The Pixel 11’s Coolest New Feature Is Actually 10 Years Old

The Pixel 11 lineup arrived this week with a genuinely great redesign. The camera bar is 40 percent thinner, the glass runs edge to edge, and for the first time in a while a Pixel actually looks like it evolved instead of just got a new coat of paint. And then there’s HiLight, the one piece of new hardware Google actually wants you to talk about. A small LED cluster tucked into the corner of that same camera bar, ready to glow when Gemini is thinking or when someone you love is calling.

It is, in essence, Google finally admitting it missed the old Nexus notification LED and bringing it back. Five colors, a glow for Gemini, a glow for your favorite caller, and that’s the whole feature list on day one. Nothing to complain about here, except that Nothing exists. The London phone brand has spent years turning its own version of this idea into an actual playground, mini-games, custom widgets, an SDK anyone can build on. Google clearly has the engineering muscle to do something just as ambitious with HiLight down the line. It just chose not to, at least not yet.

Designer: Google

Before we get into that though, credit where it’s due. Hold a Pixel 11 next to a Pixel 10 and the difference is immediate, not the kind that only shows up in marketing photos. The bar sits almost flush now, and Google’s claim that it’s basically bumpless with a case on actually checks out in person. Under that glass, Tensor G6 lands on a 2nm node, Google’s first, promising 25 percent faster browsing, 15 percent quicker app launches, and on-device AI running up to 3.5 times faster while using less power. The Pixel 11 gets a new 48MP main sensor with 56 percent more light sensitivity and a telephoto stretching to 30x Super Zoom. This is a very complete phone before you even get to the Pro models.

The Pro and Pro XL push further with a 50MP main sensor, a redesigned 48MP telephoto, Portrait Mode at 5x, and 120x Pro Zoom, sitting under a 3,600-nit display that Google claims is twice as scratch resistant as last year’s. Titan M3 adds quantum-safe boot security on top. The Pixel 11 Pro Fold deserves its own mention here too. It shed almost 10 percent of its weight and a millimeter of thickness, down to 10.1mm closed, while Google claims triple the durability thanks to a redesigned gearless hinge. The crease is genuinely harder to spot than last year’s, and the whole thing folds flat enough to stop feeling like a novelty. If you told me a year ago Google would have the most convincing foldable in its own lineup, I would not have believed you.

Now, the part everyone will bring up regardless of how the rest of this goes: RAM. The Pro and Pro XL start at 12GB in their base 256GB configs, down from 16GB last year, and Google is blaming this on a supplier RAM shortage hitting the entire industry. Memory manufacturers have been shifting production capacity toward AI server chips, and consumer RAM and NAND prices have spiked hard enough this year that people are half-jokingly calling it RAMageddon. It is a real problem, and Google is far from the only phone maker feeling it. Storage doubling to 256GB as a base softens the blow a little, but a $100 price bump alongside a RAM cut is still a hard sell. Fair enough on the supply chain excuse. Less fair asking Pro buyers to pay more for less unless they climb a storage tier.

Back to HiLight, because it deserves the real estate. That LED cluster sits right where the temperature sensor used to live on older Pixels, which is a strange trade to make for something this limited. Google’s official pitch is that HiLight keeps you informed without the distraction of staring at a screen, which is a very polished way of saying there weren’t enough ideas to fill the space. Glowing when Gemini talks and flashing a color for favorite callers is a fine start, not an entire feature. Compare that to what’s happening across the pond. Nothing’s Glyph Matrix on the Phone (3) packs 489 individually lit LEDs into what functions as a tiny secondary screen, complete with an open SDK that lets anyone build their own widgets and games. People made a working ball maze. A tilt-controlled Magic 8 Ball. A contact dialer you can use without touching the main display. None of it is essential, but all of it is fun, and fun counts for something when you’re asking someone to pay a premium for a light.

Google clearly has the horsepower for something bigger here. Tensor G6 alone proves the company isn’t short on engineering muscle, and the camera bar redesign shows the industrial design team knows exactly what it’s doing right now. HiLight feels like the output of a team that had a great idea, then stopped one meeting short of making it good. I want to see where this goes in a year or two, because the foundation Google just built, the hardware, the placement, even the name, is genuinely solid. It just needs an actual reason to exist beyond telling you Gemini is thinking.

 

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Google’s Pixel Tag is making the same ‘boring’ design mistake that Apple, Samsung, and Xiaomi made

The Pixel Tag comes in exactly one color, a grey green called Fog, wrapped around stainless steel with a G logo stamped right on the front. It’s the same script Apple wrote with the AirTag and Samsung copied with the SmartTag2. A tracker spends its entire life clipped to your keys or your dog’s collar or tucked into a backpack pocket, which makes it one of the most personal objects you own. Google, of all companies, knows how to make hardware feel less like hardware. It just didn’t bother here.

