So far, most TWS Earphones we’ve seen have been released by tech companies… and if there’s anything we’ve learnt, is that tech companies aren’t really great when it comes to the actual audio performance. TWS earbuds can’t really stand up to well-engineered, fine-tuned audio gear from true-blue audio companies… so when Marshall steps into the TWS earbud game, you best believe that they’ll bring their 59-years worth of audio firepower into the hardware they design.
Meet the Mode II, Marshall’s first TWS earbuds, designed with the promise to deliver a “thunderous audio experience” with “growling bass, natural-sounding mids and crisp treble,” pumped out through its custom-tuned dynamic 6 mm drivers. The drivers sit within the earphones’ tiny yet ergonomic enclosure. The Mode II comes with four earbud tips to choose from for that perfect fit, and the earphones themselves are designed to be IPX4 water-resistant, which means you can descend into an incredibly sweaty moshpit with them.
Although compact, the Mode II earphones wonderfully reflect Marshall’s audio-forward DNA, from their black faux-leather texture (both on the earpieces as well as the case) designed to pay a hat-tip to their nearly 60-year legacy of building some of the best amplifiers and stage monitors, to the classic M logo emblazoned on each earphone, serving as the iconic branding detail. In fact, unlike most tech-driven TWS earbuds, Marshall’s Mode II are more focused on delivering the crisp, punchy sound that the brand’s associated with. The earbuds come with Bluetooth 5.1 for unrivaled connectivity, as well as touch-enabled surfaces that give you access to Transparency Mode (being able to listen to the world around you) and EQ settings, among other features like summoning your phone’s voice assistant.
Ultimately, that fine tuned sound is only as good as the Mode II’s battery life, which boasts of 5 hours of wireless playback on a full charge, with a further 20 hours of use with the charging case. The Marshall Mode II TWS Earbuds is available to order now for US$179, with shipping starting March 18, 2021.
Turntables are fussy devices. Audiophiles could talk for hours on end about the importance of external speakers versus integrated speakers, or the upkeep of the tonearm and needle, and for good reason– turntables have a long, fine-tuned history. Today, they’ve surged in popularity and new turntable designs are cropping up left and right. Cameron Bresn, an LA-based vehicle designer, has brought his unique rendering into the mix, TTMAC77, which incorporates linear tracking for a fresh take on the classic turntable.
TTMAC77’s sleek half-cover could be constructed from ash wood with stainless steel accents, offering a delicate mix of casual adaptability and a touch of luxe elegance. The rotational, hinge rod allows the turntable’s cover to open and close, allowing for records to be swapped in and out. The turntable’s platter aligns neatly with a typical 12-inch record and without a dust cover, the wooden cover only hides half of the record so the record can always be seen spinning. With minimal frills and whistles underneath, the TTMAC77 appears considerably sophisticated, yet simple.
Bresn’s TTMAC 77 turntable utilizes linear tracking, which means that unlike conventional pivot tonearms, linear-tracking tonearms do not swing across a record, but instead slide over the record in a radial, straight line. Linear-tracking models are for the most part not really produced anymore primarily due to poor timing– it seems CDs stole their spotlight when they first hit the market. Linear-tracking turntables are beloved nonetheless, thanks to their accurate sound and easy tonearm alignment. In order to create a working linear-tracking turntable, Bresn was sure to include an adjustable spring for tension on the needle head to ensure that high-fidelity sound is produced from TTMAC77.
Designer: Cameron Bresn
Bresn’s rendering flaunts slim hardware with stainless steel accents to give TTMAC77 a weighty feel.
With a hinge rod mechanism for opening and closing the turntable, records can be swapped in and out.
Without a dust cover, TTMAC77’s lid conceals only half of the record, so they can always be seen spinning.
You know what your band needs? Sure, probably a practice space, a bass player, and a cool name, but who really needs those things if you don’t already have a BabyBot baby doll light theremin or electronic synthesizer? No band I’d pay money to see, that’s for sure.
You may recall the previously posted XLPC Photo Theremin that comes in the form of a doll head, but now you get a whole baby doll. And a whole doll is way cooler than just a head. Ask anybody. Well, except maybe Sid from Toy Story.
Crafted by Moonlight Armada, the dolls are available in light theremin (red) and electronic synthesizer (purple) models, and cost around $300 apiece on Etsy. That’s significantly cheaper than raising an actual child, especially if this one comes out of the box ready to rock. Plus just think of all the money you’ll save on diapers. It really is a no-brainer if you don’t think about it.