This Wall Speaker Lets You Decorate Your Room with Music and Art

The must-have for your home used to be a choice: a speaker or a digital frame. Good audio gear fills a room with sound but rarely does anything worth looking at. Digital frames look considered and calm on a wall but go completely silent the moment you need them to do something else. It seems obvious, in hindsight, that someone would eventually stop treating these as separate problems.

Monar is that someone. The Monar Canvas Speaker brings both together in a single framed wall piece that plays Hi-Fi audio while displaying art on a built-in screen, and the two functions are genuinely connected. When music plays, the display responds in real time, generating visuals that shift and react to the track. It fills your home with sound. It decorates your wall with art. It does both at once.

Designer: Monar

Click Here to Buy Now: $799 $1299 ($500 off). Hurry, only 122/150 left! Raised over $55,000.

The design draws its visual logic from classical oil painting. Traditional canvas proportions, the kind that have framed masterworks for centuries, informed the 4:5 portrait ratio of the panel, a deliberate departure from the widescreen format most screens default to. That historical reference is not decorative. It is the reason the Monar reads like framed art on a wall rather than a screen that someone forgot to put away.

The outer frame is interchangeable across eight options: premium ABS plastics, natural linen, and brushed aluminium, with one ABS option styled after Mondrian’s primary color geometry. Swapping the frame is a practical feature rather than a gimmick, since the object is permanent décor. If your interior changes, the frame can too.

The audio side makes bold claims for an enclosure that is only 4.9cm deep. Six drivers handle the load: 2 titanium tweeters, 2 midranges using a golden ratio cone geometry, and full-size subwoofers running through a 2.2-channel amplifier. The 20Hz to 20kHz frequency response is ambitious for a chassis this thin, and one definitely worth hearing.

Where the product earns genuine interest is in the everyday texture of using it. Put on an album, and one of 12 lyric display themes animates the words in sync with the music. Switch to the World Gallery and the screen cycles through more than 50,000 digitized artworks, from Van Gogh to Hokusai. Activate Meditation Mode and the visuals shift to ambient scenes timed to calming audio. When no music is playing, it displays personal photos or videos, so it never really goes blank or dormant.

The generative AI tools go further still. Monar’s AI Studio lets you create original artwork through text prompts, uploaded images, or even a musical concept. The result displays on screen, making it possible to have genuinely new wall art on demand without touching a single frame nail. These features run on a points system, with a free tier offering 100 points per month. The World Gallery and Meditation Mode cost nothing extra, regardless.

Paid AI tiers range from $9.90 to $39.90 per month for heavier creative use, and the free allocation covers casual experimentation comfortably. What makes the pricing structure interesting is what it says about the product underneath it: even without touching a single AI feature, the Monar already delivers a fully functional Hi-Fi speaker system and a complete digital frame in one object. That combination alone is something no single product category had managed to pull off before it came along.

A speaker that becomes a painting, a gallery that plays music, a frame that reacts to sound: the Monar pulls off a combination that no single product category has figured out before it. The real question worth sitting with is not whether it works, but how much your walls have been missing something like it.

Click Here to Buy Now: $799 $1299 ($500 off). Hurry, only 122/150 left! Raised over $55,000.

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IKEA’s $10 Speaker Is Tiny, But You Can Pair 100 of Them Together

Bluetooth speakers have a curious problem. The ones worth owning tend to cost real money, and the ones that don’t cost much tend to sound exactly like they cost nothing. IKEA’s KALLSUP sits somewhere outside that tired formula entirely, not because it defies audio physics at $9.99, but because it was never really designed around audio physics in the first place.

The KALLSUP is a cube, more or less. At 2.75 x 2.75 x 2.88 inches and built from ABS plastic, it has the proportions of a large sugar cube and a silhouette that wouldn’t look out of place on a shelf next to a small succulent. Designer Ola Wihlborg, who wanted the speaker to be “as small and simple as possible,” made something that reads less like audio equipment and more like an object that happens to produce sound when you connect your phone to it.

Designer: Ola Wihlborg (IKEA)

That framing matters. Most portable speakers broadcast what they are through a certain vocabulary: rubberized grilles, cylindrical barrels, carabiner clips, the unspoken suggestion that they’ve survived a kayaking trip. The KALLSUP makes none of those promises. Its face carries a circular grid of perforations, two buttons sit on top flanking a small LED, and the back has a USB-C port for charging. Nothing announces itself as a feature. It just exists, neatly, without fuss.