Somebody at DJI figured out that a $60 microphone could come with snap-on decals, because apparently even a tiny accessory deserves a little personality. Motorola figured out something similar with the Moto Tag, which actually ships in sage green and a soft blue instead of the usual black or white default. So it’s not like nobody in tech has thought about this. It’s just that almost nobody applies it to trackers, and now Google has joined the long list of companies that had the chance and passed.

Designer: Google

The excuse I keep hearing, and I use that word deliberately, is durability. Metal survives drops, fabric doesn’t, case closed. Except my phone survives daily abuse inside a woven case, and so does yours, and so does every rugged Kevlar sleeve sold by the millions for devices far more fragile than a coin sized tracker. Nobody worries their phone case is going to disintegrate because it has some texture on it. A tracker being too delicate for color or grip is not a real constraint. It’s a decision that got dressed up as one.

Underneath that decision is genuinely solid engineering, for what it’s worth. The Pixel Tag measures 1.8 by 1.1 inches and just 5.4mm thick, which makes it noticeably slimmer than the AirTag’s 8mm body. It runs on a replaceable CR2032 battery rated for about a year, carries an IP67 rating for dust and water, and pairs instantly over Fast Pair with any Android 9 device or newer. The headline feature is Ultra Wideband combined with Bluetooth Channel Sounding, which gives you a literal on-screen arrow and distance reading instead of a vague “getting warmer” signal, though that trick needs Android 16 and Bluetooth 6.0 to actually work. It taps into Find Hub, Google’s network of over a billion Android phones, so a lost item can get spotted even when it is nowhere near your own devices. You can share access with up to ten people, ring it from a Pixel Watch, or ask Gemini through your Pixel Buds to ring it for you. All of that ships November 11 for $29, or $99 for a four pack.

Google already knows how to wrap good engineering in an object people actually want to look at, because it solved the exact same brief years ago with its speakers. The Nest Mini gets a soft, woven top because Google understood people don’t want to display a hunk of bare plastic on their kitchen counter. The Nest Audio does the same thing, fabric front, rounded edges, an object designed to belong in a room rather than announce itself as a gadget in one. That instinct exists inside the same company that just shipped a keychain accessory in one shade of grey with a logo dead center, like it needed to remind you it’s tech.

A tracker’s entire job is to sit quietly on the stuff you actually care about. It should feel like something you chose, not something you tolerated because the tech underneath happened to be good. Find Hub integration, UWB precision finding, a battery that lasts a year, all of that is genuinely solid work. But solid engineering wrapped in a logo stamped on steel isn’t a finished product. It’s half of one, and Google, weirdly, is the company with the least excuse for stopping there.

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This tiny $74 device turns an old tablet into a smart dashboard for cars that never had one

Somewhere in your house right now, there is a perfectly good iPad/Android Pad doing absolutely nothing. Maybe it is the one you replaced two years ago when the new model came out, or the one your kid borrowed and never gave back, now sitting on a nightstand charging for no reason. It has a great screen, solid processing power, and more capability than most factory-installed car infotainment systems from the last decade. The problem was never the tablet. The problem was always that nobody made a convincing way to put it in a car and have it behave like an actual car display, CarPlay and all. HERMIX NANO is a credit-card-thin wireless bridge device that finally does exactly that.

Roughly the shape and size of an iPod Classic, the HERMIX NANO is a compact wireless hub that sits in your car, pairs to your phone, and turns your mounted tablet or phone into a fully functional smart car infotainment display. It supports wireless CarPlay for iPhone and wireless Android Auto for Android, designed for vehicles without a built-in display, or for drivers tired of slow and outdated factory systems. Plug in the included 1080p backup camera and the tablet automatically switches to a reverse view the moment you shift into reverse, no manual tapping required. Who knew that a $74 device could transform your existing car and tablet into a new car experience that you’d otherwise pay tens of thousands of dollars for.

Designer: Hong Kong Hermes Technology Limited

Click Here to Buy Now: $74 $99 (25% off). Hurry, only a few left! Raised over $68,000.

