Author Archives: JC Torres

The FPGB Mini Is Barely Wider Than a Game Boy Cartridge, and Plays One

Posted on by

A Game Boy cartridge used to feel small in your palm, a flat plastic rectangle dwarfed by the console it slotted into. The FPGB Mini flips that relationship entirely. This new handheld measures barely wider than one of those cartridges, turning decades of shrinking electronics into an actual party trick rather than a marketing phrase. It plays original Game Boy and Game Boy Color cartridges directly, no adapters, no compromises on how the games behave.

That accuracy comes from field-programmable gate array technology or FPGA, the same approach used in pricier hardware like the Analogue Pocket. Instead of software emulation approximating old hardware, the FPGA chip recreates the original circuitry’s behavior directly, which is why colors, timing, and quirks specific to Game Boy games show up exactly as they did decades ago. The tradeoff is narrower cartridge support, limited here to Game Boy and Game Boy Color only.

Designer: FunnyPlaying (via Retro Dodo)

Slide a cartridge into the back, and the 2.98-inch IPS screen renders everything at 800 by 720 pixels, a resolution chosen specifically because it scales the original Game Boy display by a clean five times. That kind of deliberate math means pixel art looks crisp rather than blurred or unevenly stretched, a detail that matters enormously to anyone who has stared at a mushy upscaled screen on a cheaper handheld clone.

Pull two of these out during a road trip, and the link cable becomes the actual point. FunnyPlaying included a dedicated wired connection for multiplayer battles and trading, mirroring what the original Game Boy Link Cable did for a generation of kids swapping Pokémon in parking lots and school hallways. It’s a small inclusion that says the design team understood which memories actually mattered here.

A built-in real-time clock keeps the momentum going even after the cartridge comes out. Games like Pokémon Gold and Silver relied on that internal clock for day-night cycles and timed events, a feature plenty of modern clones quietly drop. Its presence here suggests the engineering priority sat with preserving how games actually played, not just how the console looked sitting on a shelf.

A microSD slot rounds out the modern side of the hardware, storing save files, screenshots, or ROM files that can run through a built-in emulator when no cartridge is inserted. That flexibility turns the FPGB Mini into two devices depending on the moment: a hardware-accurate cartridge reader when authenticity matters, and a pocket emulator when convenience wins out instead.

Color reproduction gets a boost too, with support for 16.7 million colors and an RGB565 pipeline that keeps Game Boy Color titles looking properly saturated rather than washed out. It’s a detail easy to overlook next to the flashier link-cable and FPGA talking points, yet it shapes the actual daily experience of loading up a cartridge more than either of those features do.

At 113mm x 64mm x 22m and roughly 135g, the whole unit disappears into a jacket pocket in a way no console with a cartridge slot has any right to. An 1,800mAh removable battery pack handles the power side, charging over USB-C in roughly two to three hours and running for several hours of play per charge, numbers respectable for hardware this compact. A carrying case ships in the box, treating portability as a finished thought rather than an afterthought bought separately.

The post The FPGB Mini Is Barely Wider Than a Game Boy Cartridge, and Plays One first appeared on Yanko Design.

Nook Stack Is the Floor Lamp That Moonlights as a Bookshelf

Posted on by

Most homes treat lighting and shelving as two separate purchases, bought on different days from different stores, then arranged next to each other and hoped to look intentional. Nook Stack skips that negotiation entirely. It fuses a three-tier wood shelf with a glowing, ribbed light fixture on top, turning what used to be two mismatched objects into a single furniture piece that reads as considered rather than accumulated.

The shelf itself does real work rather than sitting there for visual balance. Three solid wood tiers stack along two slender metal poles, giving a living room somewhere to rest books, a candle, or a small plant without stealing floor space for a separate side table. That stacking logic means the whole piece grows upward instead of outward, useful in the kind of urban apartment where square footage rarely allows for both a lamp and a shelving unit.

