New Netflix movie Atlas puts J-Lo in a giant mech

There aren't enough films that put movie stars in mechs and task them with saving the world. But that's just what Netflix flick Atlas is doing with Jennifer Lopez.

She plays Atlas Shepherd, "a brilliant but misanthropic data analyst with a deep distrust of artificial intelligence," who joins a team that's aiming to secure a renegade robot. As it happens, Atlas and said machine share "a mysterious past," according to Netflix. Inevitably, things don't go as planned. Atlas finds herself stuck on a distant planet (a long way from any block), inside a robot she has to trust to help her protect life back home.

The first trailer doesn't shed much more light on the plot, but it does have plenty of explosive visuals. Titanfall springs to mind here, especially since it shows a mech dropping from the sky to the surface. Sadly, it's probably the closest we'll ever get to a proper Titanfall film.

Atlas also stars Simu Liu and Sterling K. Brown. The film is directed by Brad Peyton (San Andreas, Rampage). It'll hit Netflix on May 24. In the meantime, Team Engadget couldn't help but come up with some alternative titles:

  • Mech In Manhattan

  • Jenny from the Bot

  • This is Mech... now

This article originally appeared on Engadget at https://www.engadget.com/new-netflix-movie-atlas-puts-j-lo-in-a-giant-mech-150742144.html?src=rss

New Netflix movie Atlas puts J-Lo in a giant mech

There aren't enough films that put movie stars in mechs and task them with saving the world. But that's just what Netflix flick Atlas is doing with Jennifer Lopez.

She plays Atlas Shepherd, "a brilliant but misanthropic data analyst with a deep distrust of artificial intelligence," who joins a team that's aiming to secure a renegade robot. As it happens, Atlas and said machine share "a mysterious past," according to Netflix. Inevitably, things don't go as planned. Atlas finds herself stuck on a distant planet (a long way from any block), inside a robot she has to trust to help her protect life back home.

The first trailer doesn't shed much more light on the plot, but it does have plenty of explosive visuals. Titanfall springs to mind here, especially since it shows a mech dropping from the sky to the surface. Sadly, it's probably the closest we'll ever get to a proper Titanfall film.

Atlas also stars Simu Liu and Sterling K. Brown. The film is directed by Brad Peyton (San Andreas, Rampage). It'll hit Netflix on May 24. In the meantime, Team Engadget couldn't help but come up with some alternative titles:

  • Mech In Manhattan

  • Jenny from the Bot

  • This is Mech... now

This article originally appeared on Engadget at https://www.engadget.com/new-netflix-movie-atlas-puts-j-lo-in-a-giant-mech-150742144.html?src=rss

The Morning After: Apple reinstates Fortnite creator’s developer account after two-day ban

Apple has reversed its decision to ban Epic Games’ developer account after it emerged that European Union officials were investigating the issue. And the EU is currently fining Apple for almost two billion dollars, so it's probably wise to pay attention.

This means Epic can bring its own app store to iPhones and iPads in the EU. “Following conversations with Epic, they have committed to follow the rules, including our DMA [Digital Markets Act] policies,” an Apple spokesperson told Engadget.

Earlier last week, Apple killed Epic’s developer account, claiming Epic was unlikely to abide by contractual agreements and even describing Epic as “verifiably untrustworthy.” Now, nearly four years after its disappearance, the publisher can more easily bring Fortnite back to those devices in the bloc.

Yes, Fortnite was last (officially) on iOS four years ago.

— Mat Smith

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Another Super Mario Bros. movie is coming in 2026

And the first is coming back to theaters this summer.

Nintendo and Illumination are releasing a second animated film for the Super Mario franchise, and it’s expected to come out April 3, 2026. The news comes from series creator, Shigeru Miyamoto, who tweeted it from the Nintendo of America X account on Sunday as part of the ongoing Mario Day shopping push celebrations. Based on his description, it doesn’t seem like it will be a direct sequel to the first, though. To kill time until 2026, you can play some Mario game remakes and make Mario Kart Lego sets.

Continue reading.

Oppenheimer ruled at the 2024 Oscars 

Apple and Netflix were nearly shut out.

Despite combining for 32 nominations, Netflix and Apple TV+ were nearly shut out of the 2024 Oscars, with Netflix winning just a single award for Wes Anderson’s The Wonderful Story of Henry Sugar (Best Live Action Short Film). Netflix scored six prizes last year. The big surprise was Martin Scorsese’s Killers of the Flower Moon (Apple TV+) not gaining a single award. Oppenheimer claimed prizes for Best Picture, Best Director, editing, Best Actor, Best Supporting Actor, Original Score and Cinematography. 

