The iOS 26.1 Release Candidate (RC) represents the final step before the public rollout, offering a preview of the polished features and improvements Apple has developed. This update is centered on refining the user experience, enhancing performance, and ensuring system stability. If you are considering this update, here is a detailed overview of what it […]
The post STOP What You’re Doing: iOS 26.1 RC FIXES EVERYTHING You Hated! appeared first on Geeky Gadgets.
Apple is poised to redefine its smart home ecosystem this November with the release of three highly anticipated products: the HomePod Mini 2, Apple TV 2025, and AirTag 2. These devices represent a significant step forward in performance, connectivity, and integration, underscoring Apple’s commitment to delivering user-centric innovation. Each product is designed to seamlessly integrate […]
The post Apple’s November Surprise: HomePod mini 2, AirTag 2, and the All-New Apple TV 2025! appeared first on Geeky Gadgets.
There’s something exhilarating about pushing into the wild after dark, whether you’re cycling down a forest trail, hiking a canyon, or just exploring the world beyond the city lights where streetlamps don’t reach and the natural darkness takes over. But adventure after sunset demands gear that’s as tough and adaptable as you are, and most flashlights just aren’t up to the challenge of serious outdoor use in unpredictable, demanding conditions.
The WUBEN X1 Pro is built for explorers who want more than a basic beam and simple on-off functionality from their gear. With 13,000 lumens of combined flood and spot light, a rugged aluminum alloy body, and smart cooling to keep things running smoothly under heavy use, it’s a flashlight that’s as ready for action as you are, designed to handle whatever the night throws at you without fail.
Designer: Mr. Tan (Manager of Wuben Brand)
Click Here to Buy Now: $119 $149 (20% off). Hurry, only a few left! Raised over $181,000.
The WUBEN X1 Pro’s angular, aluminum alloy body feels solid and substantial in your hand, with sculpted lines and a one-handed grip that’s easy to hold even with gloves on during cold-weather expeditions. At 383 grams and just under 14 centimeters long, it packs serious power into a form that fits in a jacket pocket or bike bag without creating annoying bulk or weighing you down.
The minimalist button layout and matte finish look refined and purposeful, while the floating chassis and visible cooling vents hint at the engineering inside that keeps everything running at safe temperatures. It’s a flashlight that looks as good clipped to a backpack as it does on a nightstand, blending outdoor toughness with considered industrial design that doesn’t compromise aesthetics.
With three high-output LEDs arranged for both wide coverage and distance, the WUBEN X1 Pro delivers a wide, 125-degree flood for lighting up campsites or work areas and a focused spot beam that throws up to 337 meters into the distance. Switching between modes is seamless, letting you adapt to changing conditions on the fly without fumbling through complicated menu systems or awkward multi-press combinations.
Multiple brightness settings from Turbo to Eco mean you can go all out for a midnight ride through challenging terrain or conserve power for a long hike that stretches into days. The 13,000-lumen Turbo mode is bright enough to turn night into day across entire clearings, while lower settings stretch battery life for extended trips where charging opportunities are limited or nonexistent.
The WUBEN X1 Pro runs on two replaceable 21700 lithium batteries, providing a combined 9600mAh of capacity that powers hours of high-output use without fading. That’s enough juice for serious adventures, and when you need to recharge your phone or GPS device during extended trips, the flashlight doubles as a 15W power bank via USB-C output without compromising your lighting needs or leaving you in the dark.
Smart cooling keeps everything running safely without overheating or sudden performance drops during extended use. A detachable fan module and copper midframe dissipate heat efficiently, so you can use maximum brightness without worrying about thermal throttling or damage to internal components, no matter how long the adventure lasts or how demanding the conditions become during your exploration.
The X1 Pro is designed for versatile carry, with a rope hole for secure lanyards, and a redesigned bike mount for hands-free lighting on the move. The IP54 rating means it shrugs off rain and dust confidently, while the rugged aluminum build stands up to drops and rough handling during outdoor activities without showing significant damage.
