“Adaptive Reuse” Housing in NYC Reshapes Aging Brick Superblock Into An Interconnected Society

Cities have gotten very good at stacking people on top of each other and very bad at getting those people to actually interact. High density housing solves a real estate problem while quietly creating a social one, isolating seniors on one floor and young families on another with nothing but an elevator connecting them. Architect Yi Lu looked at this fragmentation and asked what it would take to reverse it without bulldozing the buildings already holding millions of people. Her answer, submitted to the A’ Design Award, treats an aging superblock not as a liability but as raw material for a new kind of social infrastructure. It is ambitious, a little sculptural, and grounded in something most housing renewal proposals ignore entirely.

The project, titled The Intergenerational Commons, targets Stuyvesant Town, New York City’s massive postwar housing development, as its test case. Lu’s proposal keeps roughly 75 to 85 percent of the existing floor area as housing while converting the rest into a revitalized podium, rooftop kindergartens, and a network of terraces threading through the brick shell. The renderings have a strange, compelling silhouette to them, cylindrical brick towers twisting up past staggered floor plates, like Michel de Klerk got handed Frank Gehry’s sketchbook. A horizontal community spine activates street level life, while stairs, lifts, and terraces stitch the floors together into what Lu describes as a continuous social landscape. The result looks sculptural from the outside and feels intentional from within, which is a harder balance to strike than either quality on its own.

Designer: Yi Lu

Stuyvesant Town was built as postwar efficiency housing, rows of near identical brick towers designed to move people through the city’s housing shortage as fast as possible. That efficiency came at the cost of any real social texture, and decades later the superblock reads as functional but flat, a place people live rather than a place people encounter each other. Lu’s retrofit does not fight that brick language so much as bend it, pulling curved, tower-like volumes out of the existing grid and letting them collide at odd angles. Load-bearing steel reinforcement and reversible insertions allow the new geometry to sit on top of the old structure without gutting it. The brick stays, but its logic changes completely, from repetition to rupture.

A standardized kit of parts, built around 3,600 millimeter modular bays and lightweight steel framing, lets construction happen in phases without displacing current residents, a constraint that kills most ambitious renewal proposals before they leave the page. Bolt on terraces extend outward from the existing brick shell, adding outdoor space that the original superblock never had. A 1,200 square meter community hub anchors street level activity, while stacked shared terraces and a 300 millimeter green roof system carry that social infrastructure upward through the building. None of it requires the wholesale demolition that usually accompanies large scale housing renewal.

The interesting part is how Lu orchestrates ‘intergenerational’ overlapping zones, connecting seniors and children rather than the more common strategy of designating separate zones for each. Rooftop kindergartens sit close enough to senior learning spaces on the revitalized podium that informal encounters happen without anyone having to schedule them. Interaction stays optional throughout, preserving privacy for residents who want it while making mutual support available for those who do not. That flexibility separates the proposal from the well-meaning but rigid intergenerational housing models that came before it. Whether a project this structurally ambitious ever gets built at Stuyvesant Town is a separate question from whether it should, and Lu’s entry makes a genuinely compelling case for the second one.

The post “Adaptive Reuse” Housing in NYC Reshapes Aging Brick Superblock Into An Interconnected Society first appeared on Yanko Design.

A Sustainable Circular Home that displays Discarded Toys on the Walls as Unique Decor

Architecture is more than just bricks and mortar; it’s a canvas for expressing cultural nuances, socio-cultural issues, and environmental concerns. From the grandeur of Romanesque cathedrals to the intricate designs of Gothic structures, architecture has long served as a medium of storytelling. In contemporary times, architects continue to push boundaries, as exemplified by architecture studio Wallmakers’ latest creation: Toy Storey, a circular home nestled in the verdant landscapes of Kerala, India.

Designer: Wallmakers

Established by Daniel in 2007, Wallmakers has earned acclaim for its innovative approach to design. However, their latest project takes innovation to a whole new level. Toy Storey isn’t just a residence; it’s a living monument to nostalgia, childhood, and environmental consciousness.

The concept behind Toy Storey is simple yet profound: repurpose discarded toys as structural components and decorative elements within the home’s walls. Approximately 6,200 toys, considered unsuitable for recycling, find new life in this unique dwelling. Plastic, a ubiquitous material in today’s world, particularly in the realm of toys, takes on a new identity, serving as a reminder of simpler times and prompting reflection on our consumption habits.

Located in Vadakara, North Kerala, Toy Storey’s design is deeply rooted in its surroundings. The circular layout, accessible from every side with a verandah supported by toys and old Mangalore tiles, harmonizes with the local landscape. The use of compressed stabilized earth blocks (CSEB) and Mangalore tiles, alongside toys, creates a visually striking facade that blends tradition with contemporary sensibilities.

The architectural ingenuity doesn’t end with the exterior. Inside, Toy Storey is a testament to thoughtful design and community-centric living. Divided into public and private segments, the home fosters a sense of togetherness while respecting the need for personal space. Japanese-style shoji screens serve as translucent partitions, allowing light and visual connectivity to permeate the interior.

The incorporation of a central courtyard and composite CSEB-Toy Jaali wall enhances cross ventilation and insulation, ensuring a comfortable living environment year-round. Additionally, a secluded basement level, accessed via a central staircase, offers space for a library and bedroom, further enriching the home’s functionality.

Toy Storey isn’t just a dwelling; it’s a conversation starter. It challenges conventional notions of architecture and consumption, urging us to rethink our relationship with the built environment and the objects that inhabit it. In a world saturated with disposable goods, Toy Storey stands as a beacon of sustainability and creativity, reminding us that even discarded items can find new purpose and meaning.

As Toy Storey demonstrates, architecture has the power to transcend mere functionality and become a reflection of our values, aspirations, and collective memories. In repurposing childhood relics to create a home, Wallmakers has not only crafted a physical structure but also woven a narrative that resonates with people from all walks of life. In the heart of Kerala, Toy Storey stands as a testament to the potential of architecture to inspire, provoke, and delight.

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