Author Archives: Sarang Sheth

DJI RS 5 First Look: The New Sweet‑Spot Gimbal For Solo Creators And Mirrorless Rigs

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DJI’s gimbal lineup has always operated on a clear hierarchy. At the bottom, the Osmo Mobile series keeps smartphone creators happy with pocket-friendly stabilization. At the top, the RS 4 Pro hauls cinema camera rigs with carbon fiber arms and 4.5kg payload capacity. The middle ground, though, has been trickier to nail down. Too light and you’re pushing mirrorless setups to their limits. Too heavy and solo operators end up fatigued halfway through a wedding shoot. The RS 5 arrives as DJI’s latest attempt to find that sweet spot, and judging by the spec sheet, they might have actually figured it out this time.

Weighing 1.46kg with a 3kg payload capacity, the RS 5 matches the physical footprint of the standard RS 4 while claiming a 50% boost in peak motor torque and 14 hours of runtime on the standard battery. More interesting is what DJI has prioritized here: the RS Enhanced Intelligent Tracking Module (borrowed from the RS 4 Mini’s debut), an Electronic Briefcase Handle for high and low angles, and significantly faster charging that gets you back to work in an hour instead of waiting around for half a day. This isn’t about raw specs anymore. It’s about keeping solo commercial videographers moving efficiently through shoots without needing a full crew or endless battery swaps.

Designer: DJI

It’s one thing to hold a 3kg payload steady during a slow pan, but chasing a subject through a crowded event is a different beast entirely. That 50% peak motor torque improvement is where the RS 5 starts to justify its existence, especially when paired with their fifth-generation stabilization algorithm. This is the kind of power that prevents micro-jitters when you’re running or making sudden direction changes. It also means the native vertical switch, which lets you flip to a 9:16 aspect ratio in seconds, doesn’t come with a performance penalty. That’s a huge deal for anyone delivering social content alongside traditional horizontal video, as you’re not compromising stability just to get the shot framed for TikTok.

All that stabilization doesn’t mean much if your subject keeps drifting out of frame while you’re focused on your own footwork. The RS Enhanced Intelligent Tracking Module, pulled from the RS 4 Mini and beefed up, handles the tracking with aplomb. It tracks more than just people; you can lock onto vehicles, pets, or any object you tap on the screen from up to 10 meters away. Even better, it can re-acquire a subject if they’re temporarily obscured, saving you from a ruined take. The fact that it attaches magnetically without needing extra adapters is a smart touch, acknowledging that setup time is a real currency for solo operators. It’s a clever bit of product strategy, bringing a killer entry-level feature up to the commercial tier where it’s arguably needed most.

The dirty secret of every solo videographer’s kit is a bag overflowing with batteries and a constant, low-grade anxiety about runtime. DJI seems to have finally gotten the message. The RS 5 hits a full charge in just one hour with a 65W PD charger, which is a massive quality-of-life improvement. The standard battery gives you 14 hours of juice, but the optional BG70 High-Capacity grip pushes that to a claimed 30 hours. Even if real-world use cuts that down significantly, it’s enough to get you through the longest wedding day without a panic. They’ve also expanded the Bluetooth shutter control to include Panasonic and Fujifilm cameras, a long-overdue nod to the fact that the camera world doesn’t just revolve around Sony, Canon, and Nikon.

You’re probably a good candidate for the RS 5 if you’re shooting paid work with mirrorless cameras and your current gimbal makes you want to throw it into a lake by hour three. Event videographers, wedding shooters, small production houses, anyone who’s working solo but needs results that look like a full crew showed up. If you’re hauling around a RED Komodo or a cinema rig that pushes past 3kg, skip this and go straight to the RS 4 Pro with its 4.5kg capacity and carbon fiber construction. On the flip side, if you’re still shooting with your phone or occasionally pulling out a compact camera for vlogs, the Osmo Mobile or Osmo Pocket lines will serve you better. Those devices are far more portable, cost a fraction of what the RS 5 demands, and honestly, DJI will probably refresh them in the coming months with similar intelligent tracking features trickling down from this generation. But if you’re already committed to proper camera gear and tired of fighting your equipment, this sits right where it needs to.

So this all sounds great, but it always comes down to the hole it leaves in your wallet. The standalone gimbal runs $671 (£485), which plants it firmly in that prosumer middle ground. The real conversation, though, is about the Combo kit at $856 (£619), which adds the tracking module and the electronic briefcase handle. For a working videographer, that’s the package that makes sense. You’re not just buying a stabilizer; you’re buying back time and reducing on-set frustration. It’s a tool built for the specific pressures of the one-person crew, and that focus is what makes it a compelling piece of hardware.

The post DJI RS 5 First Look: The New Sweet‑Spot Gimbal For Solo Creators And Mirrorless Rigs first appeared on Yanko Design.

The Ultimate 8‑in‑1 Desk Organizer Puts Wireless Charging, Speakers, and Lighting on One Magnetic Wood Base

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Desks have a way of accumulating chaos. Chargers multiply, cables tangle, and what starts as a clean workspace turns into a collection of mismatched gadgets competing for outlets and attention. MODULO, a new Kickstarter project from Italian design duo Modulo Design Lab, approaches the problem with a different philosophy: one wooden base, magnetic modules, and a single power cable to rule them all.

Built around a CNC-milled wooden platform handcrafted in Italy, MODULO lets you snap together charging modules, Bluetooth speakers, e-paper displays, task lights, and organizers into one unified system. Each of the 8 different modules connects magnetically, drawing power and data through gold-plated connectors rated for 50,000+ cycles. The Modulo app ties everything together, so your phone charger, desk lamp, and notification display all respond to a single interface instead of separate apps and pairing routines.

Designer: Mauro Veccari

Click Here to Buy Now: $144 $180 (20% off). Hurry, only a few left!