Continue reading.

Marilyn Monroe gets digitally resurrected as AI

Thanks to a company that owns the rights to her likeness.

TMA
ABG

At SXSW on Friday, Soul Machines unveiled Digital Marilyn, an AI chatbot designed to look and talk just like Marilyn Monroe. It was made in a partnership with Authentic Brands Group, which owns the rights to Monroe’s likeness and those of numerous other dead and living celebrities, including Elvis Presley and Shaq.

Soul Machines introduced its Marilyn Monroe AI to the public in an International Women’s Day Instagram post. Notably, all of the other AI celebrities the company currently offers chats with are men who are alive, and who can weigh in on their inclusion.

Continue reading.

This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-apple-reinstates-fortnite-creators-developer-account-after-two-day-ban-114505117.html?src=rss

Oppenheimer ruled 2024 Oscars as Apple TV+ and Netflix were nearly shut out

Despite combining for 32 nominations, Netflix and Apple TV+ were nearly shut out of of the 2024 Oscars, with Netflix winning a single award for Wes Anderson's The Wonderful Story of Henry Sugar (Best Live Action Short Film). The big surprise was Martin Scorsese's Killers of the Flower Moon (Apple TV+) not gaining a single statue, notably Lily Gladstone losing the Best Actress prize to Poor Things' Emma Stone. 

Universal was the big winner with Oppenheimer (Best Picture, Best Director, editing, Best Actor, Best Supporting Actor, original score, cinematography) while Poor Things (Disney's Searchlight Pictures) garnered four prizes. The other half of "Barbenheimer," (Barbie, ofc) took just a single prize for best song with Billy Eilish's What Was I Made For (and not I'm Just Ken, sung live at the ceremony by supporting actor nominee Ryan Gosling). 

The gala was a letdown for Netflix, which scored six prizes last year. Netflix has won 23 Oscars since 2017, but has yet to win in the Best Picture or Best Actor/Actress categories. That's despite four nominations this year for Bradley Cooper and Carey Mulligan (Maestro), Colman Domingo for Rustin and Annette Bening for Nyad

Lily Gladstone was perhaps slightly favored over Stone to win for Killers of the Flower Moon and she also would have been the first Indigenous American to win an Academy Award for Best Actor or Actress. The studio was also up for Best Supporting Actor with nominee Robert De Niro and Best Director for Scorsese. Apart from Gladstone's loss, though, awards were distributed largely as anticipated. 

This year, it couldn't be said that judges were swayed by a lack of theatrical presence from streamers. Killers of the Flower Moon had a fairly wide release in cinemas, while Maestro stayed in theaters for a month prior to its Netflix release. Both chalked up decent box office numbers. 

The ceremony itself appears to have been watchable, with Deadline proclaiming that producers "finally made an Academy Awards ceremony for the 21st century" and The Hollywood Reporter calling it "busy and eclectic." USA Today did describe it as "boring," but every Oscars for the past 20 years has gotten the same knock.

This article originally appeared on Engadget at https://www.engadget.com/oppenheimer-ruled-2024-oscars-as-apple-tv-and-netflix-were-nearly-shut-out-052543094.html?src=rss

We’re officially getting another Super Mario Bros. movie in 2026

Riding the success of 2023’s The Super Mario Bros. Movie, Nintendo and Illumination are releasing a second animated film in the franchise that’s expected to come out April 3, 2026. The news comes from series creator Shigeru Miyamoto himself, who tweeted it from the Nintendo of America X account on Sunday as part of the ongoing Mario Day celebrations. Details are so far scant, but Miyamoto says the team is “thinking about broadening Mario's world further, and it'll have a bright and fun story.”

Based on his description, it doesn’t seem like it will be a direct sequel to the first, though that remains to be seen. In an announcement video also featuring Miyamoto, Chris Meledandri from Illumination said the team is already “storyboarding scenes and developing set designs for new environments.” Animations are due to begin soon. The next movie set in the Super Mario Bros. world will be released in the US and other areas on April 3, 2026 before coming to other regions later that month.

The Super Mario Bros. Movie absolutely crushed at the box office when it was released last April, becoming the highest-grossing video game movie at opening. It hit $1.3 billion worldwide by the beginning of June, Variety reported. If you didn’t get a chance to catch it in theaters then — or you’re just dying to see it on the big screen again — AMC Theaters is bringing The Super Mario Bros. Movie back to theaters this year on June 28, as spotted by GoNintendo.