Whether you’re setting up camp in complete darkness, fixing a flat tire at midnight on a deserted road, or leading a group through a dark trail where visibility matters for everyone’s safety, the WUBEN X1 Pro brings confidence and clarity to every situation. Its sculpted design, powerful dual-beam output, and clever features like replaceable batteries and power bank functionality make it a reliable companion for every adventure, big or small.
Click Here to Buy Now: $119 $149 (20% off). Hurry, only a few left! Raised over $181,000.
The post 13,000-Lumen Flashlight With Smart Cooling Also Charges Your Phone first appeared on Yanko Design.
You know that feeling when you stumble upon something that makes you reconsider everything you thought you knew about a space? That’s exactly what happened when I discovered this incredible project in Guangzhou, China. Office for Roundtable and JXY Studio have created something that refuses to fit into neat categories, and honestly, that’s what makes it so compelling.
The project is called “Your Greenhouse Is Your Kitchen Is Your Living Room,” and yes, that title is doing exactly what it promises. This isn’t just a clever name. It’s a modular pavilion that literally transforms from a functioning greenhouse into an open pavilion for community gatherings, and it does so in the most satisfying way possible.
Designers: Office for Roundtable and JXY Studio (photography by Leyuan Li)
Picture this: a steel A-frame structure wrapped in polycarbonate panels that can hinge open using tension cables suspended from the top of the frame. When the sides are closed, you have a microclimate perfect for growing potatoes, green peppers, lettuce, bok choi, and various herbs. When you pull those cables and the walls lift up, suddenly you’ve got an airy pavilion ready to host a dinner party or a community workshop.
What I love about this design is how it emerged from a very specific moment in time. Designer Leyuan Li secured a grant from Hong Kong’s Design Trust to explore the small-scale, community-based farming projects that popped up during the COVID-19 pandemic. You remember those, right? When everyone suddenly became obsessed with sourdough starters and backyard gardens because we were all grappling with questions about food security and supply chains.
But instead of just documenting that cultural moment, Li and the teams at Office for Roundtable and JXY Studio decided to create something that pushes the conversation forward. The pavilion, installed at Guangzhou’s Fei Arts museum, is their answer to a bigger question: what if we could challenge the entire system of centralized food production by creating spaces that make growing, cooking, and sharing food feel more accessible and communal?
The technical details are pretty clever too. Those polycarbonate sheets aren’t just randomly placed. The designers carefully positioned gaps between the panels to allow for passive cooling, which is essential in Guangzhou’s subtropical climate. Nobody wants to be stuck in a sweltering greenhouse when they’re trying to tend their herbs or host a gathering. Inside, metal shelving racks hold the vegetables and herbs, creating a practical growing system that doesn’t sacrifice aesthetics. The whole structure is lightweight and modular, which means it can be adapted, moved, or reconfigured based on what the community needs.
This flexibility feels important. The design doesn’t dictate how people should use the space. Instead, it offers possibilities. Maybe today it’s a greenhouse where neighbors learn about urban farming techniques. Tomorrow it could transform into an outdoor kitchen where everyone gathers to cook what they’ve grown. Next week, it might become a living room for community conversations about food systems and sustainability.
What Office for Roundtable describes as an “architectural device that amalgamates the roles of a greenhouse, an outdoor kitchen, and a living room” is really about something deeper than just multipurpose design. It’s about reimagining our relationship with food, land, and each other in urban environments.
The truth is we’re increasingly disconnected from where our food comes from so this project offers a refreshingly tangible alternative. It proposes new forms of what the designers call “domesticity and collectivity” by literally breaking down the walls between growing food, preparing it, and gathering around it. The beauty of this installation is that it doesn’t preach or demand. It simply exists as an invitation. Want to grow something? Here’s the space. Want to cook together? The pavilion opens up. Want to talk about how we can build more resilient, community-centered food systems? Pull up a chair.
That’s the kind of design that sticks with you. Not because it’s flashy or complicated, but because it’s thoughtful enough to adapt to real human needs while being bold enough to suggest we might want to rethink some pretty fundamental assumptions about how we live, eat, and come together.