I’ve seen plenty of desk organizers that promise to solve cable clutter, and most of them amount to glorified boxes with some velcro straps. MODULO actually rethinks the problem at the power distribution level, which is where the mess starts in the first place. The wooden base acts like a backplane in a computer case, routing electricity and communication to whatever you plug into it. Modules are active devices that wake up the moment they make contact with the base, whether that base lives on your desk, your nightstand, or your kitchen counter. That means swapping a wireless charger for a Bluetooth speaker takes about three seconds, and the app instantly recognizes what you have changed. There is something satisfying about that kind of hot-swap simplicity, especially if your setup needs to shift between work, sleep, and cooking duty without a nest of cables following you around.

The magnetic connection system uses pogo-pin style contacts, similar to what you would find on a smartwatch charging dock but built for higher current and data transfer. Gold plating keeps corrosion at bay, and the 50,000-cycle rating suggests they are serious about longevity. For context, that is roughly 13 years of swapping modules once a day, which is more than most people will ever need but solid insurance against the usual wear that kills magnetic connectors prematurely. The magnets themselves are strong enough to hold modules securely but not so aggressive that you feel like you are prying Lego bricks apart, which matters when you are reconfiguring things on the fly. You can move a base from your desk to your bedside table, drop the speaker and e-paper module on it, and in under a minute you have a smart alarm stack that looks intentional instead of hacked together.

Module selection covers the usual suspects but with some thoughtful touches. The USB-C charger sits vertically and doubles as a cable anchor, so your phone cable does not slither off the surface when you unplug, whether that surface is a desk or a nightstand. The wireless charging pad works with iPhones, recent Samsung flagships, and AirPods, handling up to 15 W for fast charging where supported, which makes sense for bedside charging or a quick top-up in the kitchen while you prep dinner. The Bluetooth speaker module packs enough power for background music or podcasts while you cook or get ready in the morning, so you are not yelling at your phone from across the room. Then there is the e-paper display, which becomes a bedside clock and alarm status screen at night, or a kitchen timer and recipe step indicator when you drag the base over to the counter.

The Light Tower module gives you an adjustable lamp with touch control for brightness and app control for scenes, and that versatility matters in different rooms. On a desk it behaves like a focused task light. Next to the bed you can set it to warm color temperatures and low brightness for late-night reading without frying your circadian rhythm. In the kitchen it can act as an accent light while the e-paper screen counts down the last three minutes on your eggs and the speaker reads out a podcast. Modulo also includes purely physical modules like pen holders and “Pocket Emptier” trays, which make as much sense by the front door for keys and wallets as they do on a workspace. Everything mounts on the same grid, so your catch-all area, your alarm station, and your cooking corner share the same visual language instead of looking like three unrelated tech piles.

Modules auto-pair when they connect to the base, so there is no manual Bluetooth dance or Wi-Fi provisioning every time you move the system. The app gives you a dashboard where you can adjust speaker volume, tweak lighting, choose what the e-paper display shows, and set up automations that match the room. In the bedroom you can schedule a wake-up routine that fades in the Light Tower, starts your favorite playlist at a low volume, and shows the weather and first calendar event on the e-paper screen. In the kitchen you can switch profiles so the same base now runs a cooking layout, with a large countdown timer on the display, a chime on the speaker when the timer hits zero, and maybe a quick glance at notifications while your hands are covered in flour. The point is that the hardware stays the same, while the personality shifts with the context.

Material quality separates MODULO from the usual injection-molded plastic organizers. Each base is milled from solid wood using CNC machines, then hand-finished in Italy. The default option is a light tone, but the first stretch goal at 10,000 euros brings in additional finishes for people who want something darker or richer on a nightstand or console table. The wood is structural, not a thin veneer, which gives the whole thing a furniture-grade heft that feels at home in a bedroom or living room, not only in a home office. Modules use matte-finish polymers for the housings, keeping weight down while maintaining a cohesive look. The contrast between warm wood and minimalist black modules works just as well next to a linen headboard or a marble countertop as it does next to a 34 inch ultrawide.

MODULO is live on Kickstarter now through February 5, 2026, with delivery targeted for July 2026. The Geek Kit starts at $148 during the launch special and includes a colored plastic base plus a light tower and pen holder, which is the budget entry point. The Wood Premium Kit sits at $416 for the launch tier and gets you a handcrafted 3×2 wood base, light tower, Bluetooth speaker, wireless charger, and smart notifier module. There’s also a doubled-up kit at $831 with two bases and a fuller module lineup for people running multi-desk setups or wanting spares. The Custom Edition kit lets you build your own configuration starting at $141 for the base, then adding whichever modules you actually need. Stretch goals include a battery pack add-on for portable use, colored pop modules for a less serious look, and an AI module running a local LLM to keep your thoughts organized, just like your desk!

Click Here to Buy Now: $144 $180 (20% off). Hurry, only a few left!

The post The Ultimate 8‑in‑1 Desk Organizer Puts Wireless Charging, Speakers, and Lighting on One Magnetic Wood Base first appeared on Yanko Design.

These Fallout Nuka-Cola artisan keycaps are ridiculous, beautiful, and exactly what your keyboard deserves

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Fallout never lets go of Nuka-Cola. You can be ankle deep in irradiated sludge, low on ammo, and still your brain pings when you see that red script on a rusted machine. The games trained everyone to read those machines as little probability engines. Maybe caps, maybe chems, maybe a ghoul behind the door. That association sticks. You see Nuka-Cola now and your fingers almost reach for the VATS key out of habit.

So when Drop and Dwarf Factory freeze that whole relationship inside a 1U keycap, it feels weirdly logical. Four tiny scenes, all Nuka flavored. Vending machine, bottle crate, Power Armor helmet, Thirst Zapper. Each one parked on an SA R1 profile shell, roughly 18 millimeters across, tall enough to tower over your number row. They are desk jewelry that behaves like keyboard hardware, and that crossover is where this stuff gets interesting.

