This Dinosaur-Shaped Cat Bowl Reimagines Feeding as a Thoughtful Daily Ritual

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In a market saturated with look-alike pet products, the Decopark Dino Bowl stands out by asking a deceptively simple question: What does feeding actually look like, for both cats and their humans? From that question emerges a ceramic object that blends ergonomics, storytelling, and quiet functional innovation into a single, memorable form.

At first glance, the Dino Bowl reads as charming and whimsical. Its silhouette resembles a small dinosaur mid-stride, with its neck arched forward and its spine visible along the back. However, this visual identity is not decorative excess; it is a design serving multiple purposes simultaneously. The bowl’s cylindrical form is bent at the center to create a slanted feeding surface, improving a cat’s eating posture. The “spine” at the back, meanwhile, is not just an aesthetic flourish: it is a fully integrated stir stick, transforming a playful metaphor into a practical tool.

Designer: Xueyong Liang

The designers behind the Dino Bowl began with observation. Research revealed two critical gaps in existing ceramic pet bowls: visual homogeneity and a lack of consideration for real feeding routines. Many cat owners regularly feed canned food, which requires mixing, yet most bowls offer no solution for this step. The result? Extra tools, cluttered countertops, and frequently misplaced stir sticks.

The Dino Bowl addresses this head-on by merging bowl and tool into one cohesive unit. The attached stir stick slots neatly into an insertion hole at the rear of the bowl, always returning to the correct orientation regardless of how it is placed. During feeding, it assists with mixing; afterward, it wipes clean and stores seamlessly back into the form. No extra parts, no visual disruption.

This integration is where the project’s core innovation lies: recognizing that usability is not just about the primary function (holding food), but about the entire micro-ritual surrounding it. Material choice plays a crucial role in translating this idea into a durable object. The bowl itself is made from high-temperature fired ceramic, giving it weight, stability, and a premium tactile quality. At 1kg, the bowl resists sliding during use, another subtle nod to feline behavior. The stir stick, crafted from PP, balances durability with ease of cleaning.

Designing a slanted ceramic rim, however, introduced a technical challenge. During firing, asymmetrical forms are prone to deformation. To counter this, the designers engineered a double-layer rim structure, reinforcing the edge while preserving the intended silhouette. Multiple iterations were required to refine both the curvature of the bowl and the fit between the stir stick and its housing, ensuring harmony not only in appearance but also in manufacturing reliability. The result is a one-piece ceramic form that feels intentional from every angle, cute, yes, but also structurally resolved.

Pet products occupy a unique space in design: they must satisfy animals ergonomically while appealing emotionally to humans. The Dino Bowl leans into this duality. User research indicated that owners are strongly drawn to playful shapes, especially in objects that live openly in the home. By referencing a dinosaur, an instantly recognizable, almost universally beloved figure, the bowl becomes more than a utility item. It becomes a character.

Yet the designers were careful not to let novelty overpower function. Every line, proportion, and junction was calibrated to maintain unity between bowl and stir stick, ensuring the product reads as a single, holistic object rather than an accessory-laden gimmick. With overall dimensions of 168 × 140 × 164 mm and a bowl capacity of 115 ml, the Dino Bowl is compact yet substantial, suited to everyday feeding without overwhelming a space. More importantly, it demonstrates how even the most ordinary household objects can be reimagined through careful attention to behavior, context, and form.

The post This Dinosaur-Shaped Cat Bowl Reimagines Feeding as a Thoughtful Daily Ritual first appeared on Yanko Design.

LG will debut its first Micro RGB television at CES

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LG is getting in on one of the newest trends for televisions with the introduction of Micro RGB. The company will unveil the LG Micro RGB evo at CES 2026, but it shared some preliminary information about the screen today.

Micro RGB is a newer screen technology where rather than white lights, the backlight can be any hue thanks to individually controlled red, green and blue Micro LEDs, offering a wider color array. This approach is a mid-way point between the precision of OLED with its individual pixel lighting, but it offers an upgrade over screens only using mini LEDs.

