Tag Archives: Cameras & Photography

DJI Air 3S review: LiDAR and improved image quality make for a nearly faultless drone

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DJI just announced the dual-camera Air 3S drone and there’s some all-new cutting-edge tech hiding in the nose. A LiDAR sensor is there to provide extra crash protection at night, a time that’s often dangerous for drones.

The Air 3S also has a new main camera with a larger sensor better suited for capturing video in low-light. And it now comes with the company’s ActiveTrack 360, which it first introduced in the Mini 4 Pro, allowing the device to zoom all around your subject while tracking and filming them.

There are a bunch of other little improvements, from storage to the new panoramic photo mode, all at the same $1,099 price as the Air 3 was at launch. To see if it lives up to DJI’s hype, I tested all of its new capabilities, especially the new night-flying obstacle avoidance.

The Air 3S looks a lot like the Air 3 and weighs just 0.1 ounces more at 1.6 pounds. Since it’s over 250 grams, you need a permit to fly it in the US and elsewhere. Unlike the Avata 2 or Neo, the Air 3S is obviously not suited to fly around people, but DJI does offer propeller guards for a bit of extra safety.

The Air 3S’ camera module is larger as well because it holds a new 50-megapixel 1-inch sensor camera with a 24mm f/1.8 lens, up from from the previous model’s 1/1.3-inch sensor. This setup supports 4K recording up to 120 fps and 1080p at 240 fps, along with D-LogM to improve dynamic range. DJI also boosted the maximum ISO to 12,800 for improved light sensitivity. The secondary 70mm (3x) zoom camera is unchanged with a 1/1.3-inch sensor, and it supports the same video specs and color modes as the primary.

The Air 3S is DJI’s latest drone with its ActiveTrack 360 system. Once you start tracking a subject, you can change the camera angle using an onscreen control wheel. The drone will then figure out the best way to change positions while also avoiding obstacles. It does so using six vision (camera) sensors, two downward facing infrared time-of-flight sensors and the new LiDAR.

Another key change on the Air 3S is its 42GB of internal storage, up from 8GB on the Air 3 — something that’ll be handy if you forget a microSD card or fill one quickly. You can transfer files to your PC either by a Wi-Fi connection or the drone’s USB-C port. The wired method now works even if the drone is turned off.

DJI Air 3S review: LiDAR and improved image quality make for a nearly faultless drone
Steve Dent for Engadget

The Air 3S can hit up to 45 mph in sport mode. That’s fast and there’s no obstacle detection with this setting, so you need to know what you’re doing. In normal mode, which does support obstacle tracking, speeds drop down to 23 mph. You get about 12.5 miles of range in the US via DJI’s latest O4 transmission system, or half that in Europe. One small change is that the Air 3S now transmits 10-bit 1080p 60p video rather than 8-bit as before, improving remote video capture quality.

Battery life on the Air 3S is excellent at 45 minutes, which equates to about 38 minutes under working conditions. With the optional Fly More kit that includes three batteries and a charging hub, pilots should be able to fly most of the day. Like the Mini 4 Pro, the charging hub supports power accumulation, so you can transfer energy from the weakest batteries to the strongest for longer flights.

Finally, the Air 3S appears to have the same propeller system as the Air 3 and emits about the same amount of noise. It’s pretty quiet for such a large drone, and once it gets up to around 150 feet, you can barely hear it.

DJI Air 3S review: LiDAR and improved image quality make for a nearly faultless drone
Steve Dent for Engadget

I tested the ActiveTrack 360 function while walking, biking and driving a car to see how it worked at various speeds. When tracking my car at around 20 to 25 mph, it stayed locked on while easily avoiding trees and power lines.

I found a bike trail among some widely spaced trees and another with denser foliage. In the first section, the drone weaved smoothly around obstacles while keeping the bike in frame. After a few minutes, I was confident it wouldn’t crash and was able to focus on creating some cool shots. The drone occasionally hesitated when it encountered obstacles, which spoiled some footage. However, it never crashed or lost track of the bike.

Things weren’t quite as easy on the dense brush trail. When I changed the camera angle, the drone would occasionally pick a bad route, get hemmed in by branches and stop. A few times the propellers knicked leaves or branches, throwing the drone off keel. It never crashed or took any damage, but I replaced the propellers out of an abundance of caution.

DJI Air 3S review: LiDAR and improved image quality make for a nearly faultless drone
Steve Dent for Engadget

That experience taught me that the Air 3S’s sensors can miss small obstacles, so it’s wise to stay away from those situations and use propeller guards if you can’t avoid them. You also need to make sure the drone has enough room to maneuver when using ActiveTrack 360 to change camera angles.

Later, I took the Air 3S out at night to test the LiDAR, flying it up around trees and next to buildings. Previously, this would have been very risky, but the Air 3S successfully detected and avoided all obstacles. This new low-light capability will be especially helpful when you need to bring the drone home in the dark. Keep in mind that the LiDAR only works in the forward direction, so avoid going backwards or sideways at night.