Designer: Dwarf Factory for Drop

The sheer density of the diorama in each cap is something you have to respect. We are talking about a standard 1U footprint, roughly 18 millimeters square, that contains a fully realized scene with foliage, weathering, and legible micro-branding. The clear resin shell acts as a magnifier, giving the internal sculpture a sense of depth that tricks the eye. You can see the undercuts on the vending machine and the individual ropes on the bottle crate. Achieving that kind of fidelity in a multi-stage casting process, for a part that needs to meet the mechanical tolerances of a keyboard stem, is no small feat.

They were smart about the four designs they chose, too. It feels like a curated set that covers the core pillars of the Nuka-Cola experience: the vending machine for environmental storytelling, the bottle crate for loot, the Thirst Zapper for that weird corporate goofiness, and the Power Armor helmet for combat. It tells a more complete story than just slapping a Vault Boy face on a key. Together, they create a tiny narrative across your function row, a silent testament to the wasteland’s most persistent brand.

These things are tall, sitting at a full SA R1 profile height of around 16 millimeters. On a low-profile board they would look like monoliths, but that verticality feels right for Fallout’s chunky, retro-futuristic hardware. Dwarf Factory is using its standard multi-part resin casting and hand-painting process, all sealed in a polished acrylic shell. They fit standard Cherry MX stems, so compatibility is wide, but anyone running Kailh Box switches is out of luck due to the wider housing. It’s a niche product for a niche within a niche, and the specs reflect that.

Of course, that kind of hand-painted, multi-stage resin work is why these things have a seventy-dollar question mark attached to each key. That price point immediately pushes them out of the realm of simple accessories and into the category of functional jewelry for your desk. You are not just buying a keycap, you are commissioning a tiny sculpture that happens to be keyboard-compatible. It is an absurd purchase by any rational metric, but the entire custom keyboard hobby abandoned rationality several years ago. This is for the person who sees their keyboard as a gallery, not just a tool.

The way they interact with backlighting is another clever touch. The glow-in-the-dark pigment and internal geometry create this irradiated halo effect at night, with light bouncing around inside the resin instead of just shining through a legend. It looks like your keyboard has been sitting a little too close to a glowing sea. Drop one of these on a retro-themed beige board and it looks like canonical hardware from the Fallout universe. Put it on a modern RGB rig and it becomes a preserved relic, a piece of the old world trapped in a futuristic frame.

Given their handmade nature, these keycaps don’t come cheap. Each individual cap starts at $69 from Drop’s website (unless they get sold out and sell on the aftermarket for even higher). I assume the handcrafting cost is high, but the licensing fees with Fallout are even higher. Drop’s even debuted Fallout-themed mechanical keyboards/keycaps/mats that are more mass-produced which sell for a lot cheaper (you can see them in the images above and below)… although if you’re a bit of a collector, you’d want to spring for the artisan stuff, whether it’s to mount on a keyboard or showcase on a platform behind a glass cover.

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Teenage Engineering-inspired Music Sampler Uses AI In The Nerdiest Way Possible

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The T.M-4 looks like it escaped from Teenage Engineering’s design studio with a specific mission: teach beginners how to make music using AI without making them feel stupid, or without creating slop. Junho Park’s graduation concept borrows all the right cues from TE’s playbook, that modular control layout, the single bold color, the mix of knobs and buttons that practically beg to be touched, but redirects them toward a gap in the market. Where Teenage Engineering designs for people who already understand synthesis and sampling, the T.M-4 targets people who have ideas but no vocabulary to express them. The device handles the technical translation automatically, separating audio into layers and letting you manipulate them through physical controls. It feels like someone took the OP-1’s attitude and wired it straight into an AI stem separator.

The homage succeeds because Park absorbed what makes Teenage Engineering products special beyond their appearance. TE hardware feels different because it removes friction between intention and result, making complex technology feel approachable through thoughtful interface design and immediate tactile feedback. The T.M-4 brings that same thinking to AI music generation. You’re manipulating machine learning model parameters when you adjust texture, energy, complexity, and brightness, but the physical controls make it feel like direct manipulation of sound rather than abstract technical adjustment. An SD card system lets you swap AI personalities like you would game CDs from a gaming console – something very hardware, very tactile, very TE. Instead of drowning in model settings, you collect cards that give the AI different characters, making experimentation feel natural rather than intimidating.

Designer: Junho Park

What makes this cool is how it attacks the exact point where most beginners give up. Think about the first time you tried to remix a track and realized you had no clean drums, no isolated vocals, nothing you could really move around without wrecking the whole thing. Here, you feed audio in through USB-C, a mic, AUX, or MIDI, and the system just splits it into drum, bass, melody, and FX layers for you. No plugins, no routing, no YouTube rabbit hole about spectral editing. Suddenly you are not wrestling with the file, you are deciding what you want the bass to do while the rest of the track keeps breathing.

The joystick and grid display combo help simplify what would otherwise be a fairly daunting piece of gear. Instead of staring at a dense DAW timeline, you get a grid of dots that represent sections and layers, and you move through them like you are playing with a handheld console. That mental reframe matters. It turns editing into navigation, which is far less intimidating than “production.” Tie that to four core parameters, texture, energy, complexity, brightness, and you get a system that quietly teaches beginners how sound behaves without ever calling it a lesson. You hear the track get busier as you push complexity, you feel the mood shift when you drag energy down, and your brain starts building a map.

Picture it sitting next to a laptop and a cheap MIDI keyboard, acting as a hardware front end for whatever AI engine lives on the computer. You sample from your phone, your synth, a YouTube rip, whatever, then sculpt the layers on the T.M-4 before dumping them into a DAW. It becomes a sort of AI sketchpad, a place where ideas get roughed out physically before you fine tune them digitally. That hybrid workflow is where a lot of music tech is quietly drifting anyway, and this concept leans straight into it.

