EZCast Just Turned Every Phone Into a Professional Camera Monitor

Posted on by

Monitoring a camera feed used to require either hovering behind the viewfinder or investing in a dedicated wireless video system with separate transmitters, receivers, and field monitors. For solo content creators, small production teams, and anyone shooting interviews or tutorials with limited gear, that kind of setup has always felt disproportionate to the task. The gap between “professional monitoring” and “just squinting at the back of the camera” remained stubbornly wide.

EZCast’s CamCast CT-1 is a compact wireless transmitter designed to sit on top of any HDMI-equipped camera, from mirrorless bodies and DSLRs to action cams and camcorders. Once connected, it broadcasts a live 1080p 60fps feed over 5GHz Wi-Fi to up to four iOS or Android devices simultaneously. EZCast has spent over a decade building wireless display and screen-mirroring technology for offices and classrooms, and the CamCast is their first product built specifically for cameras, applying that signal distribution expertise to a production context.

Designer: EZCast

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The device itself is small enough to mount on a camera hot shoe or gimbal arm, with included adapters for both horizontal and vertical orientation. A built-in OLED screen displays connection details, and pairing happens through a QR code scan that takes roughly three seconds. Power comes from either a standard NP-F battery, the same type used across countless cinema accessories, or a USB-C connection at 5V/3A. That dual-power flexibility means a battery for mobility on location or a simple cable for longer, stationary shoots where runtime matters more.

1

Beyond passive monitoring, the companion CamCast app lets users save takes directly to their phone, review footage instantly, and share clips without ever pulling a memory card from the camera. For a two-person crew shooting a wedding, for instance, the second operator can watch the main camera’s composition from across the venue on a phone while managing their own setup. A makeup artist can confirm framing before the talent walks on set. Four people watching the same live feed, all from devices they already carry, collapses a communication problem that traditionally required dedicated hardware to solve.

What separates the CamCast CT-1 from a basic wireless HDMI sender, though, is the built-in PTP camera control. From the app on a phone or tablet, users can adjust shutter speed, ISO, color temperature, and aperture, and even navigate through camera menus remotely. Consider a camera mounted on an overhead rig for a cooking tutorial, or locked onto a gimbal for a tracking shot. Physically reaching the camera to change a setting interrupts the flow of a shoot. Being able to tweak exposure or white balance from a phone across the room changes how a solo creator or small team interacts with their gear.

1

The CamCast CT-1 also has a UVC output, which means it can connect directly to a laptop or desktop and function as a capture card. For livestreamers, educators, or anyone running a webinar, this removes an entire piece of hardware from the signal chain. One device handles wireless monitoring to phones and wired streaming output to a computer at the same time, which is a lot of functions packed into something that weighs less than most on-camera microphones.

1

Picture a YouTuber who films with a mirrorless camera on a tripod across the room. Right now, checking framing or adjusting settings means walking over, making a change, walking back, and repeating until it looks right. With the CamCast mounted on that camera, the phone becomes both the monitor and the remote control. An instructor recording a craft tutorial gets the same benefit, turning their tablet into a live preview without needing cables snaking across the workspace or an expensive field monitor clamped to a light stand.

Rather than building another monitor or another receiver, EZCast built a bridge between cameras and the screens people already own. That redistribution of function, turning four phones into four production monitors through a single transmitter, might be the more interesting design move in a category still dominated by expensive, single-purpose hardware.

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The post EZCast Just Turned Every Phone Into a Professional Camera Monitor first appeared on Yanko Design.

EZCast Just Turned Every Phone Into a Professional Camera Monitor

Posted on by

Monitoring a camera feed used to require either hovering behind the viewfinder or investing in a dedicated wireless video system with separate transmitters, receivers, and field monitors. For solo content creators, small production teams, and anyone shooting interviews or tutorials with limited gear, that kind of setup has always felt disproportionate to the task. The gap between “professional monitoring” and “just squinting at the back of the camera” remained stubbornly wide.

EZCast’s CamCast CT-1 is a compact wireless transmitter designed to sit on top of any HDMI-equipped camera, from mirrorless bodies and DSLRs to action cams and camcorders. Once connected, it broadcasts a live 1080p 60fps feed over 5GHz Wi-Fi to up to four iOS or Android devices simultaneously. EZCast has spent over a decade building wireless display and screen-mirroring technology for offices and classrooms, and the CamCast is their first product built specifically for cameras, applying that signal distribution expertise to a production context.

