Author Archives: Steve Dent

Faulty Windows cybersecurity update takes out banks, airlines and other major companies worldwide

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A massive Microsoft Windows BSOD (blue screen of death) outage has impacted multiple companies worldwide including airlines, broadcasters and others. The problem was caused by a faulty update from security giant CrowdStrike that forced PCs and servers into an unrecoverable boot loop. The change has since been rolled back, and airlines and hospitals were gradually recovering by midday in the US, but many machines are still affected.

"We have widespread reports of BSODs on windows hosts, occurring on multiple sensor versions," CrowdStrike wrote in a pinned Reddit post. "[We have] identified a content deployment related to this issue and reverted those changes." The company went on to describe a workaround, which involves booting Windows into Safe Mode and deleting a specific driver. CrowdStrike CEO George Kurtz apologized for the global meltdown on the Today show (via The NY Times), saying, “We’re deeply sorry for the impact that we’ve caused.”

The issue forced Delta, Frontier and other airlines to ground flights, and impacted UK broadcaster Sky and the London Stock Exchange. On a Reddit thread, dozens of commenters stated that their companies were effectively offline due to the problem. Flight-tracking service FlightAware reported in mid-afternoon that over 2,500 US flights had been canceled on Friday. They gradually recovered as the day continued, but the restoration was far from complete.

US Transportation Secretary Pete Buttigieg told airlines on Friday that they would need to handle the situation as if it were a self-inflicted (mechanical or technical) failure, which requires them to cover travelers’ food, transportation and lodging costs for those whose delays last longer than three hours. Earlier in the day, United Airlines and Delta had told stranded airline passengers they’d have to foot the bills themselves since the CrowdStrike meltdown was out of their control. A United spokesperson later reversed its previous stance after Buttigieg’s comments.

IT pros around the world struggled to adapt to the nearly impossible hand they’d been dealt.

"Even if [CrowdStrike] fixed the issue causing the BSOD, I'm thinking how are we going to restore the thousands of devices that are not booting up," one user noted. "Let me explain to someone who is not tech savvy and is working from home how to boot their machine into safe mode," another wrote. 

Reddit users including many IT managers from Australia, Malaysia, Japan, India, the Czech Republic and elsewhere have said they're fighting through the issue. "Here in the Philippines, specifically in my employer, it is like Thanos snapped his fingers. Half of the entire organization [is] down due to BSOD loop. Started at 2pm and is still ongoing. What a Friday," said one.

US court systems were affected as well, with cases scheduled for the day postponed (including the latest trial of the disgraced Hollywood mogul Harvey Weinstein). Many hospitals reportedly postponed surgeries requiring anesthesia, and some were unable to reschedule due to the required appointment planning software also being down.

CrowdStrike is a US-based security firm that provides real-time protection against security threats to corporations. One of its key products is Falcon, described by the company as "providing real-time indicators of attack, hyper-accurate detection and automated protection" from threats. A CrowdStrike spokesperson said it was likely an issue with Falcon that caused the incident.

To add to the pain, Microsoft appears to have also suffered a separate outage with its Azure services and Microsoft 365 app suite. "Users may be unable to access various Microsoft 365 apps and services," it wrote. It's not clear which, if any, of the outages are related to this instead of the CrowdStrike problem. 

Update July 19, 2024 6:12 AM ET: CrowdStrike CEO George Kurtz has acknowledged the problem on X, saying it was caused by a defect in a content update for Windows hosts, and not a "security incident or cyberattack," He added that "the issue has been identified, isolated and a fix has been deployed." There's no mention on whether the fix will be usable on machines currently stuck in a boot loop.

Mac and Linux hosts are not impacted, he added. An identical statement has been posted on CrowdStrike's blog.

Update, July 19, 2024, 3:46 PM ET: This story has been updated to add developments around flights, hospitals, court cases and an apology from CrowdStrike’s CEO.