Of course, as a student project, it dodges the questions about latency, model size, and whether this thing would melt without an external GPU. But as a piece of design thinking, it lands. It treats AI as an invisible assistant, not the star of the show, and gives the spotlight back to the interface and the person poking at it. If someone like Teenage Engineering, or honestly any brave mid-tier hardware company, picked up this idea and pushed it into production, you would suddenly have a very different kind of beginner tool on the market. Less “click here to generate a track,” more “here, touch this, hear what happens, keep going.”

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HMD’s $28 ANC Earbuds Cost The Same As A Movie Ticket, Which Is Ridiculous

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Twenty-five euros buys you a decent lunch in most European cities, maybe two movie tickets if you’re lucky, or apparently a pair of true wireless earbuds with active noise cancellation from a company that’s been manufacturing consumer electronics for years. HMD just launched the DUB X50 Pro in India at ₹2,000, which converts to roughly $28.7 USD depending on exchange rates, and the spec sheet reads like someone accidentally typed an extra zero into the pricing database. We are talking ANC, a claimed 60 hours of total battery life, multipoint connectivity, IPX4 water resistance, and a companion app, all at a price point where most brands would be cutting Bluetooth codecs and shipping you mono earbuds in a cardboard sleeve. On paper, this thing looks like a midrange product that woke up in a bargain bin.

The budget TWS space has been heating up for a while, with brands like Baseus and SoundPEATS dragging ANC down into the 20 to 30 dollar range. But HMD is not a random logo slapped on an ODM shell; this is the same outfit that rebuilt Nokia’s phone business and is now pushing its own HMD branded phones and wearables. That context matters, because a known manufacturer shipping €25 ANC earbuds through proper retail channels hits very differently from a mystery brand on a marketplace listing. If these are even moderately competent, they start to reset expectations for what entry level audio should look like. The question becomes less “how are these so cheap” and more “what exactly are the expensive guys charging for”.

Designer: HMD

Specs first, feelings later. HMD claims up to 60 hours of total playback with the case, which likely breaks down to around 9 or 10 hours per charge in the buds and roughly five recharges from the case under ideal conditions. With ANC on and real world volume, you are probably looking at closer to 6 or 7 hours per session and maybe 40 to 45 hours total, which is still excellent at this price. Bluetooth 5.3, multipoint pairing, low latency mode, in ear detection, and voice assistant support round out the feature list. The case is about 51 x 65 x 25 mm and 60 g, so pocketable without feeling like a pebble cosplay of AirPods. IPX4 water resistance covers sweat and rain, not swimming.

ANC is where the fantasy usually cracks – cheap implementations either barely touch low frequency rumble or they attack everything so hard you get hiss and pressure fatigue. HMD talks about ANC plus AI powered four mic ENC for calls, which is the standard 2026 marketing cocktail. Execution is what matters. If this lands in the same effectiveness band as the Baseus BP1 Pro, which genuinely cuts down bus and office noise for around the same money, then HMD has done something very disruptive. If it behaves like the usual budget ANC that flickers every time the wind shifts, you end up with an impressive spec sheet and a feature you toggle off after a day.

The design story is predictably unexciting… but that’s not a bad thing. Stemmed in ear buds, rounded case, muted colors like blue and silver. This is classic HMD: hardware that tries to disappear into your life instead of screaming “new toy”. That fits their broader strategy. They are building an ecosystem now, with HMD phones, DUB earbuds across three series, and new Watch X1 and Watch P1 wearables. Picture a bundle in a Middle Eastern or Indian retail store where you walk out with phone, watch, and ANC earbuds for less than a single pair of AirPods Pro. That is the competitive pressure this kind of product creates.

Whether you should care comes down to your tolerance for compromise. At €25, no one sane expects Sony level soundstage or Bose level cancellation. What matters is whether HMD clears the “good enough to live with” bar: stable connection, non-annoying ANC, tuning that does not turn everything into a muddy mess, and hardware that survives daily abuse. Given their track record with sturdy, sensible phones, I would not bet against them hitting that baseline. If they do, the DUB X50 Pro becomes less of a curiosity and more of a line in the sand for what budget ANC has to look like from here on.

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Japan’s Pokémon Hotel Rooms Put 100+ Characters on Your Ceiling (And Gyarados in Your Bathroom)

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Snorlax is napping on your bed. Rayquaza soars across the ceiling. Gyarados splashes through your bathroom walls. This is not a fever dream—this is checking into a MIMARU Pokémon Room, where over 100 beloved characters have escaped their Poké Balls to transform apartment-style hotels across Japan into immersive wonderlands.

Since their 2019 debut, these themed accommodations have evolved from a novel concept into a hospitality phenomenon, now spanning 10 properties in Tokyo, Kyoto, and Osaka. The latest renovation doubles down on what made them irresistible: more Pokémon, more family-friendly spaces, and meticulous attention to detail. Water-types gather in bathrooms. Food-loving characters populate kitchens. Even the dining table and tableware echo the iconic Poké Ball design. For families seeking more than generic hotel rooms and Pokémon fans wanting to live inside their childhood obsession, MIMARU has created something genuinely special.

Designers: Nintendo & Mimaru Hotels

Most themed hotels give you a logo on the wall and call it a day. MIMARU went full maximalist and put 100+ Pokémon across every available surface including the ceiling, which most designers treat like dead space. The apartment format solves the actual problem of traveling with kids or groups: you need a kitchen, you need separate sleeping areas, you need room to exist without climbing over each other. Scaling from the 2019 launch to 10 properties across Tokyo, Kyoto, and Osaka means this concept is making serious money. Hotels kill ideas that don’t work. They expand what drives bookings.