Mounting an old tablet PC to your dashboard and opening Google Maps already works, technically. But a tablet stuck in a car still behaves like an iPad or Android Pad, which means you are dealing with a regular tablet interface, regular apps, regular notifications, and a screen layout that was never designed around driving. HERMIX NANO changes the operating system experience entirely by turning that tablet into a proper CarPlay or Android Auto display, with the simplified app grid, large touch targets, voice-first controls, and glanceable navigation layout people already know from newer cars. That shift is the whole point. Instead of juggling a tablet UI meant for the couch, you get a driving interface built around quick inputs, cleaner menus, easier media control, and maps that make sense when your eyes need to get back on the road in about half a second.

Setup involves installing the device, connecting the power, and downloading the HERMIX NANO app, and the whole process requires no tools, no rewiring, and no dashboard modification of any kind. You power on the HERMIX NANO, find it in the app, connect via Bluetooth, pair your phone, and you are done. After that first pairing, the connection happens automatically every time you get in the car. iPhone users get wireless CarPlay with Siri, navigation, music, calls, and every app Apple has approved for CarPlay, while Android users get wireless Android Auto with Google Assistant, Google Maps, Waze, Spotify, and the rest. Whether you are on Android or iOS, the Hermix Nano app is available free on Google Play and the App Store, and unlocks all features immediately.

The HERMIX NANO also packs a 1080p HD backup camera that mounts to the rear of your car – the moment you shift into reverse, HERMIX NANO automatically wakes the camera up, with no manual operation needed, instantly turning the tablet into an HD large-screen rearview mirror that gives a clear view of every blind spot (again, something your existing iPad or Android Pad wouldn’t do). A backup camera that routes to a full tablet screen is a meaningfully better experience than one squeezed onto the three-inch display of a typical aftermarket head unit. Shift back out of reverse and the infotainment interface returns immediately, with no settings menu and no manual switching. The result is a clearer view of blind spots and greater confidence when parking. For anyone navigating tight urban lots daily, this alone is a compelling reason to pay attention.

On the tablet version of the HERMIX NANO app, a dedicated split-screen feature unlocks a more flexible display experience, with multiple customizable modes including HUD Mode. HUD mode gives a simplified navigation view for distraction-free driving, Mini Map mode delivers a real-time compact navigation display, and Family Album mode showcases selected photos and videos for a personalized in-car screen experience. The HERMIX NANO features five customizable physical buttons on the device body, allowing you to personalize controls based on your driving habits. Easily access frequently used functions such as volume adjustment, track switching, phone calls, and map launch. A long press of the “OK” button allows manual rear camera activation, providing safer and more convenient control while driving.That last one is genuinely useful if you want to check what is behind you while parallel parking without actually putting the car in reverse. The display also auto-rotates based on how the device is mounted, whether portrait or landscape, adapting instantly with no manual setup required.

For global compatibility, the system supports left-hand drive and right-hand drive modes, letting users switch the UI layout according to their vehicle setup for optimal visibility and comfort. The HERMIX NANO interface automatically switches between Light and Dark Mode according to surrounding brightness, providing optimal visibility and a comfortable viewing experience during both daytime and nighttime driving.Firmware updates push wirelessly through the app, meaning the device can improve over time without any physical servicing. By combining automotive-grade hardware, seamless wireless connectivity, and deeply integrated software, HERMIX built a compact smart hub that transforms devices people already own into a complete in-car smart experience. The obvious audience is anyone driving a vehicle more than five years old, but it is equally relevant for drivers whose factory systems simply never matched the software quality of modern CarPlay and Android Auto.

The HERMIX NANO is priced at $99 retail, with early pricing at $74 for a single kit that includes the device, a 1080p HD rearview camera, a USB-Type C cable, a Type C-to-C cable, and a user manual. A two-pack runs $138 and a three-pack $178 at early pricing, and a tablet car holder add-on is available separately for $9. Shipping is estimated to begin in October 2026, covering the US, Canada, the EU, the UK, Australia, Japan, South Korea, Singapore, and most other major markets. The Hermix Nano app is already live and free on both the App Store and Google Play.

Click Here to Buy Now: $74 $99 (25% off). Hurry, only a few left! Raised over $68,000.

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Sony’s Wolverine PS5 Comes in Two Very Different Designs, and Only One Feels Worth the Price

Sony has a pattern with these limited edition consoles now. Announce a big first party or Marvel game, dress up a PS5 to match, sell it alongside a matching controller. Ghost of Yotei got the black and gold treatment last time around, and it was fine, if a little safe. Wolverine is where that formula gets an upgrade.

This time Sony gave us two console designs instead of one. Battle Yellow is unapologetic, claw gouges and a screaming Wolverine face on a bright yellow panel. Adamantium is the plot twist, the same claw motif but stripped down to brushed metal that looks closer to a premium appliance than a video game tie in. Two designs, two totally different personalities, and somehow neither one feels like the compromise pick.