This article originally appeared on Engadget at https://www.engadget.com/faulty-cybersecurity-update-takes-out-banks-airlines-and-other-major-companies-worldwide-085142264.html?src=rss

DJI’s latest gadget lets you control cameras and view video remotely

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DJI has introduced a new video transmission device that will allow creators to control cameras and gimbals and view video from up to 1.8 miles away. Called DJI SDR Transmission (SDR stands for "software defined radio"), it's designed for use in "complex environments" and is targeting small- to medium-sized film crews.

The system consists of transmitter and receiver (each weighing 5.1 ounces), sold separately or in a combo. You can also purchase a phone or tablet holder kit, along with an RX to phone connection cable.

On monitors (which can be dedicated Atomos-type systems, iPhones or tablets), filmmakers will see a 1080p/60fps live feed with a 20Mbps bitrate and latency as low as 35 milliseconds. Video can be transmitted up to three kilometers (1.8 miles) and remain stable in obstacle-laden environments thanks to "superior penetration capabilities," DJI said. 

DJI's latest gadget lets you control cameras and view video remotely
DJI

DJI SDR Transmission can output three SDR signals and two Wi-Fi signals at once. In broadcast mode, it can connect to unlimited receivers for multiple users. Users can connect to monitors via SDI/HDMI and smartphones/tablets via USB-C or Wi-Fi. "The Wi-Fi option allows for a cost-effective, dual-channel monitoring experience without another receiver," according to DJI.

Along with monitoring, the system allows for remote control of cameras and gimbals. That enables features like virtual joystick and gimbal recentering, along with DJI's Force Mobile function that lets you control a gimbal by tiling and rotating your smartphone. It supports PTP (USB-C) camera control for supported devices, along with CEC for Sony Cameras that gives you all the camera's controls on a remote screen.

DJI SDR Transmission system
DJI

The new product is not unlike DJI's Transmission system, which transmits 1080 60p video over 20km (12.4 miles) but costs $2,500. It appears to be part of DJI's effort to diversify away from drones in the face of a possible US ban. DJI is likely to get even more deeply into the camera market if that happens, given the success of the DJI Osmo Pocket 3 and other products. 

The DJI SDR Transmission system is now available in the US, Europe and elsewhere priced at $549 for the combo, or $309 for the transmitter or receiver sold separately. The phone and tablet holders are $49 each, while the RX to phone connection cable is $10.

This article originally appeared on Engadget at https://www.engadget.com/djis-latest-gadget-lets-you-control-cameras-and-view-video-remotely-130049291.html?src=rss

Canon R1 hands-on: Incredible speed but 24MP resolution may disappoint

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Canon has unveiled its most important camera in years — the EOS R1 mirrorless. Launched alongside the 45-megapixel R5 II, it’s the company's new flagship designed to replace the 1DX Mark III DSLR and help Canon maintain its leadership in the pro sports photography field.

The R1 is all about speed, with the stacked sensor allowing 40 fps RAW bursts with continuous autofocus. Other features are designed to help nail crucial shots, including pre-capture, eye-tracking AF and sports-specific settings. At the same time, it should be great for video, thanks to its support for 6K RAW capture.

One potential downside is the 24-megapixel resolution, which is lower than rivals like Sony’s A1 and the Nikon Z9. To see how that affected image quality and gather some impressions on performance and new features, I was able to get a short amount of hands-on time with the R1 in Phoenix, Arizona.

Though massive for a mirrorless camera, the R1 is lighter than it looks — it only weighs 2.12 pounds. The magnesium alloy body is dust- and water-resistant and the large, comfortable grip uses new rubber to reduce slippage. It’s a stable platform, even with telephoto lenses, and was clearly designed for working photographers.

Controls are laid out much like the EOS R3, with two control dials, a rear dial, joystick, mode switch and many customizable buttons. It has matching vertical controls, with the same layout in portrait and landscape modes.

Canon did add a touch-sensitive IR button called the smart controller, which offers three ways to adjust autofocus. Overall, the R1 handles like an F1 car — fast and reactive, but there's a steep learning curve.

