Tag Archives: Audio

These Xiaomi open earbuds have five drivers and look like tech-jewelry

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I own a lot of earbuds, and I can say with total confidence that none of them have ever made me feel fancy. Earbuds are the gym socks of consumer tech. You need them, you lose them, and you never show them off. Xiaomi’s OpenWear Stereo Pro argues the category deserves better, with open-ear buds that look like they came from a jewelry counter and a case straight out of a leather goods boutique. They launched last fall, and I still can’t stop staring at the press photos.

Mirror-polished pods sit on thin silicone ear hooks, and the whole set tucks into a case wrapped in vegan leather with a suede-style lining. Each 9.7-gram (0.34-ounce) bud packs four drivers for your ears, plus a fifth that fires anti-noise outward to help keep the stranger next to you on the train out of your true-crime podcast. You can pick from Sand Gold, Titan Gray, or Graphite Black, and the gold one is the obvious answer. Xiaomi sells them for €149.99 in Europe and £139 in the UK, with no official US release. Your friend in London suddenly looks very useful.

Designer: Xiaomi

A polished metallic finish wraps each pod, and Xiaomi pairs it with a soft cream-colored silicone hook, so the shiny bit gets all the attention while the hook practically disappears. Beneath that silicone runs a 0.6mm (0.024-inch) memory titanium wire designed to flex around your ear and spring back into shape. Xiaomi built the fit around three contact points to distribute pressure, with the pod tilted outward to avoid pressing against your tragus, that little flap at the front of your ear canal. The slim hook is also designed to leave room for glasses. On a model with her hair up, the whole thing reads like a boutique ear cuff that happens to play Spotify.

The case measures 2.68 inches square and just over an inch thick (68 x 68 x 26.3mm), with pebbled vegan leather outside and a tan faux suede lining that gives it the look of a watch box. A magnetic lid holds it shut, and a little “DESIGNED BY XIAOMI” tab inside tips its hat to Apple’s famous sign-off. The buds nest in a figure eight, hooks overlapping, so neatly that it feels rude to take them out. Most earbud cases are glossy plastic pebbles that collect scratches the moment they meet your keys. This one looks more at home on a nightstand beside your watch and wallet.

Each pod combines a 0.71 x 0.51-inch (18 x 13mm) dynamic driver for bass, two balanced armatures (the tiny precision drivers found in pricey in-ear monitors) for detail, and a piezoelectric ceramic tweeter for the high frequencies. Xiaomi says Harman helped with tuning, and the Xiaomi Earbuds app offers two dedicated EQ profiles on iPhone and Android. The fifth driver, a 10mm unit, plays reverse-phase sound outward in Balanced mode. Xiaomi claims 60% better sound-leakage reduction than the original OpenWear Stereo. The company rates battery life at 8.5 hours per charge and 45 hours with the case, enough for a week of commutes before you hunt down a USB-C cable. It also says a 10-minute top-up buys two hours, a useful fallback if you forget to charge before a flight.

Bose’s Ultra Open Earbuds cost $299, Shokz wants $249.95 for its OpenFit Pro, and the OpenFit 2+ sits at $179.95. Xiaomi’s €149.99 European price looks appealing alongside those US prices, though importing a pair could change the calculation. Xiaomi followed up in May 2026 with the Ear Clip, a cuff-style design closer to Bose’s approach. A year on, the hook-style Pro is still the pair I’d point to when someone tells me audio gear has to look boring.

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Amazon Puts a Camera in an Echo Speaker and Alexa in a Photo Frame

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Smart home gadgets have a habit of looking like smart home gadgets, even when they’re supposed to disappear into the living room. Amazon’s latest Echo and Alexa devices try to make themselves more useful company, from a speaker that can see what you’re holding to a picture frame that finds family photos. The five-device lineup gives familiar household objects rather different jobs around the house.

The more interesting changes aren’t simply about putting Alexa into another room. Echo Studio with Home Camera adds a lens without adding a screen, while Alexa Photo Frame hides its touchscreen behind the conventions of a framed print. Most of the lineup is available now, though Echo Show 16 remains on preorder. Certain features require Alexa+, included with Amazon Prime or available separately for $19.99 a month in the US.

Designer: Amazon

The $249.99 Echo Studio with Home Camera keeps its rounded, fabric-covered body, but a small lens now shares the circular control panel. Amazon says you can hold up a board game and ask Alexa+ to explain its rules, or check on the dog through Live View. Dolby Atmos remains part of the audio package. A button disables the microphones and camera, although there’s no physical shutter covering that new eye.

The Alexa Photo Frame, meanwhile, goes out of its way to look less technological. A 10-inch anti-glare touchscreen sits inside textured white matting, with Black starting at $199.99 and real Birch or Walnut frames at $229. Amazon Photos supplies the pictures, while voice requests find people, pets, or trips. Amazon says Alexa+ skips screenshots and receipts, which is reassuring when your camera roll doubles as a drawer for digital clutter.