This article originally appeared on Engadget at https://www.engadget.com/were-officially-getting-a-second-super-mario-bros-movie-in-2026-152430999.html?src=rss

Dune 2 kicks butt (literally)

I knew what I was getting into when I sat down for a press screening of Dune Part 2: A towering sci-fi epic best viewed on an enormous theater screen, just like Denis Villeneuve's first Dune film. What I didn't realize was that it would also give me a serious back massage — it really does kick butt. That was my experience at an Atlanta-area AMC, where the film whipped the Dolby Cinema seats into such a frenzy that, for one thrilling sequence, I felt like I was actually riding a sandworm plowing through the spice-filled desert of Arrakis.

Now, I can't guarantee you'll have the same ride at a normal theater (unless the subwoofer is cranked up obscenely high). What makes AMC's Dolby Cinema locations unique is that they feature rumbling transducers in every recliner seat, in addition to powerful dual-laser Dolby Vision projectors and enveloping Atmos sound. I've seen tons of films in AMC Dolby Cinemas since those screens began rolling out in 2017, but Dune Part 2 is the first time the haptic seats actually felt like they enhanced my moviegoing experience. When I rushed out to the bathroom in the middle of the film, I noticed that my body was still vibrating, the way you sort of feel after a deep massage by expert fingers.

Technically, you're still better off watching Dune Part 2 in IMAX theaters — it was actually filmed for that enormous format, and true IMAX theaters also deliver enough walloping low-end sound to shake your core without the need for rumbling seats. But it's hard to find full-sized IMAX screens, and for most US viewers it'll likely be easier to find a nearby AMC Dolby Cinema.

Let's be clear: I'm no fan of theater gimmicks, like the moving seats and various weather effects in 4DX cinemas. So I'm genuinely surprised how much I appreciated a heavy dose of recliner rumbling in Dune Part 2. Perhaps it's because the film is also fanbtastic — not that I expected any less from Villeneuve, a director who turned the first Dune into a cinematic feast and was also miraculously able to deliver a Blade Runner sequel that surpassed the original.

Dune 2
Photo by NIKO TAVERNISE for Warner Bros.

Dune Part 2 picks up where the first film abruptly ended, with Paul Atreides and his mother making their way through the desert with its native inhabitants, the Fremen. It's immediately clear that this isn't actually a sequel to the first film, it's genuinely a second half, with all of the action and more spectacle that many felt were lacking before.

Personally, though, I just loved being back in Villeneuve's vision of Frank Herbert's universe. As much as I appreciate the bombastic costumes and environments from David Lynch's Dune adaptation, I find this iteration far more immersive: Every room seems genuinely lived in, every custom feels like an organic outgrowth of a society that's existed for thousands of years. It's the sort of attention to detail we don't often see in films and TV today, when it's easier to shoot faux desert scenes on ILM's StageCraft set (aka "The Volume," the technology that was so thoughtlessly implemented in Quantumania).

Dune 2
Warner Bros.

Even if you don’t end up seeing Dune Part 2 in a Dolby Cinema (I swear, this isn’t an ad), it’s a film worth seeing on the big screen. Its vast scale and ambition can’t be contained on a TV, and its elaborate soundscape (including Hans Zimmer going extra hard for the score) deserves more than tinny flatscreen speakers or a mere soundbar.

Dune has always seemed like an unadaptable work, something so massive that it could only truly exist in Frank Herbert’s shroom-filled dreams. But once again, Villeneuve and his creative team have seemingly done the impossible: They’ve turned the fantasy of Dune into a cinematic reality. You owe it to yourself to pay tribute.

This article originally appeared on Engadget at https://www.engadget.com/dune-2-review-dolby-cinema-194415814.html?src=rss

Dune 2 kicks butt (literally)

I knew what I was getting into when I sat down for a press screening of Dune Part 2: A towering sci-fi epic best viewed on an enormous theater screen, just like Denis Villeneuve's first Dune film. What I didn't realize was that it would also give me a serious back massage — it really does kick butt. That was my experience at an Atlanta-area AMC, where the film whipped the Dolby Cinema seats into such a frenzy that, for one thrilling sequence, I felt like I was actually riding a sandworm plowing through the spice-filled desert of Arrakis.