Custom Poké Ball plates and mugs mean you’re eating breakfast off themed dinnerware. The dining table itself has the circular red and white design built in. These aren’t afterthought details or cheap branded merchandise they threw in a gift shop basket. The tableware extends the experience into every meal without being obnoxious about it. You’re drinking coffee from a Poké Ball mug while surrounded by wall art of Charizard and Dragonite. The layering works because each element reinforces the others instead of competing for attention.

You walk in and there’s a massive Snorlax plushie sprawled across Poké Ball bedding. Every guest photographs this thing. Every review mentions it. It’s become the signature element that people specifically request when booking. The plushie works because it’s tactile, huggable, and perfectly in-character for Snorlax to be permanently napping on your bed. It’s also shameless Instagram bait, which means free marketing from every family that stays there. The design team knew exactly what they were doing when they made this the centerpiece.

Water-types live in the bathroom. Food-obsessed Pokémon populate the kitchen. Flying and legendary types take over the ceiling murals. Someone actually thought about spatial logic instead of randomly slapping characters everywhere like a kid with stickers. Lapras and Magikarp around the bathtub makes intuitive sense. Pikachu hanging out near the dining table with other food-loving characters feels natural when you’re making breakfast. This kind of ecosystem thinking is rare in themed spaces, which usually prioritize maximum logo visibility over coherent storytelling. The renovation team understood that immersion breaks when placement feels arbitrary.

Every stay includes MIMARU-exclusive merchandise you can’t get anywhere else. Limited edition fabric bags, collectible items that only guests receive. This is retention marketing dressed up as a perk, and it’s extremely effective. People collect these things. They post about them. They keep them as physical reminders of the experience, which triggers “remember when we stayed at the Pokémon hotel” conversations years later. Creating scarcity around a hotel stay is smart business. Making guests feel like they’re part of something exclusive rather than just renting a room builds the kind of emotional attachment that drives repeat bookings.

The properties sit near major tourist hubs and transportation centers, which balances fantasy with practicality. You can spend your day exploring Shibuya or Kyoto’s temples, then return to your Pokémon sanctuary at night. International families especially appreciate the apartment setup because it lets them cook meals and avoid the exhausting hotel-restaurant cycle. Guest feedback consistently uses phrases like “living in the Pokémon world,” which is the gold standard for themed hospitality. You want people feeling transported, not just tolerating cute wallpaper for a night.

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The Must‑Have Portable Power Station Setup Every Household Should Own For Storms And Blackouts

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This is not a normal cold snap. The polar vortex that usually stays locked over the Arctic has split and sagged south, dragging temperatures in parts of the Midwest and East Coast to levels that feel closer to the Far North than to cities where millions live. Across affected regions, the results have been immediate and severe. Hypothermia deaths in Louisiana. Rolling blackouts. Ice storms that shatter tree limbs and bury power infrastructure under frozen weight. Nearly 250,000 people in Tennessee alone woke up this week without electricity, and utilities are warning that repairs could take days.

If you are watching the forecast from a warm, lit room, it is worth asking what happens if your block goes dark. Your thermostat stops, your phone begins to drain, your internet dies, and you lose access to weather updates and family check‑ins just when you need them most. For people in small apartments or older homes without backup systems, this is not a thought experiment, it is the reality playing out at this moment. A compact, indoor‑safe power station is one of the few tools that can soften that blow, quietly keeping phones, medical devices, and a few essential lights running while the grid catches up.

Click Here to Buy Now

Why the Mid‑Size Power Station Makes Sense for Most Households

Portable power stations fall along a spectrum, and most of them do not fit the use case of a typical household facing a winter outage. The small units, typically in the 200 to 300 watt‑hour range, are barely larger than heavy‑duty power banks. They can charge phones and tablets, maybe run a laptop for a few hours, but they lack the capacity and output to keep anything more demanding alive. A router pulls too much. A CPAP machine drains them in a single night. A small electric blanket finishes them off in two or three hours. They are fine for a day hike or an overnight car trip, but in a multi‑day blackout during freezing weather, they run dry too quickly to matter.

On the other end, the large systems in the 2,000 to 4,000 watt‑hour class are designed for off‑grid living, RV installations, or whole‑home backup with automatic transfer switches. They can run refrigerators, sump pumps, and multiple high‑draw appliances at once, but they weigh 50 to 100 pounds, cost as much as a used car, and take up serious floor space. For someone in a studio apartment or a rented house, they are impractical both financially and logistically.

The mid‑size tier, roughly 700 to 1,000 watt‑hours with 800 watts of continuous output, occupies the useful middle ground. These units are light enough to move with one hand, affordable enough to justify as a one‑time purchase rather than a major investment, and powerful enough to keep the essentials running for several days if used carefully. They are not designed to replace the grid. They are designed to bridge the gap between when the grid fails and when it comes back online, which is exactly the scenario playing out across the East Coast right now.

What the River 2 Pro Brings Over Its Predecessor

We reviewed the standard EcoFlow River 2 a couple of years back and liked it for what it was: a genuinely portable, well‑designed 256 watt‑hour unit that charged fast and looked good doing it. The dual‑tone design was sharp, the handle redesign made it easier to store, and the price was right for weekend adventurers. But 256 watt‑hours is just not enough capacity to be useful in a real emergency. You could maybe get through one cold night if you were very, very careful.

The Pro triples that to 768 watt‑hours and bumps the continuous AC output from 300 watts to 800 watts, all while adding only about 11 pounds to the overall weight. That capacity jump is not incremental, it is transformational. Now you are talking about running a CPAP for multiple nights, keeping a router alive for over a week of intermittent use, and still having juice left for phone charging and LED lights. The original River 2 was a nice‑to‑have for camping trips. The Pro is something you can actually rely on when the infrastructure around you stops working.

EcoFlow also stuck with LiFePO₄ chemistry, which is the right call here. These cells handle temperature swings better than standard lithium‑ion, they are safer, and they are rated for over 3,000 cycles before they start losing capacity. If you are buying this as a piece of emergency gear that might sit unused for months or years at a time, that longevity matters. This is not a gadget you replace every couple of years. It is something you buy once and forget about until the lights go out.