Designer: EZCast

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The device itself is small enough to mount on a camera hot shoe or gimbal arm, with included adapters for both horizontal and vertical orientation. A built-in OLED screen displays connection details, and pairing happens through a QR code scan that takes roughly three seconds. Power comes from either a standard NP-F battery, the same type used across countless cinema accessories, or a USB-C connection at 5V/3A. That dual-power flexibility means a battery for mobility on location or a simple cable for longer, stationary shoots where runtime matters more.

1

Beyond passive monitoring, the companion CamCast app lets users save takes directly to their phone, review footage instantly, and share clips without ever pulling a memory card from the camera. For a two-person crew shooting a wedding, for instance, the second operator can watch the main camera’s composition from across the venue on a phone while managing their own setup. A makeup artist can confirm framing before the talent walks on set. Four people watching the same live feed, all from devices they already carry, collapses a communication problem that traditionally required dedicated hardware to solve.

What separates the CamCast CT-1 from a basic wireless HDMI sender, though, is the built-in PTP camera control. From the app on a phone or tablet, users can adjust shutter speed, ISO, color temperature, and aperture, and even navigate through camera menus remotely. Consider a camera mounted on an overhead rig for a cooking tutorial, or locked onto a gimbal for a tracking shot. Physically reaching the camera to change a setting interrupts the flow of a shoot. Being able to tweak exposure or white balance from a phone across the room changes how a solo creator or small team interacts with their gear.

1

The CamCast CT-1 also has a UVC output, which means it can connect directly to a laptop or desktop and function as a capture card. For livestreamers, educators, or anyone running a webinar, this removes an entire piece of hardware from the signal chain. One device handles wireless monitoring to phones and wired streaming output to a computer at the same time, which is a lot of functions packed into something that weighs less than most on-camera microphones.

1

Picture a YouTuber who films with a mirrorless camera on a tripod across the room. Right now, checking framing or adjusting settings means walking over, making a change, walking back, and repeating until it looks right. With the CamCast mounted on that camera, the phone becomes both the monitor and the remote control. An instructor recording a craft tutorial gets the same benefit, turning their tablet into a live preview without needing cables snaking across the workspace or an expensive field monitor clamped to a light stand.

Rather than building another monitor or another receiver, EZCast built a bridge between cameras and the screens people already own. That redistribution of function, turning four phones into four production monitors through a single transmitter, might be the more interesting design move in a category still dominated by expensive, single-purpose hardware.

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The post EZCast Just Turned Every Phone Into a Professional Camera Monitor first appeared on Yanko Design.

EZCast Just Turned Every Phone Into a Professional Camera Monitor

Posted on by

Monitoring a camera feed used to require either hovering behind the viewfinder or investing in a dedicated wireless video system with separate transmitters, receivers, and field monitors. For solo content creators, small production teams, and anyone shooting interviews or tutorials with limited gear, that kind of setup has always felt disproportionate to the task. The gap between “professional monitoring” and “just squinting at the back of the camera” remained stubbornly wide.

EZCast’s CamCast CT-1 is a compact wireless transmitter designed to sit on top of any HDMI-equipped camera, from mirrorless bodies and DSLRs to action cams and camcorders. Once connected, it broadcasts a live 1080p 60fps feed over 5GHz Wi-Fi to up to four iOS or Android devices simultaneously. EZCast has spent over a decade building wireless display and screen-mirroring technology for offices and classrooms, and the CamCast is their first product built specifically for cameras, applying that signal distribution expertise to a production context.

Designer: EZCast

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The device itself is small enough to mount on a camera hot shoe or gimbal arm, with included adapters for both horizontal and vertical orientation. A built-in OLED screen displays connection details, and pairing happens through a QR code scan that takes roughly three seconds. Power comes from either a standard NP-F battery, the same type used across countless cinema accessories, or a USB-C connection at 5V/3A. That dual-power flexibility means a battery for mobility on location or a simple cable for longer, stationary shoots where runtime matters more.

1

Beyond passive monitoring, the companion CamCast app lets users save takes directly to their phone, review footage instantly, and share clips without ever pulling a memory card from the camera. For a two-person crew shooting a wedding, for instance, the second operator can watch the main camera’s composition from across the venue on a phone while managing their own setup. A makeup artist can confirm framing before the talent walks on set. Four people watching the same live feed, all from devices they already carry, collapses a communication problem that traditionally required dedicated hardware to solve.