Designer: Joel Stanly

Up top, a fluted acrylic diffuser catches the light source and splits it into individual glowing lines instead of one flat glow. That ribbed texture is doing more than decoration. It scatters brightness evenly across the light bar’s length, avoiding the single hot spot that a bare bulb or a plain shade usually creates, so the light lands as ambient wash rather than a glare aimed straight at the room.

It’s paints a picturesque scenario when you settle onto a nearby sofa with a book after sunset. The light bar sits at above eye height when seated, designed to wash the immediate area in warm light without requiring an overhead fixture or a separate reading lamp clipped to the armrest. It’s the kind of light that suits a slow evening, dim enough for a group of people talking on cushions, bright enough to actually read by.

Material choices lean toward warmth over stark minimalism. Satin-finish rubberwood forms the shelves and end caps, paired with powder-coated aluminum poles that keep the structure light without looking industrial. The frosted acrylic light box and its internal linear LED tube round out the build, chosen specifically to diffuse rather than expose the bulb, keeping the glow soft from every angle in the room.

At 39 by 26 by 9 inches, Nook Stack occupies a footprint closer to a narrow bookshelf than a floor lamp, letting it slot into a corner beside a sofa or stand as a room divider between a living space and an entryway. That scale matters for apartments where every object has to earn its spot twice, once for what it does and once for how much floor it takes up.

The piece ultimately argues that lighting and storage don’t need to compete for attention in a room already full of furniture decisions. Stacked into one object, they start reinforcing each other instead, the shelves giving the light somewhere to shine down onto, and the light giving the shelves a reason to glow after dark rather than fade into the room’s background.

The post Nook Stack Is the Floor Lamp That Moonlights as a Bookshelf first appeared on Yanko Design.

The Record Player That Skips the Vinyl and Plays Falling Water

Posted on by

A vintage turntable earns its warmth from ritual, the small act of placing a needle and watching a disc spin. The Retro Water Drop Ambient Player borrows that same silhouette and swaps the needle for something less expected: falling water. A quiet pump lifts liquid from a magnetic 130mL tank, and gravity does the rest, turning a desk accessory into something closer to a tiny, glowing fountain with a record player’s calm posture.

Water climbs to the top of the unit and lands in individual drops on a coated spiral basin that gently lets the water droplets roll back into the tank. None of it needs plumbing. A single USB-C cable handles power, which means the whole loop runs as easily on a nightstand as it does tucked beside a monitor, with no drain or faucet anywhere near the setup.

Designer: FayYin Li (sovenomund)

The platter itself carries the visual weight. Full-color RGB light glows around the rim of the basin, cycling automatically so the piece keeps working as a soft light source once the room goes dark. Imagine it sitting on a shelf after sunset, quietly shifting color while everything else in the room stays still, doing the job of a lamp without ever looking like one.

Sound comes from two layered sources rather than one speaker doing all the work. The falling water generates its own natural, non-looping texture, while a built-in speaker adds a gentle white-noise layer underneath it. A knob handles volume, and pressing that same knob switches control over to water flow, letting someone dial in a trickle or a fuller cascade depending on the moment.

A single square button sets an auto-off timer at 15, 30, or 60 minutes, useful for anyone who wants the sound and light running through a work session or a stretch of sleep without leaving it on all night. That kind of restraint, one knob and one button, keeps the interaction simple enough to operate half-asleep or without glancing away from a laptop screen.

Material choices lean toward daily handling rather than delicate display. The body uses a wood-grain textured ABS and PC shell with electroplated metal accents, chosen for being light, wipe-clean, and durable, while the chambers themselves stay real glass for clarity and that visible ripple effect. The whole unit measures roughly 7.3 by 9.7 by 5.3 inches and weighs about 1.3 pounds, compact enough to relocate on a whim.

Each unit ships with the player, two glass chambers, a USB-C cable, and a manual, covering the basics without extra accessories to track down separately. That completeness matters for something meant to move between spaces, since swapping a chamber or wiping down the shell shouldn’t require hunting for a replacement part months later.

Set on a desk, the piece becomes a moving focal point rather than a static object, something to glance at between tasks. Move it to a shelf, and it turns into a lit decor piece that changes character after dark. Keep it at the bedside, and it settles into a quieter role, offering light and sound together without demanding attention, closer to a companion than a gadget.