The television is also equipped with an upgraded engine for AI upscaling. According to the company's press release, the LG Micro RGB evo is certified by Intertek for 100 percent color gamut coverage in BT.2020, DCI-P3, and Adobe RGB. The TV has more than a thousand dimming zones for brightness control.

The few other brands currently using micro RGB are charging a pretty penny for it; the one announced by Samsung earlier this year costs $29,999. At 115 inches, the Samsung version is also much larger than LG's offerings, which include options at 100 inches, 86 inches and 75 inches. Although the size is reduced, expect the eventual prices for the LG Micro RGB evo to also be very expensive.

This article originally appeared on Engadget at https://www.engadget.com/home/home-theater/lg-will-debut-its-first-micro-rgb-television-at-ces-010037923.html?src=rss

The Miami Tiny House Proves Big Design Can Come in Small Packages

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UK-based Tiny House Pro has unveiled their standout model, the Miami, and it’s turning heads across the tiny house community. This two-story dwelling manages to pack six sleeping spots into just 8 meters of road-legal, towable space. The design feels less like a compromise and more like a carefully considered answer to modern living.

The exterior catches your eye first. Bold geometric angles cut across diagonal timber cladding, while sharp LED lighting traces the roofline. Large windows and glazed doors punctuate the facade, creating visual breaks that make the structure feel open rather than confined. The company describes it as their “showstopper,” wrapped in sleek timber with jaw-dropping angles that challenge what we expect from mobile architecture.

Designer: Tiny House Pro

Step inside, and the spatial planning becomes clear. The open-plan layout flows from kitchen to lounge without feeling cramped. Two loft bedrooms sit overhead, each fitted with proper double beds rather than makeshift sleeping nooks. The bathroom doesn’t sacrifice comfort either, offering a walk-in shower, vanity sink, and flushing toilet. These are residential appliances and full-size fixtures, not the scaled-down versions you might expect.

What sets Miami apart is its attention to longevity and sustainability. Marine-grade plywood forms the structural foundation, paired with laminate flooring and solid wood worktops and stair treads. The walls hold 97% recyclable Rockwool insulation, while reversible air conditioning comes standard for year-round comfort. The home arrives pre-wired for solar panels and smart home systems, giving owners room to customize their utility setup.

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At 2.55 meters wide, the Miami stays within legal transport limits, meaning no special permits are needed to relocate it. The home sits on a heavy-duty galvanized trailer chassis, though Tiny House Pro offers removable drawbars and wheels for those who want to disguise the mobile foundation. Optional decking can extend the living area outdoors, creating a seamless indoor-outdoor flow. The plug-and-play nature means you simply hook up utilities, level the base, and you’re ready to move in.

The target audience spans multiple use cases. Some buyers will use it as their primary residence, drawn to simplified living without sacrificing amenities. Others see it as an Airbnb opportunity, a turnkey rental unit that can generate income from a backyard or rural plot. Tsvetina, Tiny House Pro’s in-house designer, both created the Miami and works directly with buyers to tailor finishes and layouts. This isn’t about making do with less. It’s about making more of what you have.

The post The Miami Tiny House Proves Big Design Can Come in Small Packages first appeared on Yanko Design.

Judge blocks Louisiana’s social media age verification law

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A Louisiana law that would have required social media platforms to verify the ages of their users has been blocked by a judge. The law, known as the Secure Online Child Interaction and Age Limitation, was passed in 2023 and required Meta, Reddit, Snap, YouTube Discord and others to implement age verification and parental control features.

The ruling came just days before the law, which technically took effect over the summer, would have started to be enforced. In his ruling, Judge John W. deGravelles wrote that the law's "age-verification and parental-consent requirements are both over- and under-inclusive," and that its definition of "social media platform" was "nebulous."

The ruling was a victory for NetChoice, a lobbying group that represents the tech industry and has challenged the growing number of age verification laws around the world. The group had argued that the law was unconstitutional and posed a safety and security risk.

In a statement following the ruling, the group pointed to the "massive privacy risk" posed by the Louisiana law and others like it. "Louisiana’s law would have done more than chill speech," Paul Taske, the co-director of NetChoice’s Litigation Center said. "It would have created a massive privacy risk for Louisianans like those playing out in real time in countries without a First Amendment, like the UK."