What separates the CamCast CT-1 from a basic wireless HDMI sender, though, is the built-in PTP camera control. From the app on a phone or tablet, users can adjust shutter speed, ISO, color temperature, and aperture, and even navigate through camera menus remotely. Consider a camera mounted on an overhead rig for a cooking tutorial, or locked onto a gimbal for a tracking shot. Physically reaching the camera to change a setting interrupts the flow of a shoot. Being able to tweak exposure or white balance from a phone across the room changes how a solo creator or small team interacts with their gear.

1

The CamCast CT-1 also has a UVC output, which means it can connect directly to a laptop or desktop and function as a capture card. For livestreamers, educators, or anyone running a webinar, this removes an entire piece of hardware from the signal chain. One device handles wireless monitoring to phones and wired streaming output to a computer at the same time, which is a lot of functions packed into something that weighs less than most on-camera microphones.

1

Picture a YouTuber who films with a mirrorless camera on a tripod across the room. Right now, checking framing or adjusting settings means walking over, making a change, walking back, and repeating until it looks right. With the CamCast mounted on that camera, the phone becomes both the monitor and the remote control. An instructor recording a craft tutorial gets the same benefit, turning their tablet into a live preview without needing cables snaking across the workspace or an expensive field monitor clamped to a light stand.

Rather than building another monitor or another receiver, EZCast built a bridge between cameras and the screens people already own. That redistribution of function, turning four phones into four production monitors through a single transmitter, might be the more interesting design move in a category still dominated by expensive, single-purpose hardware.

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The post EZCast Just Turned Every Phone Into a Professional Camera Monitor first appeared on Yanko Design.

EZCast Just Turned Every Phone Into a Professional Camera Monitor

Posted on by

Monitoring a camera feed used to require either hovering behind the viewfinder or investing in a dedicated wireless video system with separate transmitters, receivers, and field monitors. For solo content creators, small production teams, and anyone shooting interviews or tutorials with limited gear, that kind of setup has always felt disproportionate to the task. The gap between “professional monitoring” and “just squinting at the back of the camera” remained stubbornly wide.

EZCast’s CamCast CT-1 is a compact wireless transmitter designed to sit on top of any HDMI-equipped camera, from mirrorless bodies and DSLRs to action cams and camcorders. Once connected, it broadcasts a live 1080p 60fps feed over 5GHz Wi-Fi to up to four iOS or Android devices simultaneously. EZCast has spent over a decade building wireless display and screen-mirroring technology for offices and classrooms, and the CamCast is their first product built specifically for cameras, applying that signal distribution expertise to a production context.

Designer: EZCast

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The device itself is small enough to mount on a camera hot shoe or gimbal arm, with included adapters for both horizontal and vertical orientation. A built-in OLED screen displays connection details, and pairing happens through a QR code scan that takes roughly three seconds. Power comes from either a standard NP-F battery, the same type used across countless cinema accessories, or a USB-C connection at 5V/3A. That dual-power flexibility means a battery for mobility on location or a simple cable for longer, stationary shoots where runtime matters more.

1

Beyond passive monitoring, the companion CamCast app lets users save takes directly to their phone, review footage instantly, and share clips without ever pulling a memory card from the camera. For a two-person crew shooting a wedding, for instance, the second operator can watch the main camera’s composition from across the venue on a phone while managing their own setup. A makeup artist can confirm framing before the talent walks on set. Four people watching the same live feed, all from devices they already carry, collapses a communication problem that traditionally required dedicated hardware to solve.

What separates the CamCast CT-1 from a basic wireless HDMI sender, though, is the built-in PTP camera control. From the app on a phone or tablet, users can adjust shutter speed, ISO, color temperature, and aperture, and even navigate through camera menus remotely. Consider a camera mounted on an overhead rig for a cooking tutorial, or locked onto a gimbal for a tracking shot. Physically reaching the camera to change a setting interrupts the flow of a shoot. Being able to tweak exposure or white balance from a phone across the room changes how a solo creator or small team interacts with their gear.

