Tag Archives: Audio

This 3D-Printed Headphone Celebrates Every Tangle We Hated

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Remember the pocket archaeology of untangling your headphones every single time you pulled them out? That split second of dread when you’d fish them from your bag only to discover they’d somehow tied themselves into impossible knots? Designer Aleš Boem remembers. But instead of trying to solve that universal frustration, he’s immortalized it.

His project, Tangled Headphones for print, takes that chaotic mess of wires we all spent years battling and transforms it into something worth looking at. These aren’t functional headphones in the traditional sense. They’re 3D-printed sculptures that wear their tangles like a badge of honor, turning what used to drive us crazy into the entire aesthetic.

Designer: Aleš Boem

The design itself is striking. Boem has essentially frozen a moment of cable chaos in black plastic, creating headphones where the tangled cord isn’t a bug but the feature. The earcups are swallowed by loops and knots of wire, the headband twists and weaves, and even when you look at them straight on, your brain does that thing where it tries to trace the path of the cable and gets completely lost. It’s visually messy in the most deliberate, controlled way possible.

What makes this project so interesting is its timing. We’re living in the post-wire era. AirPods dangle from ears everywhere. Bluetooth has become the default. Most people under 20 probably think tangled headphones are some kind of abstract concept, like dial-up internet or waiting a week to see what your vacation photos looked like. But for everyone else, there’s this strange collective memory of the tangle struggle, and Boem is tapping directly into it.

There’s something almost archaeological about seeing these headphones styled in those moody editorial photos. The model on the subway, holding a cassette player. The vintage Sony Walkman making an appearance. It’s not just product photography; it’s visual storytelling about a specific moment in technology that’s already slipped into nostalgia territory. The fact that these are 3D-printed adds another layer. Modern fabrication technology creating a monument to obsolete problems.

The sculptural quality is what really elevates this beyond a novelty. Look at the headphones on their own, isolated on that white background, and they read as genuine art objects. The tangles aren’t random. They’re carefully designed loops and intersections that create texture and volume. The way the cable winds around itself has rhythm to it. If you didn’t know what you were looking at, you might think it was some kind of experimental fashion accessory or a piece from a contemporary art exhibition. And maybe that’s the point. Good design often involves looking at the everyday and asking what if we didn’t fix this? What if we leaned into it instead? Boem took something universally annoying and reframed it as something worth preserving. It’s a love letter to the physical quirks of older technology, the little inconveniences that somehow become part of the experience.

The project also raises questions about what we lose when technology goes wireless. Sure, nobody misses fighting with tangled cables at 7 AM while trying to catch the bus. But there was something tangible about wired headphones. They were physical objects with character. They got worn in. They had that one earbud that always died first. The cable would fray at exactly the spot where it bent coming out of your pocket. They broke, they lasted, they were real in a way that feels different from charging cases and Bluetooth pairing.

Tangled Headphones for print sits right in that weird space between functional design and art commentary. It’s too conceptual to be practical, but too grounded in real experience to be purely abstract. It’s a conversation starter, a nostalgia trigger, and a genuinely clever piece of design thinking all wound together. Whether you’d actually want to own a pair is almost beside the point. What matters is that Boem saw something everyone else was trying to eliminate and decided it was worth celebrating instead. In doing that, he created something that makes you look twice and remember a very specific kind of small, everyday chaos that barely exists anymore. That’s pretty special.

The post This 3D-Printed Headphone Celebrates Every Tangle We Hated first appeared on Yanko Design.

This Speaker Turns Sound Waves Into Sculptural Art

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There’s something deeply satisfying about a product that looks exactly like what it does. You know the feeling: when form follows function so perfectly that you can’t imagine it any other way. That’s the immediate reaction to Loopen, a sculptural speaker concept from Design by Joffrey that transforms the invisible phenomenon of sound into a striking visual statement.

At first glance, Loopen reads as pure art. Rendered in a bold cobalt blue, the design features concentric circular loops that radiate outward from a central speaker driver, creating a mesmerizing pattern that looks like you’ve frozen sound waves mid-journey through space. But this isn’t just aesthetic cleverness for its own sake. Those loops are the actual framework holding everything together, turning the metaphor into structure.