The post The Record Player That Skips the Vinyl and Plays Falling Water first appeared on Yanko Design.

Power Strips Have Always Been Floor Objects, Pedestal Disagrees

Posted on by

Power strips have sat on the floor under desks for decades, tangled and forgotten, without anyone treating that as a design problem worth solving. Pedestal’s Power Bar Tray changes that quietly, giving its companion power strip an actual home instead of a random spot on the carpet. Made from powder-coated steel with a matte charcoal finish, the tray turns a neglected object into something that belongs on top of a desk in plain sight.

The shape does the real work here. A wedge-profile steel shell holds the Power Bar strip snugly in place, while an open front compartment catches adapters, dongles, and the small electronics clutter that otherwise drifts into drawers. A cord notch lets cables exit cleanly to the side, so nothing bunches up against a wall or gets pinched under the tray’s own weight. That single cutout solves a problem most cable organizers ignore entirely.

Designer: Pedestal

Who hasn’t seen a home office where a laptop charger, a phone brick, and a pair of earbuds all fight for the same corner of a desk? Drop the Power Bar Tray there, and each of those pieces gets one dedicated spot instead of a loose pile. The tray measures just 6.7 by 5.9 by 3.9 inches, small enough to disappear next to a monitor stand without eating into usable desk space.

For setups that outgrow the single bay, the Power Bar Tray Double doubles the footprint to 9.8 inches wide, splitting the interior into two separate compartments. It’s built for anyone juggling a second power strip’s worth of gear, a gaming console’s tangle of accessories, or a home studio where cables multiply faster than shelf space allows. The extra width still keeps that same matte steel finish, so nothing about the design reads as an afterthought.

Both trays lean on a straightforward idea: a power strip left loose on a desk looks messy no matter how expensive the desk is. Docking it inside a steel enclosure with a defined shape gives the whole setup a sense of intention, the kind that makes a cluttered corner suddenly look considered. It’s a small piece of furniture doing a job that most people never thought to assign to furniture at all.

What makes this pairing work is restraint. Neither tray tries to hide the power strip completely or wrap it in unnecessary bulk. Instead, they frame it, treating a mundane object as something that deserves a proper edge and a stable base rather than a tangle of cords hidden behind a monitor. That’s a small shift in thinking, but it changes how a desk actually looks once the strip has somewhere to live.

At $50 for the single tray and $85 for the Double, the price tracks with what a well-made steel accessory should cost, not what a plastic cable box usually runs. The charcoal finish keeps both versions visually quiet enough to sit next to almost any desk material, from raw wood to brushed aluminum. Cable management rarely gets this much attention to form, and that’s precisely what separates a tray from a genuine accessory.

The post Power Strips Have Always Been Floor Objects, Pedestal Disagrees first appeared on Yanko Design.

Power Strips Have Always Been Floor Objects, Pedestal Disagrees

Posted on by

Power strips have sat on the floor under desks for decades, tangled and forgotten, without anyone treating that as a design problem worth solving. Pedestal’s Power Bar Tray changes that quietly, giving its companion power strip an actual home instead of a random spot on the carpet. Made from powder-coated steel with a matte charcoal finish, the tray turns a neglected object into something that belongs on top of a desk in plain sight.

The shape does the real work here. A wedge-profile steel shell holds the Power Bar strip snugly in place, while an open front compartment catches adapters, dongles, and the small electronics clutter that otherwise drifts into drawers. A cord notch lets cables exit cleanly to the side, so nothing bunches up against a wall or gets pinched under the tray’s own weight. That single cutout solves a problem most cable organizers ignore entirely.

Designer: Pedestal

Who hasn’t seen a home office where a laptop charger, a phone brick, and a pair of earbuds all fight for the same corner of a desk? Drop the Power Bar Tray there, and each of those pieces gets one dedicated spot instead of a loose pile. The tray measures just 6.7 by 5.9 by 3.9 inches, small enough to disappear next to a monitor stand without eating into usable desk space.