The Louisiana Attorney General's office didn't immediately respond to a request for comment.

This article originally appeared on Engadget at https://www.engadget.com/social-media/judge-blocks-louisianas-social-media-age-verification-law-001212758.html?src=rss

LG quietly added an unremovable Microsoft Copilot app to TVs

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Microsoft made a big punt this year with Copilot. The company put its AI chatbot into a special line of laptops and has also tried to integrate it into other tech products. The latest place you may find Copilot is on your LG smart television, whether you want it or not.

Several LG smart TV owners have taken to Reddit over the past few days to complain that they suddenly have a Copilot app on the device and cannot uninstall it. Two Engadget staffers discovered the app on a 2022 LG OLED and a 2023 UA8000. They confirmed that the app can't be removed, although they were able to hide it from the home screen. One other person from our team also has a 2022 LG OLED but isn't seeing Copilot, so your mileage may vary based on what permissions and privacy settings you already have set up with LG.

Photo of the undeleteable Copilot app on an LG smart TV
Karissa Bell for Engadget

LG said during the 2025 CES season that it would have a Copilot-powered AI Search in its next wave of TV models, but putting in a permanent AI fixture is sure to leave a bad taste in many customers' mouths, particularly since Copilot hasn't been particularly popular among people using AI assistants.

This article originally appeared on Engadget at https://www.engadget.com/ai/lg-quietly-added-an-unremovable-microsoft-copilot-app-to-tvs-235923754.html?src=rss

Apple Vision Pro M5: How Tungsten, Knit, and Silicon Finally Make Spatial Computing Livable

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The first time I strapped on Apple’s original Vision Pro, I almost waved to the nonexistent crowd watching me in that demo. It was that breathtaking an introduction to futuristic technology. But thirty minutes later, reality set in. That curved laminated glass and aluminum shell felt less like a window into the future and more like a beautiful brick bolted to my forehead.

Designer: Apple

Apple’s M5 Vision Pro refresh doesn’t change the object language. It still reads like a sci-fi ski goggle crossed with a premium camera body: all that curved glass, recycled aluminum, and fabric-wrapped interface that refuses to acknowledge gaming headset aesthetics exist. What Apple has done instead is far more interesting from a design standpoint. They’ve attacked the two biggest experiential flaws (visual fidelity under load and sustained wear comfort) through a combination of silicon headroom and, surprisingly, soft goods engineering.

The result is a product story that shifts from “breathtaking demo” to “actually livable spatial computer”: a device that doesn’t just show you other worlds but gives you psychological real estate to inhabit them. And that shift has everything to do with how Apple thinks about weight, balance, and the invisible physics of putting a computer on your face.

The Shell Stays the Same, The Experience Doesn’t

The M5 Vision Pro maintains the core silhouette that made the original so visually striking. That curved laminated glass front still acts as both visor and UI canvas for EyeSight, letting the device communicate outward while you compute inward. The aluminum frame still wraps the optics with the kind of machining tolerances you’d expect from Apple’s camera and audio hardware. If you put the M2 and M5 side by side, you’d struggle to spot the difference.

But inside that familiar shell, the micro-OLED optics now render roughly 10 percent more pixels than the original. That’s not Apple chasing field-of-view gimmicks. It’s a design decision aimed at reducing the cognitive friction of spatial computing. Higher pixel density and refresh rates up to 120 Hz for passthrough and Mac Virtual Display mean less motion blur, less eye strain, and less of that “I’m clearly looking at a screen” sensation that pulled you out of the experience on the M2.

Apple is using resolution and refresh as ergonomic features, not just spec bumps. They’re making the same industrial shell more transparent and less perceptible in daily use.

The M5 Chip as Comfort Feature

Apple’s M5 plus R1 pairing is positioned as a “dual-chip architecture”: one brain handles spatial computing while the other maintains that 12-millisecond photon-to-photon latency. That’s essentially a UX decision framed as silicon.