Designer: Design by Joffrey

The genius here is in the restraint. Design by Joffrey could have gone wild with this concept, adding unnecessary embellishments or overcomplicating the form. Instead, Loopen strips everything back to its essential elements. The circular ripples emerge from an oval base, supported by two slim uprights that keep the whole composition feeling light and airy despite its sculptural presence. Two simple control buttons sit flush on the base alongside the power cable, maintaining the clean lines without disrupting the visual flow.

What makes this design particularly clever is how it plays with our perception of sound itself. We can’t see sound waves, but we’ve all seen the visualizations: those undulating sine waves in audio software, the ripples spreading across water when you drop a stone, the circular patterns speakers create when you place them face-down on a surface covered in sand. Loopen takes that universal visual language and makes it literal, giving physical form to something we usually only experience through our ears.

The color choice deserves attention too. That saturated blue isn’t trying to blend into your minimalist white walls or disappear on a dark shelf. It demands to be noticed, which feels right for a piece that’s as much sculpture as it is functional tech. The matte finish gives it a contemporary, almost toy-like quality that keeps the design from feeling too serious or precious. This is a speaker you could actually live with, not just admire from across the room.

There’s also something refreshing about seeing a concept that doesn’t try to hide its technology. So many modern speakers aim for invisibility, disguising themselves as wooden boxes or fabric cylinders that could be mistaken for home decor. Loopen takes the opposite approach: it celebrates what it is. The speaker driver sits proudly at the center, cradled by those wave-like loops, making no apologies for being a piece of audio equipment.

The compact size suggests this is likely a Bluetooth speaker meant for personal spaces rather than filling an entire room with sound. That feels appropriate. This is the kind of object you’d want on your desk or bedside table, where you can appreciate the form up close. The wired connection visible in the images hints at this being a design concept or prototype, but it’s easy to imagine a production version with wireless charging or a more concealed power solution.

What really stands out about Loopen is how it bridges that often awkward gap between tech and design. Too often, products are either functional but boring, or beautiful but impractical. This manages to be both visually compelling and immediately understandable in its purpose. You don’t need an explanation to know what it does. The form tells you everything. Design by Joffrey has created something that fits perfectly into our current moment, where the boundaries between art, design, and technology keep getting blurrier. We want our objects to be more than just tools. We want them to spark joy, start conversations, and add visual interest to our spaces. Loopen delivers on all fronts.

Whether this remains a concept or eventually makes it to production, Loopen represents the kind of thoughtful, playful design that makes you reconsider what everyday tech products could look like. It’s a reminder that functionality and beauty aren’t opposing forces. Sometimes, when you let the core idea of what something does guide how it looks, you end up with magic. In this case, that magic sounds pretty good too.

The post This Speaker Turns Sound Waves Into Sculptural Art first appeared on Yanko Design.

BreakX1 Just Made Karaoke Machines Actually Worth Displaying

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Remember when karaoke machines were those clunky black boxes that looked like rejected stereo equipment from the 90s? Yeah, those days are officially over. The BreakX1 Smart Karaoke by designer Liu Wei just snagged a Silver A’ Design Award for 2025, and it’s proof that home entertainment tech can be both functional and seriously good-looking.

What really sets this thing apart is how it moves. The BreakX1 features an innovative hinge design that connects the screen to the speakers, letting you rotate the screen 180 degrees front to back and 120 degrees left to right. It’s the kind of flexibility you didn’t know you needed until you think about it. Whether you’re belting out power ballads from the couch or standing up for your best Beyoncé impression, you can adjust the angle to actually see the lyrics without doing neck gymnastics.

Designer: Liu Wei

The design inspiration comes from an unexpected place: minimalist automotive design, specifically the clean lines of Tesla and Porsche. That aesthetic shows up in the machine’s sleek, soft curves and compact form. It doesn’t scream “karaoke machine” the way older models do. Instead, it looks like something you’d actually want sitting in your living room, not hidden away in a closet between uses.

Liu Wei, who works with Dongguan Aika Electronic Technology Co., developed the BreakX1 between October 2023 and January 2024 in Shenzhen, China. The device is built for the wireless entertainment era, designed to work seamlessly whether you’re hosting an indoor party or taking the show outside for backyard gatherings. That portability is key because modern life doesn’t always happen in one room anymore.

The tech specs back up the design ambitions. The BreakX1 comes equipped with a 2K HD screen that delivers crystal-clear visuals for lyrics, music videos, or whatever else you want to throw at it. The Red Dot Design Award jury noted that the machine “impresses with its exceptional ease of use and attractive appearance,” which is basically the holy grail for consumer electronics. Too often, devices choose one or the other, but this manages both.