For setups that outgrow the single bay, the Power Bar Tray Double doubles the footprint to 9.8 inches wide, splitting the interior into two separate compartments. It’s built for anyone juggling a second power strip’s worth of gear, a gaming console’s tangle of accessories, or a home studio where cables multiply faster than shelf space allows. The extra width still keeps that same matte steel finish, so nothing about the design reads as an afterthought.

Both trays lean on a straightforward idea: a power strip left loose on a desk looks messy no matter how expensive the desk is. Docking it inside a steel enclosure with a defined shape gives the whole setup a sense of intention, the kind that makes a cluttered corner suddenly look considered. It’s a small piece of furniture doing a job that most people never thought to assign to furniture at all.

What makes this pairing work is restraint. Neither tray tries to hide the power strip completely or wrap it in unnecessary bulk. Instead, they frame it, treating a mundane object as something that deserves a proper edge and a stable base rather than a tangle of cords hidden behind a monitor. That’s a small shift in thinking, but it changes how a desk actually looks once the strip has somewhere to live.

At $50 for the single tray and $85 for the Double, the price tracks with what a well-made steel accessory should cost, not what a plastic cable box usually runs. The charcoal finish keeps both versions visually quiet enough to sit next to almost any desk material, from raw wood to brushed aluminum. Cable management rarely gets this much attention to form, and that’s precisely what separates a tray from a genuine accessory.

The post Power Strips Have Always Been Floor Objects, Pedestal Disagrees first appeared on Yanko Design.

MATE Works Like a Sticky Note That Sets Its Own Alarm When You Write

Posted on by

Setting a reminder on a phone means unlocking a screen, opening an app, and typing on a keyboard, three steps that break whatever train of thought led to needing the reminder in the first place. MATE skips all of that by reading your own handwriting instead. Write “meeting at 1:00 p.m.” on its E-ink panel with the built-in pen, and the device sets the alarm itself, no app, no unlocking, no menu to dig through.

That handwriting recognition is the entire premise, and it works because the device treats a note and a task as the same object rather than two separate steps. The moment it detects a time written into the text, it quietly converts that scribble into a scheduled alert running in the background. Nothing about the note’s appearance changes. It still just looks like something you jotted down on paper.

Designer: Geonwoo Kang

A thin LED bar along the top edge handles the countdown, giving a glance-able sense of how much time remains without requiring a full screen wake or a swipe through settings. When the set time actually arrives, the alarm sounds and stops the instant you tap the panel, keeping the entire alert cycle contained to the same physical surface where the note was written in the first place.

Because handwritten notes pile up fast, MATE handles multiple pages through a three-stage physical slider running down one side, letting you flip between up to three saved notes with a flick of a finger. That’s a deliberately low-tech solution to a problem most gadgets solve with a touchscreen menu, and it works specifically because a slider takes zero attention to operate correctly on the first try.

The memo pad itself doesn’t have to stay locked into the main body either. It detaches from its dock and relies on built-in magnets to stick onto a partition wall or a metal filing cabinet, turning a handheld notepad into a fixed reminder posted wherever it’s actually needed. A grocery list stuck to a fridge door works the same way a sticky note always has, just with an alarm quietly running underneath it.

Even the pen gets a small, deliberate design decision most styluses skip. It nests into a groove at the top of the device rather than rattling around loose in a bag or a drawer, solving the single most common complaint about any stylus-based gadget: losing the one piece that makes the whole thing work. Reaching for a note and finding the pen missing defeats the entire point of a device built around spontaneous handwriting.

None of MATE’s individual pieces, the E-ink panel, the physical slider, the magnetic pad, would stand out much alone. Put together, they describe a specific kind of object: something meant to sit on a desk quietly doing one job well, catching a thought before it disappears and holding onto it until the moment it’s actually needed.

The post MATE Works Like a Sticky Note That Sets Its Own Alarm When You Write first appeared on Yanko Design.