The $99.99 Echo Dot keeps the familiar fabric-wrapped sphere, available in colors including Agave Green and Coral Pink. There’s more happening underneath than another speaker refresh, however. Its built-in hub supports Zigbee, Matter, and Thread devices, while eero owners can extend their compatible network. That gives the little ball a useful second job, controlling lights and compatible accessories without requiring yet another hub to find room for on a shelf.

The bedroom gets a more deliberate omission. Echo Time has a 3.2-inch circular touchscreen and no camera, thankfully, with hundreds of clock faces to change its personality. The $199.99 clock dims at night and gradually brightens before an alarm. Amazon says its optional sleep sensing uses ultrasound to help time your wake-up, without a wearable. Camera-free doesn’t mean sensor-free, of course, though you can leave that monitoring switched off entirely.

Echo Dot

Kids Echo Dot

Echo Time

Echo Time

The Echo Show 16 gives the kitchen a much more conspicuous 16-inch Full HD display surrounded by an anodized aluminum frame. Screen Styles let you prioritize calendars, smart home controls, or photos, while built-in Fire TV supplies entertainment. Standard pricing is $499.99, or $569.99 with Nanomatte glass, with $100 off preorders. Shipping starts later this year. Stands cost extra, so keeping it off the wall means adding something to the bill.

There’s something appealing about a smart home that doesn’t require every room to look like a gadget showroom. These designs give Alexa a more familiar place to settle in, but the choices still matter. A camera beside the sofa deserves more thought than a new fabric color. Before clearing another shelf, it’s worth deciding which household routines could actually use the help, and which are doing perfectly well already.

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$225 Galaxy Buds On arrive with hands-free AI operation and smooth gestures

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The clip-on buds form factor is here to stay and not merely a fad. Samsung has joined the bandwagon with its first-ever clip-ons that compete in the flagship segment. The South Korean giant’s Buds4 Pro earbuds have already impressed us with their excellent call quality, ANC, and comfort. So we expect the same from the new Galaxy Buds On.

With Bose Ultra Open, Sony LinkBuds, Huawei FreeBuds 6, Nothing Ear (open), and CMF Clip Pro giving outdoor audio lovers plenty of options, the Samsung clip-ons have a strong case with the features on offer. Their first-ever clip-on wireless buds sit inside the ear, while the ergonomic shape comfortably hugs the ear for a snug fit even while working out. According to Samsung, the buds were developed after analyzing different ear shapes to optimize speaker placement and the built-in battery.

Designer: Samsung

Galaxy Buds On are focused on spatial awareness without losing out on the music quality, thanks to the TwinBoost speakers that deliver low-frequency performance. The automatic volume control toggles the audio level depending on the outside ambient noise, so that you don’t miss out on any of the important audio streams or call conversations. The introductory video clearly highlights the fact that the buds seamlessly integrate into daily life and personal listening space. Unlike some buds that have left and right distinction, these don’t have one, which is both a downside and an advantage when it comes to freedom of use.

The IP54 buds are powered by the Snapdragon S7 Gen 1 Sound platform paired with the high-efficiency Class-D amplifier, which optimizes things at the hardware level for final performance. This ensures a nonstop 9.5 hours of continuous music playback after a single charge. The buds come with a bone conduction vibration sensor that helps detect if the wearer is speaking to someone, so that the transparency mode can be enhanced and background noise reduced. As seen in the launch video, the buds can be triggered hands-free with the “Hey Google, let’s talk live” command for natural AI conversations.

Head gestures are also a part of the mix and more reliable given the bone conduction tech is at the helm. You can take or reject calls, read message notifications, dismiss alarms, or even adjust volume or equalizer on Galaxy devices. Samsung has also addressed the audio leakage issue, which is common to most clip-ons, with the Audio Leakage Reduction tech. The accompanying case brings the total battery life to an impressive 38 hours. With each of the buds weighing 6.65g and the case at 41g, the Buds On have a strong case for people in the Galaxy ecosystem. For a price of $229, they are flush in the flagship dominance race, and it will ultimately boil down to the real-world performance of the buds.

 

 

 

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km5’s Sp1 Speaker and Mp1 Mixer Give CD Listening a DJ-Style Twist

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There’s something satisfying about choosing a CD, even if most of us have become accustomed to tapping a screen instead. The trouble is finding audio equipment you’d actually want to leave on display. km5’s newly announced Sp1 speaker and Mp1 mixer give its Cp1 CD player some equally minimalist company, letting you listen to favorite albums or try your hand at mixing them.

Both borrow the Cp1’s flat, frame-like format, with black or white finishes that let the pieces sit together without looking like an assortment of unrelated electronics. The Sp1 puts a perforated grille where the player displays its disc, while the Mp1 fills that space with knobs and sliders. They share the same size, but each makes its purpose clear through its front surface.