The minimalism extends to the controls, though that’s where things get slightly puzzling. There are only two buttons: one for Bluetooth and one for playback. No volume control sits on the unit itself, so the connected device handles all level adjustments. Pairing multiple units requires a long press of the play button, not the Bluetooth button, and there’s no manual power-off. These omissions read as deliberate simplicity, but they also feel like the kind of tradeoffs that made a $9.99 price tag achievable.

What the KALLSUP can do is genuinely surprise at this price. The rechargeable battery is advertised to run 9 hours at 50% volume, covering a full workday of background music. Bluetooth 5.3 holds up to 10 meters without interference. The real trick, the one that reframes the product’s logic entirely, is pairing up to 100 units together. One KALLSUP is a desk companion. Four of them, scattered across a room, start to approximate distributed audio.

The yellow-green colorway, one of three available alongside white and pink, sits in that particular register of color that’s neither subtle nor aggressive. It’s the kind of green that shows up in membrane keyboards and silicone phone cases aimed at people who want their objects to feel a little more alive.

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Motorola’s Bose-Tuned Speaker Automatically Follows You Room to Room

Bluetooth speakers have largely solved the portability problem and mostly failed the living room one. They tend to look like gym equipment that wandered indoors, sit awkwardly on a shelf, and demand a ritual of reconnecting whenever you walk back in the door. The moto sound flow, Motorola’s first portable speaker and the newest addition to the moto things lineup, takes a different angle on all three of those frustrations.

The design makes the first impression. Two Pantone-curated colorways, Carbon and Warm Taupe, wrap the cylindrical body in a twill-textured fabric finish that reads more like a decorative object than consumer electronics. It’s the kind of thing you’d leave on the coffee table without thinking twice, which is precisely the point. Motorola calls it “crafted to be seen and tuned to be heard,” and for once, the marketing copy isn’t entirely hollow.

Designer: Motorola

The hardware inside includes a dedicated woofer, tweeter, and dual passive radiators, producing a 30W output tuned through Motorola’s Sound by Bose partnership. That collaboration, which also appears in the razr fold, applies Bose’s EQ expertise for balanced, detailed sound rather than the bass-heavy thump most compact speakers default to. A companion app also lets you adjust the equalizer to your own taste, available on both Android and iOS.

The moto sound flow also distinguishes itself in terms of connectivity. Beyond Wi-Fi, Bluetooth 5, AirPlay, Google Cast, and Spotify Connect, the speaker uses UWB technology to do something more interesting. Walk close to it with a compatible phone, and it picks up your audio automatically, no tapping required. Run two units together, and Room Shift reroutes music to whichever speaker is nearest, while Dynamic Stereo adjusts left and right channels based on where your phone sits between them.

Those UWB features do carry a fine print worth reading. They require a compatible Android 9 or later phone with UWB enabled, so iPhones and older Android devices don’t qualify. The speaker still works over Wi-Fi and Bluetooth for everyone else, but Room Shift and Dynamic Stereo, the parts that make the pitch most compelling, are locked behind a hardware requirement many buyers won’t check before purchase.

The 6,000 mAh battery covers long listening sessions, and the IP67 rating makes outdoor or poolside use fair game. A dock handles charging instead of a cable, which keeps things tidy. Four built-in microphones manage speakerphone calls. Starting at €199, the moto sound flow enters a competitive space where JBL, Sonos, and Bose already have devoted followings, each with years of speaker-only focus behind them.

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BreakX1 Just Made Karaoke Machines Actually Worth Displaying

Remember when karaoke machines were those clunky black boxes that looked like rejected stereo equipment from the 90s? Yeah, those days are officially over. The BreakX1 Smart Karaoke by designer Liu Wei just snagged a Silver A’ Design Award for 2025, and it’s proof that home entertainment tech can be both functional and seriously good-looking.

What really sets this thing apart is how it moves. The BreakX1 features an innovative hinge design that connects the screen to the speakers, letting you rotate the screen 180 degrees front to back and 120 degrees left to right. It’s the kind of flexibility you didn’t know you needed until you think about it. Whether you’re belting out power ballads from the couch or standing up for your best Beyoncé impression, you can adjust the angle to actually see the lyrics without doing neck gymnastics.