MAKERphone 2.0 Assembles Like LEGO, Calls Like a Real 4G Phone

Posted on by

Most phones arrive finished, sealed behind glass before you open the box. MAKERphone 2.0 flips that script. It ships as loose parts that only become a phone once you build it yourself: no soldering iron, no electronics background, just a screwdriver and about two hours. Once assembled, it’s a working 4G device that makes real calls and sends texts over a live network.

The build is what really sells the design. Every piece, from the board to the display to the numpad and to the joystick, clicks or screws into place. The entire endeavor is guided by an illustrated manual that reads like a LEGO instruction booklet, with video walkthroughs for anyone who gets stuck. By the time you finish, you’ve seen the processor, the modem, and the battery close, not used them.

Designer: CircuitMess

Click Here to Buy Now: $129 $160 (24% off). Hurry, only a few left! Raised over $300,000.

Pop in a nano-SIM and the phone comes alive on 4G networks, handling calls and texts like any device off a shelf. There’s a music player, a photo and video gallery, a calendar, notes, and a handful of retro games loaded onto that small color screen. What’s missing says as much: no app store, no social feed, nothing designed to keep anyone scrolling past bedtime.

That absence is the whole appeal for anyone shopping for a kid’s first phone. It calls and texts the people a child needs to reach, without opening the door to an internet’s worth of distraction. When a kid wants a new app or game, the answer isn’t downloading one; it’s building it. Screen time stops being something to limit and starts being something to spend making.

That building happens inside VibeBoy, the phone’s companion coding studio that runs on a computer. Describe an idea in plain English, like a taco dodging falling pickles, and the AI writes code sent to the phone with one click. The goal isn’t to let AI do all the thinking but to let VibeBoy teach users to read that code, question it, and eventually rewrite it.

That teaching happens across four stages built into the same app. Beginners describe what they want and watch it appear on-screen, before moving on to reading and tweaking the Python code the AI generates. Eventually, they write their own Python and C++ from a blank file. Nobody stays at one skill level long; the ladder is designed so most people climb it faster than expected.

Six snap-on modules turn the phone into something closer to a small hardware platform than a single-purpose device. A camera module captures pixelated stills and video, a bigger speaker adds volume, and a flashlight adds utility. An environment sensor reads temperature and humidity, an infrared module controls other devices, and a bare perforated board lets anyone solder a custom circuit and plug it in.

A companion smartwatch called MAKERband follows the same idea, arriving as a kit to assemble rather than a sealed gadget. Once built, it pairs with the phone over Bluetooth and also works with iOS and Android, running 15 watchfaces and five mini-games out of the box. It connects to VibeBoy, so a custom watchface, say, a pixel cat that naps after 9 PM, is a prompt away.

The company behind it, CircuitMess, has spent years building kits like this from a small studio in Croatia. It has shipped hundreds of thousands of units to customers across more than 100 countries, developed dozens of products, and earned coverage from outlets like Wired and The Verge. Just as important, the MAKERphone 2.0 isn’t a rendering or an early prototype: the hardware is finished and ready for production.

What sticks with you isn’t any single spec but the sequence. A pile of components turns into a working phone, and that phone turns into whatever its owner decides to code next. Somewhere between the last screw and the first successful call, the device stops feeling like something you bought and starts feeling like something you actually built, one working call at a time.

Click Here to Buy Now: $129 $160 (24% off). Hurry, only a few left! Raised over $300,000.

The post MAKERphone 2.0 Assembles Like LEGO, Calls Like a Real 4G Phone first appeared on Yanko Design.

TECNO CAMON Slim 5G Review: Thinner than a Pencil, Tough as a Tank

Posted on by

PROS:


  • Unbelievably slim and lightweight design

  • Striking and stylish art-inspired finish

  • Large 6,000mAh battery despite slim profile

  • Exceptional durability with quad-IP rating, supporting underwater photography

CONS:


  • Modest hardware specs

  • No dedicated telephoto camera

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

Slim, art-inspired, and tougher than it looks, the TECNO CAMON Slim 5G packs a 6,000mAh battery into a body thin enough to turn heads.
award-icon

Slim phones have always come with a catch. Shave down the body and something else usually gets sacrificed: usually the battery, sometimes the durability, occasionally both. The TECNO CAMON Slim 5G doesn’t play by that old rulebook. At just 6.39mm thick, it still packs a 6,000mAh battery, 5G connectivity, and a durability rating most phones twice its thickness wouldn’t dare claim.