Designer: Jock for Sony & Marvel

Battle Yellow is the flagship of the two, sold as a full PS5 Digital Edition bundle for $649.99 with a matching DualSense controller and a code for the game. The artwork comes from Jock, the Scottish comic artist who worked on Wolverine’s key art, and you can actually tell. The claw slashes and the inked portrait have that loose, hand drawn energy comics get right and games usually flatten out. It is a rare case of licensed hardware art that does not look like clip art stapled onto a console.

Adamantium skips the yellow entirely and goes for brushed silver, but only as a console cover for PS5 Pro owners plus a standalone controller, no full bundle here. That is honestly the smarter buy for anyone who wants the Wolverine tie in without turning their entertainment center into a comic shop display. Same claw details, completely different mood. It reads expensive in a way the yellow version was never trying to.Adamantium skips the yellow entirely and goes for brushed silver, but only as a console cover for PS5 Pro owners plus a standalone controller, no full bundle here. That is honestly the smarter buy for anyone who wants the Wolverine tie in without turning their entertainment center into a comic shop display. Same claw details, completely different mood. It reads expensive in a way the yellow version was never trying to.

Here is where it gets less fun. This entire lineup drops during Sony’s second PS5 price hike in under a year, with the standard console now sitting a hundred dollars above where it started. So a $649.99 bundle for a digital only console, no disc drive option at all, lands at a moment when PS5 pricing is already a sore subject for a lot of players. The comments under every Wolverine reveal video prove that. People are annoyed about the missing disc drive way more than they are annoyed about yellow paint.

I get why Sony leans into these drops even now, maybe especially now. A great design distracts from a rough price conversation better than any spec sheet does, and Jock’s artwork is genuinely good enough to pull that off. But good design and good timing are not the same thing, and this lineup is proof you can nail one without fully nailing the other.

The post Sony’s Wolverine PS5 Comes in Two Very Different Designs, and Only One Feels Worth the Price first appeared on Yanko Design.

Sony’s Wolverine PS5 Comes in Two Very Different Designs, and Only One Feels Worth the Price

Sony has a pattern with these limited edition consoles now. Announce a big first party or Marvel game, dress up a PS5 to match, sell it alongside a matching controller. Ghost of Yotei got the black and gold treatment last time around, and it was fine, if a little safe. Wolverine is where that formula gets an upgrade.

This time Sony gave us two console designs instead of one. Battle Yellow is unapologetic, claw gouges and a screaming Wolverine face on a bright yellow panel. Adamantium is the plot twist, the same claw motif but stripped down to brushed metal that looks closer to a premium appliance than a video game tie in. Two designs, two totally different personalities, and somehow neither one feels like the compromise pick.

Designer: Jock for Sony & Marvel

Battle Yellow is the flagship of the two, sold as a full PS5 Digital Edition bundle for $649.99 with a matching DualSense controller and a code for the game. The artwork comes from Jock, the Scottish comic artist who worked on Wolverine’s key art, and you can actually tell. The claw slashes and the inked portrait have that loose, hand drawn energy comics get right and games usually flatten out. It is a rare case of licensed hardware art that does not look like clip art stapled onto a console.

Adamantium skips the yellow entirely and goes for brushed silver, but only as a console cover for PS5 Pro owners plus a standalone controller, no full bundle here. That is honestly the smarter buy for anyone who wants the Wolverine tie in without turning their entertainment center into a comic shop display. Same claw details, completely different mood. It reads expensive in a way the yellow version was never trying to.Adamantium skips the yellow entirely and goes for brushed silver, but only as a console cover for PS5 Pro owners plus a standalone controller, no full bundle here. That is honestly the smarter buy for anyone who wants the Wolverine tie in without turning their entertainment center into a comic shop display. Same claw details, completely different mood. It reads expensive in a way the yellow version was never trying to.

Here is where it gets less fun. This entire lineup drops during Sony’s second PS5 price hike in under a year, with the standard console now sitting a hundred dollars above where it started. So a $649.99 bundle for a digital only console, no disc drive option at all, lands at a moment when PS5 pricing is already a sore subject for a lot of players. The comments under every Wolverine reveal video prove that. People are annoyed about the missing disc drive way more than they are annoyed about yellow paint.

I get why Sony leans into these drops even now, maybe especially now. A great design distracts from a rough price conversation better than any spec sheet does, and Jock’s artwork is genuinely good enough to pull that off. But good design and good timing are not the same thing, and this lineup is proof you can nail one without fully nailing the other.