Designer: km5

The speaker has a few surprises behind that otherwise quiet appearance. A dot-matrix display sits beneath the grille, showing the time and playback information without carving out a separate screen on the front. Physical buttons occupy the top edge alongside a retractable metal antenna. That last detail gives away the Sp1’s other role as an FM radio that doesn’t need to borrow your phone.

Inside are two 1.77-inch full-range drivers and two passive radiators, though their presence alone doesn’t tell us how convincing the bass will be. Bluetooth and microSD playback offer other ways to listen, and you can record radio programs, too. Pairing two Sp1 units provides stereo playback, letting a single speaker become part of a larger arrangement rather than something you’ve outgrown.

The Mp1, meanwhile, invites you to do something with the music beyond pressing play. Its two channels have separate level sliders, with a crossfader below for blending between sources. Three-band EQ controls adjust the bass, midrange, and treble, while filters change the sound further. Loop buttons repeat sections of a track, giving a favorite passage permission to stick around a little longer.

Two Bluetooth inputs let the mixer receive music from sources such as a Cp1 and a smartphone, then send the combined sound wirelessly to a compatible speaker. You aren’t required to own an entire matching set, thankfully. Line inputs and outputs also accommodate wired connections, though the published information doesn’t establish how much delay the completely wireless arrangement introduces when you’re trying to mix.

Built-in batteries make it easier to move the arrangement away from a desk, with km5 quoting approximately 12 hours for the speaker and six for the mixer. Optional wall-mount accessories offer another way to free up a surface. The mixer can even be operated on the wall, an unusual invitation to get up from the sofa and fiddle with the music yourself.

Preorders are scheduled to open on November 16, 2026, with km5 expecting shipments in February 2027 or later, though pricing remains unconfirmed. There’s also a practical limit to that portable party setup. The speaker’s quoted battery life is twice the mixer’s, so it might be ready for another album when your DJ booth is looking for a charger.

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Teenage Engineering’s EP-35 Amp Has a Hidden Cable Compartment

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The back of Teenage Engineering’s EP-35 opens to reveal a compartment for cables and accessories. It’s a wonderfully unglamorous feature to put on a music gadget. An amp can look perfectly composed in a product photo, but taking it anywhere means figuring out where the supporting cast goes. Giving those loose pieces a home inside the speaker feels like an acknowledgment of how people actually use their equipment.

That practical streak extends beyond storage. Listed for sale at $399, the EP-35 combines a portable speaker, an instrument amplifier, and a USB audio interface. It accepts guitar, microphone, line-level, Bluetooth, and USB audio, with multiple sources able to play together. The problem it addresses is straightforward: playing guitar over a backing track, or adding vocals, shouldn’t require assembling a small equipment department. Here, those connections meet in one box.

Designer: Teenage Engineering

Visually, the EP-35 has the charm of equipment that might belong in a very stylish school science lab. Its gray body, square grille, integrated handle, and orange accents are deliberately matter-of-fact. I like that the speaker drivers remain visible behind the grid. They give the front a slightly awkward, almost characterful expression. Nothing about the proportions suggests an object desperate to disappear into your decor, which is part of its appeal.

The controls make a similar impression. There are physical dials for choosing effects and adjusting their intensity, with eight presets each for guitar and microphone. That’s an approachable arrangement: select a sound, turn a control, hear what changes. I’d rather see that direct relationship on something intended for casual playing than a screen full of options. The microphone effects even include presets called “robo choir” and “frog,” which gives you a fair idea of the intended mood.

The USB audio interface is less visually entertaining but potentially more useful. Connect the EP-35 to a computer and it can serve as a recording interface, giving the same object a role at a desk after it comes home. That continuity makes sense to me. A portable device earns its shelf space more easily when it doesn’t become redundant the moment you’re near a power outlet and a laptop.

Inside the storage compartment, Teenage Engineering has also included a small camp light. It can illuminate the compartment automatically when opened, stay on, or react to incoming audio in disco mode. Tilting the speaker backward makes those LEDs display the battery level. Some of this is useful, some is cheerfully unnecessary. I’m happy with that balance. Checking a battery through a small physical gesture is a more memorable interaction than another tiny percentage readout.

Portability does need a little perspective, though. At about seven pounds, the EP-35 is something you carry by its handle, not casually toss into a small shoulder bag. Teenage Engineering rates battery life at 12 hours with the volume set to five, so that figure shouldn’t be treated as an all-day guarantee at any loudness. It’s also splash-resistant rather than waterproof. Those distinctions matter if the appealing camp light has you mentally packing it for a weekend outdoors.