This review spent real time with the phone away from spec sheets, mostly to see if the design holds up once the initial wow wears off. That meant handling the Neo Mondrian finish TECNO sent for testing, carrying it through a normal week, testing the camera in situations that actually matter, and checking whether the durability claims survive contact with water and everyday clumsiness. The design conversation comes first.

Designer: TECNO

Aesthetics

Pull the CAMON Slim 5G out in public and watch what happens. People notice a phone this thin the way they’d notice a watch too elegant for its price tag, usually with a double take and a request to hold it. TECNO carried over the swan-neck curve from the CAMON 50 series, and on a body this slender, that curve reads like a signature rather than a spec sheet footnote.

TECNO sent the Neo Mondrian colorway for this review, and it’s the strongest argument for treating a phone back as an actual canvas. Expose the panel to sunlight and yellow, green, and cyan blocks slowly bloom out of white, forming the grid Piet Mondrian made famous a century ago. It’s a photochromic trick, but watching it happen feels less like a gimmick and more like a magic show.

Neo Mondrian isn’t the only finish doing something interesting. Van Gogh Blue uses similar light-reactive techniques to make its swirling nebula pattern look like it’s actually rotating as shadows shift across it, closer to a painting than a phone back. Matisse Black leans into fluorescent green or pink color blocks that echo the artist’s cut-out work, while Burgundy Red blends fiberglass and matte texture into a warm, understated finish. Rebel Pink keeps things simpler, pairing a black body with sharp pink accents for something a little more playful.

Phone backs used to be an afterthought, something to protect rather than admire, which is why so many people slapped an opaque case on day one without a second thought. That’s changing. As manufacturers invest more in finishes, textures, and light-reactive coatings, more owners are leaving their phones bare, treating the back panel the same way they’d treat a piece of art they paid good money to display.

Ergonomics

Carrying the CAMON Slim 5G is where the thin body actually pays off day to day. It slides into a front pocket without that telltale bulge, sits flat against a jacket without pulling on the fabric, and feels lighter in hand than the display size suggests. After a few days, reaching for a thicker phone almost feels like picking up a brick by comparison.

Those flat edges aren’t just a style choice borrowed from boxier design trends. They give fingers something to actually grip onto, instead of sliding off a rounded rim the way slippery slab phones tend to do. The matte texture on the Neo Mondrian panel adds even more confidence, and TECNO’s wet and oily finger recognition keeps the touchscreen responsive when hands aren’t exactly dry or clean.

Performance

The 6.78-inch AMOLED display runs at 1.5K resolution and 144Hz, and both numbers translate into a screen that looks sharp and feels fast under a thumb. Photos pop with the kind of contrast only AMOLED delivers, video looks great for a lunch break binge, and scrolling through a feed never feels like it’s fighting the hardware. TÜV Rheinland’s low blue light certification is a nice bonus for long reading sessions.

Under the hood sits a MediaTek Dimensity 7300e, a processor built for balance rather than benchmark bragging rights. It handles social apps, photo editing, and everyday multitasking without hiccups, though demanding 3D games will ask more of it than it’s built to give. The 8GB of RAM stretches to 24GB with virtual memory extension, which covers most multitasking habits without needing to close every open app.

The 50MP Sony LYTIA 700C handles most of the photography workload, and it earns that responsibility. A 1/1.56-inch sensor paired with an f/1.8 lens pulls in plenty of light for evening shots, while the closed-loop ball motor keeps focus locked even when subjects won’t sit still. The 8MP ultra-wide feels more like a footnote, and there’s no telephoto here, but the main camera rarely leaves you wanting one.

The real showstopper is the 6,000mAh battery, a number that seems almost impossible once you remember this phone measures 6.39mm thick. It comfortably carries a full day of camera use, video, and scrolling without the battery anxiety that usually comes with slim designs. That same waterproofing also unlocks a dedicated underwater photography mode, one that kicks in automatically the moment the phone senses it’s gone for a swim.

