Nike’s Secret Design Archive to be made visible to the public for the first time at the Vitra Design Museum

Early Mechanical Shox Prototype (1981) from the Department of Nike Archives

Nestled in an unassuming building, Nike’s top-secret design archive, known as the Department of Nike Archives (DNA), houses a treasure trove of over 200,000 rare artifacts. From never-before-seen sneaker prototypes to the original Nike “swoosh” sketch, the DNA is a sneaker lover’s paradise. Recently, the DNA opened its doors to curators for the first time, leading to the creation of the groundbreaking exhibition, “Nike: Form Follows Motion.” For the first time, Nike has opened its doors to a select group of curators who have scoured these holdings to create an exhibition at the Vitra Design Museum in Germany. The exhibition offers a rare glimpse into the brand’s history and design philosophy.

Set to run from September 21, 2024, to May 2025, the exhibition is the first of its kind dedicated solely to Nike. It traces the company’s journey from its founding in 1964 to its current position as the largest apparel company in the world. Curated by Glenn Adamson, who also co-edited a book to accompany the exhibition, the show seeks to explore Nike’s unique approach to design. According to Adamson, Nike’s design thinking is intensely creative and complex, rivaling that of any other company in the industry. The exhibition is structured into four chronological sections, each representing a significant phase in Nike’s evolution.

“Nike: Form Follows Motion” is divided into four chronological sections: “Track,” “Air,” “Sensation,” and “Relation.” The first section, “Track,” offers a look at Nike’s early years when jogging was a niche activity. This period is marked by the brand’s first product innovations, including the release of the waffle-soled trainer in the early 1970s. The next section, “Air,” covers Nike’s expansion into sports advertising, bolstered by high-profile partnerships with athletes like Michael Jordan. The “Sensation” section focuses on Nike’s extensive sports research programs, highlighting the brand’s commitment to pushing the boundaries of performance wear. Finally, the “Relation” section reflects on Nike’s history of collaborations with external designers, showcasing the brand’s willingness to embrace new ideas and technologies.

To create this exhibition, Adamson made several trips to the DNA, where he had access to materials that had never been publicly displayed. The archive itself is unremarkable from the outside, but inside, it’s a veritable wonderland for sneaker enthusiasts. The space is filled with moving shelves, each stacked with shoeboxes containing some of Nike’s most significant designs. Among the highlights are prototypes of the Air Force One that never made it to market and the original stock of the Air Max shoe, known for its revolutionary see-through soles designed by aeronautical engineer Frank Rudy.

Sketch of Air Max, Tinker Hatfield (1986)

The exhibition also features deadstock shoes and prototypes that have remained hidden in the DNA until now. These include early mechanical prototypes of the Shox line, which featured external shock mounts designed to improve athletic performance. Adamson describes one such prototype as a “Frankenstein object,” a bizarre yet fascinating piece of Nike’s design history that had to be included in the exhibition (image at the beginning).

In addition to these historical artifacts, the exhibition also offers a keen insight into Nike’s current design practices. One of the most impressive innovation centers is the Nike Sport Research Lab (NSRL) in Beaverton, Oregon. The 85,000-square-foot facility is equipped with cutting-edge technology, including hundreds of cameras and dozens of force plates that track athletes’ movements. The insights gathered from this research are used to develop new products like the Vapormax running shoe, which is one of Nike’s most studied shoes to date.

Nike: Form Follows Motion comes at a crucial time for the company. In recent years, Nike has faced challenges, including supply chain issues and increased competition from other running shoe brands like Hoka and Brooks. Despite these obstacles, Nike remains committed to innovation. The company recently launched an AI platform called Blackbox to aid in the design of new products. According to CEO John Donahoe, Nike is poised to make a comeback with bold, new releases that will once again set the standard in the industry.

via Fast Company

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Samsung’s Visual Display of Essential, Innovative, Harmonious Design at Milan Design Week 2024

At Milan Design Week 2024, Samsung Electronics unveiled its “Newfound Equilibrium” exhibition. This impressive showcase is all about Samsung’s forward-thinking design philosophy, which they call “Samsung Design Identity 5.0: Essential∙Innovative∙Harmonious.” It focuses on drawing inspiration from people and shaping the future. Samsung has over 1,500 designers spread across seven global studios, all working to keep their design language fresh and relevant for their customers.

Designer: Samsung

INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium

The exhibition is in the Leonardo da Vinci National Museum of Science and Technology in Milan, specifically in Le Cavallerizze. This place is a mix of 16th-century architecture and modern design, showing off Samsung’s knack for blending old and new.

Leonardo da Vinci National Museum of Science and Technology in Milan, Italy, where Samsung Design’s Newfound Equilibrium exhibition is being held.

First up in the exhibition is the “Essential” area. This is all about getting back to basics and focusing on what really matters. It’s shown in the sleek design of the Galaxy S24 series and some really practical home appliances like the all-in-one washer and dryer. There are also some awesome minimalist installations with translucent cubes and playful lighting that really get the point across.

ESSENTIAL, the first exhibition space of Samsung Design’s Newfound Equilibrium

ESSENTIAL, the first exhibition space of Samsung Design’s Newfound Equilibrium

Next, we move to the “Innovative” section. Here, Samsung shows off its drive to make everyday life better with functional advancements. There are interactive displays that change based on how close you are to them, just like Samsung’s smart TVs and vacuum cleaners that adapt to your needs. This part really shouts about Samsung’s ambition to push tech boundaries.

A display shown at INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium, displays forms that shift from solid to ethereal textures as guests move closer or farther away.

INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium

INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium

Then there’s the “Harmonious” section. This is all about how tech can blend into daily life, like the SmartThings ecosystem and the Music Frame that enhance your home without taking over. There are interactive LED displays that mimic natural events, inviting visitors to imagine a world where tech fits in naturally with human and environmental needs.

HARMONIOUS, the third exhibition space of Samsung Design’s Newfound Equilibrium

The exhibition wraps up with the “Infinite Dream” and “New Dawning” spaces, which celebrate the blend of modern tech with traditional craftsmanship, through collabs with artisans like MUTINA and ALPI.

INFINITE DREAM, the fourth exhibition space of Samsung Design’s Newfound Equilibrium

In a nutshell, the ‘Newfound Equilibrium’ exhibition at Milan Design Week 2024 shows off Samsung’s big ideas about the future of tech and design. It’s about tech and design, living together, and making life better for people all over the world. Samsung’s ongoing commitment to thoughtful and progressive design is clear, and it’s really exciting to see what they’re doing to make tech a force for good in our lives.

Bespoke creations that blend modern technology with traditional craftsmanship are showcased at NEW DRAWING, the concluding exhibition space of Samsung Design’s Newfound Equilibrium.

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