70 Minutes from Empty to Fully Charged

EcoFlow has been pushing fast charging as a selling point across their lineup for a while now, and in the River 2 Pro it is not just a spec sheet flex, it is genuinely useful. The unit goes from dead to full in about 70 minutes off a standard wall outlet. In normal times, that is convenient. During a rolling blackout, it is the difference between a functional backup and a paperweight.

Think about how most grid failures actually play out in populated areas. Power does not just drop and stay off for three days straight. It flickers. It comes back for an hour, goes out again, comes back for two hours overnight. If your power station takes five or six hours to charge, you are constantly playing catch‑up and never actually filling the tank. With the River 2 Pro, every time the grid comes back on, you have a realistic shot at getting back to 100 percent before it drops again. That changes the whole strategy of how you manage an outage.

The unit also takes up to 220 watts of solar input, so a pair of decent folding panels can top it off in four or five hours under good sun. Winter solar is sketchy, clouds and short days mean you are not going to get reliable full charges, but even partial sun can stretch your runtime by enough to matter. It is not a primary charging method in January, but it is a useful fallback if the outage drags on longer than expected.

What It Costs and How That Compares

Online pricing on the River 2 Pro right now is hovering around the $315 mark, depending on where you shop. The MSRP is technically $549, but there’s almost always a discount running somewhere.

Compare that to a Jackery Explorer 1000 V2, which offers about 1,070 watt‑hours and usually runs $500 to $600. Or the Bluetti AC180, which is in the same ballpark for capacity and price. The River 2 Pro is giving you about 70 percent of the capacity at roughly half the cost, which for most apartment and small‑home use cases is the right tradeoff. You are not powering a refrigerator for a week either way, so the extra 300 watt‑hours does not fundamentally change what you can do. What changes is whether you can justify the expense as a one‑time purchase or if it feels like a luxury you will never pull the trigger on.

The really small units, the 200 to 300 watt‑hour boxes, run $150 to $250. So you are paying maybe $100 to $150 more to triple your capacity and double your output. That is an obvious upgrade if you are serious about emergency preparedness. The giant 2,000+ watt‑hour systems start north of $1,200 and climb fast from there, which is a completely different budget conversation.

What It Can Actually Power During an Outage

The numbers on a spec sheet do not always translate clearly to real‑world use, so it helps to think in concrete scenarios. A fully charged River 2 Pro, used carefully, can sustain:

Communication and information: A smartphone pulls maybe 10 to 15 watt‑hours per full charge. You could recharge your phone 50 times off a full River 2 Pro. A typical Wi‑Fi router and modem together draw 15 to 25 watts while they are on. Run them three hours a day to pull weather updates, check news, coordinate with family, and you are using about 60 watt‑hours daily. That gives you a week and change of intermittent connectivity from a single charge.

Medical devices: A CPAP machine is slightly trickier because the power draw varies wildly depending on your model and settings. If you are running a basic unit without the heated humidifier, you might pull 30 to 40 watts. With the humidifier cranked, that can jump to 60 watts or more. Let us say you are at 40 watts for eight hours a night. That is 320 watt‑hours per night, so you get two full nights of sleep therapy before you need to recharge. Not great if the power is out for a week, but enough runway to get through the worst of a storm without ending up in an ER.

Targeted warmth: Low‑wattage electric blankets and heated throws usually run 50 to 100 watts. A 75‑watt throw for three hours in the evening is 225 watt‑hours. Combine that with CPAP and phone charging and you are looking at maybe 600 watt‑hours total per day, which gives you a full day of decent comfort before you need to think about recharging.

Lighting: LED lighting is almost free by comparison. A 10‑watt bulb for five hours a night is 50 watt‑hours. You could light up a small apartment every night for a week and barely dent the battery.

The key here is prioritization. You shouldn’t be running everything at once. Keep the critical stuff alive, lights, communication, medical devices, and use targeted warmth instead of trying to heat the whole space. That is what makes a mid‑size unit like this viable, and truly accessible to the vast population who can divert sub-$500 on a moment’s notice. The power station might be tiny, but it forces you to be smart about power – which is exactly what you need to do in a real outage anyway.

Need More Power? Just Buy A Second One And Connect Them

One feature that does not get talked about enough is that you can actually chain two River 2 Pro units together for expanded capacity. EcoFlow builds this into their ecosystem, so if you find yourself consistently running up against the limits of a single 768 watt‑hour unit, you are not stuck buying a completely different, more expensive system. You just add a second River 2 Pro and suddenly you are working with over 1,500 watt‑hours of usable capacity. That is enough to stretch a multi‑day outage without obsessively rationing every watt, or to run slightly higher‑draw appliances that a single unit would struggle with.

The math here is quite interesting because it gives you a more flexible upgrade path than most power station ecosystems offer. Instead of dropping $1,200 to $1,500 on a single large unit right out of the gate, you can start with one River 2 Pro, see how it performs in real‑world use, and then add a second one later if you need the extra capacity. You end up spending around $630 total for a combined system that gives you more modularity than a single giant battery box. If one unit dies or needs servicing, you still have backup power. If you only need light capacity for a short trip, you take one and leave the other at home. That kind of flexibility is genuinely underrated.

It also means the River 2 Pro scales better for different household sizes and needs. A single person in a studio apartment might never need more than one unit. A family of four in a larger house might find that two units let them cover essentials in multiple rooms without running extension cords everywhere or constantly shuffling devices between outlets. The ability to grow the system incrementally, rather than making one big all‑or‑nothing purchase decision, makes it a lot easier to justify the initial investment and adapt as your needs change.

How to Use It Effectively in Cold Weather

Store and operate it indoors. LiFePO₄ cells can discharge in cold temperatures, but they should not be re-charged when the internal temperature is below freezing.