DJI Air 3S review: LiDAR and improved image quality make for a nearly faultless drone
Steve Dent for Engadget

To test the video quality, I shot aerials with the Air 3S, at dawn, in the daylight and at night. With the larger 1-inch sensor, 4K video is more detailed than ever and the camera produces vibrant, accurate colors and nice skin tones. It also does a great job in variable light conditions when using the DLogM setting. That came in handy when I was biking in the forest with a mixture of dappled sunlight and shadows. The 4K 120 fps setting is nice for creating dramatic shots with moving subjects, and there’s no discernible loss in quality compared to the 30p or 60p modes.

The Air 3S promises up to 14 stops of dynamic range, DJI promises, matching high-end mirrorless cameras. That’s impressive for a drone. If things are too bright, DJI includes an ND filter kit to reduce brightness and avoid high shutter speeds that can make video look choppy.

DJI Air 3S review: LiDAR and improved image quality make for a nearly faultless drone
Steve Dent for Engadget

The secondary 70mm-equivalent telephoto camera with a 1/1.3-inch sensor is the same as before and similar to the one on the Mini 4 Pro. To that end, it’s not as sharp as the main camera and not as good in low light. However, DJI tuned it to closely match the main sensor, so it’s now easier to combine shots from each. This camera also supports D-LogM video to boost dynamic range.

The 3-axis mechanical gimbal allows for incredibly smooth footage, which is a hallmark of DJI drones. And if you need to shoot photos, the Air 3S produces sharp and color accurate RAW images that can be manipulated in post for great results.

DJI Air 3S review: LiDAR and improved image quality make for a nearly faultless drone
Steve Dent for Engadget

The $1,099 Air 3S is DJI’s most technologically advanced drone yet thanks to the LiDAR sensor, updated 1-inch camera and ActiveTrack 360 subject tracking. The obstacle detection is a strong point, and though the drone isn’t invulnerable, I felt very safe flying it once I figured out its limitations.

As usual, DJI’s main competition is itself. The Mini 4 Pro is priced at $759 but lacks rear sensors and has inferior image quality. The triple-camera Mavic 3 Pro has a larger sensor that produces a slightly more cinematic image, but it costs $2,199. And of course, you can also look at DJI's Air 3, which has now dropped a bit in price. The only real non-DJI alternative is the $2,099 Autel Evo II Pro 6K (kit), which has just a single 1-inch camera and is also a lot more expensive. 

I think the Air 3S is a better choice than the Mavic 3 Pro for most video creators, because video quality is outstanding and it has superior obstacle detection. If I were a content creator looking for a high-end drone right now, the Air 3S is the one I’d buy.

This article originally appeared on Engadget at https://www.engadget.com/cameras/dji-air-3s-review-lidar-and-improved-image-quality-make-for-a-nearly-faultless-drone-130002876.html?src=rss

Fujifilm’s X-M5 is its first sub-$1,000 camera in years

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Fujifilm has released its first sub-$1,000 camera in a long while and resurrected the 11-year old "M" branding with the $799 X-M5. With that price, it's primarily aimed at photographers on a budget or vloggers looking to step up from a smartphone. Fujifilm cut a few features like a viewfinder (EVF) to get to that price point, but it does have the company's latest 26-megapixel X-Trans 4 CMOS sensor and decent video specs.

For a camera without a viewfinder, the X-M5 should handle pretty well. It has front and back control dials, along with a top setting dial that includes a new "Vlog" mode. It also comes with the same film simulation dial found on the X-T50, to help social media users and creators create cool photos straight out of the camera. 

Fujifilm's X-M5 is its first sub-$1,000 camera in years
Fujifilm

When in vlog mode, you get a full GUI interface on the touchscreen for easy access. That includes things like a "portrait enhancer," background defocus and product priority, much as we've seen on Sony's vlogging products. 

For vloggers, it has a 3-inch, 1.04-million dot fully articulating rear display that's hopefully bright enough to use in sunlight (because, again, no EVF). There are both headphone and microphone ports for vloggers, but they're not located on the left as usual. Instead, Fujifilm placed the 3.5mm mic input on the rear (where the EVF would usually go) and the headphone port on the right side. That's to avoid having the display hit the mic or headphone cable when it flips out, as can happen on other cameras. 

You'll never mistake it for a sports camera, but the X-M5 can shoot 8 fps bursts with the mechanical shutter, or an outstanding 20 fps in electronic mode (both with continuous autofocus). It can capture a decent 82/60 compressed RAW frames in those modes before the buffer fills, again very respectable for such a small camera.

Video is also pretty strong, with 6.2K open gate 3:2 capture, 4K 60p and Full HD at up to 240 fps (these specs match the X-T50 as you may have noticed). There's a bit of crop for 4K 60p (1.18x) and FHD past 120fps (1.29x) but otherwise everything is one-to-one. 

Another thing missing is in-body stabilization so the X-M5 is limited to what the lens provides or electronic stabilization. In the latter mode, there's a minimum 1.32x crop for 4K 30fps video and a significant 1.44x when shooting 4K 60p. The small body also has overheating limitations when using LP (long play) recording, but those can be reduced with a $200 fan attachment. 

Fujifilm's X-M5 is its first sub-$1,000 camera in years
Fujifilm

Other features including three internal microphones that allow for surround sound-like capture, a 9:16 short movie mode for TikTok creators, high-speed movie transfer, up to 440 frames of battery life and a single UHS-I card slot. 