1

The CamCast CT-1 also has a UVC output, which means it can connect directly to a laptop or desktop and function as a capture card. For livestreamers, educators, or anyone running a webinar, this removes an entire piece of hardware from the signal chain. One device handles wireless monitoring to phones and wired streaming output to a computer at the same time, which is a lot of functions packed into something that weighs less than most on-camera microphones.

1

Picture a YouTuber who films with a mirrorless camera on a tripod across the room. Right now, checking framing or adjusting settings means walking over, making a change, walking back, and repeating until it looks right. With the CamCast mounted on that camera, the phone becomes both the monitor and the remote control. An instructor recording a craft tutorial gets the same benefit, turning their tablet into a live preview without needing cables snaking across the workspace or an expensive field monitor clamped to a light stand.

Rather than building another monitor or another receiver, EZCast built a bridge between cameras and the screens people already own. That redistribution of function, turning four phones into four production monitors through a single transmitter, might be the more interesting design move in a category still dominated by expensive, single-purpose hardware.

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The post EZCast Just Turned Every Phone Into a Professional Camera Monitor first appeared on Yanko Design.

EZCast Just Turned Every Phone Into a Professional Camera Monitor

Posted on by

Monitoring a camera feed used to require either hovering behind the viewfinder or investing in a dedicated wireless video system with separate transmitters, receivers, and field monitors. For solo content creators, small production teams, and anyone shooting interviews or tutorials with limited gear, that kind of setup has always felt disproportionate to the task. The gap between “professional monitoring” and “just squinting at the back of the camera” remained stubbornly wide.

EZCast’s CamCast CT-1 is a compact wireless transmitter designed to sit on top of any HDMI-equipped camera, from mirrorless bodies and DSLRs to action cams and camcorders. Once connected, it broadcasts a live 1080p 60fps feed over 5GHz Wi-Fi to up to four iOS or Android devices simultaneously. EZCast has spent over a decade building wireless display and screen-mirroring technology for offices and classrooms, and the CamCast is their first product built specifically for cameras, applying that signal distribution expertise to a production context.

Designer: EZCast

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The device itself is small enough to mount on a camera hot shoe or gimbal arm, with included adapters for both horizontal and vertical orientation. A built-in OLED screen displays connection details, and pairing happens through a QR code scan that takes roughly three seconds. Power comes from either a standard NP-F battery, the same type used across countless cinema accessories, or a USB-C connection at 5V/3A. That dual-power flexibility means a battery for mobility on location or a simple cable for longer, stationary shoots where runtime matters more.

1

Beyond passive monitoring, the companion CamCast app lets users save takes directly to their phone, review footage instantly, and share clips without ever pulling a memory card from the camera. For a two-person crew shooting a wedding, for instance, the second operator can watch the main camera’s composition from across the venue on a phone while managing their own setup. A makeup artist can confirm framing before the talent walks on set. Four people watching the same live feed, all from devices they already carry, collapses a communication problem that traditionally required dedicated hardware to solve.

What separates the CamCast CT-1 from a basic wireless HDMI sender, though, is the built-in PTP camera control. From the app on a phone or tablet, users can adjust shutter speed, ISO, color temperature, and aperture, and even navigate through camera menus remotely. Consider a camera mounted on an overhead rig for a cooking tutorial, or locked onto a gimbal for a tracking shot. Physically reaching the camera to change a setting interrupts the flow of a shoot. Being able to tweak exposure or white balance from a phone across the room changes how a solo creator or small team interacts with their gear.

1

The CamCast CT-1 also has a UVC output, which means it can connect directly to a laptop or desktop and function as a capture card. For livestreamers, educators, or anyone running a webinar, this removes an entire piece of hardware from the signal chain. One device handles wireless monitoring to phones and wired streaming output to a computer at the same time, which is a lot of functions packed into something that weighs less than most on-camera microphones.

1

Picture a YouTuber who films with a mirrorless camera on a tripod across the room. Right now, checking framing or adjusting settings means walking over, making a change, walking back, and repeating until it looks right. With the CamCast mounted on that camera, the phone becomes both the monitor and the remote control. An instructor recording a craft tutorial gets the same benefit, turning their tablet into a live preview without needing cables snaking across the workspace or an expensive field monitor clamped to a light stand.

Rather than building another monitor or another receiver, EZCast built a bridge between cameras and the screens people already own. That redistribution of function, turning four phones into four production monitors through a single transmitter, might be the more interesting design move in a category still dominated by expensive, single-purpose hardware.