Most modern power stations, including the River 2 Pro, have battery management systems that will flat‑out refuse to charge if the cells are too cold. So keep the unit inside, away from exterior walls and drafty windows, and you will be fine.

Turn things off when you are not using them. That sounds obvious, but in the chaos of a blackout it is easy to leave the router on all day or forget a phone plugged in after it hits 100 percent. The River 2 Pro has a small parasitic draw just from being powered on, so if you are not actively using an outlet, shut it down and save every ounce of power you can.

And for the love of all that is holy, do not try to heat your apartment with this thing. Yes, the 800‑watt continuous output can technically run a small space heater. Yes, the X‑Boost mode can push that to 1600 watts for short bursts. But a 1,500‑watt space heater will drain the entire battery in about 30 minutes. That is not a strategy, that is just lighting your stored energy on fire. Layer up, use blankets, deploy a low‑watt heated throw for targeted warmth if you need it, but resistive heating is a losing game with battery power.

What It Cannot Do

The River 2 Pro is not a whole‑home backup system. It will not keep your refrigerator running for days, it will not power your furnace, and it definitely will not run a sump pump if your basement starts flooding. If those are your needs, you are shopping in the wrong category. You want a 2,000+ watt‑hour system, probably with a transfer switch and professional installation, and you are going to spend a lot more money.

The usable capacity is also not quite the advertised 768 watt‑hours. Independent testing puts the real‑world output closer to 620 watt‑hours, which is about 81 percent of the rated capacity. That is normal for the industry, battery management systems always hold back some reserve to protect longevity, but it is worth knowing so you do not plan your runtime calculations around the full number.

And while the unit is rated for 3,000+ cycles, that assumes you are not constantly hammering it from zero to 100 percent under extreme conditions. If you want to maximize lifespan, try to keep the charge between 20 and 80 percent when you can, and store it at around 50 percent if it is going to sit unused for months. Treat it like a piece of infrastructure, not a toy, and it will last you a decade.

Preparing Before the Next Storm

Hundreds of thousands of people are sitting in the dark tonight while the cold keeps piling on. More are watching the forecast and realizing their block could be next. The grid is not built for this. It was not designed to handle ice storms in places that rarely freeze, or sustained cold snaps in cities where winter is usually mild. And when it fails, the gap between “uncomfortable” and “dangerous” closes fast.

A power station like the River 2 Pro does not fix the underlying problem. It does not make the grid more resilient, and it does not replace the need for serious infrastructure investment. What it does is give you a buffer. A way to keep the essentials running while you wait for the repair crews to get the lines back up. A way to avoid the kinds of decisions that turn a bad night into a genuine emergency.

For $315, that is not a bad insurance policy to have sitting in your closet, charged and ready, before the next storm rolls in.

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The post The Must‑Have Portable Power Station Setup Every Household Should Own For Storms And Blackouts first appeared on Yanko Design.

Korg Phase8 Is a Cyberpunk Kalimba for Producers Who Are Bored of Regular Synths

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On first glance, Korg’s Phase8 looks like something Love Hultén might have dreamt up after a late night with a kalimba and a soldering iron. It has that same altar like presence, where every screw and surface feels intentional, and the exposed steel bars read more like a kinetic sculpture than a row of notes. You do not just see an instrument, you see a machine that wants to be played, prodded, and prepared with whatever objects are lying around your studio.

The result is a tabletop artifact that feels half lab instrument, half folk relic. Phase8 invites the same sort of ritualistic interaction Hultén builds into his one off consoles and synth shrines. You can sequence it like a modern groovebox, but it really comes alive when your hands, a pencil, or even a river stone start interfering with those vibrating tines.

Designer: Korg

This whole thing runs on what Korg is calling “Acoustic Synthesis,” which is a fancy way of saying it hits stuff. Under each of those eight steel resonators sits an electromagnetic hammer that physically strikes the bar when triggered. A capacitive pickup then captures the resulting acoustic vibration and sends it back into the synth engine for shaping. It is a completely different path from the usual oscillator-filter-amp chain. The entire unit weighs a solid 1.71kg and measures just 231mm wide, giving it the dense, purposeful feel of a piece of lab equipment, not a lightweight music toy.

That physical interaction model is the entire point. Korg explicitly tells you to pluck, mute, and strum the resonators. They even encourage placing found objects on them to create new textures. An “AIR” slider on the side lets you boost or dampen the raw acoustic response, effectively mixing between the pure electronic signal and the sound of the physical object vibrating in the room. This haptic approach is a clever rebellion against the menu-diving and screen-staring that defines so much modern gear. It demands your physical attention.

Of course, this is a Tatsuya Takahashi project, so the experimental nature is backed by serious engineering. It has a polymetric sequencer, full MIDI and USB-C implementation, and even CV input for talking to modular rigs. At $1,150, it is not an impulse buy, but it also signals that Korg sees this as a proper studio centerpiece. They built an instrument that feels alive because, in a very real sense, its sound generation depends on physical, vibrating matter.

The post Korg Phase8 Is a Cyberpunk Kalimba for Producers Who Are Bored of Regular Synths first appeared on Yanko Design.

Meet The SP40 Restomod Speedster: The Minimalist Carbon Hot Rod Redefining Retro Car Design

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The best custom builds do not just remix old ideas. They ask what those ideas would look like if they were born today, with access to current tools, materials, and manufacturing processes. The SP40 Restomod Speedster is that question answered in carbon and billet. It takes the stance and spirit of a 1930s streamliner, that long, low, purposeful shape built for speed rather than comfort, and reimagines it through the lens of modern coachbuilding. The body is a series of massive, unbroken surfaces. The cockpit is minimal and driver-focused. The whole thing looks like it was designed on a computer, then machined to tolerances measured in microns.

