000 m3 /12 million cubic ft of concrete)
  5. Highest wind resistance test speed for a suspension bridge (83.7 m/273.6 ft per second)
  6. Largest steel bridge deck with hot-mix epoxy asphalt paving (378,800 m2 /4 million sq ft)
  7. Longest two-way, eight-lane immersed tube tunnel (5,035 m/16,519 ft)
  8. Widest underwater steel shell-concrete immersed tube tunnel (up to 55.6 m/182.4 ft)
  9. Largest single-volume cast for a steel-shell immersed tube using self-compacting concrete (29,000 m3 /1 million cubic ft per tube section)
  10. Widest repeatedly foldable M-shaped water stop used in the final joint of an immersed tube tunnel (3 m/9.8 ft)

The tunnel section also has innovative safety features such as novel firefighting and smoke exhaust systems. Fourteen robots patrol the tunnel throughout and monitor the pipes and cables to ensure everything is working well. The team of robots also keeps a lookout for car accidents, and if one does occur, they direct traffic using built-in loudspeakers, while also filming the scene, and transmitting it to a remote control center.

The post Revolutionary Cross-Sea Tunnel & Bridge System In China Has Broken 10 World Records first appeared on Yanko Design.

This Technological Center In China Is A Man-Made Mountain With Terraces & Hanging Gardens

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Stefano Boeri Architetti, the designer of the acclaimed Vertical Forests was commissioned to build a new technology museum in Xi’an, China. This anticipated structure will serve as a tree-covered man-made mountain, allowing visitors to explore on the top, and immerse themselves in nature in the midst of a chaotic metropolis. Dubbed the Culture CBD Modern Technology Experience Center, the building features a unique hilly form that is inspired by the area’s topography, including the mountains, rivers, and the rugged valley.

Designer: Stefano Boeri Architetti

The building will have a curving concrete form amped with expansive glazing on the front-facing facade. The facade will be marked with horizontal slats for shading. The rooftop will feature a stepped exterior and include terraces and walkways, including loads of plants and trees. They will also contain different kinds of shrubs, as well as perennial herbs. Visitors can ascend to the top, and they will be welcomed by beautiful hanging gardens, as well as a massive viewing platform that offers serene views of the city.

“On the roof, the project includes a hanging garden in continuity with the park and a system of terraces that allows visitors to climb up to the building and gain a new look at the surrounding urban panorama,” said Stefano Boeri Architetti. “The green terraces accessible to citizens will be an integral part of the museum’s cultural program of events (the different areas will host screenings, activities, shows, and performances) – as well as offering citizens a new public outdoor space, with unprecedented views of the park and the city. ”

As you enter the museum, you will be greeted by four main exhibition spaces, as well as a temporary exhibition area, and multiple commercial zones. The various sections will be linked by a big double-height central atrium. The decor of the interiors will feature a vibrant and bright blue hue, which was selected on account of its significance and heavy usage in digital design and art. This is a popular choice in the world of digital design, and once you start looking out for it, you’ll find that it is quite widespread.

Currently, nature-inspired architecture in on the rise in China, and the cultural center will be another invaluable and wonderful addition. Although currently, we don’t know when it will be completed, the project is being headed by Stefano Boeri Architetti’s China-based satellite branch, instead of the main Italian studio.

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