The viewfinder is Canon’s best yet with 9.44 million dots, 0.9 times magnification and 3x brightness, all tops in the EOS series. The rear display fully articulates for high- and low-angle shooting.

Canon decided to ditch SD cards in favor of two CFexpress type B slots. That allows for maximum RAW burst speeds, as well as fast and reliable backups, but you'll end up throwing your SD card collection out the window. By contrast, Sony's R1 has dual card slots for both SD UHS II and CFexpress type A.

The R1 uses a variant of the battery from the EOS R3 that supports up to 650 shots and 70 minutes of 6K video on a charge. Connectivity is the best I’ve seen on any Canon camera, with Wi-Fi 6E, ethernet, USB-C PD and more.

The R1 is built for action and suffice to say, it’s fast. In blackout free electronic shutter mode, you can shoot JPEG and RAW frames at up to 40 fps for a long while before the massive buffer fills — with Canon promising "1,000 or more" shots when shooting uncompressed RAW and JPEG files. It hits 12 fps with the mechanical shutter, a feature missing on Nikon’s rival Z9.

Canon EOS R1 hands-on
Steve Dent for Engadget

The latter isn’t usually necessary, though, as the stacked shutter largely eliminates rolling shutter distortion.

Canon is bringing numerous autofocus improvements as well. With regular single-point tracking, you can change the target with either the joystick or smart controller. In addition, the R1 has a new eye-tracking system called Eye AF II, a more sophisticated version of its Eye Control AF from the R3.

As with the R3, you must calibrate Eye AF II first. And it won’t necessarily function well for all eye types, but it worked great for me, as the tracking box followed my gaze with less drift than before. That didn’t always translate to sharp photos, but again, I was using a pre-production unit.

Of course the R1 offers face- and eye-detection for both humans and animals. But what happens if you’re trying to single out someone in a crowd of players?

Canon EOS R1 hands-on
Steve Dent for Engadget

First off, there are now AI modes for three specific sports, volleyball, basketball and soccer. The idea is that the system will track action around the ball to help you nail key shots. It’s also supposed to stay locked on a player even in traffic. Finally, you can register up to 10 faces to keep track of a whole team of athletes.

How well does this work? It’s hard to say in the short time I had the camera, but I didn’t notice a dramatic improvement with chaotic action or specific sports. But these features require time to master, so a full review will tell me more.

Another new feature to help pros avoid missing shots is pre-continuous shooting, something that's seen on many high-end cameras these days. The R1 starts taking photos when you half-press the shutter button, recording up to the last 20 frames once it’s fully pressed.

Canon has led the way in image stabilization since the R5, and the R1 offers a solid 8.5 stops of shake reduction with supported lenses. This isn’t necessarily a great benefit for action shooting, but it does help with landscapes or low-light shooting.

Canon likely anticipated complaints about the relatively low 24-megapixel resolution. In response, it unveiled a new feature called in-camera upscaling. It uses deep learning to quadruple image size to 96 megapixels in-camera after shooting, supposedly while maintaining apparent resolution.

This is different from Sony's pixel-shift scheme that takes multiple separate photos and merges them into one. However, it was hard to get a straight answer from Canon as to how exactly the upscaling works. Obviously, it can’t be a true resolution increase without actually capturing extra pixels.

Image quality is difficult to judge in pre-production cameras, and Canon specifically said that in-camera RAW processing was a work in progress. Nonetheless, JPEGs looked sharp out of the camera and had the company’s typically excellent skin tones.

Low-light image quality is a selling point of this camera, and it did appear to perform well at high ISOs, with decent image quality at ISO 12,800 and beyond. However, it’s no Sony A7S III at very high ISOs, so the max of ISO 102,400 is for emergency use only.

Canon EOS R1 sample images
Steve Dent for Engadget

Stacked sensor cameras tend to sacrifice some dynamic range in favor of speed, but there’s no sign of that with the R1. However, I'll need more time to get a full idea of RAW image quality, particularly at high ISOs.

Though mainly aimed at photographers, the R1 is potentially a monster video camera on its own. It lacks the R5 II’s 8K feature, but does offer 6K Canon RAW video at up to 60 fps, using the full width of the sensor.