I couldn't understand what Fujifilm was thinking when it released the X-T50 for $500 more than the X-T30 II. Now we know — it's hoping budget buyers will gravitate toward the X-M5 instead. It goes on pre-sale today for $799 and Fujifilm also unveiled the 16-55mm f/2.8 (24-70mm full-frame equivalent) lens selling for $1,199 and XF500mm f/5.6 super telephoto (750mm equivalent) now on pre-order for $2,999. 

This article originally appeared on Engadget at https://www.engadget.com/cameras/fujifilms-x-m5-is-its-first-sub-1000-camera-in-years-140715888.html?src=rss

The best Prime Day camera deals on Sony, Canon, DJI and more

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It's the last day of Amazon's October Prime Day event, and the good news is, there's still plenty of deals on camera and drone equipment. Now is a great time to shop for holiday gifts for that photographer on your gift list, or pull the trigger on a camera or accessory you've been lusting after. 

There are some particularly good offers this year from many of the major brands including Sony, Canon, DJI, GoPro and Fujifilm. And many are pulled from our guide to the best cameras for 2024. You may want to peruse that post for more info as you add items to your cart. Here are the best Prime Day camera deals we could find.

GoPro Hero 12 Black for $299 ($50 off)
Canon EOS R100 with 18-45mm lens for $364 at Walmart ($216 off)
DJI Osmo Mobile SE gimbal for $69 ($20 off)
Sony ZV-1F compact vlogging camera for $398 ($102 off)
Sony ZV-E10 mirrorless vlog camera w/16-50mm lens for $698 ($102 off)
Panasonic G95 mirrorless camera w/12-60mm lens for $650 ($350 off)
Nikon Z8 full-frame mirrorless camera body for $3,497 ($503 off)
OM System OM-5 with 12-45mm f/4 lens for $1,300 ($300 off)

  • DJI Osmo Mobile SE gimbal for $69 ($20 off): This gimbal keeps your smartphone video as smooth as can be with DJI's ActiveTrack 6.0, and includes a magnetic snapping mechanism so you can install your mobile device in seconds.

  • DJI Avata for $499 ($130 off): DJI's original first-person cinewhoop-style drone offers 4K 60p stabilized video and a built-in propeller guard so it's safe around people. 

  • DJI Air 3 Combo (RC 2) for $1,239 ($310 off): While its cameras aren't pro level, the DJI Air 3 offers the Mavic 3 Pro's bells and whistles for half the price. Top features include obstacle detection all around, focus tracking, 4K 120p video and more. 

Follow @EngadgetDeals on Twitter for the latest tech deals and buying advice, and stay tuned to Engadget.com for all of the best tech deals coming out of October Prime Day 2024.

This article originally appeared on Engadget at https://www.engadget.com/deals/the-best-prime-day-camera-deals-on-sony-canon-dji-and-more-091728508.html?src=rss

The best digital frames for 2026

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A digital photo frame shouldn’t be complicated. At its best, it’s just a good-looking screen that can be set up quickly that reliably shows the photos you care about. Unfortunately, that’s not always how things play out. The market is flooded with cheap digital frames that promise simplicity but end up delivering washed-out displays, clunky apps and a frustrating experience — leading you to abandon it after a week.

That’s a shame, because a good digital frame can be really enjoyable. Most of us have thousands of photos sitting on our phones that never make it beyond the camera roll, even though they’re exactly the kind of moments worth seeing every day. A solid frame gives those images a permanent home, whether it’s family photos cycling in the living room or shared albums updating automatically for relatives across the country. We’ve tested a range of smart photo frames to separate the genuinely useful options from the forgettable junk, and these are the ones that are actually worth putting on display.

While a digital photo frame feels like a simple piece of tech, there are a number of things I considered when trying to find one worth displaying in my home. First and foremost was screen resolution and size. I was surprised to learn that most digital photo frames have a resolution around 1,200 x 800, which feels positively pixelated. (That's for frames with screen sizes in the nine- to ten-inch range, which is primarily what I considered for this guide.)

But after trying a bunch of frames, I realized that screen resolution is not the most important factor; my favorite photos looked best on frames that excelled in reflectivity, brightness, viewing angles and color temperature. A lot of these digital photo frames were lacking in one or more of these factors; they often didn't deal with reflections well or had poor viewing angles.

A lot of frames I tested felt cheap and looked ugly as well, which isn’t something you want in a smart device that sits openly in your home. That includes lousy stands, overly glossy plastic parts and design decisions I can only describe as strange, particularly for items that are meant to just blend into your home. The best digital photo frames don't call attention to themselves and look like an actual “dumb” frame, so much so that those that aren’t so tech-savvy might mistake them for one.

Perhaps the most important thing outside of the display, though, is the software. Let me be blunt: a number of frames I tested had absolutely atrocious companion apps and software experiences that I would not wish on anyone. One that I tried did not have a touchscreen, but did have an IR remote (yes, like the one you controlled your TV with 30 years ago). Trying to use that with a Wi-Fi connection was painful, and when I tried instead to use a QR code, I was linked to a Google search for random numbers instead of an actual app or website. I gave up on that frame, the $140 PixStar, on the spot.

Other things were more forgivable. A lot of the frames out there are basically Android tablets with a bit of custom software slapped on the top, which worked fine but wasn't terribly elegant. And having to interact with the photo frame via touch wasn't great because you end up with fingerprints all over the display. The best frames I tried were smart about what features you could control on the frame itself vs. through an app, the latter of which is my preferred method.