There’s room to expand the setup, too. Two EP-35s can play Bluetooth audio in stereo through broadcast mode. Teenage Engineering’s instructions let you assign left and right channels by tilting each speaker before starting that mode. Connected instruments take a different route: linking their sound between speakers requires a line-out-to-line-in cable. That’s worth understanding before imagining a completely wireless mini stage. The wireless convenience applies specifically to Bluetooth playback.

For me, the $399 price makes the most sense if those musical connections will get regular use. Someone who only wants background listening would be paying for considerable capability they might never touch. Sound quality still needs a listening test; clever packaging can’t settle that question. But I appreciate the attention paid to what happens between sessions. The music stops, the cables come out, and the EP-35 gives you somewhere to put them. That’s a modest design decision with a very recognizable payoff.

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The 8 Best Audio Designs for People Who Want to Own Their Music

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Tangerine Sudo music player shown from front and back, with playlists menu on screen and tactile wheel below

An album can be a folder you keep, a disc you lend, or a cassette you record yourself. That is a useful starting point for choosing audio equipment: what happens to the music after you press stop? The most interesting designs here give a collection a place to live, a way to travel, or a reason to come off the shelf. Their appeal starts with what you want to play.

These eight picks approach ownership from different directions, from carrying digital files to displaying album artwork and making recordings. You don’t need to abandon streaming to appreciate any of them. The selection includes an upcoming player alongside established products, chosen for their documented features and design decisions rather than hands-on sound testing. The question throughout is simple: what does this object let you do with the music you have chosen to keep?

1. Sudo Music Player

Silver Sudo music player held in one hand, thumb resting on the tactile wheel

Three silver Sudo players side by side showing the menu, a song list, and the now-playing screen

New Matter’s Sudo puts an iPod wheel beneath a small touchscreen, giving a familiar interaction a contemporary home. The upcoming player has an expected price of $ 249 and a straightforward appeal: carry your library on an object dedicated to listening. In the Tangerine version, black controls interrupt the orange body, making the wheel the obvious focal point. The layout gives playback its own physical territory, rather than asking a touchscreen to handle every interaction. It’s a promising starting point for a pocket music player.

New Matter lists 64GB of storage, microSD expansion up to 1TB, a 3.5mm jack, Bluetooth, and USB-C charging. It also lists streaming, so this isn’t a strictly offline machine. The reservation terms deserve equal attention: a refundable $50 deposit goes toward the expected purchase price, with shipping projected for the beginning of Q4 2027. Sudo leads this collection because of its design proposition, not proven performance. It remains something to watch, rather than a player to buy for immediate listening.

What we like

  • A dedicated wheel gives playback a clear physical interface.
  • Expandable storage accommodates a growing personal library.

What we dislike

  • Shipping is still projected for Q4 2027.
  • The $249 price is an estimate, not final pricing.

2. CD Jacket Player

The CD Jacket Player gives album packaging a job after you’ve removed the disc. Its frame accommodates the jacket artwork, letting the record you’re listening to become the player’s face. That makes particular sense for a collection assembled with some affection for sleeves, typography, and photography. Instead of letting those details disappear into a storage rack, the design brings one album forward. It turns choosing what to hear into choosing what to display, without requiring a separate picture frame.

The player offers Bluetooth output for wireless speakers or headphones and a 3.5mm jack for wired listening. A rechargeable battery and USB-C charging let it move between listening spots, while the shop includes a wall bracket. You’ll still need headphones or a speaker, and the display stand is sold separately. For someone who already owns a suitable listening setup, the attraction is the frame itself: the player gives an existing CD collection a visible place in the room.

Click Here to Buy Now: $170.00

What we like

  • Album artwork becomes part of the player’s appearance.
  • Wired and Bluetooth outputs provide listening flexibility.

What we dislike

  • It requires separate headphones or speakers.
  • The display stand costs extra.

3. FiiO DM15 R2R

FiiO’s DM15 R2R has a useful answer to the divide between collecting CDs and carrying digital files: it can rip tracks to external storage in WAV format while you listen. That makes it more than a destination for a disc. It can also be a step toward building a portable library from albums already on your shelf. For a collector who wants both formats, this is a more consequential feature than simply giving an old playback format a new enclosure.

Physical buttons and a volume knob keep the main operations accessible, with 3.5mm and balanced 4.4mm headphone outputs accommodating different wired setups. The copying workflow has boundaries worth knowing before buying. FiiO specifies FAT32 storage, recommends a USB-C flash drive of 32GB or smaller, and requires external power for ripping. Its support documentation also excludes Enhanced CDs from that function. Think of it as a disc player with a specific copying facility, rather than a replacement for every part of managing a digital collection.

What we like

  • WAV ripping connects a CD collection with digital playback.
  • Physical controls and two headphone outputs broaden its usefulness.

What we dislike

  • Ripping requires external power and compatible storage.
  • Enhanced CDs aren’t supported for ripping.