You also get fully oversampled full-sensor 4K at up to 60fps, or 4K pixel-binned or cropped at 120 fps. Full HD can be recorded at up to 240 fps, either cropped or with pixel-binning. On top of Log 3, Canon’s Log 2 is now supported with 10-bit capture.

Canon has significantly reduced its previous overheating issues, though they're not completely eliminated. You can record more than 120 minutes of 6K 60p RAW with proxy recording, as well as 4K 60p, with no restriction for 4K 30p. The primary limitation is 15 minutes for 4K 120p, but that shouldn’t be an issue for most videographers or content creators.

As you’d expect, the oversampled 4K 60p and 6K 60p RAW video is sharp. Canon’s RAW video is very easy to work with in post and with the Log 2 setting delivers extra dynamic range and latitude in post.

Canon EOS R1 hands-on
Steve Dent for Engadget

It’ll be interesting to see how pro photographers react to Canon’s new flagship. They do gain an extra 10 fps in RAW shooting speeds over Sony’s A1 and the Nikon Z9, and the sensor is solid in low light. The downside, though, is the fact that it offers half the resolution of its rivals.

The Eye AF II is an interesting gimmick that may give Canon an edge. Other features like face-memorization, sports-specific AF and cross action seem good on paper, but I wasn’t able to get the most out of them in the short time I had the camera — so further testing is required. The EOS R1 is set to arrive in the fall of 2024 with an estimated price of $6,300. 

Canon paid for this contributor's travel and accommodation for the launch of its new cameras in Phoenix, Arizona. This article was produced independently for Engadget, with no oversight from Canon.

This article originally appeared on Engadget at https://www.engadget.com/canon-r1-hands-on-incredible-speed-but-24mp-resolution-may-disappoint-100044085.html?src=rss

Canon EOS R5 II hands-on: Nifty eye-tracking autofocus and reduced overheating problems

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As it teased earlier, Canon has launched the R5 II, a successor to the powerful but imperfect EOS R5. With a new 45-megapixel backside-illuminated (BSI) stacked sensor, it not only has superior specs for video, shooting speeds and more, but also adds advanced features like eye-controlled AF. The R5 II was launched alongside Canon's new flagship, the EOS R1, which I've covered in a separate post.

With the new R5, Canon has mostly dealt with the original's primary problem: overheating while shooting video. To see what’s different and try out some of the new features, I spent some time with an R5 II pre-production camera in Phoenix, Arizona.

The R5 II’s body is largely the same as before, but there are a couple of key changes. First off, Canon has moved the power switch over to the top right, next to the mode dial. On the left, where the on/off switch used to be, the company added a dedicated video and photo switch. That should make it easier for hybrid shooters to switch modes and keep settings separate.

Other controls are mostly where they were. The original R5 was already a sweet-handling camera, with a comfortable grip and logical control layout, so Canon wisely left well enough alone.

Also unchanged is the flip-out rear touch display, but the R5 II does have a new OLED electronic viewfinder. It has the same sharp 5.76-million dot resolution — on par with other models in this price range — but is brighter than before. 

It supports both UHS-II SD cards and CFexpress Type B, with a slot for each. If you want to shoot 8K RAW or sustain long shooting bursts, you’ll need to use CFexpress cards, which are much faster but considerably more expensive.

Canon introduced three new battery grips for the R5 II, with one containing a cooling fan. That largely reduces heating issues, as I’ll discuss shortly. Another grip is designed to improve vertical operability, making the R5 II handle more like the R1. The third grip adds 2.5G base-T ethernet for studio shooters.

With the new stacked sensor, the EOS R5 II is faster than ever. You can shoot blackout-free bursts at up to 30 fps in electronic shutter mode, or 12 fps using the mechanical shutter. Rolling shutter is also substantially reduced. The R5 II has a large buffer as well, supporting up to 93 RAW and 20 compressed RAW shots before it fills in electronic shutter mode. 