What makes the BreakX1 feel current is its versatility beyond just karaoke. Sure, you can use it for singing your heart out, but it’s also designed for listening to music or engaging in what the specs call “audio visual creativity.” That vague-but-intriguing phrase suggests this is really a multi-purpose entertainment hub that adapts to how you want to use it, not the other way around. The design also addresses a real problem with portable entertainment systems: they usually look temporary or makeshift. The BreakX1’s integrated approach, where the screen and speakers form one cohesive unit connected by that flexible hinge, creates a device that feels intentional. It’s the difference between furniture and something you assembled from random parts.

This isn’t just about making karaoke look better (though it definitely does that). It’s about recognizing that home entertainment equipment has become part of our living spaces in ways it wasn’t before. We’re not hiding our tech in cabinets anymore. It’s out, it’s visible, and we want it to look like it belongs. The BreakX1 gets that shift. Liu Wei’s work represents a broader trend in tech design where aesthetics and function aren’t competing priorities but complementary ones. The rotatable screen isn’t just pretty engineering; it solves the real challenge of making one device work for different body positions and room configurations. The minimalist styling isn’t just trendy; it helps the device fit into more home decor situations.

The Silver A’ Design Award recognition confirms what’s already becoming clear: smart entertainment devices need to be smart about more than just their features. They need to understand that users want equipment that enhances their space, not clutters it. The BreakX1 delivers on that promise while still packing in the technology that makes modern karaoke actually fun. Whether this sparks a wave of better-looking karaoke machines remains to be seen, but it’s a solid start. At the very least, it proves that party tech doesn’t have to look like party tech. Sometimes it can just look good.

The post BreakX1 Just Made Karaoke Machines Actually Worth Displaying first appeared on Yanko Design.

A Digital Music Player with FLAC Files and a Built-In Speaker

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There’s something oddly comforting about watching the vinyl resurgence happen in real time. We’ve collectively decided that convenience isn’t everything, that sometimes the ritual matters as much as the result. But while turntables have been getting their moment in the spotlight, another piece of audio history has been quietly staging its own comeback: the dedicated digital audio player.

Enter the DAP-1, a concept device from Frankfurt-based 3D artist and art director Florent Porta that asks a simple but compelling question: what if we took the best parts of portable audio’s past and reimagined them for today?

Designer: Florent Porta

Porta, who’s built a reputation creating everything from viral 3D animations to commercial work for brands like McDonald’s and Tuborg, recently unveiled this personal project after letting it sit unfinished for over a year. Sometimes the best ideas need time to breathe, and the DAP-1 feels like it benefited from that patience.

At first glance, the device looks like it could have been pulled from an alternate timeline where iPods evolved differently. There’s a clean, minimalist aesthetic that feels both retro and contemporary. The most striking feature is the OLED touchscreen, which gives the device a modern interface while maintaining the dedicated hardware approach that made original DAPs so appealing to audiophiles.

But here’s where it gets interesting: Porta included a built-in speaker. His parenthetical aside of “because why not” undersells what’s actually a clever design choice. Most high-end portable audio players skip integrated speakers entirely, assuming users will always have headphones or want to connect to external systems. The DAP-1 challenges that assumption. Sometimes you just want to share what you’re listening to without fumbling for a Bluetooth speaker or passing around earbuds.

The real substance of the DAP-1 lies in its commitment to high-resolution FLAC file playback. While streaming services have made music more accessible than ever, they’ve also created a generation of listeners who’ve never heard what their favorite songs actually sound like without compression artifacts. FLAC files, which preserve audio quality without the data loss of MP3s or streaming codecs, require dedicated hardware and storage. The DAP-1 embraces this limitation rather than trying to work around it.

This positions the device squarely in the current audio zeitgeist. Audiophiles have long argued that we lost something important in the transition from physical media to streaming, and they’re not entirely wrong. There’s a noticeable difference between a 320kbps Spotify stream and a lossless file, especially if you’re using decent headphones. The question is whether that difference matters enough to justify carrying a separate device.

For some listeners, the answer is becoming yes. The same impulse that drives people to buy vinyl despite its inconvenience applies here. There’s value in intentionality, in choosing to engage with music as an activity rather than ambient background noise. A dedicated audio player forces you to curate your library, to think about what you’re bringing with you rather than having infinite options at every moment.