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The post EZCast Just Turned Every Phone Into a Professional Camera Monitor first appeared on Yanko Design.

EZCast Just Turned Every Phone Into a Professional Camera Monitor

Posted on by

Monitoring a camera feed used to require either hovering behind the viewfinder or investing in a dedicated wireless video system with separate transmitters, receivers, and field monitors. For solo content creators, small production teams, and anyone shooting interviews or tutorials with limited gear, that kind of setup has always felt disproportionate to the task. The gap between “professional monitoring” and “just squinting at the back of the camera” remained stubbornly wide.

EZCast’s CamCast CT-1 is a compact wireless transmitter designed to sit on top of any HDMI-equipped camera, from mirrorless bodies and DSLRs to action cams and camcorders. Once connected, it broadcasts a live 1080p 60fps feed over 5GHz Wi-Fi to up to four iOS or Android devices simultaneously. EZCast has spent over a decade building wireless display and screen-mirroring technology for offices and classrooms, and the CamCast is their first product built specifically for cameras, applying that signal distribution expertise to a production context.

Designer: EZCast

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The device itself is small enough to mount on a camera hot shoe or gimbal arm, with included adapters for both horizontal and vertical orientation. A built-in OLED screen displays connection details, and pairing happens through a QR code scan that takes roughly three seconds. Power comes from either a standard NP-F battery, the same type used across countless cinema accessories, or a USB-C connection at 5V/3A. That dual-power flexibility means a battery for mobility on location or a simple cable for longer, stationary shoots where runtime matters more.

1

Beyond passive monitoring, the companion CamCast app lets users save takes directly to their phone, review footage instantly, and share clips without ever pulling a memory card from the camera. For a two-person crew shooting a wedding, for instance, the second operator can watch the main camera’s composition from across the venue on a phone while managing their own setup. A makeup artist can confirm framing before the talent walks on set. Four people watching the same live feed, all from devices they already carry, collapses a communication problem that traditionally required dedicated hardware to solve.

What separates the CamCast CT-1 from a basic wireless HDMI sender, though, is the built-in PTP camera control. From the app on a phone or tablet, users can adjust shutter speed, ISO, color temperature, and aperture, and even navigate through camera menus remotely. Consider a camera mounted on an overhead rig for a cooking tutorial, or locked onto a gimbal for a tracking shot. Physically reaching the camera to change a setting interrupts the flow of a shoot. Being able to tweak exposure or white balance from a phone across the room changes how a solo creator or small team interacts with their gear.

1

The CamCast CT-1 also has a UVC output, which means it can connect directly to a laptop or desktop and function as a capture card. For livestreamers, educators, or anyone running a webinar, this removes an entire piece of hardware from the signal chain. One device handles wireless monitoring to phones and wired streaming output to a computer at the same time, which is a lot of functions packed into something that weighs less than most on-camera microphones.

1

Picture a YouTuber who films with a mirrorless camera on a tripod across the room. Right now, checking framing or adjusting settings means walking over, making a change, walking back, and repeating until it looks right. With the CamCast mounted on that camera, the phone becomes both the monitor and the remote control. An instructor recording a craft tutorial gets the same benefit, turning their tablet into a live preview without needing cables snaking across the workspace or an expensive field monitor clamped to a light stand.

Rather than building another monitor or another receiver, EZCast built a bridge between cameras and the screens people already own. That redistribution of function, turning four phones into four production monitors through a single transmitter, might be the more interesting design move in a category still dominated by expensive, single-purpose hardware.

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The post EZCast Just Turned Every Phone Into a Professional Camera Monitor first appeared on Yanko Design.

EZCast Just Turned Every Phone Into a Professional Camera Monitor

Posted on by

Monitoring a camera feed used to require either hovering behind the viewfinder or investing in a dedicated wireless video system with separate transmitters, receivers, and field monitors. For solo content creators, small production teams, and anyone shooting interviews or tutorials with limited gear, that kind of setup has always felt disproportionate to the task. The gap between “professional monitoring” and “just squinting at the back of the camera” remained stubbornly wide.