Another important software note: many frames I tried require subscriptions for features that absolutely should be included out of the box. For example, one frame would only let me upload 10 photos at a time without a subscription. Others would let you link a Google Photos account, but you could only sync a single album without paying up. Yet another option didn't let you create albums to organize the photos that were on the frame — it was just a giant scroll of photos with no way to give them order.

While some premium frames offer perks like unlimited photos or cloud storage, they often come at a cost. I can understand why certain things might go under a subscription, like if you're getting a large amount of cloud storage, for example. But these subscriptions feel like ways for companies to make recurring revenue from a product made so cheaply they can't make any money on the frame itself. I'd urge you to make sure your chosen frame doesn't require a subscription (neither of the frames I recommend in this guide need a subscription for any of their features), especially if you plan on giving this device as a gift to loved ones.

For a frame with a nine- or ten-inch display, expect to spend at least $100. Our budget recommendation is $99, and all of the options I tried that were cheaper were not nearly good enough to recommend. Spending $150 to $180 will get you a significantly nicer experience in all facets, from functionality to design to screen quality.

Yes, as long as you know what to expect. A digital picture frame makes it easy to enjoy your favorite shots without printing them. They’re especially nice for families who want to display new photos quickly. The key is understanding the limitations. Some frames have lower resolution displays or need a constant Wi-Fi connection to work properly, so they’re not a perfect replacement for a high-quality print on the wall. But if you want a simple way to keep memories on display and up to date, they’re a solid choice.

Most modern digital frames let you do this, but it depends on the model. Many connect to Wi-Fi and use apps, cloud storage or email uploads, so you can add photos from your phone no matter where you are. Some even let family members share directly, which is great for keeping grandparents updated with new pictures. That said, a few budget models only work with USB drives or memory cards, so check how the frame handles uploads before buying.

Georgie Peru contributed to this report.

This article originally appeared on Engadget at https://www.engadget.com/home/smart-home/best-digital-frame-120046051.html?src=rss

Raspberry Pi built an AI camera with Sony

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AI enthusiasts who like the Raspberry Pi range of products can rejoice, as the company is now announcing its new Raspberry Pi AI Camera. This product is the result of the company’s collaboration with Sony Semiconductor Solutions (SSS), which began in 2023. The AI Camera is compatible with all of Raspberry Pi’s single-board computers.

The approximately 12.3-megapixel AI Camera is intended for vision-based AI projects, and it’s based on SSS’ IMX500 image sensor. The integrated RP2040 microcontroller manages the neural network firmware, allowing the camera to perform onboard AI image processing and freeing up the Raspberry Pi for other processes. Thus, users who want to integrate AI into their Raspberry Pi projects are no longer limited to the Raspberry Pi AI Kit.

The AI Camera isn’t a total replacement for Raspberry Pi’s Camera Module 3, which is still available. For those interested in the new AI Camera, it’s available right now from Raspberry Pi’s approved resellers for $70.

This article originally appeared on Engadget at https://www.engadget.com/computing/accessories/raspberry-pi-built-an-ai-camera-with-sony-165049998.html?src=rss

Fujifilm GFX100S II review: Outstanding performance at a reduced price

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Fujifilm’s original GFX100S was a popular alternative to the GFX100, as it offered the same picture quality in a slimmer body at a much lower price. It did have some flaws, though, most notably its autofocus that didn’t always keep up with the subject. In a similar vein, the company recently released the $5,000 GFX100S II as a smaller and cheaper alternative to the $7,500 flagship GFX100 II. It looks much the same as before, but has an updated sensor, processor, autofocus and more.

Both cameras are clearly aimed at pros, but is the GFX100 II worth the extra $2,500, or is the S model fine for most? 

Body

At 1.9 pounds, the GFX100S II weighs an ounce less than its predecessor and its body's design and controls are nearly the same. As before, it comes with a mode dial and focus selector switch, dual control dials, drive select buttons and a quick menu. On top is a small, always-on display that shows settings, simulated mode dials and a histogram. That way, you can see all your key settings when shooting at hip level.

It feels a lot more like a mirrorless than a classic medium format camera. It handles well, but after spending time with both models, I prefer the GFX100 II’s larger body and extra controls, even though it's five ounces heavier.

Fujifilm GFX100S II review: Outstanding performance at a reduced price
Steve Dent for Engadget

The rear 3.2-inch, 2.36-million-dot-display is unchanged, tilting up, down and to the right, but it doesn't flip out. However, Fujifilm boosted the viewfinder’s resolution to 5.76 million dots, so it’s noticeably sharper than the last model’s 3.69-million-dot EVF.

The GFX100S II includes dual SD UHS-II card slots but lacks a high-speed CFexpress port like the GFX100 II. Though it uses the same battery as before, it can now shoot 540 photos on a charge, up from 530. Other features include USB-C, mic and headphone ports, along with a micro HDMI connection. A new feature is USB-SSD connectivity that allows for faster burst shooting and ProRes video capture.