Canon EOS R5 II hands-on
Steve Dent for Engadget

Autofocus is improved in nearly every way, too. Like the R1, the R5 II comes with Canon’s new EyeAF II eye-tracking autofocus that sets focus where you look. Canon touts it as the fastest way to to move the AF tracking point.

It needs to be calibrated, and won't work with all eye types, but in my brief experience it worked for me. It can be a bit twitchy and isn’t 100 percent reliable, but I didn’t have enough time to really shake it out — so stay tuned for a full review.

Canon also added sports-related features like an action priority mode, subject crossing and the ability to register multiple faces. Face- and eye-tracking is improved, and it supports animals, birds and vehicles, too. Of course, it has 5-axis in-body stabilization with 8.5 stops of shake reduction, up from 8 before.

Shooting in the basketball scenario Canon set up, I found the AF to be generally reliable. The new pre-continuous shooting feature is also a nice bonus, helping ensure you capture shots even before fully pressing the shutter. However, some new things like action crossing require practice to get used to and I didn’t have enough time with the camera to adapt.

It’s hard to evaluate image quality in pre-production cameras, and Canon warned us that it was still working on RAW processing. Still, the benefit of a 45-megapixel sensor is seriously sharp photos.

JPEG images appeared color accurate with pleasing skin tones, as you’d expect from Canon. Using the company’s software, I was able to process the 14-bit RAW images and found that they offer plenty of latitude for pushing and pulling in post.

Like the R1, the R5 also supports Canon's new in-camera upscaling, which quadruples resolution to around 179 megapixels. This uses deep learning to reduce noise, but Canon didn't explain precisely how it works.

A lot of my shooting was done in a gym with relatively low light, but the R5 II handled the high ISOs without generating excessive noise up to ISO 6400 or even beyond. It’s not in the same league as the R1, though, so you’ll need fast lenses if shooting action in dark spaces.

Canon EOS R5 II hands-on
Steve Dent for Engadget

The R5 II is a seriously powerful video camera, right up there with Nikon’s Z8 or Z9. You can shoot 8K DCI RAW video at up to 60 fps, or 4K RAW at 60 fps. It also offers 8K MP4 support at up to 30 fps, or 4K DCI at 120 fps with pixel binning.

4K profiles at up to 30 fps use the full sensor width in “fine” mode, or you can capture higher frame rates with pixel binning. Full HD can be recorded at 240 fps with pixel binning as well. Most 4K modes can also be captured cropped to an APS-C frame size.

The addition of RAW recording and C-Log2 boosts dynamic range, and all the oversampled video modes are very sharp. Canon’s RAW is also easy to work with in Premiere Pro or DaVinci Resolve.

That takes us to the most glaring issue: overheating. The original R5 certainly struggled in this respect, with temperature limiting recording times in some modes.

Canon EOS R5 II hands-on
Steve Dent for Engadget

With the new camera, the only modes affected are 8K 60p RAW, which is capped at 18 minutes, 8K 30p limited to 37 minutes and 4K 120p, which shuts down after 22 minutes. Adding the fan accessory removes most of those limitations and increases operating times at 8K 60p RAW and 4K 120P.

With incredible video and photos specs, Canon’s R5 II could retake its old crown as the best hybrid camera. The only model that can keep up with it for photos is the $6,500 Sony A1, but it's over $2,000 more expensive. Nikon’s $3,500 Z8 can match it video-wise with 8K RAW at up to 60P. However, it isn’t as good for photos as the R5 II, because speeds are limited to 20 fps and it lacks a mechanical shutter.

The R5 II will be more expensive than the Z8, however, at an estimated $4,300. It will arrive in stores sometime in August.

Canon paid for this contributor's travel and accommodation for the launch of its new cameras in Phoenix, Arizona. This article was produced independently for Engadget, with no oversight from Canon.