What makes the DAP-1 particularly noteworthy as a concept is its timing. We’re seeing a broader cultural pushback against the smartphone-as-everything approach to technology. People are buying digital cameras again, rediscovering e-readers, and reconsidering whether having every tool in one device actually serves them well. The DAP-1 fits perfectly into this moment of technological reevaluation.

Of course, as a concept design, the DAP-1 exists primarily as a beautifully rendered 3D vision rather than a physical product you can actually purchase. Porta’s background in 3D animation and motion graphics means the device looks stunning in its presentation, with the kind of glossy perfection that concept renders do so well. Whether it will ever make the jump from screen to hand remains to be seen.

But that might not be the point. The best concept designs don’t just imagine new products; they spark conversations about what we actually want from our technology. The DAP-1 succeeds in asking whether we’ve given up something valuable in our rush toward convergence and convenience. It suggests that maybe, just maybe, there’s still room in our pockets and our lives for devices that do one thing exceptionally well rather than everything adequately. The DAP-1 proposes something quietly radical: focused, high-quality audio experiences on your own terms. That’s a concept worth tuning into.

The post A Digital Music Player with FLAC Files and a Built-In Speaker first appeared on Yanko Design.

Samsung’s New Wearable Audio Concept Looks More Like Jewelry Than Tech

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Wearable technology has spent too long looking like wearable technology. Slac breaks that mold with a refreshingly honest approach: if something lives on your body all day, it should look like it belongs there. The circular ear ring and accompanying wrist piece read more like contemporary jewelry than consumer electronics, which is exactly the point.

This concept taps into how Gen Z actually relates to their audio devices. These aren’t tools you begrudgingly carry. They’re expressions of taste, mood shapers, and now with Slac, genuinely attractive accessories. The open hoop design that hugs your ear offers a sculptural quality that traditional earbuds simply can’t match. When paired with the sleek wrist component, you get a cohesive audio system that understands fashion and function aren’t opposing forces. They’re partners in creating technology people actually want to wear.

Designers: Youngha Rho, Minchae Kim, Doa Kim, Si Heon Song, Seunghee Kim

Three components make up the full system: an open ear ring handling audio output, a wrist-worn ring tracking your listening data, and a home charging station. That circular form factor pulls double duty in ways most earbud designs completely miss. Wrapped around your ear, it creates this architectural presence without jamming anything into your ear canal. You stay aware of conversations, traffic, your entire sonic environment while your music layers on top. When you’re done listening, the ear ring snaps magnetically onto the wrist component, transforming the whole setup into what reads as a chunky watch band or bracelet. Nobody’s shoving these into a pocket case like loose change.

The AI running behind the scenes tracks your full 24-hour audio cycle and starts building preference profiles automatically. Machine learning analyzes sound intensity, pitch variations, and tonal characteristics from everything flowing through those ear rings. Cycling to work means you probably want traffic noise punched up alongside your playlist. Grinding through spreadsheets at a coffee shop means the background chatter gets filtered while your focus playlist stays crisp. The system generates these sound filtering categories in real time, and you can tweak individual layers through sliders in the app. Boost voices, drop mechanical hum, amplify nature sounds, whatever combination your brain needs in that specific moment.

They’ve included this gesture control called “Slate” that actually seems thought through. You rotate your hand in a circular motion while wearing both rings, mimicking that clapperboard snap before a film take. One rotation flips you between content-focused mode and environment-focused mode. Your podcast drops to background levels while street sounds come forward, or vice versa. No app diving, no button fumbling, just a quick physical gesture.

The aesthetic commits fully to the jewelry angle without hedging. Both black and metallic colorways show up in the renders, and that wrist component carries enough visual mass to register as intentional rather than apologetic. You could wear this setup to contexts where regular earbuds feel socially awkward. Dinner with your partner’s parents, a work presentation, anywhere those telltale white stems signal that you’re half-checked-out. This project emerged from a design team working within Samsung’s development programs, and you can feel years of wearable experience informing every choice. Slac points toward where personal audio needs to go: context awareness, all-day wearability, and designs that enhance your aesthetic rather than forcing compromises.

Will this exist any time soon? I honestly doubt it. A lot of these large-scale internship/incubation programs are aimed at imagining an alternate reality or future and working to build the technology in that direction, in the hopes that insights and innovations will trickle into existing products. The Slac, as we see it, probably won’t exist… but its overarching theme of technology as jewelry is already fairly popular. Smartwatches and AI Pins are a great example of this, and given how often we already wear TWS earbuds, the idea of an earbud that also masquerades as jewelry seems like a fairly clever route…

The post Samsung’s New Wearable Audio Concept Looks More Like Jewelry Than Tech first appeared on Yanko Design.