EZCast’s CamCast CT-1 is a compact wireless transmitter designed to sit on top of any HDMI-equipped camera, from mirrorless bodies and DSLRs to action cams and camcorders. Once connected, it broadcasts a live 1080p 60fps feed over 5GHz Wi-Fi to up to four iOS or Android devices simultaneously. EZCast has spent over a decade building wireless display and screen-mirroring technology for offices and classrooms, and the CamCast is their first product built specifically for cameras, applying that signal distribution expertise to a production context.

Designer: EZCast

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The device itself is small enough to mount on a camera hot shoe or gimbal arm, with included adapters for both horizontal and vertical orientation. A built-in OLED screen displays connection details, and pairing happens through a QR code scan that takes roughly three seconds. Power comes from either a standard NP-F battery, the same type used across countless cinema accessories, or a USB-C connection at 5V/3A. That dual-power flexibility means a battery for mobility on location or a simple cable for longer, stationary shoots where runtime matters more.

1

Beyond passive monitoring, the companion CamCast app lets users save takes directly to their phone, review footage instantly, and share clips without ever pulling a memory card from the camera. For a two-person crew shooting a wedding, for instance, the second operator can watch the main camera’s composition from across the venue on a phone while managing their own setup. A makeup artist can confirm framing before the talent walks on set. Four people watching the same live feed, all from devices they already carry, collapses a communication problem that traditionally required dedicated hardware to solve.

What separates the CamCast CT-1 from a basic wireless HDMI sender, though, is the built-in PTP camera control. From the app on a phone or tablet, users can adjust shutter speed, ISO, color temperature, and aperture, and even navigate through camera menus remotely. Consider a camera mounted on an overhead rig for a cooking tutorial, or locked onto a gimbal for a tracking shot. Physically reaching the camera to change a setting interrupts the flow of a shoot. Being able to tweak exposure or white balance from a phone across the room changes how a solo creator or small team interacts with their gear.

1

The CamCast CT-1 also has a UVC output, which means it can connect directly to a laptop or desktop and function as a capture card. For livestreamers, educators, or anyone running a webinar, this removes an entire piece of hardware from the signal chain. One device handles wireless monitoring to phones and wired streaming output to a computer at the same time, which is a lot of functions packed into something that weighs less than most on-camera microphones.

1

Picture a YouTuber who films with a mirrorless camera on a tripod across the room. Right now, checking framing or adjusting settings means walking over, making a change, walking back, and repeating until it looks right. With the CamCast mounted on that camera, the phone becomes both the monitor and the remote control. An instructor recording a craft tutorial gets the same benefit, turning their tablet into a live preview without needing cables snaking across the workspace or an expensive field monitor clamped to a light stand.

Rather than building another monitor or another receiver, EZCast built a bridge between cameras and the screens people already own. That redistribution of function, turning four phones into four production monitors through a single transmitter, might be the more interesting design move in a category still dominated by expensive, single-purpose hardware.

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The post EZCast Just Turned Every Phone Into a Professional Camera Monitor first appeared on Yanko Design.

EZCast Just Turned Every Phone Into a Professional Camera Monitor

Posted on by

Monitoring a camera feed used to require either hovering behind the viewfinder or investing in a dedicated wireless video system with separate transmitters, receivers, and field monitors. For solo content creators, small production teams, and anyone shooting interviews or tutorials with limited gear, that kind of setup has always felt disproportionate to the task. The gap between “professional monitoring” and “just squinting at the back of the camera” remained stubbornly wide.

EZCast’s CamCast CT-1 is a compact wireless transmitter designed to sit on top of any HDMI-equipped camera, from mirrorless bodies and DSLRs to action cams and camcorders. Once connected, it broadcasts a live 1080p 60fps feed over 5GHz Wi-Fi to up to four iOS or Android devices simultaneously. EZCast has spent over a decade building wireless display and screen-mirroring technology for offices and classrooms, and the CamCast is their first product built specifically for cameras, applying that signal distribution expertise to a production context.

Designer: EZCast

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The device itself is small enough to mount on a camera hot shoe or gimbal arm, with included adapters for both horizontal and vertical orientation. A built-in OLED screen displays connection details, and pairing happens through a QR code scan that takes roughly three seconds. Power comes from either a standard NP-F battery, the same type used across countless cinema accessories, or a USB-C connection at 5V/3A. That dual-power flexibility means a battery for mobility on location or a simple cable for longer, stationary shoots where runtime matters more.