The 10-core CPU, 10-core GPU, hardware-accelerated ray tracing, and 16-core Neural Engine give Apple headroom for denser environments, more dynamic lighting, and heavier AI-assisted interactions without dropping frames. But the design-workflow angle is what matters here:

  • Sharper typography and UI chrome in floating windows, which is critical for Mac Virtual Display and creative tools
  • Higher, more flexible refresh rates (90/96/100/120 Hz), tuned to reduce blur when you’re looking through to the real world as much as at virtual content

You can frame the M5 not as “faster chip” but as “making the headset behave more like a neutral lens,” removing perceptible latency and grain from spatial interfaces until the technology itself becomes forgettable.

But visual clarity is only half the comfort equation. The other half is physical.

The Weight Problem Was Never Really About Weight

The original Vision Pro’s biggest experiential flaw wasn’t that it weighed too much. It was that it weighed too much forward. All that glass and optics cantilevered off your face, and after 30 to 60 minutes, you felt it in your cheekbones, your neck, your desire to take the thing off.

The battery is still external on the M5, with similar runtime: about 2.5 hours general use, 3 hours video. So the way the device sits on the skull is the only real comfort lever Apple can pull this generation. They’ve pulled it hard.

The first-gen straps forced an uncomfortable choice. The Solo Knit Band was soft but floppy. It worked for short sessions but couldn’t distribute load for extended wear. The Dual Loop Band was secure but clampy, leaving pressure lines and pushing users toward third-party halo straps and CPAP-style hacks.

Apple’s answer is the Dual Knit Band. And it’s the most “design-nerd” detail in the entire M5 product story.

Dual Knit Band: Tungsten, Torque, and Perceived Weight

The Dual Knit Band introduces a two-strap geometry where upper and lower straps are 3D-knitted as a single piece into what Apple calls a “dual-rib structure.” One strap cups the back of the head, the other runs over the crown, creating a cradle that triangulates the headset’s mass around the skull instead of hanging it from the face.

But here’s where it gets interesting: the lower strap hides flexible fabric ribs embedded with tungsten inserts that act as counterweights. They literally pull some of the load backward and down to reduce the forward torque on your neck.

Apple is manipulating the moment arm via hidden dense material so the device feels lighter without actually being dramatically lighter. It’s a borrowed-from-watchmaking move. Tungsten is what you use for rotor weights and balance wheels when you need maximum density in minimum space. It’s visually invisible but functionally critical.

The real-world effect is that the Dual Knit Band doesn’t change the number on the scale, but it changes where you feel those grams. A front-heavy visor becomes something closer to a weighted pair of headphones. Two-hour sessions feel normal instead of like a tech demo punishment.

Soft Goods as Core UX

Apple describes the Dual Knit Band as soft, breathable, and stretchy: 3D-knitted from performance yarns similar to the Solo Knit Band. The dual-rib knit structure is designed for cushioning and airflow. Reviewers and users commonly reported that earlier bands ran hot and left pressure lines; this one appears to address both complaints through textile engineering.

The Fit Dial mechanism uses a metal core with a textured outer ring and a slight pull-to-unlock action. Push to adjust one axis, pull to adjust the other, letting you independently tune top and back tension with one control. Micro ratchets give tactile feedback, and the push-pull gesture mirrors the Digital Crown’s multifunctionality elsewhere in Apple’s ecosystem.

Read together, Apple appears to be treating knit textiles, counterweights, and mechanical dials as part of the interface surface area, not just an accessory. That signals a philosophical shift: comfort isn’t something you tolerate to use Vision Pro. It’s designed into the product with the same rigor as the silicon.

Retrofit Ergonomics: The Cheapest Upgrade

The Dual Knit Band attaches to the Audio Straps via a simple, secure mechanism with release tabs, preserving the modular ecosystem introduced with the first Vision Pro. It ships in small, medium, and large sizes, comes included with M5 by default, and is sold separately as an upgrade that’s fully compatible with the original M2 model.

That compatibility is an important design signal. Apple is treating headbands as swappable “ergonomic modules” rather than disposable accessories. The Dual Knit Band becomes a retrofit that can rehabilitate earlier hardware, extending the life and desirability of equipment people already own.

