The Anbernic RG SP looks like an awesome update to one of the most iconic Game Boys of all time
The Anbernic RG SP has pretty much everything you want from a modern take on the Game Boy Advance SP.
The new Lola x Miffy digital camera is extremely cute and ships with a themed wrist charm
Let's be honest we mostly wrote about this because we think it's really cute.
Which of your old cables are actually worth keeping?
Clean out that cable junk drawer every so often and keep only the things you actually need.
Freely organize every device and reclaim your desk space with this Modular Monitor Stand
I struggle every day to keep my desk organized. I’ve added a monitor arm, a phone stand, a laptop cooling stand, and even a cable organizer clipped to the edge of the tabletop. Despite all these accessories, my desk still ends up feeling cluttered; earbud case is lying unattended somewhere, while the pens are all over the place. My problem isn’t lack of organizers: it’s that I’m not really sure how to use each accessory effectively or how they should work in tandem.
That may be exactly why this modular monitor stand from designer Lorenzo Vega caught my attention. Instead of adding yet another standalone accessory, it reimagines how desk organization should work. The modular stand is designed with various parts that interconnect to feel more intuitive and form an easier layout to keep things on the work desk organized.
Designer: Lorenzo Vega
The design concept of a modular monitor stand comprises a base stand and five different sectional trays which can be interchanged to accommodate the user’s preferences and workflow. The base stand, which the designer calls the main rack is designed to clamp to the back of a table. It is similar to how other monitor stands secure themselves to the table. The clamps, however, are adjustable and should work securely with tabletops of varying widths.
Since the rack attaches to the back of the table and remains almost six inches clear of it with a pair of legs – one on each side – it can free up space below to keep your notepad or the reference books you require in the vicinity. The tray modules can be placed on the two parallel rails of the rack running horizontally. They fix seamlessly to the base rack and, in addition to holding the monitor on top, are designed for common uses. A tray for organizing stationery, one to hold the phone/tablet, or even to hold papers upright.
The designer suggests that the modular monitor stand – which appears to be made ground up from aluminum – is a working concept at the time of writing. The build quality feels solid, and it can easily support a monitor. In the future, the designer intends to include wireless charging and magnetic cable organizers below the interchangeable racks. This addition will uplift the design into a feasible category, which should have tech enthusiasts intrigued.
If you’re trying to clean up your desk without adding more clutter, Vega’s idea of a modular stand for the monitor is worth appreciating for how customizable it is. Built as a modular system, it allows you to add things like a phone stand, stationery holder et al, depending on how you use your desk. So, instead of stacking accessories everywhere, everything stays integrated.
The post Freely organize every device and reclaim your desk space with this Modular Monitor Stand first appeared on Yanko Design.
Erwan Bouroullec’s Lamps Leave the Last Design Decision to You
Most lighting products arrive complete. You unbox them, install them, and that’s basically the end of the story. Maap, the new wall lamp by Erwan Bouroullec for Flos, works a little differently. Before you can hang it on your wall, you have to crumple it. Not metaphorically. Actually crumple it, by hand.
The diffuser at the heart of Maap is made from Tyvek, the ultra-thin synthetic material most commonly associated with shipping envelopes and construction wrap. Bouroullec chose it specifically for its behavior: when crumpled, it holds its shape, forming a microstructure of ridges and folds that stabilizes the lamp’s form and scatters light in a way no factory process could replicate. Two people installing the same model will end up with two completely different objects. That’s not a design flaw. That’s the entire point.
Designer: Erwan Bouroullec
Bouroullec has been thinking about expansive light for a long time. “Maap is the realization of a long-held desire to create expansive light sources that diffuse illumination across a broad surface,” he says. “This results in a subtle, immersive glow that surrounds you, spreading softly and evenly.” The lamp reportedly took years to develop and, at one point, resisted being drawn in traditional technical schematics because its final form simply couldn’t be predetermined. How do you draft a blueprint for something that depends on a human gesture?
The structure underneath the crumpled Tyvek is precise and deliberate. A cross-shaped mount attaches to the wall, and the diffuser shell clips on magnetically. Each unit runs four LED bulbs, and multiple units can be combined to scale the piece up. The smallest configuration is a single panel. At its largest, Maap can stretch over three metres across a wall, which at that scale stops being a lamp and starts becoming an installation. Flos describes it as an “alchemical wall installation,” and while that kind of language gets applied liberally by lighting brands, here it actually feels earned.
What I keep thinking about is how Maap challenges the standard relationship between designer and buyer. Usually, a piece of furniture or lighting arrives as a closed system. The designer made every call, and your only role is placement. Maap breaks that contract in the most tactile, satisfying way. Bouroullec built the architecture; you determine the texture. It reframes ownership not as possession but as participation.
That’s also a slightly risky ask. Not everyone wants to be handed creative responsibility over something they just spent serious money on. For people who need a predictable aesthetic outcome, Maap might feel genuinely unsettling. But for the person who already treats their home as a living, evolving thing rather than a finished project, it’s a quietly compelling offer. You can reshape it. You can start over. If you move, you can detach the diffuser from the wall, re-crumple it, and begin again in a new space. The lamp is designed to be shaped, reshaped, and interpreted by the person living with it.