There is a specific audience for this kind of work. People who buy hand-wound watches even though their phones keep better time. People who collect midcentury furniture not because it is trendy, but because the joinery and proportions feel right. People who understand that restraint is harder than excess, and that the best designs are the ones where nothing feels arbitrary. The SP40 sits at the intersection of automotive history and contemporary craft. It is not trying to fool anyone into thinking it is from another era. It is trying to capture what made that era compelling, then execute it with the precision and materials available right now.

Designer: Iconic Auto Sports

You can see that precision in the bodywork, which is almost certainly a full carbon fiber monocoque. Look at the rear clamshell; getting a single piece of carbon that large to lay perfectly without waves or distortion is an engineering feat in itself. This is not kit-car fiberglass with a carbon wrap. This is structural, aerospace-grade material science applied to a shape that feels impossibly organic. The entire car probably weighs less than 950 kilograms, which fundamentally changes how it would drive. All the visible suspension components up front are likely CNC-milled from aluminum, with geometry dialed in using modern kinematic software. It is a level of finish that blurs the line between a car and a piece of kinetic sculpture.

That philosophy carries right into the cockpit, which is a masterclass in tactile design. The gated manual shifter, with its wooden knob, is the centerpiece. It promises a mechanical, deliberate shifting action that modern paddle-shift systems simply cannot replicate. The dashboard is a simple plank of wood with classic analog gauges, a direct rejection of the screen-centric interiors that dominate the industry. Every control, from the toggle switches to the pull-handbrake, feels chosen for its physical feedback. It is a space designed for the act of driving, where your connection to the machine is through direct, mechanical inputs. The Sparco harnesses are not just for show; they are a clear signal of the car’s performance intent.

Underneath it all, the powertrain has to be something modern and potent. The side-exit exhaust and the big opening in the lower front grille point toward a forced-induction setup, probably a compact, high-revving V8. Something like a supercharged LT4 crate engine would provide around 650 horsepower with reliable, accessible torque, turning this lightweight chassis into an absolute weapon. Those wheels are a perfect metaphor for the whole project: they have the solid, functional look of vintage aero discs, but the turbine-like slots and two-tone finish are thoroughly contemporary. This car is a rolling thesis statement, arguing that technology’s best use is not to isolate the driver, but to perfect the analog connection we fell in love with in the first place.

The post Meet The SP40 Restomod Speedster: The Minimalist Carbon Hot Rod Redefining Retro Car Design first appeared on Yanko Design.

The JVC Pyramid TV That Defined Retro Futurism in the 70s Now Wants to Be a LEGO Set

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Before flat screens colonized every wall and surface, televisions had personality. They came in wild shapes and bold colors, designed by people who believed consumer electronics could be sculpture. The JVC 3100R Video Capsule, produced throughout the 1970s, exemplified this philosophy. Its pyramid form and space-helmet aesthetic made it a favorite among collectors of “space-abilia,” that peculiar category of objects inspired by Apollo missions and science fiction films.

Enter DocBrickJones, a LEGO builder who has recreated this vintage icon in remarkable detail. His LEGO Ideas submission captures everything from the angled white body to the frequency gauge on the control panel. The project needs 10,000 supporters to be considered for production, but it’s currently sitting at just over 200. For anyone who appreciates when design took risks, or when LEGO tackles interesting real-world objects, this pyramid-shaped tribute deserves a closer look.

Designer: DocBrickJones

The original 3100R combined a 6-inch black and white CRT screen with an AM/FM radio in a package that could transform. Collapsed into pyramid mode, it functioned as a radio. Truncate that pyramid by opening the top section, and suddenly you had a television. The design language borrowed heavily from the cultural moment: the black and white color scheme echoed Saturn rockets, while the pyramid geometry nodded to San Francisco’s Transamerica Pyramid skyscraper, completed just a year before the 3100R hit shelves. This was 1972, when the Apollo program still dominated headlines and anything vaguely space-themed sold like crazy. JVC understood the assignment.

What makes DocBrickJones’ LEGO version impressive is how he’s translated analog curves and slopes into a medium that fundamentally works in right angles. The angled faces of the pyramid base use carefully placed slope bricks to maintain clean lines. The blue-tiled screen sits recessed behind a dark gray frame, complete with speaker grills and control dials. There’s even a telescoping antenna in light gray and a brick-built power cable trailing from the base. These details matter because they demonstrate an understanding of what made the original compelling: the interplay between smooth surfaces and functional elements, the visual weight of that wide base supporting a delicate screen assembly, the contrast between the pristine white body and the technical-looking control panel.

The current LEGO Ideas lineup skews heavily toward nostalgic tech objects. The Polaroid OneStep camera, the classic typewriter, even the Atari 2600 have all found success by appealing to adults who remember when consumer electronics felt tactile and specific rather than generic and touchscreen. The 3100R fits this pattern perfectly, maybe even better than some approved projects. It represents a specific design philosophy from a specific moment when optimism about technology translated into physical form. You looked at a 3100R and thought about the future, even if that future was technically just watching grainy UHF broadcasts.

LEGO Ideas operates as a democratic platform where fan-created designs compete for official production. Submit a project, gather 10,000 supporters within a set timeframe, and LEGO reviews it for potential manufacturing. The newly minted JVC 3100R build currently sits at 207 votes and needs to hit the 1,000 vote margin to reach the next stage, which means there’s plenty of runway for this design to find its audience. Voting costs nothing beyond a free LEGO account, and successful projects get produced as official sets with the original creator receiving royalties and credit. The platform has launched everything from the Saturn V rocket to the Medieval Blacksmith, proving that niche appeal can translate into mainstream success. If you want to see this space-age pyramid sitting on store shelves next to other design-focused sets, the voting link lives on the LEGO Ideas website. The 3100R deserves a second act, this time in brick form.

The post The JVC Pyramid TV That Defined Retro Futurism in the 70s Now Wants to Be a LEGO Set first appeared on Yanko Design.