1

Beyond passive monitoring, the companion CamCast app lets users save takes directly to their phone, review footage instantly, and share clips without ever pulling a memory card from the camera. For a two-person crew shooting a wedding, for instance, the second operator can watch the main camera’s composition from across the venue on a phone while managing their own setup. A makeup artist can confirm framing before the talent walks on set. Four people watching the same live feed, all from devices they already carry, collapses a communication problem that traditionally required dedicated hardware to solve.

What separates the CamCast CT-1 from a basic wireless HDMI sender, though, is the built-in PTP camera control. From the app on a phone or tablet, users can adjust shutter speed, ISO, color temperature, and aperture, and even navigate through camera menus remotely. Consider a camera mounted on an overhead rig for a cooking tutorial, or locked onto a gimbal for a tracking shot. Physically reaching the camera to change a setting interrupts the flow of a shoot. Being able to tweak exposure or white balance from a phone across the room changes how a solo creator or small team interacts with their gear.

1

The CamCast CT-1 also has a UVC output, which means it can connect directly to a laptop or desktop and function as a capture card. For livestreamers, educators, or anyone running a webinar, this removes an entire piece of hardware from the signal chain. One device handles wireless monitoring to phones and wired streaming output to a computer at the same time, which is a lot of functions packed into something that weighs less than most on-camera microphones.

1

Picture a YouTuber who films with a mirrorless camera on a tripod across the room. Right now, checking framing or adjusting settings means walking over, making a change, walking back, and repeating until it looks right. With the CamCast mounted on that camera, the phone becomes both the monitor and the remote control. An instructor recording a craft tutorial gets the same benefit, turning their tablet into a live preview without needing cables snaking across the workspace or an expensive field monitor clamped to a light stand.

Rather than building another monitor or another receiver, EZCast built a bridge between cameras and the screens people already own. That redistribution of function, turning four phones into four production monitors through a single transmitter, might be the more interesting design move in a category still dominated by expensive, single-purpose hardware.

Click Here to Buy Now: $129 $239 ($110 off). Hurry, only a few units left!

The post EZCast Just Turned Every Phone Into a Professional Camera Monitor first appeared on Yanko Design.

Swiss Brand ‘On’ Just Built a $280 Running Shoe Using Robots in 3 Minutes

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Most running shoes are Frankenstein jobs. Twenty, thirty pieces of fabric cut, stitched, layered, and glued together by human hands on a factory line. It’s been done that way for decades, and for the most part, nobody questioned it. On just did.

The Swiss brand’s new LightSpray Cloudmonster 3 Hyper doesn’t have a traditional upper. Instead, a robotic arm sprays a single continuous filament onto a foot-shaped mold, and in about three minutes, the entire upper is formed. No seams. No laces. No glue. The result bonds directly to the midsole through thermal fusing, and the whole shoe is made from just eight components. For context, a typical performance runner uses somewhere between 30 and 50. That’s not an incremental improvement. That’s a fundamentally different way to build a shoe.

Designer: On

On first debuted LightSpray in 2024, when marathon runner Hellen Obiri wore a prototype to win the Boston Marathon. Back then it was a single robotic unit in Zurich, a proof of concept more than a production method. Now the brand has opened a second factory near Busan, South Korea, housing 32 robots and boosting production capacity 30 times over. The technology has gone from lab curiosity to something you can actually buy, and that shift matters more than the shoe itself.

What makes the Cloudmonster 3 Hyper interesting as a design object is the tension between its upper and its sole. On top, you get this gossamer, almost skeletal spray-on structure that looks like it was grown rather than assembled. Below, there’s a massive stack of Helion HF hyper foam sitting on CloudTec cushioning geometry. Minimal above, maximal below. It’s a deliberate contrast, and it works visually in a way that most performance shoes don’t even attempt.

On co-founder Caspar Coppetti has said it’s what a shoe from Apple would look like, and while that comparison gets thrown around too loosely in consumer products, here it actually tracks. The Limelight/Bloom colorway, with its white upper, black branding, and yellow tooling, has that same kind of restrained confidence.

There are real performance implications, too. At 205 grams for a men’s US 8.5, it’s roughly 90 grams lighter than the standard Cloudmonster 3. That’s a significant gap for a max-cushion trainer. On deliberately skipped a carbon plate in the midsole, which is a choice that goes against the current arms race in performance footwear. The reasoning is sound: plates are great for race-day propulsion, but for training shoes built around long runs and high mileage, they can actually fatigue legs faster. The plateless design, combined with enhanced rocker geometry, is meant to keep your legs fresher over sustained efforts. It’s a shoe that asks you to trust the foam instead of the hardware.