Fujifilm GFX100S II review: Outstanding performance at a reduced price
Steve Dent for Engadget

The GFX100S II does shoot faster than its predecessor at up to 7 fps compared to 5 fps in mechanical shutter mode. Without a fast CFexpress card, though, you can only capture about 30 compressed RAW frames before the buffer fills. There’s also a slight image quality penalty as the camera downshifts from 16- to 14-bit RAW images when shooting bursts. Fortunately, most of the frames are likely to be sharp thanks to some big autofocus improvements. Even with the faster burst speeds, I noticed a large boost in the percentage of sharp photos when shooting quick moving subjects.

The AF improvements don’t end there. AI face and eye tracking is smarter and more accurate, meaning your subject's eye and not their eyelash is more likely to be in focus — something that’s critical with 100 megapixels of resolution. Fujifilm also introduced new subject tracking modes for animals, birds, automobiles, motorcycles, bicycles, airplanes and trains.

In-body stabilization also gets an upgrade, with eight stops in shake reduction compared to six before. That allows you to capture dimly lit scenes or blur movement at shutter speeds as low as a half second, without the need for a tripod. As with the previous model, rolling shutter distortion is a real problem with this camera in electronic mode, so neither you nor your subject can move much when using it. Otherwise, you’ll get some nasty skewing that will ruin your photo.

For pro photographers who can afford it, the GFX100S II offers unmatched image quality. The 100-megapixel sensor delivers pin-sharp photos and 16-bit RAW pixel depth that delivers 14 stops of dynamic range, beating most other mirrorless cameras. That means you can shoot in very dark, bright or contrasty conditions and retain detail in all parts of the photo.

Fujifilm’s color science is ideal for portrait work, with accurate and pleasing skin tones. The level of detail means prints can be blown up to very large sizes, nearly 40 x 30 inches at 300 pixels per inch (PPI). The resolution and precision color rendering also makes it ideal for landscape photography, art archival work and more.

The outstanding RAW quality lets photographers perform detailed post-production work without hurting image quality, even on shots not exposed correctly. In low-light, you’ll start to see a fair amount of noise above ISO 8000 or so. However, a lot of that grain disappears when you shrink those 100-megapixel images down to a more reasonable size.

Fujifilm GFX100S II review: Outstanding performance at a reduced price
Nathanael Charpentier for Engadget

At the same time, JPEG images are outstanding straight out of the camera. Like other Fuji models, the GFX100S II comes with an array of film simulations, from the new Reala Ace to Velvia, Acros and others. Most pro photographers like to tweak their images, but many may shoot both RAW and JPEG with film simulations so they can show their clients something right away and make detailed adjustments later on.

Unlike the more expensive GFX100 II, video is a weak point with this camera. Resolution is limited to 4K 10-bit, and while there’s no cropping, there’s considerable pixel binning that reduces sharpness. You can capture 10-bit 4:2:2 ProRes video at up to 30fps, though that entails hooking up an SSD drive. There aren’t really any slo-mo modes, as both 4K and 1080p recording are limited to 60fps.

While video lacks the sharpness seen on other mirrorless cameras like the Sony A1, color rendering is excellent. You can also improve dynamic range by shooting in Fujifilm’s FLog or FLog2 modes and applying a LUT later on in post.

Rolling shutter in video mode is reduced compared to photos because of the pixel binning, but you still need to be careful not to move the camera too much to avoid excessive wobble and skewing. The in-body stabilization is only effective for handheld shooting without much movement. If you try to walk while vlogging, you’ll see some severe jolts. All told, I’d say the Fujifilm GFX100S II is mostly a photo camera, with video available for emergency use only.

Fujifilm GFX100S II review: Outstanding performance at a reduced price
Steve Dent for Engadget

The $5,000 Fujifilm GFX100S II gives professionals outstanding picture quality at a significantly reduced price over the $7,500 flagship GFX100 II. It even goes beyond what buyers might expect by offering fairly quick burst shooting with autofocus that’s much more reliable than on the original GFX100S. Video isn’t a strong point, but that won’t be important for its target market.

The GFX100S II is also the cheapest camera in the mainstream medium format space, with its primary competition being either the GFX100 II or Hasselblad’s $8,200 X2D100C. I’d highly recommend it for portraits and other types of shooting where detail is key. However, burst speeds and autofocus still aren’t quite good enough in fast moving scenarios.

Those who need more speed and reliability for things like weddings or live events would be better off with high-resolution full-frame models like the $3,700 Nikon Z8, $6,500 Sony A1 or Canon’s new $4,300 EOS R5 II.

This article originally appeared on Engadget at https://www.engadget.com/cameras/fujifilm-gfx100s-ii-review-outstanding-performance-at-a-reduced-price-153020497.html?src=rss

DJI launches the Action 5 Pro camera with subject tracking and improved video

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DJI has been chipping away at GoPro's action cam dominance and just took another big step with the launch of the Action 5 Pro. With a new "next-gen" sensor, it promises improved video quality, along with extended battery life, bigger displays and a new feature, subject tracking and centering. 

The 1/1.3-inch sensor is the same size as the one on the Action 4, but DJI says it now boasts 13.5 stops of dynamic range, "making it the first action camera with specs that rival professional cameras." Maximum photo resolution is 40 megapixels (MP), up from 10MP on the Action 4. The lens has the same 155 degree field of view and f/2.8 aperture as the last model.