Bouroullec has long approached design as something environmental rather than decorative. “I see design as part of a whole. Designs need to cooperate with a given environment and somehow enhance it.” Maap feels like one of the clearest expressions of that belief. It doesn’t arrive with a fixed visual identity or a demand that you style your room around it. It adapts, which turns out to be a fairly rare quality in a market that often values visual consistency above everything else.
Maap is available now through Flos flagship stores and Design Within Reach, its exclusive U.S. launch partner. It comes in three sizes, Wall 1, Wall 2, and Wall 3. The material is white, the glow is soft, and the rest is entirely up to you.
Whether this becomes a reference point in lighting design or stays a beautiful one-off experiment, it’s hard to look at Maap without feeling like something genuinely fresh is being proposed. At a time when design often cycles through familiar references, that still counts for something.
The post Erwan Bouroullec’s Lamps Leave the Last Design Decision to You first appeared on Yanko Design.
Apple Watch Series 12 Leak: New Chip and Biggest Battery Upgrade
The Apple Watch Series 12 is poised to deliver a range of meaningful upgrades, addressing key user demands for improved performance, extended battery life, and enhanced health tracking capabilities. This release signifies a shift from the incremental updates of previous models, offering advancements that aim to elevate your smartwatch experience in practical and impactful ways. […]
The post Apple Watch Series 12 Leak: New Chip and Biggest Battery Upgrade appeared first on Geeky Gadgets.
I visited Samsung’s foldable-themed pop-up pub and its alcohol-free beers tasted terrible
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Amazon Luna is getting a brand new Batman game next week
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Hallmark Just Turned the Original PlayStation Into a $29 Tree Ornament
I didn’t expect to feel anything about a $28.99 plastic ornament. Yet here we are. Hallmark’s 2026 Keepsake collection just introduced its PlayStation Console Ornament With Light and Sound, and it is exactly what it sounds like: a miniature replica of the original PlayStation, complete with a tiny matching controller sitting beside it, designed to hang on your holiday tree. Press the power button, and it lights up and plays the iconic startup sound. That sound. The one that pulled you away from Saturday morning cartoons, the one that meant you had about forty seconds before the game loaded and your whole afternoon was officially spoken for. If you were a 90s kid, your whole body might just recognize it before your brain even has a chance to catch up.
The ornament measures four inches wide by three and three-quarter inches tall. It is battery-operated, made from plastic, and priced at $28.99, which puts it comfortably in impulse-purchase territory. The detail work is genuinely impressive at this scale. Hallmark managed to capture the boxy silhouette of the original console, the disc lid, the familiar button layout, and the exact proportions of that chunky, well-loved controller. It doesn’t feel like a vague approximation. It feels like a tiny version of the real thing, and that distinction is worth paying attention to.
Designer: Hallmark Keepsake
That specificity is the whole argument. I’ve seen plenty of retro gaming merchandise move through the design and collectibles space over the years, from glossy art prints to enamel pins to limited-edition pieces with ambitious price tags. Most of it leans hard on the aesthetic without capturing the emotional core. The Hallmark ornament does something different. It doesn’t just reference the PlayStation; it recreates the moment. That startup sequence is not decoration. It is the sensory detail that pushes this object from ornament into something closer to a time capsule.
Nostalgia as a design strategy is everywhere right now, and I will be honest, I have grown a little skeptical of it. Brands lean on it often enough that it can start to feel calculated and hollow. But the PlayStation ornament earns its emotional weight. The original console launched in North America in 1995, which means it has been more than thirty years. A generation of gamers who grew up with it are now fully grown adults with homes to decorate, traditions to build, and a well-documented weakness for miniature versions of things they once loved. Hallmark, to its credit, knows exactly who it is speaking to.
The audience for this is also broader than it first appears. The obvious buyers are millennials putting up their own trees and trying to make the holidays feel personal and specific to them. But it also works as a gift between old friends, a knowing nod between siblings, or something a thoughtful parent picks up for a kid who spent half their childhood with a controller in hand. The PlayStation crosses enough generational lines that this ornament doesn’t land as niche. It lands as genuinely familiar, and that’s harder to pull off than it looks.
The Keepsake line has always operated somewhere in this territory, pairing pop culture touchstones with holiday tradition in a way that feels less cheesy than it probably should. Part of that is the quality of the execution, and part of it is the simple, almost elegant logic of placing a beloved object on a Christmas tree. A tree is already a collection of meaningful things, layered and personal and charged with memory. Adding a tiny PlayStation to it is not a departure from the spirit of the tradition. It might actually be exactly the point.
You can find the PlayStation Console Ornament at Hallmark Gold Crown stores and on Hallmark.com for $28.99. It began shipping in July as part of the brand’s annual Keepsake Premiere event, and given how quickly nostalgia-driven pieces like this tend to move, waiting is probably not the strategy here.
The post Hallmark Just Turned the Original PlayStation Into a $29 Tree Ornament first appeared on Yanko Design.