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Roca’s New Bathtub and Basin Turn Recycled PET Bottles Into Sculptural Bathroom Design

The plastic bottles in your recycling bin have a surprisingly glamorous potential future. Roca’s Stonex material comes from recycled PET resin, and the expanded Ohtake collection is probably the most design-forward version of that material the brand has produced yet. The new bathtub is compact, inspired by Japanese Ofuro soaking culture, and built in Stonex that is warm to the touch and resistant to the kind of wear and discoloration that makes bathroom surfaces look rough after a few years. From recycling bin to Red Dot winner. That’s a reasonable arc.

Rodrigo Ohtake designed the expansion, pulling forward a collection his father, the legendary Brazilian architect Ruy Ohtake, built with Roca. The two new basins came out of hand-sculpted clay models, which explains why they carry the shape of a calla lily rather than the usual flat-plane geometry bathroom design defaults to when nobody’s paying close attention. The bathtub accessories, a side shelf and an entry step that pulls double duty as a stool, arrive in soy resin. Roca built the whole expansion around the idea that sustainable material choices and strong design can be the same choice, resolved at the same time. Looking at the finished pieces, that idea lands.

Designer: Rodrigo Ohtake for Roca

The two basins cover different ground despite sharing the same botanical reference. One reads as a shallow, elongated vessel, almost like a leaf mid-curl, with edges that lift just enough to feel deliberate. The other is deeper and rounder, with walls that rise more confidently from the counter surface. Both began as physical clay models rather than digital geometry, which is where those specific curves came from, and both land in a finish range that goes well past the usual white-and-off-white defaults: matt black, onyx, coffee, beige, and a terracotta that is available in Brazil and on request everywhere else. That terracotta option is the one worth tracking down.

The Stonex bathtub is where the Ofuro influence lands most visibly. Ofuro baths are traditionally compact and steep-sided, built for soaking upright in hot water rather than reclining across the full length of a Western tub, and the whole point is immersion rather than rinsing. Rodrigo’s version holds that compact discipline and adds an integrated seat that makes the cocoon feeling more literal. The soy resin step and shelf arrive as standard, so the full ritual setup is sorted from the start. Stonex retains ambient heat on contact rather than pulling it away, which is a material detail that matters considerably more than it sounds.

Rodrigo took over the studio his father founded after Ruy Ohtake died in 2021, and the two practices formally merged into OHTAKE in 2022. Ruy built over 420 projects in Brazil across five decades, with a design philosophy that ran consistently on organic forms and curves drawn from the natural world. Rodrigo’s grandmother, Tomie Ohtake, was a celebrated Japanese-Brazilian abstract artist whose visual instincts filtered into the family’s work long before any of this became a bathroom collection. That three-generation lineage between Japanese heritage, Brazilian modernism, and contemporary sustainable design practice sits quietly behind every decision in this expansion. Rodrigo has said he tries to look to the future rather than the past, which is probably the right instinct when the past is that substantial.

The full collection is available through Roca globally, with basin finishes running from matt black and onyx to coffee, beige, and white. The iF Design Award and Red Dot both went to the new basin and bathtub in 2025, alongside Best in Show at Expo Revestir in Brazil. Those are the right awards for this kind of work: they measure execution as much as intent. For a collection that started on a workbench with clay and ended up in recycled resin and soy, the pieces carry almost none of the burden of either that origin story or the family legacy behind them. They just look like they belong.

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This Rooftop Tent Has a Skylight, a Ladder, LED Lighting, and deploys with a button.

Most rooftop tents still act like tents. You climb in, you’re surrounded by fabric, you sleep, you leave. The Sky Cruiser is going for something a little different, it wants to feel like a room you happen to be sleeping in above your truck, complete with a skylight and windows doing the job curtains and walls usually do back home.

That shift in identity starts the moment you arrive at camp, honestly, because you barely have to lift a finger to get there. The X-frame construction pops open and locks in place in seconds, no wrestling with poles or praying the wind cooperates. Once it’s up, the GlowRail lighting kicks in after dark like a little mood setting feature, and the SkyHold storage keeps your gear from turning the place into chaos. It’s less “put up a tent” and more “open a room with a very good view.”

Designer: Cinch Outdoors

The skylight is doing most of the emotional labor here, and it earns the attention. Instead of a fabric ceiling that separates you from the sky, Cinch swapped in a clear panel that turns your bedtime routine into a low-key planetarium show. Pair that with the panoramic side windows and you’ve basically got a tent with no bad seats. It’s a small architectural decision with a big payoff, since most rooftop tents treat the view as a bonus you get through a mesh door, not the whole point of the design.