DJI launches the Action 5 Pro camera with subject tracking and improved video
Steve Dent for Engadget

You can shoot 4K at up to 120p in 16:9 as before, but it now supports 4K 120p capture at 4:3 (3,840 x 2,880 pixels) — so slow ultra-slow-mo can be captured to the entire sensor if you want to crop the image later. Resolution is still capped at 4K UltraHD, though, where the GoPro 13 supports up to 5.3K 8:7 (5,312 x 4,648) capture, giving users more cropping options.

Moreover, it supports 1080p capture at up to 240fps, and can accelerate that to an eye-ripping 960fps by using frame extrapolation (making up fake frames out of real ones). 

As before, images can be recorded in 10-bit D-Log M and HLG to boost dynamic range. DJI says you can shoot "high-dynamic, low-light video" at 4K/60fps to retain shadow details without overexposing highlights. It also comes with a SuperNight mode that uses AI noise reduction to yield relatively clean video in low light.

DJI launches the Action 5 Pro camera with subject tracking and improved video
Steve Dent for Engadget

The new 1950mAh has a higher capacity than the previous 1770mAh model, which allows for up to 4 hours of continuous use or around 50 percent more than before (the Action 5 Pro can still use the previous model's batteries, too). Also helping that is a new 4nm chip and algorithm that optimizes for energy savings. "Even in temperatures as low as -20° C (-4°F), the camera can reliably record video for up to 3.6 hours," DJI adds.

A key new feature is subject centering and tracking that lets creators shoot without a gimbal. As with other DJI products (ActiveTrack on drones), it intelligently detects a subject's position and dynamically adjusts the composition to keep the subject centered in the frame. This is done digitally, obviously, and resolution is reduced to 2.7K — but it could still be a great benefit for extreme sports and other creators. As before, it offers "robust stabilization" and HorizonSteady that keeps the camera level through 360 degrees of motion.

DJI launches the Action 5 Pro camera with subject tracking and improved video
Steve Dent for Engadget

The Action 5 Pro is EN13319 certified to be waterproof without a case down to 20m (66 feet), 2m more than before. It can start recording automatically as soon as you're underwater and comes with an interesting new feature: a pressure gauge to record underwater depth, duration and altitude data to ensure user safety. 

Though the body is the same size as before, both OLED screens are larger thanks to smaller bezels, up 16 percent. The larger rear screen is now 2.5-inches diagonally, up from 2.25 inches and the largest on any mainstream action cam, according to DJI. As before, the Action 4 works with the DJI Mic 2 for high-quality sound recording and you can simultaneously use the built-in mic for ambient sound. 

DJI launches the Action 5 Pro camera with subject tracking and improved video
Steve Dent for Engadget

Another nice addition is 47GB of built-in storage and 80MB/s transfer rates via Wi-Fi 6.0 or USB 3.0. Other features include an updated Mimo app, Wi-Fi livestreaming, timecode for multiple camera syncing and a pre-record feature.

I've had the Action 5 for a short time and it largely resembles the previous model, other than larger power and record buttons, a different internal mic opening and a hole at the bottom for the pressure sensor. Other features like the magnetic mount are carried over from the Action 3. The improvements look promising, so stay tuned for a more detailed review (where I hopefully won't wreck my face). 

DJI Action 5 Pro action camera
Steve Dent for Engadget

Perhaps the best news about the Action 5 is that it's cheaper than the Action 4 at $349 in the Pro Combo package that includes the camera and one battery, a protective frame, quick-release adapter mount and more. The Action 5 Pro Adventure Combo adds two more batteries and a charger along with a 1.5m extension rod for $449. Both are now available at DJI's store and most authorized retail partners. 

This article originally appeared on Engadget at https://www.engadget.com/cameras/dji-launches-the-action-5-pro-camera-with-subject-tracking-and-improved-video-130006706.html?src=rss

The GoPro Hero 13’s biggest upgrades are on the outside

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GoPro’s latest action cam has officially broken cover, after a few leaks spoiled some of the surprises. With the Hero 13 Black, the company is bolstering its position as the go-to action cam with more versatility and features aimed at high-level users who’ve probably owned a GoPro or two for years. GPS is back, the battery is bigger and there are upgrades to slow-motion capture and more, but the big news might be outside of the camera unit itself.

The biggest upgrade may be the new family of modular lenses it’s calling the HB Series. In addition to ultra-wide, anamorphic (unfortunately not ready for testing) and macro, GoPro is introducing an ND (neutral density) filter four-pack, aimed at amping up motion blur.

GoPro Hero 13 Black lenses and ND filters
Photo by Mat Smith/Engadget

If you’re a GoPro fan, you’re probably aware that the company has already dabbled in filters with the Max Lens Mods for the Hero 12, but the company has taken it a lot further here. All the new HB-Series lenses are waterproof and compatible with GoPro’s HyperSmooth video processing. Crucially for non-professionals, the Hero 13 Black will automatically adjust camera settings, including resolution, frame rate and even your Protune settings to match what's attached. This means you may be locked out of certain capture modes, frame rates or resolutions if the lens isn’t compatible. But that’s preferable to recording something special with a lens, only to discover afterward that it looks like a mess or cropped the best parts out. 