IRIS 4.0 is a Fabric-Covered Smart Speaker Orb That Watches from Above

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Smart speakers usually sit on kitchen counters, bookshelves, or bedside tables, plastic cylinders and pucks buried behind plants and picture frames. Their microphones and speakers are often half-blocked, and they still feel like gadgets you add to a room rather than part of the room itself. Nobody seems to know where these devices actually belong, so they end up scattered across every flat surface, fighting for space and power outlets.

Formeta’s IRIS 4.0 is a fabric-covered sphere that hangs from the ceiling like a light fixture instead of sitting on a shelf. The AI assistant concept is designed for Industry 4.0, meant to integrate into modern living spaces by becoming infrastructure rather than décor. Its central, elevated position keeps it unobstructed while handling security monitoring, sound control, and lighting, turning the assistant into something closer to ambient architecture than a countertop gadget.

Designer: Formeta

The studio frames it as “a ceiling-mounted smart assistant that vanishes into the environment while expanding control, sound, and presence.” Removing devices from surfaces frees up space and makes tech feel less like an object and more like a part of the building. You could walk into a room where there is no visible speaker or hub, yet sound, light, and automation quietly respond when you speak.

The audio side relies on a 6×6+1 sound system that emits sample sound waves to read the room and optimize audio distribution. Being in the ceiling means it is not blocked by books or walls, and multiple drivers throw sound evenly in all directions. The result, at least in theory, is better room acoustics and more consistent voice pickup than a single forward-firing speaker sitting on a counter behind clutter.

IRIS 4.0 also lets you customize ambient lighting, serving as a mood light and smart assistant in one. That sounds nice until you see the design in its “active” state, when the band around the sphere parts and a glowing inner core appears, like a mechanical iris opening. It is a clear signal that the assistant is awake, but it also leans into the feeling of something above you watching and listening.

Of course, the fabric-covered surface and soft geometry are meant to counter that unease, making the device feel more like a textile object than a cold camera dome. The muted colors and lack of aggressive branding help it blend into ceilings and feel less gadget-y. In a category where people already worry about surveillance, tactility, and visual softness go beyond aesthetic choices. They are trust signals that may or may not work depending on who is looking up.

IRIS 4.0 treats AI assistants as something you wire into the ceiling plan, like lights or smoke detectors, rather than something you plug in and move around. That shift raises questions about privacy and control, but it also hints at a future where smart systems are less about scattered gadgets and more about calm, ambient layers in the architecture itself, even if that architecture occasionally looks back down at you with a glowing eye.

The post IRIS 4.0 is a Fabric-Covered Smart Speaker Orb That Watches from Above first appeared on Yanko Design.

Off-beat JLab Blue XL headphone speakers can be worn around the neck

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Move over Boomboxes, TWS earbuds, and Clip-On headphones, as JLab has just revealed a bizarre audio accessory fit for the giants of planet earth. These are the Blue XL headphone speakers that overshadow any chunky pair of headphones with their large presence. So how would you put these huge pair of cans on your head, at least they would not even stick to my face even for a second?

Well, they are not meant to be sported as a normal pair of headphones, rather you wear them around the neck to function as a pair of Bluetooth speakers. However bizarre or cool they might look, implementing such an offbeat idea is a bold step. Having made their debut at the Birmingham Bowl, the oversized speakers are touted as the MVP of victory moments. JLab thinks these will have many takers for $99, but we believe only a few will fancy them wearing comfortably out in public.

Designer: JLab

These speaker headphones come with dual 2.5-inch drivers and passive radiators to beam 30 Watts of audio. According to JLab, the speakers can play immersive sound for almost 20 hours on a stretch. The 10W fast charging refills the battery in three hours flat, while a quick charge of 15 minutes will make them good to go for another couple of hours. Given the size of this audio accessory, it’s not surprising that it can play for such a long time, almost a day nonstop at full blast. Though listening to your playlist on the local commute on the Blue XL is going to raise some eyebrows.