Designer: Liu Wei

The design inspiration comes from an unexpected place: minimalist automotive design, specifically the clean lines of Tesla and Porsche. That aesthetic shows up in the machine’s sleek, soft curves and compact form. It doesn’t scream “karaoke machine” the way older models do. Instead, it looks like something you’d actually want sitting in your living room, not hidden away in a closet between uses.

Liu Wei, who works with Dongguan Aika Electronic Technology Co., developed the BreakX1 between October 2023 and January 2024 in Shenzhen, China. The device is built for the wireless entertainment era, designed to work seamlessly whether you’re hosting an indoor party or taking the show outside for backyard gatherings. That portability is key because modern life doesn’t always happen in one room anymore.

The tech specs back up the design ambitions. The BreakX1 comes equipped with a 2K HD screen that delivers crystal-clear visuals for lyrics, music videos, or whatever else you want to throw at it. The Red Dot Design Award jury noted that the machine “impresses with its exceptional ease of use and attractive appearance,” which is basically the holy grail for consumer electronics. Too often, devices choose one or the other, but this manages both.

What makes the BreakX1 feel current is its versatility beyond just karaoke. Sure, you can use it for singing your heart out, but it’s also designed for listening to music or engaging in what the specs call “audio visual creativity.” That vague-but-intriguing phrase suggests this is really a multi-purpose entertainment hub that adapts to how you want to use it, not the other way around. The design also addresses a real problem with portable entertainment systems: they usually look temporary or makeshift. The BreakX1’s integrated approach, where the screen and speakers form one cohesive unit connected by that flexible hinge, creates a device that feels intentional. It’s the difference between furniture and something you assembled from random parts.

This isn’t just about making karaoke look better (though it definitely does that). It’s about recognizing that home entertainment equipment has become part of our living spaces in ways it wasn’t before. We’re not hiding our tech in cabinets anymore. It’s out, it’s visible, and we want it to look like it belongs. The BreakX1 gets that shift. Liu Wei’s work represents a broader trend in tech design where aesthetics and function aren’t competing priorities but complementary ones. The rotatable screen isn’t just pretty engineering; it solves the real challenge of making one device work for different body positions and room configurations. The minimalist styling isn’t just trendy; it helps the device fit into more home decor situations.

The Silver A’ Design Award recognition confirms what’s already becoming clear: smart entertainment devices need to be smart about more than just their features. They need to understand that users want equipment that enhances their space, not clutters it. The BreakX1 delivers on that promise while still packing in the technology that makes modern karaoke actually fun. Whether this sparks a wave of better-looking karaoke machines remains to be seen, but it’s a solid start. At the very least, it proves that party tech doesn’t have to look like party tech. Sometimes it can just look good.

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IKEA Just Made a Mouse-Shaped Speaker That Kids Can Actually Carry

IKEA’s GREJSIMOJS collection started with a dog-shaped lamp that dims when you hold its head for bedtime, turning a light switch into something closer to petting a sleepy puppy. The limited collection is more than just about cute animals, but also about playful behavior baked into everyday objects. That same thinking now shows up in a tiny Bluetooth speaker shaped like a mouse, with four stubby legs and a braided tail that doubles as a carry loop.

The GREJSIMOJS portable Bluetooth speaker is a small, mouse-shaped character IKEA calls a “cute little music friend” for playful people of all ages. It is meant to follow kids from room to room, turning background sound into something they can carry and interact with, while still being a straightforward wireless speaker for parents who just want podcasts in the kitchen or bedtime audiobooks without fumbling with phone speakers.

Designer: Marta Krupińska (IKEA)

Picture a child drawing at a desk, the purple mouse sitting nearby quietly playing an audiobook or favorite songs. Pairing is as simple as connecting a phone over Bluetooth, and the sound is tuned for everyday listening rather than shaking walls. The built-in volume limit protects sensitive ears, so kids can turn it up without parents needing to hover over the controls constantly or worry about hearing damage.

The braided tail makes it easy for small hands to grab and move the speaker from bedroom to living room. Charging happens over USB-C, though the cable and adapter are sold separately, and IKEA says adults should handle that part. The speaker cannot play while charging, which creates a split that lets kids control what they listen to while adults manage batteries and power.