4. Side A Cassette Speaker

The Side A Cassette Speaker borrows the appearance of a mixtape, but its place here comes from a less conspicuous feature: microSD playback. Put MP3 files on a card, and the speaker can play your selection without using a phone as the source. The transparent shell and Side A graphics supply the visual joke, while the included clear case doubles as a stand. At $49, it’s an approachable way to give a small, personally assembled collection its own playback object.

Its limits are worth stating plainly. This is a cassette-shaped digital speaker, not a machine that plays tapes, and card playback supports MP3 files only. Bluetooth offers another source option when you want it. The case becoming a stand is the more thoughtful detail: something needed for storage also supports the speaker on a desk. It suits a deliberately edited selection of tracks, although the format restriction makes it less appropriate for someone hoping to play an existing library of lossless files unchanged.

Click Here to Buy Now: $49.00

What we like

  • microSD playback gives personal files a phone-free route.
  • The protective case doubles as a display stand.

What we dislike

  • Card playback is limited to MP3.
  • Despite its appearance, it cannot play cassettes.

5. Audio-Technica Sound Burger AT-SB727

Audio-Technica’s Sound Burger makes a compelling case for keeping a record player small without pretending records themselves are small. Its narrow clamshell body leaves much of the disc exposed during playback, creating an unmistakable silhouette. The regular-line AT-SB727 follows the limited anniversary model, bringing the design into the company’s continuing lineup. A belt-driven platter plays 33⅓ and 45 RPM records, while a spring applies stylus pressure through the tonearm. The compact mechanism is the story here, not merely the retro colors.

Bluetooth and a wired line output let it connect to suitable listening equipment, and Audio-Technica rates the rechargeable battery for up to 12 hours of playback. Portability needs a little interpretation: you can carry it between places, but the manual requires a level surface and warns against moving it while playing. You’ll also need an external listening device. For a smaller home, that tradeoff can make sense. The player is compact enough to put away, while your record collection remains the substantial part of the arrangement.

What we like

  • A distinctive compact mechanism accommodates full-size records.
  • Bluetooth and line output support different listening setups.

What we dislike

  • It needs external audio equipment.
  • Portable doesn’t mean usable while moving.

6. Shanling Q2

Shanling’s Q2 concentrates the personal-library argument into an 83g player measuring 80 by 50 by 13.5mm. Its microSD slot supports cards up to 2TB, giving a substantial collection somewhere to travel without requiring a phone. The rounded body, small touchscreen, and circular control make it visually approachable, but the interaction deserves clarification. Shanling identifies the touchscreen as the navigation interface and the touch wheel as a volume control. That distinction matters if its appearance has you expecting the full browsing behavior of an old iPod.

The Q2 includes both 3.5mm and balanced 4.4mm headphone outputs, making it relevant to listeners who already own wired headphones. It also supports network features, including Tidal streaming, so owning files and accessing a service aren’t mutually exclusive here. Shanling specifies that Tidal playback is online only, without offline downloads. For this collection, the microSD slot remains the reason to choose it: the player provides a compact home for music files you manage yourself, with streaming sitting alongside that function rather than replacing it.

What we like

  • Up to 2TB of card storage suits large libraries.
  • Two headphone outputs accommodate different wired connections.

What we dislike

  • The wheel controls volume rather than full menu navigation.
  • The 2.09-inch screen gives browsing limited space.

7. We Are Rewind GB-001 Blaster Curtis

The GB-001 Blaster Curtis brings recording into a collection otherwise dominated by playback. We Are Rewind’s boombox plays and records Type I and Type II cassettes, with backlit VU meters helping you monitor levels. The design puts the cassette mechanism between substantial speaker sections and adds dedicated controls for volume, bass, treble, and balance. It gives tape an appropriately physical interface. For someone interested in making recordings as well as collecting releases, the deck has a purpose that its retro appearance alone couldn’t supply.

A stereo line input and microphone input provide routes for recording, while Bluetooth allows the unit to work as a speaker for another source. The rechargeable battery is replaceable, a worthwhile provision in such a substantial object. And substantial it is: the manufacturer lists 6.81kg, or roughly 15 pounds. At $579, this is a deliberate commitment to cassette listening and recording. The carrying handle makes it transportable, but the weight suggests choosing its everyday home with more care than you would a pocket player.

What we like

  • Recording makes it useful beyond playing purchased tapes.
  • The rechargeable battery is replaceable.

What we dislike

  • Roughly 15 pounds limits casual portability.
  • The $579 price demands a serious interest in tape.

8. ClearFrame Speaker CD Player

ClearFrame lets the owner decide how much of the player to reveal. Insert album artwork into its included tray and the sleeve becomes its face; leave it out, and the clear body exposes the disc, circuitry, and mechanism. That choice gives it a different emphasis from the CD Jacket Player earlier in this list. The artwork can take center stage, but the hardware is also allowed to be interesting. At 27mm thick, the player makes those layers visible within a relatively shallow enclosure.