Sustainability

TECNO rates the CAMON Slim 5G at IP69K, IP69, IP68, and IP66, a combination that’s rare even among phones that don’t have to worry about staying thin. That covers everything from high-pressure water jets to dust particles to full submersion, which is a lot of technical armor for a phone this delicate-looking. Finding this rating on a 6.39mm body is the kind of detail that quietly impresses.

There’s also a MIL-STD-810 rating covering shock and drop resistance, which pairs nicely with features like Rain Touch and Waterproof Case Touch that keep the screen usable in a downpour or behind a case. This doesn’t read like a feature bolted on at the last minute. It feels like TECNO wanted this phone to survive actual daily chaos, not just look good sitting still on a shelf.

Longevity extends past the hardware, too. TECNO promises three major OS upgrades and five years of security patches, plus a 60-month smoothness certification from TÜV SÜD. That’s a meaningful commitment in a market where phones often get abandoned after two update cycles. A well-built object is worth keeping around, and TECNO seems to be betting that owners will want to hold onto this one for a while.

Value

TECNO hasn’t confirmed global pricing yet, but early indications point to somewhere around $400. At that number, buyers get a phone with genuine art-inspired finishes, a 6.78-inch 144Hz AMOLED screen, a Sony-backed 50MP camera with real stabilization, a 6,000mAh battery, and a durability rating that most phones twice the price don’t bother chasing. That’s a fairly generous list for a phone that costs less than most flagships.

Most phones in this price range make you pick a lane. Go thin, and the battery usually suffers, or the body skips water resistance entirely, or the software support runs out after a couple of years. TECNO’s five-year update promise and its layered durability ratings quietly add up to lower long-term cost, since a phone built and supported to last half a decade doesn’t need replacing as often.

This phone makes the most sense for people who are tired of carrying an identical black slab and want something that says a little more about them. It’s not the right pick for hardcore mobile gamers chasing max frame rates, or photographers who need optical zoom on tap. For nearly everyone else, it covers daily needs while looking like it belongs on a gallery shelf.

Verdict

After a few days of actual use, the 6,000mAh battery and the quad-IP rating stop feeling like marketing footnotes and start feeling like the whole point. TECNO built a phone that looks like it belongs in a design museum and still survives a rainy commute or a splash at the sink. The Neo Mondrian panel alone gives it a personality that’s genuinely hard to find anywhere near this price.

Plenty of phones ask you to choose between something beautiful and something dependable, and most buyers have quietly accepted that trade-off as the cost of owning a nice-looking device. The CAMON Slim 5G makes a strong case that the choice was never as necessary as the industry made it seem. It’s a phone that looks good on a café table and still works fine after falling off of one.

The post TECNO CAMON Slim 5G Review: Thinner than a Pencil, Tough as a Tank first appeared on Yanko Design.

Camp Snap’s 110D Looks Like 1973 and Still Skips the Screen on Purpose

Posted on by

Camera design spent the last two decades chasing thinner phones and bigger screens, so a company deciding to revive a boxy, finger-length shape from the 1970s sounds like a step backward. The Camp Snap 110D proves otherwise. It borrows its elongated, pocketable body from the old 110 film format, then strips out the one feature every digital camera has trained us to expect: a screen for checking the shot you just took.

That missing screen isn’t a cost-cutting shortcut. It’s the entire point. Smartphone photography turns every outing into a loop of shooting, reviewing, deleting, and reshooting until a moment gets buried under a dozen nearly identical takes. The 110D breaks that loop by design, letting a photo exist the instant it’s taken and staying invisible until you plug the camera in later and actually look at what you captured.

Designer: Camp Snap

Living without a review screen also solves a problem the original 110 format never had to think about: battery life. Screens are usually the single biggest power drain in a compact camera, so removing one frees up room for improvements elsewhere. The 110D pairs that saved power with QuickDraw sleep and wake functionality, letting the camera snap awake fast enough to catch a moment instead of fumbling through a slow startup.