Getting up there is handled by the WideTrak ladder, which telescopes out in one motion and locks with a click, so you’re not fumbling with separate rungs at 9pm with a headlamp between your teeth. Once you’re inside, ThermaSoft flooring and a high-density foam mattress do the unglamorous but essential work of keeping the whole setup comfortable regardless of season. None of this is flashy on its own. What’s smart is how Cinch bundled it together so the tent doesn’t just look good in photos, it actually holds up once you’re lying in it at 2am wondering why you forgot a blanket.

Cinch isn’t new to the instant setup game, which is worth mentioning briefly before we move on. Their Air Cruiser leaned on an inflatable Air Frame to get you from flat pack to full tent in minutes, no poles required. The Sky Cruiser swaps that approach for a mechanical X-frame instead, trading the pump for a fold and lock system that holds its shape in rough weather without needing air pressure to stay rigid. Different mechanism, same obsession with cutting the setup time down to almost nothing.

At $4,999, the Sky Cruiser is planting itself firmly in premium territory, right alongside tents like the Thule Widesky that treat rooftop camping as a lifestyle upgrade rather than a budget workaround. That price buys you a hardshell that survives rough weather, a skylight that makes stargazing effortless, and enough small conveniences (the ladder, the lighting, the storage) that the whole experience feels considered rather than cobbled together. Whether it’s worth it depends entirely on how much you value showing up at a campsite and doing almost nothing before the best part of the night starts. For a certain kind of camper, that’s not a luxury. That’s the entire pitch.

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iPhone Ultra Leak Confirms the $2,000 Device Might Ship Without a Zoom Lens

iPhone Ultra representational image

Apple’s foldable iPhone is shaping up to be the most expensive iPhone in the company’s history, and possibly the first flagship in years to skip a lens. Fresh leaks point to camera covers in silver and a blue so dark it practically photographs as black, plus a module with four cutouts crammed into a space that thin. Two lenses, a flash, and a LiDAR scanner, all fighting for room on a phone that’s supposedly under 5mm thick when unfolded.

Squeeze a foldable hinge, a huge inner screen, and a battery big enough to survive the day into that body, and something has to give. Rumor has it the telephoto lens is the sacrifice. Meanwhile, the volume buttons got exiled to the top edge because apparently there was nowhere left on the sides to put them. For two grand, Apple’s asking you to zoom with your feet.

Image Credits: Sonny Dickson

The camera cover leak traces back to serial leaker Sonny Dickson, who posted photos this week of two protective covers made for the phone’s pill-shaped camera housing. Silver on one, a near-black midnight blue on the other, both hinting at a two-tone finish similar to what the iPhone 17 Pro already does with metal and glass. Worth noting these are third-party accessories, so the exact shades could shift once Apple reveals the real thing, but the design language tracks with everything else we’ve seen leak out of the supply chain this year.

The missing telephoto lens has actually been floating around since a leak from Jukanlosreve earlier this year, which described the rear camera setup as just a main and an ultra-wide, no zoom lens included. That’s a real gut punch for a device expected to start north of $1,999. Every other Pro-tier iPhone has shipped with three rear cameras for years, so watching Apple’s most expensive model potentially step backward on optics is the kind of contradiction that makes leak season fun.

The button situation is its own small mystery. Weibo leaker Instant Digital called the top-edge, right-aligned volume buttons back in February (similar to the iPad mini), and case cutouts from third-party manufacturer iFunSmart later lined up with that placement. No Action Button either, which has been a Pro lineup staple since the iPhone 15. Small details, but they paint a picture of a phone where every millimeter of internal real estate got fought over.

I’ve been tracking this device for a while, and the specs keep circling the same core tension. Concept work based on leaks pegged the battery at a massive 5,700mAh and the hinge at a liquid metal build engineered to erase the usual foldable crease entirely. Add a titanium frame and an A20 Pro chip on a 2nm process, and you’ve got a phone that’s clearly engineered within an inch of its life. It’s just wild that with all that effort going into thinness and battery life, the zoom lens ended up on the cutting room floor.

Apple’s expected to make everything official in mid-September (I can’t believe we’re exactly a month away), and if Dickson’s photos are accurate, we already know what the colorway conversation is going to look like. Safe, metallic, a little moody. The bigger story might not be the color at all. It might be everything Apple had to leave out to build this phone.