This article originally appeared on Engadget at https://www.engadget.com/canon-eos-r5-ii-hands-on-nifty-eye-tracking-autofocus-and-reduced-overheating-problems-100002588.html?src=rss

The best Amazon Prime Day camera deals on Sony, Canon, GoPro, Panasonic and more

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Amazon Prime Day 2024 is here and as usual, it's a great time to buy mirrorless, action and compact cameras. If you're a vlogger, photographer or other type of creator and have been holding off for a sale, now is absolutely the time to buy. 

We're seeing discounts from most of the major brands, including Canon, Sony, Nikon and Panasonic, along with GoPro and DJI. If it's a gift you're looking for, many deals are priced well under $500, and some premium cameras like Canon's EOS R5 have steep discounts of $900 and more. You can see the full lineup of our recommendations in our camera guide.

Your Prime Day Shopping Guide: See all of our Prime Day coverage. Shop the best Prime Day deals on Yahoo Life. Follow Engadget for Prime Day tech deals. Hear from Autoblog’s experts on the best Amazon Prime Day deals for your car, garage, and home, and find Prime Day sales to shop on AOL, handpicked just for you.

This article originally appeared on Engadget at https://www.engadget.com/the-best-amazon-prime-day-camera-deals-on-sony-canon-gopro-panasonic-and-more-082653316.html?src=rss

Tesla brings the Model 3 Long Range RWD to the US for $42,490

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Tesla has introduced a Model 3 option with 363 miles of range that will cost less than $35,000 after federal tax credits. The Model 3 Long Range Rear-Wheel-Drive is now on Tesla's configurator with deliveries slated between July and August 2024. 

Performance-wise, it fits between the base model and Long Range AWD option, with a 125 MPH top speed and 0-60 time of 4.9 seconds. The AWD option is a $5,000 upgrade, though, so you're paying a lot for an extra 0.7 seconds of acceleration. For comparison, Hyundai's Ioniq 6 LR has roughly the same range and price, but isn't eligible for the federal EV tax credit. 

The Model 3 Long Range RWD is now Tesla's cheapest EV, if you take the tax credit into account. That's because the base $38,990 Model 3 RWD version uses lithium-iron phosphate (LFP) batteries from CATL in China, so it's ineligible for any federal rebate.

The new model arrives amid a decline in EV battery prices. The price for LFP cell in China dropped over 51 percent to $53 per kWh over the last year, Bloomberg recently reported. That in turn has led to LFP battery packs at $75 per kWh, meaning EVs can be priced the same or less than combustion vehicles in China. Western efforts to match China's battery production will only increase overcapacity and likely keep prices down.

Early this year, Tesla launched its refreshed Model 3 in the US. The new version has some mild styling changes on the exterior, along with new interior materials, ventilated front seats, a 17-speaker audio system option and a new eight-inch rear display.

This article originally appeared on Engadget at https://www.engadget.com/tesla-brings-the-model-3-long-range-rwd-to-the-us-for-42490-120016482.html?src=rss

Ford ‘revives’ the Capri after 30 years as a four-door EV

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Ford is reviving that most '70s of cars, the Capri, though pretty much in name only. Resembling not at all the original two-door pony-style fastback that debuted in 1968, the new Capri will instead be a four-door electric vehicle built on Volkswagen's MEB platform and be sold only in Europe.

The Capri looks like it was designed by executive committee, with styling that resembles the Polestar 2, but far more nondescript. Ford calls it a "sports coupe for the family," and the only thing vaguely as rebellious as the original is the paint scheme, either in bright yellow or blue. 

Ford is reviving the Capri after 30 years as a four-door EV
Ford

Two models will be available in launch, base and Premium versions, both termed "Extended Range." The base is a 282-horsepower single-motor rear-drive model with a 77-kWh battery pack, 390 miles or range (WLTP) and a 28-minute charge time from 10-80 percent. 

The Premium model is all-wheel-drive with two motors and 335 horsepower. The slightly larger 79kWh battery accepts a 185 kW charge (50 kW more than the base), so it can get from 10-80 percent in 26 minutes. Range on this model is just slightly reduced to 368 miles, according to Europe's WLTP standard. As for performance, the base model can zip from 0-62MPH in 6.4 seconds, while the Premium can do it in 5.3 seconds. 