Depending on how you plan to use your new GoPro, some lenses will offer more utility than others. While I’ve only had the camera for a few days, the Ultra Wide Lens ($100) seems like the most tempting addition. With a new 1:1 aspect ratio, it means you can decide whether your video is vertical or horizontal after capture. The lens expands the field of view to 177 degrees and can still capture 4K at 60fps. During my testing, I liked the flexibility to use footage in both orientations, and not having to fuss so much about framing.

If you’re looking at the Hero 13 Black as an additional camera for interesting cutaway shots and close-ups, the Macro Lens ($130) might tempt you. With a minimal focus distance of 11cm (4.3 inches), that’s four times closer than the GoPro’s original lens. This lens also includes its own rotating ring to hone in on the right focal length. (There’s even a focus peaking option, hidden away in Protune settings).

During GoPro’s presentation, it was the Anamorphic Lens Mod ($130) I was most intrigued by, but I’ll have to wait to test that out. Able to capture video with a 21:9 aspect ratio, it’s pitched as a lens for “professional-level artistic filmmaking.”

The footage is de-squeezed while being captured, making for easier editing. (De-squeezing is the process of correcting any oval-shaped image distortion caused by anamorphic lenses.) I like the notion of an action-cam cropping those mushy stretched edges for punchier footage. Plus, it’ll capture lens flares, too.

When it came to ND filters, I found them challenging to work with in the past, even when they were built into traditional cameras. This is where GoPro’s auto-detection makes a lot of sense. Alongside adjustments to shutter speed to suit the filter and available light, the Hero 13 Black will even indicate arrows if it thinks a stronger (or weaker) ND filter would be better within the four-pack ($70). However, you can’t combine these HD-series accessories, so you can’t use an ND filter with the Macro lens, for example. There’s a new “AutoCinematic” shutter option to optimize motion blur while holding onto image stabilization, while a Motion Blur Protune option lets you tweak exactly how much blur you want.

So what about the camera itself? The Hero 13 Black has a 10-percent bigger battery than its predecessor and can capture around one and a half hours of 4K video at 30fps. There’s also improved thermal performance both when it’s static or moving with airflow. GoPro says the new camera has longer runtimes in both hot and cold environments, claiming that some of the biggest improvements will come if you’re used to capturing in 10-bit video, another nod to pro users.

GoPro Hero 13 Black hands-on
Photo by Mat Smith/Engadget

GoPro has boosted ultra-slow-motion capture to 400 frames per second at 720p resolution. However, this is burst capture, limited to 15 seconds of real-time recording. At its maximum resolution of 5.3K, the Hero 13 Black can capture 120fps for up to five seconds. The Hero 13 Black also supports Hybrid Log Gamma (HLG), an industry-standard HDR format that should yield the highest dynamic range yet on GoPro video.

As I teased earlier, GPS is back, too. This means you’ll be able to search for footage based on location, but the camera can capture telemetry data like speed, path and altitude, pulling that data into your video file. You can then bring this stuff to life with overlay graphics added through GoPro’s Quik app.

There are a lot of smaller, useful UI improvements and upgrades. I won’t touch on all of them, but the most notable may be compatibility with AirPods and other wireless headphones over Bluetooth. The Hero 13 black can capture sounds in a Standard Audio Mode, what GoPro calls “balanced, true-to-life sound,” or there’s a Voice Audio Mode to prioritize speech. With WiFi 6 compatibility, you can also transfer your videos and shots up to 40 percent faster to your smartphone. That’s a true quality-of-life upgrade you’ll notice immediately if you’ve ever had to wait around for files to transfer from action cams (or any camera) over WiFi.

If you’re used to extended shooting (or time-lapse capture), the Hero 13 Black’s new Contacto magnetic door and power cable could be very useful, too. With a pogo-pin style latch, the cable can charge or power the camera from external USB-C battery packs or an adapter plugged into the wall. Notably, it will power the camera even if there’s no battery inside.

GoPro has also decided to add a third mount, a magnetic latch system that works with several new mounts (sold separately). If you’re not here for the peripheral upsell, however, there are still fold-down mounting fingers for extra-secure installation and the standard 1/4-20 mounting threads for your existing tripods and mounts. I love the new magnetic mounts, but now I want one for my tripod, one with a clamp, one for everything. (In the company’s defense, its newest camera is compatible with over 60 GoPro mounts and accessories. It has identical proportions to the Hero 12 Black.)

GoPro Hero 13 Black hands-on
Photo by Mat Smith/Engadget

If you were hoping for a 1-inch sensor you’ll have to wait a little longer. Current GoPro users may be slightly disappointed by what seems to be the same camera sensor. Many devotees online hoped for a larger sensor to boost low-light performance and picture quality. A lot of the upgrades and additions here seem aimed at high-level users, but it’s those same people hoping for a substantial hardware upgrade beneath all the UI improvements and peripheral additions.

The Hero 13 Black is priced at $400 for the standalone camera, while a Creator Edition ($600) bundles the camera with a Volta Power Grip, Media Mod and Light Mod. The company has teased more bundles that will combine its new camera with lenses and other accessories.

All are available for preorder today at GoPro.com and will ship on September 10.

This article originally appeared on Engadget at https://www.engadget.com/cameras/gopro-hero-13-black-release-date-price-hands-on-impressions-130027978.html?src=rss

The best instant cameras for 2026

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Instant cameras have become a popular category for one simple reason: they’re fun. You can whip one out at a party or event and take a snap, then a couple of minutes later you have a real, physical, instant photo that everyone can touch, feel and enjoy instead of staring at a screen. It’s also a lot cooler than a smartphone shot thanks to the retro, nostalgic vibes of analog photography.