Now, I can't guarantee you'll have the same ride at a normal theater (unless the subwoofer is cranked up obscenely high). What makes AMC's Dolby Cinema locations unique is that they feature rumbling transducers in every recliner seat, in addition to powerful dual-laser Dolby Vision projectors and enveloping Atmos sound. I've seen tons of films in AMC Dolby Cinemas since those screens began rolling out in 2017, but Dune Part 2 is the first time the haptic seats actually felt like they enhanced my moviegoing experience. When I rushed out to the bathroom in the middle of the film, I noticed that my body was still vibrating, the way you sort of feel after a deep massage by expert fingers.

Technically, you're still better off watching Dune Part 2 in IMAX theaters — it was actually filmed for that enormous format, and true IMAX theaters also deliver enough walloping low-end sound to shake your core without the need for rumbling seats. But it's hard to find full-sized IMAX screens, and for most US viewers it'll likely be easier to find a nearby AMC Dolby Cinema.

Let's be clear: I'm no fan of theater gimmicks, like the moving seats and various weather effects in 4DX cinemas. So I'm genuinely surprised how much I appreciated a heavy dose of recliner rumbling in Dune Part 2. Perhaps it's because the film is also fanbtastic — not that I expected any less from Villeneuve, a director who turned the first Dune into a cinematic feast and was also miraculously able to deliver a Blade Runner sequel that surpassed the original.

Dune 2
Photo by NIKO TAVERNISE for Warner Bros.

Dune Part 2 picks up where the first film abruptly ended, with Paul Atreides and his mother making their way through the desert with its native inhabitants, the Fremen. It's immediately clear that this isn't actually a sequel to the first film, it's genuinely a second half, with all of the action and more spectacle that many felt were lacking before.

Personally, though, I just loved being back in Villeneuve's vision of Frank Herbert's universe. As much as I appreciate the bombastic costumes and environments from David Lynch's Dune adaptation, I find this iteration far more immersive: Every room seems genuinely lived in, every custom feels like an organic outgrowth of a society that's existed for thousands of years. It's the sort of attention to detail we don't often see in films and TV today, when it's easier to shoot faux desert scenes on ILM's StageCraft set (aka "The Volume," the technology that was so thoughtlessly implemented in Quantumania).

Dune 2
Warner Bros.

Even if you don’t end up seeing Dune Part 2 in a Dolby Cinema (I swear, this isn’t an ad), it’s a film worth seeing on the big screen. Its vast scale and ambition can’t be contained on a TV, and its elaborate soundscape (including Hans Zimmer going extra hard for the score) deserves more than tinny flatscreen speakers or a mere soundbar.

Dune has always seemed like an unadaptable work, something so massive that it could only truly exist in Frank Herbert’s shroom-filled dreams. But once again, Villeneuve and his creative team have seemingly done the impossible: They’ve turned the fantasy of Dune into a cinematic reality. You owe it to yourself to pay tribute.

This article originally appeared on Engadget at https://www.engadget.com/dune-2-review-dolby-cinema-194415814.html?src=rss

Amazon accused of using AI to ‘replicate the voices’ of actors in Road House remake

Amazon is being sued by the writer of the original 1989 Patrick Swayze version of the film Road House over alleged copyright infringement in the movie's remake, The Los Angeles Times has reported. Screenwriter R. Lance Hill accuses Amazon and MGM Studios of using AI to clone actors' voices in the new production in order to finish it before the copyright expired. 

Hill said he filed a petition with the US Copyright Office in November 2021 to reclaim the rights to his original screenplay, which forms the basis of the new film. At that point, the rights were owned by Amazon Studios, as part of its acquisition of MGM, but were set to expire in November 2023. Hill alleges that once that happened, the rights would revert back to him. 

According to the lawsuit, Amazon Studios rushed ahead with the project anyway in order to finish it before the copyright deadline. Since it was stymied by the actor's strike, Hill alleges Amazon used AI to “replicate the voices” of the actors who worked in the 2024 remake. Such use violated the terms of the deal struck between the union and major studios including Amazon. 

The claim is complicated by the fact that Hill signed a "work-made-for-hire" deal with the original producer, United Artists. That effectively means that the studio hiring the writer would be both the owner and copyright holder of the work. Hill, however, dismissed that as "boilerplate" typically used in contracts. 

The lawsuit seeks to block the release of the film, set to bow at SXSW on March 8th before (controversially) heading direct to streaming on Prime Video on March 21. 