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Someone Built a LEGO Bedside Radio With 1,400 Bricks And Inner Circuitry

Remember when clock radios had personality? Before phones ate every function a bedside table used to need, you had this chunky little box with dials that clicked, buttons that thunked, and a display that glowed just enough to bug you at 3am. That exact vibe is what 91-Brickdesigns set out to capture with the Legosonic BSR-12, a LEGO Ideas build modeled on the radio alarm clocks that ruled nightstands in the late 70s and early 80s. And they didn’t just nail the look, they nailed the fidgetiness of the thing too.

Around 1400 pieces went into this build, and a big chunk of that count is doing unnecessary, delightful work. The toggle switches have actual spring mechanisms so they click when you flip them. The sliders drive a gear underneath just so they feel smoother in your hand, despite doing literally nothing. Even the snooze button is a running joke, since pressing it accomplishes exactly zero. It’s the kind of overbuilt charm we loved in the LEGO Classics Computer a while back, cranked up another notch.

Designer: 91-Brickdesigns

The front panel alone is a lot to take in. You’ve got three round dials up top that turn but don’t actually control anything, a row of colored indicator lights, and a genuinely functional time-set system where you spin the big dial and lock it in with a couple of chrome buttons. Next to that sits a flip clock style display frozen at 20:58, glowing like it just woke up from a nap, and a tuning window with a red needle you can slide across a fake FM and AM band using a little wheel on the side. None of it plays actual music, but every piece of it looks like it should.

Pop the top cover and there’s a full circuit board hiding under there, with brick built resistors color coded the way real resistors are, a couple of capacitors, and a chip sitting exactly where you’d expect one on an actual PCB. Slide the ventilation grille open and there’s a speaker cone waiting behind it. Flip the whole thing around and the back has a proper spec plate, an AC input, and an on off switch that wouldn’t look out of place on a real appliance from a Best Buy circa 1983. My favorite detail might be the plate itself, which reads “Made in Two Tiles, Legany,” because apparently even fictional radio manufacturers deserve a pun.

This isn’t the first time we’ve watched builders chase this exact strain of nostalgia. The JVC pyramid TV that hit LEGO Ideas earlier this year leaned on the same appeal, and LEGO’s own Icons Retro Radio proved there’s real demand for gadgets that remind adults of a time when electronics had weight and character instead of just a glass slab and a charging port. The Legosonic BSR-12 fits right into that lineage, except it goes further than most by building the guts as carefully as the shell.

The build currently sits at Staff Pick status with 589 days left to hit its 5,000 supporter mark, on the way to the 10,000 votes needed for LEGO’s official review. If you’re the kind of person who misses a nightstand that made noise when you touched it, head over to LEGO Ideas and give it a vote.

The post Someone Built a LEGO Bedside Radio With 1,400 Bricks And Inner Circuitry first appeared on Yanko Design.

If the iPod Nano and Game Boy had a baby, you’d get this $85 Hi-Fi Audio Player

The dedicated music player had a solid twenty-year run: Walkmans, MiniDiscs, the Rio PMP300 (look it up), the iPod in all its generations, and the Zune if you were feeling brave. Streaming services and the smartphone ate all of it, and what survived was a niche audiophile DAP market that mostly traded in expensive, sensible-looking black rectangles with impressive chip specs and absolutely zero personality. That category is fine if you want to spend $300 on a slab, but it left a gap for a well-engineered, genuinely fun music player you’d want to show off rather than bury. Hidizs, a Hong Kong audio brand, decided to fill that gap with the AP30 Music Boy. They designed it to look like a Game Boy, snap to your phone, hang from your neck, and decode DSD256, all at once.

The AP30 is built around a Cirrus Logic CS43198 DAC chip, the kind that typically shows up in players costing $200 or more, paired with an RT6863 amplifier and RKNANOD master chip for a signal chain that produces 137mW per channel balanced and an SNR of 127dB. The 68x53x17mm body comes in a lightweight plastic edition at 56 grams and a CNC aluminum edition at 80 grams, running Hidizs’s own purpose-built HidizsOS rather than a general Android build. It supports DSD256 native decoding, PCM 192kHz/24bit, and lossless formats including FLAC, APE, WMA, WAV, ALAC, Apple Lossless, and DSDIFF, plus Bluetooth 5.3, USB DAC mode via Type-C, dual wired outputs, and a microSD slot accepting cards up to 256GB. There is also a built-in Retro Block Puzzle Game, which tells you exactly what kind of product this is. Hidizs designed the whole thing to be worn rather than pocketed, and that premise shapes every decision in the hardware.

Designer: Hidizs

Click Here to Buy Now: $85 $119 (23$ off) Hurry! Only 16 of 480 units left.