If you already have the first Vision Pro, the cheapest way to “upgrade” isn’t the new chip. It’s this strip of knit and tungsten that quietly rehabilitates the hardware you already have.

What Changes in Practice

The M5 with Dual Knit Band finally makes Vision Pro something I can wear for hours. Less cheek pressure, less neck fatigue, and none of that “face is sliding off my skull” sensation that defined first-gen fit. People who tried 3D-printed hacks and CPAP-style mods say this is the first official strap that beats their DIY solutions, which is high praise from tinkerers.

A recent cross-country test made the difference concrete. Economy class, Dallas to New York and back. Sold-out flight, middle seat, hostile in every physical dimension. But with Vision Pro strapped on, the environment selector became an escape hatch. Moon surface, Yosemite, Mount Hood: each one a functional retreat that made a miserable seat survivable. The hardware disappeared; the space remained. For a four-hour flight wedged between strangers, I was effectively in my own private cabin.

One small design detail made the in-flight experience smoother: when Vision Pro detects motion (plane, car, train), rotating the Digital Crown surfaces a Travel Mode prompt. No fumbling with eye tracking while the cabin shakes. Just turn the crown, tap confirm, and the headset stabilizes for a moving environment. The button just works.

That’s the psychological real estate concept paying off in practice. The immersive environments aren’t screensavers. They’re functional escapes that only work when the hardware is comfortable enough to forget. When you can wear Vision Pro for an entire cross-country flight without wanting to rip it off, the environments graduate from novelty demo to genuine utility.

The combined story is holistic: fewer pressure points, less motion blur, and less cognitive friction all point to longer, more natural sessions. Multi-hour productivity runs and movie marathons feel more plausible because comfort and visual stability are both improved. Five or six hours in a day with minimal discomfort would have been unthinkable with the old strap without modifications.

The real story isn’t that Vision Pro gained new tricks. It’s that the things people already loved doing in it (3D movies, floating Mac screens, immersive photos) no longer come with the same physical tax.

Still a Computer on Your Face

Even with the improvements, the headset is still big, still expensive at $3,499 for 256GB, and still leaves some marks under the eyes for certain faces, just less aggressively than before. Some users report needing to fine-tune fit over a few days, especially when finding the right light seal and tension balance. There’s also the hair situation: if I had short hair, the Dual Knit Band would probably bother me more. With longer hair, everything just gets pushed back and settles into place. Vision Pro hair is a thing, but it’s not as bad as hat hair. I can tolerate it.

It’s still very much a computer on your face, not a magic pair of AR glasses. But the Dual Knit Band and M5’s visual stability nudge Vision Pro out of “showpiece gadget” territory and closer to something you can actually live in.

The post Apple Vision Pro M5: How Tungsten, Knit, and Silicon Finally Make Spatial Computing Livable first appeared on Yanko Design.

The ‘Biscuit Saver’ saves your Cookies And Oreos From Collapsing Into Your Beverage

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Because there’s nothing more disheartening than a chocochip cookie that prematurely met its end in a mug full of milk. You have no way of knowing how much time you have before the cookie gives in, you also need to ensure the cookie is at the right stage of milk-absorption. Too fast and you have a crispy cookie that’s just milk-coated on the surface, too late and you now have to drink your milk with the last gulp being a sediment of soggy dough and half-melted choco chips.

The Biscuit Saver mitigates that. Like a lifesaver for your beverage-biscuit, this was originally designed to be paired with Parle-G biscuits (the world’s largest selling biscuit) and chai – a perfect combination in India. Chai disintegrates biscuits much faster than milk, given it’s usually served piping hot. The judgement requires some clever calculations, often boiling down to mere milliseconds. With Aditya Singh’s ‘Biscuit Saver’, that calculation becomes a little less existential, because you can always fish the broken biscuits out of your chai without using a spoon, or worse, your fingers.

Designer: Aditya Singh

The design concept (imagined using AI) takes inspiration from lifesaver tubes that are used to save humans at sea. Made out of food-grade plastic, the Biscuit Saver comes with a perforated basket, much like those tea infusers you see, and a tube around the top that keeps it floating on your drink. The design, which works primarily for the rectangular Parle-G biscuits, can be tweaked to work for cookies and Oreos too… and its predominant job is to ensure your baked goods don’t end up at the bottom of your beverage.