Amazon denies the claims, with a spokesperson telling The Verge that "the studio expressly instructed the filmmakers to NOT use AI in this movie." It added that if AI was utilized, it was only done in early versions of the films. Later on, filmmakers were told to remove any "AI or non-SAG AFTRA actors" for the final version. It added that other allegations are "categorically false" and that it believes its copyright on the original Road House has yet to expire. 

This article originally appeared on Engadget at https://www.engadget.com/amazon-accused-of-using-ai-to-replicate-the-voices-of-actors-in-road-house-remake-054408057.html?src=rss

Amazon accused of using AI to ‘replicate the voices’ of actors in Road House remake

Amazon is being sued by the writer of the original 1989 Patrick Swayze version of the film Road House over alleged copyright infringement in the movie's remake, The Los Angeles Times has reported. Screenwriter R. Lance Hill accuses Amazon and MGM Studios of using AI to clone actors' voices in the new production in order to finish it before the copyright expired. 

Hill said he filed a petition with the US Copyright Office in November 2021 to reclaim the rights to his original screenplay, which forms the basis of the new film. At that point, the rights were owned by Amazon Studios, as part of its acquisition of MGM, but were set to expire in November 2023. Hill alleges that once that happened, the rights would revert back to him. 

According to the lawsuit, Amazon Studios rushed ahead with the project anyway in order to finish it before the copyright deadline. Since it was stymied by the actor's strike, Hill alleges Amazon used AI to “replicate the voices” of the actors who worked in the 2024 remake. Such use violated the terms of the deal struck between the union and major studios including Amazon. 

The claim is complicated by the fact that Hill signed a "work-made-for-hire" deal with the original producer, United Artists. That effectively means that the studio hiring the writer would be both the owner and copyright holder of the work. Hill, however, dismissed that as "boilerplate" typically used in contracts. 

The lawsuit seeks to block the release of the film, set to bow at SXSW on March 8th before (controversially) heading direct to streaming on Prime Video on March 21. 

Amazon denies the claims, with a spokesperson telling The Verge that "the studio expressly instructed the filmmakers to NOT use AI in this movie." It added that if AI was utilized, it was only done in early versions of the films. Later on, filmmakers were told to remove any "AI or non-SAG AFTRA actors" for the final version. It added that other allegations are "categorically false" and that it believes its copyright on the original Road House has yet to expire. 

This article originally appeared on Engadget at https://www.engadget.com/amazon-accused-of-using-ai-to-replicate-the-voices-of-actors-in-road-house-remake-054408057.html?src=rss

The Borderlands movie trailer has all the nuance of a Borderlands game

There’s a Borderlands movie coming out, and now we have our very first teaser trailer. This footage gives us a glimpse of all of the major characters, most of which are sourced from the game, and the tone that director Eli Roth is going for.

There’s a definite Guardians of the Galaxy vibe running throughout. Maybe it’s the heavy use of an iconic Electric Light Orchestra song, or maybe it’s the ragtag group of adventurers or the mix of action and humor. In any event, director Eli Roth seems to be channeling his best James Gunn. All things considered, that seems to be the right tone for a Borderlands movie. Color us cautiously optimistic.

Now onto the cast and the characters that franchise fans know and love. Cate Blanchett plays the famously short-tempered Lilith and the actress certainly looks the part. Just look at that hair and outfit. The film follows Blanchett as she looks for a mysterious vault rumored to be stuffed to the brim with sweet, sweet loot. It’s just like the game!

Jamie Lee Curtis plays the scientist Dr. Tannis, an NPC in all three of the mainline Borderlands games. Comedian Kevin Hart portrays the mercenary Roland, a playable soldier in many of the games. Jack Black, following his turn as Bowser in the Super Mario Bros. Movie, plays the robot Claptrap. The well-meaning robot is considered a mascot for the franchise and often acts as comic relief. Black seems well-suited to the role. The cast is rounded out by Ariana Greenblatt as the demolitionist Tiny Tina, star of the spinoff game Tiny Tina’s Wonderlands, and Florian Munteanu as her enforcer Krieg.

Of course, it remains to be seen if Roth can pull off this kind of big-budget adventure spectacle. The director’s mostly known for horror films. One thing’s for certain, however, the trailer actually looks and feels like Borderlands. The big and bright color palette recalls the cel-shaded aesthetic from the games. The movie hits theaters on August 9.

This article originally appeared on Engadget at https://www.engadget.com/the-borderlands-movie-trailer-has-all-the-nuance-of-a-borderlands-game-181156113.html?src=rss