Inside that slim shell sits an 8-megapixel sensor, modest by phone camera standards on purpose, since chasing sharper resolution would work against the whole idea of embracing a lower-fidelity, more film-like result. Five built-in filters let a shooter pick a mood before pressing the shutter rather than fixing it afterward in an app, pushing the entire editing decision to before the photo exists instead of after.

Storage runs on a microSD card, and images transfer out through a USB-C port, a small detail that keeps the retro shape from turning into an actual hassle to use. Charging works the same way, so nobody’s hunting for a proprietary cable or a dead battery with no replacement in sight. The vintage silhouette stays purely visual, while the internals stay entirely current.

Two colorways round out the release: a black variant and a cream-and-orange combination that leans harder into the ’70s reference than the shape alone already does. Both ship with a wrist lanyard and a small carrying pouch, treating the camera less like a serious tool tucked into a bag and more like something meant to hang off a wrist at a party or a weekend trip without a second thought.

At $74.99, the 110D undercuts most instant cameras and plenty of higher-end toy cameras while offering something neither fully provides: a shape borrowed from actual photographic history rather than a generic plastic body built to look vaguely retro. That’s a specific kind of nostalgia, aimed at people who remember what a 110 camera looked like even if they never touched the film it used.

The post Camp Snap’s 110D Looks Like 1973 and Still Skips the Screen on Purpose first appeared on Yanko Design.

MOFT’s Snap Fold Fits 5 Cards and a Stand on the iPhone Duo’s Back

Posted on by

Foldable phones solved the screen problem and immediately created a smaller, weirder one: there’s barely any flat space left on the back to stick anything useful. The MOFT Snap Fold for iPhone Duo tackles that head-on, built specifically for the Duo’s cramped rear panel rather than shrunk down from an existing wallet design. It still manages to hold five cards and fold into a stand, which shouldn’t be possible given how little room it actually has to work with.

Getting that footprint right meant working around obstacles most phone wallets never have to consider. The camera module on a folding phone sits somewhere that would normally get covered by a standard card holder, so the Snap Fold’s shape clears that housing entirely while staying tucked within the phone’s own edges. Nothing overhangs the sides or risks catching on a pocket, which matters more on a folding device than a rigid one.

Designer: MOFT

Holding five cards in that reduced space is the part worth pausing on. Most compact MagSafe wallets top out around two or three cards specifically because slim profiles and card capacity fight each other, and every additional card usually means added thickness. Fitting five into a footprint already constrained by a camera cutout suggests the internal card layout was rebuilt from scratch rather than adapted from a wallet meant for a flat, uninterrupted phone back.

The stand half of the equation runs on the same origami folding logic MOFT has used across its laptop stands and tablet covers for years, just reworked to survive a much smaller starting shape. Unfolding the wallet reveals multiple viewing positions rather than a single fixed angle, letting the same flat card holder become a way to prop the phone up for a video call or a recipe on the counter without needing a separate stand taking up space in a bag.

That dual identity only works if neither function undercuts the other, and this is where the tight design tolerances actually pay off. Card capacity doesn’t shrink to make room for the folding mechanism, and the stand doesn’t wobble because there wasn’t space left for a sturdy hinge. Both jobs get done inside the same limited footprint, which is a harder balance to strike than building either function alone.

Priced at $49.99, the Snap Fold sits closer to the premium end of MOFT’s wallet lineup, reflecting the added engineering that comes with fitting five cards and a folding stand around a camera cutout instead of across an open, flat surface. That price also positions it as a companion piece bought alongside a foldable phone already carrying its own premium, rather than a casual accessory picked up as an afterthought.

Building for a folding phone means redesigning assumptions that held up fine on every rigid iPhone before it. The Snap Fold treats that constraint as the actual design brief instead of an inconvenience, and the result carries more cards and more stand positions than the smaller back panel should reasonably allow.

The post MOFT’s Snap Fold Fits 5 Cards and a Stand on the iPhone Duo’s Back first appeared on Yanko Design.