Given the large number of camera brands on the market, choosing one can be tricky. That’s why we’ve put together this buying guide that will help you choose the best instant camera for you based on factors like price, instant film size, photo quality and more.

The main factor for most people is the size of the film. When most people think of retro instant cameras, they think of a square image size. That’s why Instagram, which used to have a Polaroid-like app icon, only supported square images for years. If that’s what you want, then Fuji’s Square or either of Polaroid’s formats are best.

However, if you want as large an image as possible, Fujifilm’s Instax wide is the way to go. For those who prefer a smaller size to pin on their fridge or slip in an envelope (or the cheaper film), Fujifilim’s Instax Mini or Polaroid’s Go format are best.

With that in mind, here are the choices. Fujifilm’s Instax alone offers three formats: Mini, Square and Wide, with film sizes of 3.4 x 2.1 inches, 3.4 x 2.8 inches and 3.4 x 4.3 inches. The corresponding image sizes are 2.44 x 1.81 inches, 2.44 x 2.44 inches and 2.44 x 3.9 inches.

Leica’s Sofort 2 and Lomography models also uses Fujifilm’s Mini format, while Polaroid’s smaller Go format is 2.64 x 2.13 inches (1.81 x 1.83-inch image) and its i-Type size is 3.46 x 4.21 inches, with a square image size of 3.11 x 3.11 inches.

As for prices, Fujifilm’s Instax films are generally around $1 - $1.20 per shot for square or wide color film and $.60 - $.75 for mini color film. Those prices go up a bit if you choose custom models with colorful or patterned borders, and down if you buy in bulk. Polaroid’s i-Type film is a bit more at about $2.00 per shot or $1.00 - $1.35 per shot for Go color film.

Image quality isn’t really the point with instant cameras of course, as they’re always going to be fuzzy compared to digital photos. However, some models (notably Fujifilm and Polaroid models) are a bit better than others.

And in terms of pricing for the cameras themselves, models with larger film are generally more expensive. It also increases if you add hybrid features like USB-C connectivity, smartphone sharing, the ability to print out photos and more, along with niceties like a selfie mirror. The best, most feature-laden cameras can cost upwards of $200 and basic versions can be well under $100.

This article originally appeared on Engadget at https://www.engadget.com/cameras/best-instant-camera-120034778.html?src=rss

iPhone camera app Halide has an ‘anti-intelligent’ mode to make shooting with RAW easier

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Halide is one of the best camera alternatives for the iPhone, a lovingly-crafted app that gives users plenty of manual control over the images they take. And today they just pushed out a major update with an intriguing proposition: an “anti-intelligent” camera.

Of course, more advanced digital photographers will already be familiar with the RAW format, something Halide (and basically all digital camera makers) have offered for years now. RAW simply means you’re getting every bit of data straight from the camera’s sensor, with few modifications or enhancements. The iPhone (and, again, most other digital cameras) typically store photos in a compressed format to save space and with a variety of enhancements applied to make the image look great as soon as you click the shutter.

So Halide’s new format, which they’re referring to as “Process Zero,” is the app’s attempt to make RAW a little more user-friendly. When you open the app, you can choose from three settings: ProRAW (Apple’s custom RAW format that does apply some of the company’s image modifications), Apple Processed (which applies the same computational photography tricks that you’ll get when shooting with Apple’s default camera app) and Process Zero.

The left image is captured in Apple's ProRAW format, while the right is captured with Halide Process Zero.
The left image is captured in Apple's ProRAW format, while the right is captured with Halide Process Zero.
Halide

Process Zero gives you a RAW file that you can then apply a quick image brightness adjustment to. One of the big benefits from shooting RAW is that you have wide latitude in brightening up a dark image, or toning down one that is blown out. After you make this adjustment, Halide saves the RAW plus brightness adjustment in a new JPEG file that you can then easily export to other apps like Instagram, VSCO, Lightroom, or whatever image editing tool you choose.

The idea here is to let photographers capture RAW images without the computational and algorithmic changes that Apple makes and then easily do something with those photos. So, when you shoot in Process Zero mode, the phone is taking just one image — unlike the Apple camera, which shoots multiple photos and combines them to make a more balanced result. So while that might lead to an image with more noise and with some darker or lighter areas, it can also be significantly sharper and capture more detail than Apple’s process. Halide posted a detailed blog with tons of info on how this all works, complete with examples, and I highly recommend you check it out if you’re curious.

The Halide team also mentioned that the company is working on a Mark III of their app. But unlike Mark II, which arrived with a ton of new features, they’re planning to early-launch some Mark III features to gather feedback; Process Zero is just the first of those. And if you’re curious to check out these RAW capture updates alongside whatever else is in the works, you can get a yearly subscription to Halide for $12 right now, down from the usual $20 price. (If you hate subscriptions, you can also buy Halide Mark II and the eventually III release outright for $60.)

This article originally appeared on Engadget at https://www.engadget.com/apps/iphone-camera-app-halide-has-an-anti-intelligent-mode-to-make-shooting-with-raw-easier-211802575.html?src=rss