The built-in speaker is the practical distinction, allowing CD playback without a separate audio setup. It lists a 40mm driver with a bass diaphragm and up to 3W output, alongside a headphone jack and Bluetooth transmission. That last word matters: ClearFrame sends CD audio to compatible headphones or speakers but cannot receive music from a phone. Starting at $240, it offers a self-contained place to play and display discs, although the upright stand and wall-mount hardware are optional purchases rather than standard equipment.

Click Here to Buy Now: $240.00

What we like

  • Built-in audio avoids a separate speaker setup.
  • Artwork and exposed mechanics offer two distinct appearances.

What we dislike

  • Bluetooth cannot receive audio from a phone.
  • The display stand and wall mount cost extra.

Choose for the Music You Already Own

Start with the collection you actually have, rather than the format you feel you ought to love. A drawer of CDs calls for a different purchase from a carefully tagged folder of downloads. Think about where listening happens, too. Headphones on a train, a shelf beside a desk, and a shared living room ask different things of an object. Choose for the place where you’ll actually press play most often.

Leave room for the less photogenic parts of the decision: organizing files, keeping backups, finding suitable headphones, or making space for the media itself. Those tasks are part of maintaining a collection, and no attractive enclosure removes them. Good audio design should make that effort feel worthwhile by keeping the music within reach. Buy the object that helps you use your collection, rather than one that merely matches its aesthetic.

The post The 8 Best Audio Designs for People Who Want to Own Their Music first appeared on Yanko Design.

Final’s Porta wireless on-ear headphones strip back the headband to just 40 grams

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Japanese audio brand Final has introduced Porta, a pair of wireless on-ear headphones that rethink one of the most familiar elements of headphone design – the headband. Unlike most headphones with a conventional padded arch, the Porta uses a minimal, single-wire structure called AirWire, reducing the headphones’ weight to approximately 40 grams while aiming to make extended listening more comfortable.

The AirWire design minimises the area of contact between the headphones and the wearer’s head. According to Final, this approach reduces pressure on the top of the head, a common source of discomfort with traditional headphones. The lightweight construction also gives the Porta an unusually stripped-back appearance, with a thin metal-like frame connecting two compact earcups. The pair of cans is a minimalist accessory that goes well with your other no-nonsense gadgets.

Designer: Final

Porta’s aesthetic draws on the visual language of older portable audio equipment. Its orange ear pads recall the bright accents associated with classic Sony Walkman headphones, while a black version offers a more understated alternative. Both variants share the same main body, with the ear-pad colour providing the visual distinction. Final also plans to sell replacement ear pads separately in 2027, giving owners the option to refresh the look without replacing the entire product.

Despite its lightweight construction and retro appearance, the pair of cans incorporates modern wireless connectivity. Bluetooth 5.4 enables connection to compatible devices, while support for the SBC and AAC audio codecs provides compatibility with a broad range of smartphones and other Bluetooth audio sources. The headphones have a stated frequency response of 20Hz to 20kHz.

Final says the Porta has been tuned to deliver a lively presentation, with a sense of depth and substance in the midrange and lower frequencies. The company highlights vocal weight as a particular consideration in its sound design, addressing the challenge of maintaining a full listening experience in a lightweight headphone enclosure. These are manufacturer claims rather than independently verified performance results.

A 57mAh lithium-ion battery provides up to eight hours of music playback on a charge. Recharging takes approximately 90 minutes through USB-C, keeping the charging process straightforward. The headphones also carry an IPX4 rating, indicating resistance to water splashes, which offers some protection during everyday use and light exercise.

The design does involve trade-offs. The Porta does not offer active noise cancellation, a feature found in many contemporary wireless headphones. Its modest battery capacity and eight-hour rated playback time also place the emphasis on everyday convenience and low weight rather than extended listening between charges.

Final has priced the Porta at ¥12,800 (approximately $80), with availability in Japan scheduled for October 23, 2026. International availability has not been confirmed, although the brand sells products through its Amazon storefront.

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Nothing’s Ear (open) should have been a CMF product all along… Here’s proof

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I’ll say it: Nothing launched the Ear (open) under the wrong logo. The open-ear buds debuted in 2024 at $149, wrapped in Nothing’s signature transparent look, and they were good enough to win a Red Dot Product Design award. Still, every time I looked at them, my brain kept whispering “CMF.” Open-ear buds are the casual, colorful, sweat-friendly second pair you toss in a gym bag, which describes CMF’s entire personality. Even Nothing seems to have noticed, since the Ear (open) now comes in soft blue for $99 in the US. That’s CMF money in a CMF color, wearing a Nothing name tag.