If you’re not that bold enough to sport them around the neck, you can use them as normal desk speakers, as one earcup rests on the surface, and the other one sits on top of it vertically. Blue XL speaker headphones support SBC and ACC audio codecs, which should play seamlessly with most of the audio streaming services and offline media players. With the JLab Signature EQ settings, you can adjust the sound to your preference. The speaker headphones are going to be available in a limited number, and that’s not surprising.

The post Off-beat JLab Blue XL headphone speakers can be worn around the neck first appeared on Yanko Design.

Sony WF-1000XM6 earbuds leak reveals pill-shaped design and angular case

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Wireless earbuds are the new normal, branching into bold categories like the Clip-Ons and going strong with traditional ANC options. Flagship TWS earbuds are constantly improving with hardware upgrades every couple of years (depending on the brand) and firmware updates that bring new features and options to explore the tech inside.

Sony has long been a major player in the TWS earbuds market, taking on the likes of Bose, Apple, Samsung, Sennheiser, Jabra, Technics, Nothing, and OnePlus. The WF-1000XM5, released in 2023, is their tough competitor, but the two-year release cycle has made them lag behind a bit in the feature list. Their next flagship earbuds are just around the corner, and their design has leaked to give us critics something to hanker about.

Designer: Sony

Looking to take forward the solid legacy of the 1000XM5s, Sony needs to innovate to reclaim the market share that’s being steadily eaten up by the likes of Technics AZ-100, Bose QuietComfort Ultra Earbuds (2nd Gen), Beats Powerbeats Pro 2, AirPods Pro 3, Samsung Galaxy Buds 3 Pro, and Sennheiser Momentum True Wireless 4. Even though Sony still has solid products, the WF-1000XM6 should bring incremental upgrades that retain the Japanese brand’s supremacy in the market.

The leaked Sony earbuds were listed on Power Buy, a retail website, for a while, but were eventually taken down. However, The Walkman Blog managed to extract all the leaked images and a trail of information that got the internet buzzing. No specifications were mentioned in the listing, so we are still in the dark about the internal hardware of the upcoming flagship earbuds by Sony.

Compared to the contoured XM5, the successors have an elongated oval shape that makes them look bigger, but we’re sure they’re not. The listing mentioned the buds to have an IPX4 rating, which should be good to take them on a rainy day or listen to music by the poolside. Other than that, the earbuds will have ANC and transparency modes, which is predictable and nothing new in current times. From the very clear images, it is apparent that the glossy finish is gone (thank god) and the matte texture looks good with the aesthetics.

On closer look, one can clearly see three microphones on each earbud (two on top and one on the side), indicating better call audio quality and ANC performance. The charging case has also taken the upgrade route with a more geometric shape compared to the outgoing model. It sure looks bulkier than the older one, but we’ll have to see them side by side to make any conclusions. There are stock eartips on the buds, and we expect to see some good hybrid and silicone tips in the accessories package. If there’s one thing we didn’t love about the XM5s, it’s the eartips, which are fatiguing.

The pill-shaped earbuds will come in two color options: Black and Silver, but we’re sure there are a couple of more colors lurking in the space. Sony has this strategy of revealing more colors after the initial release, so it won’t be surprising if they’ve reserved the peppier options for later.

The post Sony WF-1000XM6 earbuds leak reveals pill-shaped design and angular case first appeared on Yanko Design.

Sony WF-1000XM6 earbuds leak reveals pill-shaped design and angular case

Posted on by

Wireless earbuds are the new normal, branching into bold categories like the Clip-Ons and going strong with traditional ANC options. Flagship TWS earbuds are constantly improving with hardware upgrades every couple of years (depending on the brand) and firmware updates that bring new features and options to explore the tech inside.

Sony has long been a major player in the TWS earbuds market, taking on the likes of Bose, Apple, Samsung, Sennheiser, Jabra, Technics, Nothing, and OnePlus. The WF-1000XM5, released in 2023, is their tough competitor, but the two-year release cycle has made them lag behind a bit in the feature list. Their next flagship earbuds are just around the corner, and their design has leaked to give us critics something to hanker about.

Designer: Sony

Looking to take forward the solid legacy of the 1000XM5s, Sony needs to innovate to reclaim the market share that’s being steadily eaten up by the likes of Technics AZ-100, Bose QuietComfort Ultra Earbuds (2nd Gen), Beats Powerbeats Pro 2, AirPods Pro 3, Samsung Galaxy Buds 3 Pro, and Sennheiser Momentum True Wireless 4. Even though Sony still has solid products, the WF-1000XM6 should bring incremental upgrades that retain the Japanese brand’s supremacy in the market.