The post This Chinese Greenhouse Folds Open Into a Community Kitchen first appeared on Yanko Design.
For visually impaired people worldwide, identifying everyday items like medications, kitchen containers, switches, or personal belongings can be a daily challenge that affects independence, safety, and quality of life. Most labeling solutions are either expensive, complicated, or simply not designed with accessibility in mind, forcing users to rely on others or expensive assistive technology for basic organization. Finding a simple, affordable way to create tactile labels remains frustratingly difficult.
The Sakshar Braille Embosser concept reimagines labeling as a tactile, intuitive experience that anyone can master quickly without extensive training. By combining a mechanical interface with smart ergonomics and careful attention to usability, it aims to bring independence and dignity to visually impaired users everywhere, making Braille labeling a simple part of daily life. Sakshar means “literate” in Hindi, reflecting the concept’s mission to empower through accessible information.
Designer: Shruti Kushwaha
Sakshar’s compact, tabletop form is both modern and approachable, with a rectangular body, rounded edges, and large, raised buttons for Braille dot selection across the top panel. The device is shown in a range of colors, including orange, green, and blue, making it easy to identify by touch or sight for sighted family members. The clean, minimalist aesthetic fits naturally into kitchens, bathrooms, or workspaces.
The tactile interface is designed specifically for comfort and ease during extended labeling sessions, with button spacing and feedback optimized for users with limited dexterity or hand strength. The embosser’s compact size and stable base make it easy to use at home, school, or work without requiring special furniture or a dedicated workspace. The handle makes it portable enough to carry between rooms or take when traveling.
At the heart of Sakshar is a precise Geneva mechanism that advances vinyl tape automatically after each character is embossed, ensuring consistent spacing and proper alignment for readable Braille throughout longer labels. Users simply press the tactile buttons to select Braille dots representing specific letters or numbers, roll the driver to advance the tape forward, and tear off the finished label when complete.
The device is fully mechanical, requiring no electricity or batteries whatsoever, making it reliable and low-maintenance for users in any environment, location, or economic situation. The mechanical operation means there’s nothing to charge, no software to update, and no risk of digital failure when you need to create labels quickly for important items. This simplicity makes Sakshar accessible to users of all ages and technical comfort levels.
Sakshar is built from durable, easy-to-clean materials designed to withstand daily use in demanding environments, with water-resistant construction for use in kitchens, bathrooms, or medical settings where spills happen regularly. The vinyl tape is strong, self-adhesive, and sticks securely to medicine bottles, pill strips, light switches, storage containers, or any household item that needs identification. The embossed text is concave and convex for enhanced readability and durability over time.
By making Braille labeling accessible, affordable, and intuitive through thoughtful design principles, Sakshar empowers visually impaired users to organize their lives independently without constantly asking for help from family members or caregivers. The concept supports a wide range of ages and abilities, offering tactile feedback and a frustration-free experience that respects users’ autonomy and dignity in managing their personal spaces and belongings throughout daily routines.
The post Mechanical Braille Embosser Labels Medicine, Food With No Power first appeared on Yanko Design.
SpaceX will reportedly receive a $2 billion contract to develop satellites for the US government, according to the Wall Street Journal. The WSJ's report detailed that SpaceX will be tasked with developing up to 600 satellites that can track missiles and aircraft and will be used for President Trump's proposed "Golden Dome" project.
Announced back in May, the president introduced a project to build an anti-missile defense system that would intercept missile attacks before reaching their target. The Golden Dome is reminiscent of Israel's Iron Dome system, but the Pentagon has yet to reveal concrete details about the project. Considering the scale of the project, it's worth noting that SpaceX's reported $2 billion contract could be one of many associated with the Golden Dome. According to the report, companies like Anduril Industries and Palantir Technologies could also be involved with the development, which the Trump administration wants to complete before the end of his presidential term.