The multi-speaker mode lets the mouse pair with other IKEA Bluetooth speakers supporting the same feature. That means the same music can play from multiple spots, turning a hallway and playroom into one sound zone without complicated app setups. It is an easy way to make dance parties or tidy-up time feel coordinated, even if the tech behind it stays invisible to everyone involved.

The collection’s goal is to inspire play and togetherness across the home, and the mouse fits that mission well. IKEA notes that £1 from every GREJSIMOJS product sold during a set period goes to the Baby Bank Alliance, adding a layer of purposeful giving. More than just decor, the speaker is a small facilitator for shared stories, music, and movement in family spaces without needing complicated setup rituals.

The GREJSIMOJS mouse speaker, like the dog lamp, treats technology as something that should feel approachable and a bit silly rather than cold. Rather than competing with serious audio gear, it is trying to make rooms feel more alive without asking kids to sit still or parents to manage another app. In homes where screens already demand enough attention, a small purple mouse that quietly pipes in sound might be exactly the kind of tech everyone can agree on.

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NAK Studio Imagines a Hi-Fi Stack You Would Actually Want on Display

Most Hi-Fi gear still looks like anonymous black rectangles, even in carefully designed living rooms. Serious listeners often hide their amps and speakers in cabinets because the hardware rarely matches the rest of the furniture, even when the sound is great. The default assumption is that audio equipment belongs out of sight, tolerated for its performance but not celebrated for its presence.

Antoine Brieux of NAK Studio designed a complete stack he would personally want at home, treating it as a thought experiment about what happens when an integrated amplifier, speakers, and turntable are drawn as one family from the start. Color, tactility, and proportions are treated as seriously as the signal path, so the system could earn a spot in the open rather than behind doors or under furniture.

Designer: Antoine Brieux (NAK Studio)

The integrated amplifier is a low, solid block with a ribbed cylinder grafted onto one corner, turning the usual volume knob into a full control column. That cylinder suggests precise, satisfying adjustments for volume, inputs, and tone, giving your hand a clear place to land instead of hunting for tiny knobs or touch buttons scattered across a cluttered front panel.

The tall monochrome display beside the cylinder shows track info, a big dB scale, and twin bar-graph meters dancing with the music. The list of inputs covers phono and TV to Bluetooth and USB, and a warm-to-cold tonal slider sits below, so the front of the amp feels like a calm, legible dashboard rather than a technical interface that demands constant attention or an instruction manual.

The compact speakers are each a rounded rectangle with a single driver and tweeter, but finished in mixable Pantone colors, letting you treat them as color accents in a room. You could pair teal with orange, or match a pair to a shelf or wall, so they become part of the space’s palette instead of something you try to hide or apologize for when guests visit.

The matching turntable sits on the same footprint as the amp, with exposed suspension pillars and a straight arm that echoes the cylinder theme. The three components stack visually into a tidy tower, making the whole listening setup feel intentional, almost like a piece of modular furniture for records and streaming alike, cohesive enough to anchor a sideboard or desk.

NAK Studio’s concept is not about chasing specs, but about imagining a Hi-Fi system that earns its place in the open. The controls invite touch, the colors play with the room, and the stack looks as considered as the music it is built to play. It starts to feel less like a fantasy and more like how audio gear should have evolved all along.

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NAK Studio Imagines a Hi-Fi Stack You Would Actually Want on Display

Most Hi-Fi gear still looks like anonymous black rectangles, even in carefully designed living rooms. Serious listeners often hide their amps and speakers in cabinets because the hardware rarely matches the rest of the furniture, even when the sound is great. The default assumption is that audio equipment belongs out of sight, tolerated for its performance but not celebrated for its presence.

Antoine Brieux of NAK Studio designed a complete stack he would personally want at home, treating it as a thought experiment about what happens when an integrated amplifier, speakers, and turntable are drawn as one family from the start. Color, tactility, and proportions are treated as seriously as the signal path, so the system could earn a spot in the open rather than behind doors or under furniture.