The sustainability angle is worth noting without overstating. Eight components instead of dozens means less material waste and a simpler path to recyclability. On claims up to 75% lower CO₂ emissions for the upper compared to its other racing shoes. No running shoe is carbon-neutral, but the LightSpray approach at least moves in the right direction by simplifying what needs to be disassembled and reclaimed at end of life.

I do think there are legitimate questions about the laceless design. A form-fitting sprayed upper is a beautiful engineering solution, but it puts enormous pressure on the sock system and the structure itself to keep the foot locked down during dynamic movement. On includes an Elite Run Sock High Hyper with each pair, which is a smart acknowledgment that the shoe and sock need to function as a system. But runners with wider feet or higher arches should probably try these on before committing $280.

That price point is notable. It’s $90 more than the standard Cloudmonster 3 and $60 above the Cloudmonster 3 Hyper. You’re paying a premium for the LightSpray construction, and whether that premium is justified depends on how much you value the weight savings and the novelty of the technology. For some runners, that will be an easy yes. For others, the standard Hyper at $220 might be the smarter buy.

What excites me about this release isn’t really the shoe, though. It’s what it represents. The footwear industry has spent years competing on foam compounds and plate configurations, essentially tweaking the same fundamental construction methods. On is asking a different question entirely: what if the way we build the shoe is the innovation? A robot, a mold, three minutes, eight pieces. That’s a compelling answer, and I suspect the rest of the industry is paying very close attention.

The LightSpray Cloudmonster 3 Hyper drops March 5 in North America through On’s website and retail stores, with a global release following on April 16. It’s priced at $280.

The post Swiss Brand ‘On’ Just Built a $280 Running Shoe Using Robots in 3 Minutes first appeared on Yanko Design.

New 2 World Trade Center Will Rise 1,226 Feet Over Manhattan, Finally Completing the Post-9/11 Rebuild

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It has been almost 25 years since the September 11 attacks forever changed the skyline of Lower Manhattan, and now the rebuilding of the World Trade Center campus is entering its final stretch. The last major commercial tower on the site, 2 World Trade Center, is expected to break ground in spring 2026 and wrap up construction by 2031. American Express has committed to making the building its new corporate headquarters.

Getting to this point hasn’t been simple. British firm Foster + Partners was originally hired to design the tower, only to be replaced by Bjarke Ingels Group, which put forward a striking terraced concept. That plan was eventually scrapped, and Foster + Partners was brought back to start fresh. The result, based on recently released renderings, is a broad rectangular tower sheathed in glass, with three open-air terraces and six landscaped corner gardens woven into the facade to bring some greenery to an otherwise sleek profile.

Designer: Foster + Partners

The tower will rise to 1,226 feet, comfortably placing it in the supertall category and making it roughly the 11th-tallest building in the United States. It won’t overtake its famous neighbor, though. One World Trade Center still holds the title of the country’s tallest at a symbolically chosen 1,776 feet. Inside, the building will offer close to two million square feet of usable space across 55 stories, with the bulk of that dedicated to offices. When fully occupied, it could house around 10,000 workers.

Specifics are still thin at this early stage, but American Express has said the tower will incorporate smart building technology and energy-efficient systems. The project is also targeting LEED certification, which has become something of a baseline expectation for major commercial developments in recent years.

Kevin O’Toole, Chairman of the Port Authority of New York and New Jersey, called the project a meaningful milestone, both for the campus and for the surrounding region. He pointed to the tower’s role in reinforcing the World Trade Center as one of the country’s most important centers of commerce and transportation, and acknowledged just how much sustained effort it takes to deliver projects on this scale.

Silverstein Properties, the development firm that has overseen much of the site’s post 9/11 transformation, is once again at the helm. When the building finally opens its doors in 2031, it will effectively close the book on one of the most ambitious and emotionally significant urban rebuilding efforts in modern history. More than anything, it will stand as a reminder of what New York City is capable of when it commits to moving forward.

The post New 2 World Trade Center Will Rise 1,226 Feet Over Manhattan, Finally Completing the Post-9/11 Rebuild first appeared on Yanko Design.