Beyond the Golden Dome, the WSJ reported that the Pentagon is planning to use SpaceX's extensive satellite network for other purposes, including military communications and vehicle tracking. While the numbers are constantly fluctuating, SpaceX currently has more than 8,000 satellites for its Starlink service.
This article originally appeared on Engadget at https://www.engadget.com/science/space/pentagon-will-reportedly-award-spacex-a-2-billion-contract-to-help-develop-the-golden-dome-210019325.html?src=rss
There’s something deeply satisfying about furniture that refuses to play by the rules. You know the kind I’m talking about: pieces that make you stop mid-scroll and think, “Wait, is that even real?” The Arnardo Desk by Paddy Pike Studio is exactly that kind of design unicorn, and honestly, I’m not sure whether to sit at it or frame it on a museum wall.
At first glance, this desk looks like someone melted the future and poured it into a mold. The high-polish metallic finish catches light like liquid mercury, creating reflections that shift and distort depending on where you’re standing. It’s the kind of visual trickery that keeps you staring, trying to figure out where one curve ends and another begins. The whole thing reads like a single continuous surface, even though it’s clearly a complex piece of engineering.
Designer: Paddy Pike Studio
What makes the Arnardo Desk so compelling is how it balances sculpture with function. This isn’t just a pretty object meant to gather dust in a collector’s home (though it would certainly earn its keep there). The design integrates storage drawers seamlessly into those bulbous, almost pod-like pedestals. These aren’t slapped-on afterthoughts either. The drawer fronts follow the same flowing lines as the rest of the piece, maintaining that unbroken visual rhythm that makes the desk feel like it was grown rather than built.
The form itself is wonderfully ambiguous. From certain angles, it almost looks biological, like some kind of metallic organism frozen mid-movement. From others, it channels retro-futurism vibes, the kind of aesthetic you’d expect in a 1960s vision of what the year 2000 would look like. And depending on the light, it can read as sleek and minimal or dramatically sculptural. That versatility is part of its magic.
Paddy Pike Studio has clearly spent time thinking about how people interact with their workspace. The curved desktop surface isn’t just a stylistic choice. It creates distinct zones without the need for physical dividers. You can imagine spreading out projects across that generous surface, using the natural flow of the form to organize your work. The height and proportions suggest careful consideration of ergonomics, even as the overall aesthetic screams art installation.
What’s particularly interesting is how this piece positions itself in the current design landscape. We’re living through a moment where maximalism is having a serious comeback, where bold statement pieces are replacing the stark minimalism that dominated the 2010s. The Arnardo Desk fits perfectly into this shift. It’s unapologetically dramatic, refuses to blend into the background, and makes a space feel intentional rather than default.
The material choice matters here too. That mirror-like metallic finish isn’t just about looks (though it certainly delivers on visual impact). It’s a callback to the Space Age furniture of designers like Eero Aarnio and Joe Colombo, who experimented with then-novel plastics and metals to create pieces that felt radically different from traditional wood furniture. Pike is working in that same experimental tradition, pushing against our expectations of what a desk should look like.
There’s also something delightfully impractical about this desk, and I mean that as the highest compliment. In a world obsessed with optimization and efficiency, where every object needs to justify its existence through maximum utility, the Arnardo Desk dares to be extra. It takes up space. It demands attention. It makes you rethink your entire room just to give it the stage it deserves. That kind of boldness feels refreshing.
Of course, this is collectible design, which means it exists in that fascinating space between art and furniture. It’s fully functional, but it’s also limited and clearly positioned as an investment piece for serious collectors. That doesn’t make it less relevant to the rest of us, though. Pieces like this push the conversation forward. They remind us that furniture doesn’t have to be boring, that our everyday objects can inspire genuine emotion and spark conversations.
The post The Arnardo Desk Looks Like It Time-Traveled From 2084 first appeared on Yanko Design.
Here are some recently released titles to add to your reading list. This week, we read First Contact: The Story of Our Obsession with Aliens, plus James Tynion IV and Martin Simmonds' take on Dracula — now in black and white for extra creep-factor.