Apparently I’m not alone in this conspiracy theory. Industrial designer Shreyansh Onial, whose CMF Flip foldable concept got a reaction from Carl Pei himself, built the CMF Ear (open) that Nothing never released, and it looks like it rolled straight off CMF’s assembly line. The over-ear hook stays, but the transparent panels give way to solid Coral, Light Grey, and Dark Grey. Each bud gets a chunky physical button, and the pill-shaped case borrows the knurled Smart Dial from CMF’s $99 Clip Pro. It’s the alternate-universe launch I didn’t know I was waiting for.

Designer: Shreyansh Onial

Trading Nothing’s see-through shell for CMF’s candy-colored hooks

Coral, Light Grey, and Dark Grey carry the whole concept, and they match the Clip Pro’s palette exactly. Transparency is Nothing’s calling card, though on the Ear (open) much of the surface is a silicone ear hook anyway. Onial goes fully opaque, with a soft matte finish on the hook and a glossier coat on the round acoustic pod that sits by your ear canal. The outer face is a rounded pill panel with a single round button and a tiny glyph made of a circle, a dot grid, and a filled dot. The battery tail picks up a fine stippled texture, which gives sweaty fingers something to grip.

A real button on each bud fixes the biggest workout annoyance with the Ear (open), which relies on pinch controls that get fiddly with slippery fingers. CMF already gave the Clip Pro physical buttons for exactly this reason, so the move fits the brand’s own playbook. Flip the bud around and you’ll find a perforated metal grille shaped like a little kidney bean, plus two pogo pins on a short collar for charging. That bean grille is my favorite detail, because it gives the bud an oddly cartoonish face. It also mirrors the soft circles of the dial on the case. The whole thing feels friendly and approachable, which suits a pair built for sweat and sidewalks.

The Clip Pro’s Smart Dial case meets a hook built for runners

The case comes straight from CMF’s Clip Pro, a deep pill-shaped capsule with a knurled metal dial set into one end of the lid. On the Clip Pro, that Smart Dial adjusts volume, controls playback, answers calls, and triggers pairing. CMF put the same dial on its Buds Pro 2, and it has since become the brand’s signature move. Onial adds a dot-matrix “cmf” wordmark on the lid, a front status LED, and a USB-C port on the side. Inside, molded cradles hold the two hooks in a neat V, with a charging pocket waiting for each acoustic pod.

Over-ear hooks anchor behind the ear, which keeps them planted through runs, burpees, and sprints for the bus. The Clip Pro’s C-shaped clip hugs the ear’s outer edge instead, a format better suited to commutes and long desk days. That leaves the runner with a CMF-shaped hole in their gym bag, since CMF currently offers nothing for them (lowercase n). A dial makes even more sense here, because twisting a knob on the case beats digging through phone menus mid-stretch. Pair it with real buttons on the buds and you get a workout setup that never asks for a precise touch gesture.

Where a CMF Ear (open) would land in a crowded open-ear market

Open-ear audio got crowded fast, with Bose’s Ultra Open sitting at the top for $299 and Sony’s LinkBuds Clip, Huawei’s FreeClip, and Shokz’s hook-style buds filling out the field. The Clip Pro landed at $99 with LDAC support, a 10.8mm driver, and up to 32.5 hours of total battery. The Ear (open) counters with a bigger 14.2mm driver, 8 hours per charge, and 30 hours with its case. Each Ear (open) bud weighs 0.29 oz (8.1 grams), while each Clip Pro bud weighs 0.21 oz (5.9 grams). A CMF hook could split the difference, pairing the Ear (open)’s stable fit and big driver with the Clip Pro’s dial, buttons, and price.

The blue Ear (open) already sells for $99 in the US, the same price as the Clip Pro, so Nothing has basically priced its own product at CMF level. Moving it under the CMF badge would make that price tag look like a plan instead of a markdown. It would also free Nothing to return later with a pricier transparent sequel, flipping the usual order where the premium brand gets the good stuff first. CMF became an independent Nothing subsidiary headquartered in India last year, and a signature sport bud would give the young brand another reason to stand apart from its parent. Onial’s renders already look ready for the shelf. Sometimes the little sibling deserves the new toy first.

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This porcelain Pioneer DJ setup belongs in a museum, not an Ibiza nightclub

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David Guetta just won DJ Mag’s Top 100 DJs poll for a record sixth time, and I have a very specific idea for his trophy shelf. Somebody on the internet has turned a Pioneer DJ setup into Korean blue-and-white porcelain, tigers and all. Two decks and a four-channel mixer, glazed bone white and hand-painted (well, AI-painted) in cobalt blue. It looks like something you’d find behind glass at the Met, right before a security guard asks you to step back. It’s also the most Guetta-coded object I’ve seen all year, because a guy who headlines weekly Ibiza residencies deserves a rig that looks as expensive as the bottle service.