Designer: Antoine Brieux (NAK Studio)

The integrated amplifier is a low, solid block with a ribbed cylinder grafted onto one corner, turning the usual volume knob into a full control column. That cylinder suggests precise, satisfying adjustments for volume, inputs, and tone, giving your hand a clear place to land instead of hunting for tiny knobs or touch buttons scattered across a cluttered front panel.

The tall monochrome display beside the cylinder shows track info, a big dB scale, and twin bar-graph meters dancing with the music. The list of inputs covers phono and TV to Bluetooth and USB, and a warm-to-cold tonal slider sits below, so the front of the amp feels like a calm, legible dashboard rather than a technical interface that demands constant attention or an instruction manual.

The compact speakers are each a rounded rectangle with a single driver and tweeter, but finished in mixable Pantone colors, letting you treat them as color accents in a room. You could pair teal with orange, or match a pair to a shelf or wall, so they become part of the space’s palette instead of something you try to hide or apologize for when guests visit.

The matching turntable sits on the same footprint as the amp, with exposed suspension pillars and a straight arm that echoes the cylinder theme. The three components stack visually into a tidy tower, making the whole listening setup feel intentional, almost like a piece of modular furniture for records and streaming alike, cohesive enough to anchor a sideboard or desk.

NAK Studio’s concept is not about chasing specs, but about imagining a Hi-Fi system that earns its place in the open. The controls invite touch, the colors play with the room, and the stack looks as considered as the music it is built to play. It starts to feel less like a fantasy and more like how audio gear should have evolved all along.

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Soundcore at CES 2026 Turns Everyday Spaces into Portable Sound and Cinema

Personal entertainment has drifted out of fixed rooms and into commutes, bedrooms, trails, and backyards. People bounce between earbuds, smart speakers, and projectors, often juggling separate ecosystems that do not feel designed with each other in mind. The friction is no longer just sound quality, but how easily gear fits into those shifting contexts, from the desk where you need awareness, to the pillow where you need silence, to the field where you want a movie under the stars.

Soundcore’s CES 2026 lineup follows that drift. The AeroFit 2 Pro, Sleep A30 Special, Boom Go 3i, Nebula P1i, and Nebula X1 Pro aim to move with you rather than live in one place. The common thread is collapsing trade‑offs, open‑ear comfort and ANC in one pair of buds, tiny speakers with long battery life, and projectors that pack a theater into a handle‑equipped box, each tuned to a different moment when sound or vision matters.

Designer: Soundcore (Anker)

Soundcore AeroFit 2 Pro

AeroFit 2 Pro is built for people whose days swing between needing to hear the world and wanting to block it out. The five‑level ear‑hook can reposition the nozzle so the buds behave as open‑ear hooks during runs or desk work, then slide into a semi‑in‑ear ANC form when focus or isolation is needed, without swapping hardware or carrying two pairs.

The liquid‑silicone hooks and 56 degrees of articulation keep pressure off the canal for all‑day wear in open‑ear mode, while Adaptive ANC 3.0 checks noise up to 380,000 times per second and makes 180 adjustments per minute in ANC mode. The buds include 11.8 mm drivers, spatial audio with head tracking, LDAC support, IP55 rating, and differing battery lives, up to 7 hours and 34 with case in open‑ear, up to 5 hours and 24 with case in ANC.

Soundcore Sleep A30 Special

Sleep A30 Special takes over when the day ends and the noise does not. The triple noise reduction system combines active noise cancellation, passive blocking from the low‑profile fit, and adaptive snore masking that targets disruptive frequencies without making the room feel unnaturally silent. The ultra‑compact shape is tuned for side sleepers who usually cannot tolerate bulky earbuds pressing against a pillow overnight.

The earbuds tie into the Soundcore app to deliver Calm Sleep Stories directly, alongside AI brainwave tracks and white noise. The hardware is only half the story; the curated content and extended battery life let people build a consistent wind‑down routine, from reading in bed with subtle noise reduction to drifting off to a story without worrying about wires, over‑ear pressure, or keeping a phone nearby.

Soundcore Boom Go 3i

Boom Go 3i is the speaker that lives on a backpack strap rather than a shelf. The palm-sized form and 15 W output make a picnic or campsite feel less quiet without needing a huge cylinder. The 4,800 mAh battery offers up to 22 hours in Eco mode, so it can handle a weekend of light use without visiting a wall outlet, and it can lend some of its charge for emergency phone top‑ups.