However, Singh mentions that the Biscuit Saver does one other crucial function too – it tells you exactly how much to dip your biscuit. Some of us overenthusiastic folks like to test the limits by dipping the biscuit/cookie all the way, a high risk with a low reward. The Biscuit Saver’s design stops your biscuit from being ‘over-dipped’. As soon as your biscuit hits the base, it acts as a tactile indicator for you to stop. You can still push the biscuit down further, but at your own peril.

The unique design works perfectly with Parle-G biscuits as well as Biscoff biscuits. The orange design and the nylon rope perfectly capture the product’s inspiration, and the tapered basket means you can stack multiple Biscuit Savers on top of each other. “A tiny everyday problem. Thoughtfully overdesigned,” says Singh humorously in his LinkedIn post, playfully reminding us all of the times when an overdunked cookie or overdipped biscuit was the most tense moment of our lives!

The post The ‘Biscuit Saver’ saves your Cookies And Oreos From Collapsing Into Your Beverage first appeared on Yanko Design.

Ford is rebooting the F-150 Lightning as an EREV with a gas generator

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Just last month, Ford seemed to be on the brink of sunsetting the F-150 Lightning. Today, the vehicle manufacturer announced plans to reboot the truck as a hybrid. This next generation of the F-150 Lightning will contain Extended Range Electric Vehicle. An EREV is similar in concept to a plug-in hybrid but with a larger battery that's topped up by a gas generator — the powertrain itself is all electric. This next generation of the F-150 Lightning will offer an estimated range of more than 700 miles. Production will end this year on the current F-150 Lightning models.

This revamp of the F-150 Lightning is part of Ford's latest approach to electric vehicles. The company projected that by 2030, half of its global volume will be comprised of hybrids, extended-range EVs and electric vehicles, compared with 17 percent today. "As part of these actions, Ford no longer plans to produce select larger electric vehicles where the business case has eroded due to lower-than-expected demand, high costs and regulatory changes," the company's press release states. Ford will also swap its planned electric commercial van for North America with a new, affordable commercial van that has both gas and hybrid options. The company anticipates seeing a $19.5 billion negative impact for this pivot away from EVs.

This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/ford-is-rebooting-the-f-150-lightning-as-an-erev-with-a-gas-generator-222529768.html?src=rss

Porsche Celebrates 90 Years With Anniversary-Edition 911 GT3-Inspired Chronograph Watch

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…so the first thing my brain did when I saw “F. A. P.” on the dial was laugh like a 12‑year‑old, and the second thing it did was realize Porsche Design just pulled off one of the most personal anniversary pieces they have ever done. The Chronograph 1 90 Years of F. A. Porsche sits in a weirdly perfect spot in the lineup. It rides on the modern Chronograph 1 architecture that came back in 2022, which itself is a faithful reboot of the 1972 all‑black original, but it quietly pivots the story from “50 years of a product” to “90 years of the guy who thought this way in the first place.” Same matte black instrument face, same integrated bracelet silhouette, same dashboard‑inspired layout, but now the watch talks about the designer more than the brand. That is a subtle shift, and it matters.

You still get a 40 to 41 millimeter black coated titanium case, COSC certified in house WERK 01 flyback chronograph, 10 bar water resistance, and the usual Porsche Design ergonomics that sit flat on the wrist instead of trying to cosplay a diver. The case is titanium rather than the old steel of the seventies, so you get that weird cognitive dissonance when you pick it up and your hand expects heft and gets a feather. The dial layout stays brutally functional: tri compax registers, bright white printing, red central chrono seconds, and a tachymeter that actually looks usable instead of decorative. You can tell someone in the room still cares about legibility more than sparkle.