The setup comes from creators patchkims and takitani.lab, who posted it as the “Joseon Baekja Prototype,” complete with a “1 of 1, no restock” caption that reads like a sneaker drop. It’s an AI render, so nobody’s shipping it to Guetta’s villa anytime soon. The idea still lands, though. Each jog wheel carries a tiger and a magpie under a pine tree, lifted straight from Korean folk painting, and the screens swap waveforms for misty mountains and waterfalls. Suddenly your DJ gear graduates from booth equipment to living room centerpiece, which is a fun flex for anyone, let alone the world’s No. 1 DJ.

Designers: patchkims & takitani.lab

Kkachi horangi is a genre of Korean folk painting where a deliberately goofy tiger, nicknamed the idiot tiger, plays the aristocratic yangban, and a smug magpie in a pine tree speaks for the common people. Both jog wheels here carry that exact scene, with the cat prowling below and the bird looking unbothered above. The two decks get different tiger poses, so the platters work like a call and response. Joseon painters used the setup to poke fun at the ruling class, and now it sits under the palms of whoever runs the dance floor. That is either delicious irony or very on-brand for a king of the booth.

The screens trade waveforms for misty peaks, a waterfall, a pavilion, and a pair of moons, echoing Irworobongdo, the sun, moon and five peaks painting that stood behind the king’s throne in Joseon palaces. The sun and moon stood for the king and queen, so the painting doubled as a majesty backdrop. A headliner on a raised stage occupies similar real estate, so the throne comparison writes itself. The original sun burned red, and going cobalt turns it into a second moon, which suits a room that wakes up after midnight. Calling a DJ booth a throne room is a stretch, but watch a stadium crowd hang on a Guetta build-up and the royalty comparison stops feeling silly.

Joseon Korea made white its signature after the green celadon era of Goryeo, and cobalt-painted porcelain sat at the top of the pile. The pigment was rare and imported from China, so when supply dried up, court kilns improvised with iron-brown, and some banquet wares wore painted imitations of blue-and-white called gahwa, literally fake painting. A porcelain Pioneer rig conjured by AI is a 2026 gahwa, a convincing stand-in for an object nobody has actually fired in a kiln. I’m weirdly fine with that, because the Joseon court got there first. Meanwhile, Christie’s has estimated a genuine 15th-century cobalt jar at roughly $2 million to $3 million, so the real thing sets the bar high.

The real-world version of this lineup runs two AlphaTheta CDJ-3000X players at $2,999 each plus a Pioneer DJ DJM-A9 mixer at $2,899, roughly $8,900 in the US. The render looks closer to the older CDJ-2000NXS2 generation, disc slots and all. Pioneer did sell a limited white CDJ-2000NXS2-W run in 2017, so colorway flexes are old news for the brand. I imagine if such a product were to exist, it would probably cost in the hundreds of thousands. That being said, I’m sure an enthusiastic deejay with money to throw could acquire this for their den. Guetta, SHM, heck even Shaq… I’m looking at y’all.

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These retro-modern Headphones put audio adjustments on physical dials and tactile switches

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Adjusting your headphones shouldn’t mean searching for a tiny button or guessing where to tap a touch-sensitive surface. TUNE X3 explores a more hands-on approach, using knurled dials and physical switches that let users feel their way through everyday audio adjustments. Designed by Pressec Design as part of a fictional product family, these concept headphones make tactile interaction a defining feature of their industrial design.

The headphones pair a brushed aluminium chassis with high-contrast orange textile padding across the ear cushions and headband. The raw metallic finish recalls mid-century studio equipment, while the saturated fabric creates a bold visual contrast. Exposed fasteners and a wide-profile headband reinforce the utilitarian character, giving TUNE X3 the appearance of precision equipment. This is a detour from the currently trending minimalist consumer gadgets. It’s like bringing in a muscle car in the era of Tesla EVs.

Designer: Pressec Design

The physical controls are the core of the niche concept. Dedicated dials and tactile switches handle volume, treble, and active noise cancellation (ANC), giving users distinct controls for common listening toggles. Their knurled surfaces provide texture under the fingers, making the interface feel more deliberate than a smooth touch panel. The design suggests a listening experience in which users can reach for a control, recognize it by touch, and make adjustments without navigating an onscreen menu. While the concept does not establish how the controls perform in practice, it places physical interaction at the heart of the headphone experience.

TUNE X3 is part of the same fictional product family as the CINE X3. The designer developed both concepts around a consistent visual language, carrying shared characteristics across the collection without simply repeating the same shapes. Materials, proportions, finishes, and hardware details establish continuity while allowing each product to retain its own identity.

The project also explores how Vizcom can support product-family development by using previous designs as references. This approach helps designers preserve a recognizable character across multiple concepts while continuing to explore distinct forms and functions.

TUNE X3 remains a conceptual design, with no confirmed release date, price, or technical specifications. Its core idea is straightforward – physical controls can make headphone interaction feel more immediate and intentional, while giving the product a distinctive identity shaped by the way users handle it.

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