Digital devices promise convenience, but too often they deliver complexity instead, with endless menus, constant updates, and a learning curve that never seems to end, no matter how long you use them. Many of us long for the days when using a product was as simple as turning a dial or pressing a button without consulting manuals or watching tutorial videos online to understand basic functions.
The Tamed Digital Devices concept reimagines our relationship with technology by bringing back the tactile, multi-sensory experiences of analog gadgets we used to love and understand instinctively. Created by SF-SO in 2019, it’s a vision of tech that’s calming, intuitive, and designed to fit seamlessly into daily life without demanding constant attention or learning new interfaces. Each device in the series prioritizes touch, sound, and movement over screens and menus.
Designer: Hoyoung Joo (studio SF-SO)
Each device in the series is inspired by classic analog forms and controls that people already understand instinctively without any instruction. The Ball Internet Radio swaps touchscreens for three magnetic balls on top that you roll or lift to change stations, making tuning in both intuitive and satisfying for all ages. The tactile feedback and visual movement of the balls create a playful interaction that feels natural rather than digital or sterile.
The Cone Bluetooth Speaker powers on or off with a simple flip, using a gravity sensor to turn a basic gesture into a moment of physical delight and satisfaction. No buttons to hunt for, no hold-and-press sequences to remember or decipher from tiny icons—just flip the speaker and it responds instantly. The conical shape with its bright orange accent doubles as sculptural home decor when not playing music, blending function with visual warmth.
The Wheel Digital Radio lets you tune frequencies by rotating the entire body like traditional wheel-tuned radios, echoing the mental model of classic analog radios from decades past that everyone intuitively understands. A physical marker shows the tuned station, providing immediate visual feedback without digital displays or complicated interfaces. The cylindrical form with ribbed texture and green accent makes the interaction obvious at a glance to anyone who sees it.
The Fingerprint Smart Door Lock combines the security of a keyless system with the familiar, physical action of turning a traditional lock mechanism that has existed for centuries. Users unlock the door by placing a finger on the sensor and rotating the dial, restoring the satisfying tactile feedback of analog hardware. The circular, wall-mounted form with green accent light provides visual confirmation without overwhelming smart home complexity.
Across the series, the use of tactile controls like rolling balls, turning wheels, and flipping speakers restores a sense of physicality and engagement lost in most digital products today that rely solely on touchscreens. The design language is clean and modern throughout, with geometric shapes, soft edges, and playful color accents that invite touch and curiosity rather than intimidation or confusion about how things work.
Tamed Digital Devices offer a glimpse of a future where technology supports well-being instead of adding stress to already busy lives filled with screens. For anyone craving a calmer, more human connection with their devices and tired of digital overload, this concept series is a reminder that innovation doesn’t have to mean complexity but can mean rediscovering the joy of simplicity and tactile pleasure.
The post 4 Smart Devices Controlled by Touch, Not Screens or Apps first appeared on Yanko Design.
Ayaneo is breaking into the competitive smartphone market with its latest offering, but it's hoping to attract the mobile gamers out there. In a teaser posted to its YouTube, the gaming handheld maker offered its first look at the Ayaneo Phone. As vague as the trailer is, Ayaneo clearly has a target demographic in mind, describing the smartphone as when a "mobile phone meets the soul of gaming handheld."
From the teaser, it looks like the Ayaneo Phone will be built with a standard dual-camera setup. Perhaps more relevant for its gaming-centric design, it looks like the smartphone will have physical shoulder buttons when held horizontally. Ayaneo previously mentioned the Ayaneo Phone during a product sharing session in the summer, where it hinted at a form factor that slides out. This could be another hint that Ayaneo is looking at making a modern-day version of the Sony Xperia Play, particularly since the Ayaneo Phone will fall under the company's Remake branding that features remakes of retro consoles and devices.
Considering Ayaneo's price tags for its other products, the Ayaneo Phone likely won't be cheap. However, it could offer serious competition to other gaming smartphones from Asus or Redmagic.
This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/ayaneos-first-smartphone-could-have-physical-shoulder-buttons-182033773.html?src=rss