The leaked Sony earbuds were listed on Power Buy, a retail website, for a while, but were eventually taken down. However, The Walkman Blog managed to extract all the leaked images and a trail of information that got the internet buzzing. No specifications were mentioned in the listing, so we are still in the dark about the internal hardware of the upcoming flagship earbuds by Sony.

Compared to the contoured XM5, the successors have an elongated oval shape that makes them look bigger, but we’re sure they’re not. The listing mentioned the buds to have an IPX4 rating, which should be good to take them on a rainy day or listen to music by the poolside. Other than that, the earbuds will have ANC and transparency modes, which is predictable and nothing new in current times. From the very clear images, it is apparent that the glossy finish is gone (thank god) and the matte texture looks good with the aesthetics.

On closer look, one can clearly see three microphones on each earbud (two on top and one on the side), indicating better call audio quality and ANC performance. The charging case has also taken the upgrade route with a more geometric shape compared to the outgoing model. It sure looks bulkier than the older one, but we’ll have to see them side by side to make any conclusions. There are stock eartips on the buds, and we expect to see some good hybrid and silicone tips in the accessories package. If there’s one thing we didn’t love about the XM5s, it’s the eartips, which are fatiguing.

The pill-shaped earbuds will come in two color options: Black and Silver, but we’re sure there are a couple of more colors lurking in the space. Sony has this strategy of revealing more colors after the initial release, so it won’t be surprising if they’ve reserved the peppier options for later.

The post Sony WF-1000XM6 earbuds leak reveals pill-shaped design and angular case first appeared on Yanko Design.

Sony WF-1000XM6 earbuds leak reveals pill-shaped design and angular case

Posted on by

Wireless earbuds are the new normal, branching into bold categories like the Clip-Ons and going strong with traditional ANC options. Flagship TWS earbuds are constantly improving with hardware upgrades every couple of years (depending on the brand) and firmware updates that bring new features and options to explore the tech inside.

Sony has long been a major player in the TWS earbuds market, taking on the likes of Bose, Apple, Samsung, Sennheiser, Jabra, Technics, Nothing, and OnePlus. The WF-1000XM5, released in 2023, is their tough competitor, but the two-year release cycle has made them lag behind a bit in the feature list. Their next flagship earbuds are just around the corner, and their design has leaked to give us critics something to hanker about.

Designer: Sony

Looking to take forward the solid legacy of the 1000XM5s, Sony needs to innovate to reclaim the market share that’s being steadily eaten up by the likes of Technics AZ-100, Bose QuietComfort Ultra Earbuds (2nd Gen), Beats Powerbeats Pro 2, AirPods Pro 3, Samsung Galaxy Buds 3 Pro, and Sennheiser Momentum True Wireless 4. Even though Sony still has solid products, the WF-1000XM6 should bring incremental upgrades that retain the Japanese brand’s supremacy in the market.

The leaked Sony earbuds were listed on Power Buy, a retail website, for a while, but were eventually taken down. However, The Walkman Blog managed to extract all the leaked images and a trail of information that got the internet buzzing. No specifications were mentioned in the listing, so we are still in the dark about the internal hardware of the upcoming flagship earbuds by Sony.

Compared to the contoured XM5, the successors have an elongated oval shape that makes them look bigger, but we’re sure they’re not. The listing mentioned the buds to have an IPX4 rating, which should be good to take them on a rainy day or listen to music by the poolside. Other than that, the earbuds will have ANC and transparency modes, which is predictable and nothing new in current times. From the very clear images, it is apparent that the glossy finish is gone (thank god) and the matte texture looks good with the aesthetics.

On closer look, one can clearly see three microphones on each earbud (two on top and one on the side), indicating better call audio quality and ANC performance. The charging case has also taken the upgrade route with a more geometric shape compared to the outgoing model. It sure looks bulkier than the older one, but we’ll have to see them side by side to make any conclusions. There are stock eartips on the buds, and we expect to see some good hybrid and silicone tips in the accessories package. If there’s one thing we didn’t love about the XM5s, it’s the eartips, which are fatiguing.

The pill-shaped earbuds will come in two color options: Black and Silver, but we’re sure there are a couple of more colors lurking in the space. Sony has this strategy of revealing more colors after the initial release, so it won’t be surprising if they’ve reserved the peppier options for later.

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