The IP68 rating means it can handle dust, sand, and submersion, which is useful when it gets dropped in a stream or buried in a beach bag. The dual‑mode strap mounting system lets it hang or cinch tightly to a pack, bike, or tent pole, and the LED grille with diagonal light patterns makes it easy to spot in a dark campsite or stowed in the bottom of a gear pile.

Soundcore Nebula P1i

Nebula P1i is the projector for people who want movie‑night flexibility without a permanent ceiling mount. It offers 1080p resolution and 400 ANSI lumens, enough for dim‑room viewing, with a built‑in 0-12 degree tilt stand to aim at walls or screens without stacks of books. Official Netflix and Google TV support mean it behaves like a familiar streaming box, not a bare projector that needs extra hardware.

The flip‑open side speakers swing out for better stereo separation, turning a compact cube into a mini theater without extra cables. Intelligent Environment Adaptation 3.0 handles autofocus, keystone, and screen fit, so the projector can quickly lock onto whatever surface is available. It is the kind of device that can live in a closet until a rainy afternoon or impromptu game night makes a big picture suddenly appealing.

Soundcore Nebula X1 Pro

Nebula X1 Pro is the extreme end of the same idea, a mobile theater station on wheels. It uses a 3,500 ANSI‑lumen 4K triple‑laser engine with 110% Rec.2020 color, 5,000:1 native contrast, and 56,000:1 dynamic contrast, bright enough to throw a 200‑inch image outdoors at night. The integrated wireless 7.1.4 sound system, certified for Dolby Atmos, means the audio is as much a part of the experience as the picture.

The planned bundle adds a 200‑inch inflatable screen and a wireless pump that inflates in about five minutes and holds air without a constant blower, keeping the system quiet during viewing. Dual wireless microphones and AI spatial adaptation handle setup, tuning sound and image to the space. Together, the projector and screen turn any patch of ground into a temporary cinema without generators, scaffolding, or separate speakers cluttering the site.

Soundcore at CES 2026: Entertainment That Travels With You

These five products sketch a day‑long arc: AeroFit 2 Pro for the commute and office, Sleep A30 Special for the hours when noise is unwelcome, Boom Go 3i for the trails and parks in between, and Nebula P1i and X1 Pro for turning small rooms and big fields into makeshift theaters. The common thread is not just wattage or resolution, but designs that respect where people actually listen and watch now, moving with them rather than asking them to stay put.

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LG xBoom Stage 501 Uses AI to Turn Any Song Into Instant Karaoke

CES 2026 is full of portable speakers that blur together until you find a pair built around specific moments in your week. Most promise bass and battery, but few commit to a clear identity beyond a spec sheet. LG’s xBoom Stage 501 and xBoom Blast are different, less about covering every scenario and more about owning the moments they were designed for with enough confidence to make those scenarios better.

Stage 501 is tuned for late-night living-room chaos, karaoke marathons, and indoor parties that spill onto patios. Blast is built for long days outside, beach trips, camping weekends, and backyard gatherings that start in the afternoon and refuse to end until the sun comes back. Both run LG’s AI-driven xBoom platform with will.i.am’s signature sound, both pack 99 Wh batteries that outlast most playlists, and both treat lighting and sound as inseparable parts of the same vibe.

Designer: will.i.am x LG

xBoom Stage 501

A living room slowly turns into a karaoke bar as friends arrive, drinks appear, and someone inevitably reaches for a mic. Stage 501 is already in the corner, its wedge-shaped cabinet angled toward the room with LEDs pulsing in sync. It pushes up to 220 W when plugged in or 160 W on battery, with dual 2.5-inch woofers, full-range drivers, and Peerless tweeters handling everything from bass drops to high notes.

AI Karaoke Master turns any playlist into a karaoke queue, stripping or lowering vocals and even shifting pitch so people can sing solo or duet with the original artist without hunting for special tracks. It uses deep learning trained on over 10,000 songs, which means it works on virtually anything in your library. AI Sound and Space Calibration Pro analyze the room and the song, nudging EQ and output.