Design: Porsche Design

What really hooks me is how they handled the vintage vibe. They went with a patina colored Super‑LumiNova on the hands and indices, but they resisted the temptation to fake scratches or faux tropical weirdness. It looks like a well kept seventies tool watch that has lived under a shirt cuff for decades, not a prop from a nostalgia cosplay shoot. The historic Porsche Design logo on the crown and clasp leans into that same energy. It nods to the early studio era without screaming “heritage” in every direction. The whole thing feels like it was designed by someone who has actually handled original Chronograph I pieces and understands that the charm lives in proportions and restraint, not sepia filters.

The F. A. P. inscription above the day date is where the watch steps over the line from clever to personal. On the standard Chronograph 1, that real estate belongs to the logo. Here, it mirrors the way Ferdinand Alexander had his own initials printed on his personal watch. That is a tiny move, but it shifts the mental image from “product on a shelf” to “object on a designer’s wrist while he is sketching the 911 profile.” It also quietly de‑centers the corporate identity for once. You have “Porsche Design” still sitting under the day date, but visually your eye lands on those initials first, like a signature on a technical drawing. For a brand that usually guards its mythology pretty tightly, that feels surprisingly intimate.

Flip the watch over and the car nerd part of my brain wakes up. The rotor is shaped and colored like the wheel of the 911 GT3 90 F. A. Porsche, the Sonderwunsch special that pairs with this chronograph. Limited to 90 cars, 90 watches, neat and tidy. The rotor design is not subtle at all, which I actually appreciate. If you are going to tie a watch to a specific vehicle, commit. You can see the spokes, the crest in the center, and little flashes of the WERK 01 movement breathing underneath. Around the edge you get the “XX/90” numbering and F. A. Porsche’s signature, which turns the caseback into a kind of mechanical plaque. It reads like a collaboration between the motorsport department and the watch studio rather than a lazy logo slap.

From a pure tech perspective, the movement choice fits the narrative. The WERK 01 family is a proper automatic chronograph caliber with flyback functionality, so you can reset and restart the chrono with a single pusher press while it is running. That is a very motorsport friendly behavior, and it feels right for something tied to a GT3. Frequency sits at the usual 4 hertz, power reserve lands in the 40 to 48 hour neighborhood, and COSC certification locks in the “this actually keeps time” part of the story. None of this is wild horological innovation, but it is solid, coherent engineering, which is honestly what you want under a dial that screams “instrument.”

The titanium bracelet deserves a mention too, because black bracelets can go very wrong. Here it looks like they kept it fully brushed with short, slightly rounded links, which avoids the cheap, shiny PVD look that haunts a lot of black watches. It tapers enough to feel intentional, not like a straight metal strap bolted on after the fact. The quick change system with the additional Truffle Brown leather strap is a nice structural detail rather than lifestyle garnish. The brown with contrast stitching echoes the interior of the GT3 90 F. A. Porsche, so again you get that one to one mapping between car and watch. If you are the sort of person who obsesses over interior spec codes, this will scratch a very specific itch.

What I like most is the sense of continuity. The original 1972 Chronograph I took the visual logic of a 911 instrument cluster and shrank it to wrist size. The 2022 Chronograph 1 reissue proved that the formula still works in a world of OLED dashboards and smartwatches. This 90 Years edition layers a biographical note on top of that, without disturbing the core geometry. If you strip away the anniversary text, you still have a clean, ruthless, daily wear chronograph that does its job. Add the initials, the wheel rotor, the limited number, and suddenly you are wearing a piece of design history that feels strangely unforced. For an object built to honor a man who hated unnecessary ornament, that feels about right.

The post Porsche Celebrates 90 Years With Anniversary-Edition 911 GT3-Inspired Chronograph Watch first appeared on Yanko Design.

Apple TV app for Android now supports Google Cast

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Apple TV is adding Google Cast support to its native Android app. This update allows subscribers to stream Apple TV shows from their smartphones to their televisions. Apple's streaming service only just released the dedicated app for the Android operating system in February 2025. Adding in Google Cast support helps fully integrate the app into the experience for people whose gear is part of the Android ecosystem.

The addition should make it easier for viewers to shift between screens, even mid-episode. It's a very different approach than Netflix, which recently ended Google Cast support for its streaming platform in most use cases.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/apple-tv-app-for-android-now-supports-google-cast-205642324.html?src=rss