Ford is reviving the Capri after 30 years as a four-door EV
Ford

The Premium model gets a few other add-ons, including 20-inch alloy wheel instead of 19-inch, along with ambient lighting, a B&O sound system and hands-free tailgate. 

On the tech side, the Capri offers automated lane changes, cyclist detection when opening doors and a massaging driver's seat. The 14.6-inch vertical touchscreen even slides out to reveal a storage compartment, while the front armrest caches a "MegaConsole" with 0.6 cubic feet of space.

Ford recently unveiled another EV in Europe named after a classic model, the Explorer. Like the Capri, it's nothing like the original either in looks or spirit, being a compact crossover rather than a pickup or SUV.

With availability in Europe only, you'll be able to buy a Capri on its namesake Italian island, but nowhere in North America. It'll be built in Germany and starts at €49,400 (around $53,590) for the base model and €53,000 ($57,490) for the Premium pack, according to Ford's French website. 

This article originally appeared on Engadget at https://www.engadget.com/ford-revives-the-capri-after-30-years-as-a-four-door-ev-140013729.html?src=rss

Insta360’s Flow Pro smartphone gimbal uses Apple’s DockKit to track you

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Insta360 has launched the Flow Pro smartphone gimbal with a feature we've never seen on any rival product: Apple DockKit support. That allows it to track you around automatically while you present, perform or do other activities, much like DJI's popular Osmo Pocket 3 gimbal. 

DockKit support effectively gives you a robotic cameraman. Just set the Flow Pro up on its built-in tripod that extends from the handle and pair it with your iPhone. Then, attach your iPhone to the gimbal using the magnetic phone clamp or MagSafe-compatible magnetic phone mount and you're ready to shoot.

From there, it'll use your iPhone's front or rear camera and the native camera app to track and focus on your or your subject. That gives you the freedom to move around, knowing it'll keep you in frame and in focus. It also works with over 200 third-party iOS apps including FaceTime, Zoom and TikTok.

Insta360's Flow Pro smartphone gimbal uses Apple's DockKit to track you
Insta360

The only other DockKit product we've seen to date is Belkin's Stand Pro iPhone dock, but that has no gimbal functionality. The Flow Pro, however, is a more powerful version of Insta360's original Flow gimbal (and is cheaper than Belkin's product to boot). To that end, it offers three-axis mechanical shake reduction that's far superior to your phone's electronic stabilization. 

It also comes with the company's AI-powered subject tracking with features like tracking recovery (re-acquiring a subject after losing it), person re-identification and slo-mo tracking. Insta360 also introduced Deep track 3.0 that adds 360-degree infinite pan tracking, meaning it can rotate 360 degrees horizontally while tracking subjects. It also supports animal tracking (dogs, cats and horses) and adds an LED tracking ring so you can see if it's following your subject at a quick glance.

Insta360's Flow Pro smartphone gimbal uses Apple's DockKit to track you
Insta360

Flow Pro also offers a selfie stick that extends to 215mm (8.5 inches), a built-in cold shoe to add a mic or other accessories and a 2,900mAh power bank to charge your iPhone. Other features include "one-step rapid deploy" to unfold the gimbal in one motion, 10-hour battery life, a SmartWheel for quick access to shooting controls, and four gimbal modes (auto, follow, pan follow and FPV).

The Insta360 is now available in the US and worldwide for $149 at select retailers. It includes a magnetic phone clamp, charge cable, grip cover and protective pouch, with other accessories like a spotlight, magnetic phone mount and decorative inserts sold separately.

This article originally appeared on Engadget at https://www.engadget.com/insta360s-flow-pro-smartphone-gimbal-uses-apples-dockkit-to-track-you-010029542.html?src=rss

Amazon takes a new brick-and-mortar approach with a stake in Neiman Marcus

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Amazon changed the face of retail over the last 20 years but has failed miserably to make inroads in the luxury goods market. Now, it's trying something new. The online retailer has purchased a small stake in retailer Neiman Marcus and will reportedly provide data and logistics to Neiman and its new owner, Saks Fifth Avenue.