The top panel becomes a small control deck during the night, with a phone resting in the slot for lyrics, mics plugged in, and a big central dial handling volume and effects. The five-sided design can stand upright, lie horizontally, tilt, or even go on a tripod, so the same speaker that lives under a TV on weekdays can move to the patio or a rented hall when someone’s birthday rolls around.

xBoom Blast

A beach day or campsite is different, power outlets are far away, and the playlist needs to last longer than the sun. Blast shows up as the tall, cylindrical speaker that gets dropped next to the cooler, its 99 Wh battery promising up to 35 hours of music. It still delivers 220 W of output with three 3.25-inch drivers and three passive radiators, so it does not sound like a compromise.

IP67 water- and dust-proofing, edge bumpers, and military-standard testing mean nobody panics when sand, spilled drinks, or sudden rain show up. The side rope handle makes it easy to carry vertically through crowds, while the top handle covers quick moves between spots. AI Lighting and AI Sound keep the LEDs and EQ in sync with whatever is playing, turning grass or sand into a small stage.

At 12 kg, Blast is not exactly light, but that weight holds the passive radiators and battery that get you through a full weekend outdoors. The dual-handle system and rugged shell acknowledge that party speakers live rougher lives than most tech, bouncing around trunks, getting set on uneven ground, and soaking up whatever the weather decides to do. Blast feels like it was designed for those realities.

LG at CES 2026

xBoom by will.i.am is less about one do-everything box and more about matching sound to the way people actually move through their week. Stage 501 anchors indoor parties and karaoke nights, while Blast follows you outdoors. Seeing them at CES 2026 hints at a future where portable speakers are defined as much by the nights and trips they are built for as by their wattage.

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Samsung Taps Bouroullec to Design Speakers That Blend Into Rooms

CES 2026 is full of screens and soundbars, but what stands out are speakers that look like they belong in a living room, even when they are silent. Samsung’s Music Studio 7 and Music Studio 5 are Wi-Fi speakers shaped around Erwan Bouroullec’s dot motif, designed to sit comfortably on shelves and consoles while quietly handling the serious audio work, from hi-resolution streaming to multi-device spatial sound.

Music Studio 7 (LS70H) is the tall, immersive one, and Music Studio 5 (LS50H) is the compact, gallery-friendly sibling. Both share the same circular eye on the front, a dot that hints at the origin of sound, but they play different roles at home. One anchors a room with 3.1.1-channel spatial audio, the other slips into smaller spaces without giving up clarity or presence.

Designer: Erwan Bouroullec

An evening where Music Studio 7 is handling everything, from a playlist to a late-night movie, makes the 3.1.1-channel architecture clear. Left, front, right, and top-firing drivers build a tall soundstage that wraps around the room, while Samsung’s pattern control and immersive waveguide keep effects and vocals precisely placed. AI Dynamic Bass Control keeps the low end deep but tidy, so the room feels full without the furniture rattling or neighbors complaining.

Quiet listening sessions bring hi-res playback into focus. The speaker processes up to 24-bit/96 kHz, so subtle details in acoustic tracks or film scores stay intact instead of getting smoothed over. Spotify lossless streaming and Spotify Tap over Wi-Fi let you move from phone to speaker with a tap, or start a recommendation directly on the device, which makes spontaneous listening feel less like managing gadgets and more like just pressing play.

Music Studio 5 lives in a different kind of space, on a shelf or sideboard where size matters. It uses a 4-inch woofer and dual tweeters with a built-in waveguide to keep sound balanced and crisp, even at lower volumes. AI Dynamic Bass Control deepens low frequencies without turning everything into a thump, so it works as well for background jazz while you cook as it does for focused listening at a desk.

A weekend movie where the speakers and a Samsung TV share the work shows how Q-Symphony handles multi-device sound. The TV and Music Studio units play together instead of one replacing the other, letting dialogue come from the screen while spatial effects spread to the speakers. Wi-Fi casting, streaming services, voice control, and Bluetooth via Samsung’s Seamless Codec sit in the background, making it easy to move sound between rooms or devices without thinking too hard about the path.

The dot-driven forms and soft colors make the speakers feel like part of the furniture, not gadgets that need to be hidden when guests arrive. Seeing them at CES 2026 hints at a direction where home audio is judged as much on how it shapes a room as on how it measures in a lab, and Music Studio 7 and 5 are built to live comfortably in both worlds, treating sound as something that belongs in a space rather than something you tolerate until you can afford to hide it.

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