Every device you own right now is either trying to get your attention or listening for a chance to sell you something. Your phone buzzes, your watch taps your wrist, your earbuds announce that someone liked your post, and AI glasses are arriving to overlay all of it directly onto your vision. The AP30 runs on HidizsOS, a system crafted for high-fidelity audio, and that is genuinely the full scope of its ambitions. It plays music, adjusts volume through a physical wheel, and the agenda ends there. A piece of technology in 2026 that takes one job seriously and refuses to negotiate with the attention economy is a genuinely radical object, and the AP30 earns that description through hardware and software decisions that are all, unanimously, in service of sound.

The 2.0-inch (296×240) HD IPS screen ensures that browsing your music library, navigating menus, and playing games is a seamless and clear experience, and it is a non-touchscreen display, which means physical controls handle everything. The volume control is a Japanese ALPS wheel, chosen for tactile precision over digital convenience, delivering the kind of satisfying resistance that sliders on glass can never replicate. The backplate carries an engraved whale motif that symbolizes the ocean’s freedom and majesty, tied to Hidizs’s ongoing collaboration with WDC (Whale and Dolphin Conservation), bringing awareness to the beauty and importance of marine life. The aluminum edition is CNC-machined in Pixel Purple and Arcade Black, while the plastic version spans Crystal Ocean Blue, Shadow Black, and Classic White. Both editions share identical internals and the same sharp retro energy.

The 3.5mm single-ended output supports everyday headphones, while the 4.4mm balanced output satisfies audiophiles using high-impedance in-ear or over-ear monitors. Specifically, single-ended delivers 61mW+61mW at 32Ω with THD+N of 0.0008% and SNR of 120dB, while balanced pushes 137mW+137mW at 32Ω with SNR of 127dB and frequency response spanning 20Hz to 90kHz at ±0.03dB. HidizsOS gives you six EQ presets or a custom build, high/low gain adjustment to match headphone impedance, four playback modes, and digital anti-aliasing filters alongside DoP (DSD over PCM) for professional listeners. Even headphones with built-in microphones are fully compatible, making the AP30 a versatile companion for any audio setup. Certified by Hi-Res Audio, the AP30 Music Boy meets the highest standards in sound reproduction, which means the numbers back the claim rather than decorate the packaging.

Hidizs built three distinct ways to carry the AP30: neck strap, bag clip, or magnetic phone attachment. The neck strap turns it into a pendant, small enough to forget you are wearing it, distinctive enough that people ask. A bag clip hooks onto any strap and streams audio wirelessly to earbuds. Slide the AP30 into its magnetic case and it snaps to the back of your phone with a satisfying clack, no extra adapters, no Bluetooth pairing dance, just a clean magnetic connection that turns your phone into a Hi-Res rig. USB DAC mode works over Type-C to any Windows, MacOS, or OTG-supported device, with the AP30 running on its own battery during operation to reduce noise interference from the host device and preserve its battery life.

With support for a 256GB microSD card, the AP30 can store over 8,500 Hi-Res lossless tracks for offline listening, no buffering, no streaming interruptions, whether commuting, traveling, or relaxing at home. Bluetooth 5.3 ensures fast, low-latency, stable connections, and the AP30 permanently remembers paired devices, covering headphones, speakers, and car audio without fuss. The 1200mAh battery charges in about one hour and keeps the AP30 ready when you need it, delivering 10 to 12 hours of single-ended wired playback, 8 to 10 hours balanced, or 6 to 8 hours wirelessly, with a 60-day standby. The AP30 also supports loading eBooks on a microSD card for reading on its HD screen, transforming commutes and waiting periods into enjoyable, productive moments without sacrificing portability. And then there is the Retro Block Puzzle Game, which is exactly what it sounds like, costs nothing extra, and is honestly the reason at least some people will choose this over a more austere-looking DAP.

The AP30 Music Boy comes in two editions: the Lightweight Plastic at a discounted $85 in Crystal Ocean Blue, Shadow Black, or Classic White, and the CNC Aluminum at $99 in Pixel Purple or Arcade Black. Every unit ships with the player, the magnetic protective case, a Type-C charging cable, a Type-C to Type-C OTG data cable, two screen protectors, a user manual, and a warranty and QC card, with a one-year warranty against factory defects covering the device. Shipping begins in early October 2026 (free globally), with retail distribution following in November 2026.

Click Here to Buy Now: $85 $119 (23$ off) Hurry! Only 16 of 480 units left.

The post If the iPod Nano and Game Boy had a baby, you’d get this $85 Hi-Fi Audio Player first appeared on Yanko Design.