Yesterday, Saks Fifth Avenue and parent HBC announced the $2.65 billion acquisition of Neiman Marcus (which also owns Bergdorf Goodman), putting the largest US luxury retailers under the same roof, The Wall Street Journal reported. Amazon is a minority investor in the deal, which is still subject to regulatory approval.

"How do you future-proof a brand like Saks or Neimans or Bergdorf? You do that through technology," Saks CEO Marc Metrick told Bloomberg. To that end, Amazon will gather high-quality customer data, analyze it to offer more personalized options and improve logistics. 

Amazon has attempted to access the luxury retail market over the years, but the major brands want nothing to do with it. "We believe the business of Amazon does not fit with LVMH, full stop, and it does not fit with our brands," LVMH said back in 2016. The only place that LVMC (which owns Louis Vuitton, Dior, Givency and other labels) does business is in its own retail stores, at retailers like Neiman Marcus or on its own website.

In Europe, luxury brands won the right to block third-party sales of products online if they felt it damaged their image. In addition, the EU ruled in 2010 that brands with less than a 30 percent market share could prevent online retailers from selling their wares.

Amazon has tried to break into bricks-and-motor retail with varying degrees of success. Its ownership of Whole Foods is one positive example, but its cashierless Go stores have largely failed to take off.

With the acquisition of Neiman Marcus by Saks' parent HBC, Amazon is getting involved in an organization expected to do a combined $10 billion worth of annual sales. There's no word on the size of Amazon's investment, but it seems a relatively safe bet compared to the more radical brick-and-mortar experiments it's tried in the past.

This article originally appeared on Engadget at https://www.engadget.com/amazon-takes-a-new-brick-and-mortar-approach-with-a-stake-in-neiman-marcus-133019628.html?src=rss

Amazon takes a new brick-and-mortar approach with a stake in Neiman Marcus

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Amazon changed the face of retail over the last 20 years but has failed miserably to make inroads in the luxury goods market. Now, it's trying something new. The online retailer has purchased a small stake in retailer Neiman Marcus and will reportedly provide data and logistics to Neiman and its new owner, Saks Fifth Avenue.

Yesterday, Saks Fifth Avenue and parent HBC announced the $2.65 billion acquisition of Neiman Marcus (which also owns Bergdorf Goodman), putting the largest US luxury retailers under the same roof, The Wall Street Journal reported. Amazon is a minority investor in the deal, which is still subject to regulatory approval.

"How do you future-proof a brand like Saks or Neimans or Bergdorf? You do that through technology," Saks CEO Marc Metrick told Bloomberg. To that end, Amazon will gather high-quality customer data, analyze it to offer more personalized options and improve logistics. 

Amazon has attempted to access the luxury retail market over the years, but the major brands want nothing to do with it. "We believe the business of Amazon does not fit with LVMH, full stop, and it does not fit with our brands," LVMH said back in 2016. The only place that LVMC (which owns Louis Vuitton, Dior, Givency and other labels) does business is in its own retail stores, at retailers like Neiman Marcus or on its own website.

In Europe, luxury brands won the right to block third-party sales of products online if they felt it damaged their image. In addition, the EU ruled in 2010 that brands with less than a 30 percent market share could prevent online retailers from selling their wares.

Amazon has tried to break into bricks-and-motor retail with varying degrees of success. Its ownership of Whole Foods is one positive example, but its cashierless Go stores have largely failed to take off.

With the acquisition of Neiman Marcus by Saks' parent HBC, Amazon is getting involved in an organization expected to do a combined $10 billion worth of annual sales. There's no word on the size of Amazon's investment, but it seems a relatively safe bet compared to the more radical brick-and-mortar experiments it's tried in the past.

This article originally appeared on Engadget at https://www.engadget.com/amazon-takes-a-new-brick-and-mortar-approach-with-a-stake-in-neiman-marcus-133019628.html?src=rss