
The $8 Steam Cartridge Every PC Gamer Has Always Wanted

PC gaming has never had a proper physical media equivalent. Console players have always had something tangible to hold and shelve, a disc or cartridge that represents one specific game. On PC, games live in a library on a platform that’s only yours as long as the platform stays up. It’s convenient, but a lot of PC gamers quietly miss the ritual of picking something physical off a shelf.
A post on Reddit recently took a direct swing at that gap. A gamer picked up a handful of secondhand 2.5-inch SATA SSDs, each 128 GB and priced at around €7 ($8) a piece, and built a cartridge system for Steam. Each drive holds a single game alongside a script that auto-navigates Steam to that game’s page once the drive is plugged in. Auto-launching the game directly is also possible.
Designer: Jibril-sama (images courtesy of Tom’s Hardware)

What really sells the effect is the presentation. Rather than leaving the drives as bare hardware with labels stuck on, each SSD sits inside a colorful protective case with custom game art on the cover. The result looks genuinely like a cartridge collection, not a pile of storage drives. It’s the kind of detail that makes the idea land visually rather than just functioning as a clever technical trick.


The system runs on Linux. When an SSD is plugged into a SATA dock connected to the PC, a udev rule detects the mount event and triggers a systemd daemon, which finds the script on the drive and executes it. Valve’s Steam URL Protocol handles navigating to the game’s page or launching it. The hardware side requires nothing more unusual than a standard SATA dock.
There are genuine practical limits. Steam still needs to be installed, and the game needs to be in your library, so this isn’t a workaround for ownership or a way to share games. Updates are the bigger friction point, since multi-gigabyte patches push regularly even to older titles. The creator’s approach is to keep cartridges for games worth replaying occasionally rather than live-service titles that need constant updating.

The reaction ran heavily nostalgic, with comparisons to NES cartridges, Switch game cards, and the general ritual of pulling a game off a shelf. Some commenters want the system extended to GOG libraries. Others are already planning their own versions, with several suggesting 3D-printed cartridge shells to push the aesthetic even further.
What the project surfaces is how much the ritual of physical media matters, separate from convenience or ownership. These drives don’t give you anything you couldn’t already get by clicking a game in your Steam library. The Linux requirement narrows who can replicate it directly, but at €7 ($8) per drive, the cost to build a collection of ten or fifteen games is still less than a single new release.

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Samsung’s Galaxy Z Fold 8 Wide is positioned to redefine the foldable smartphone landscape. With its wider design, enhanced durability, and significant advancements in display technology and performance, this device is a testament to Samsung’s commitment to innovation. Scheduled for an official unveiling on July 22, 2026, the Z Fold 8 Wide promises to […]
The post Samsung Galaxy Z Fold 8 WIDE: Specs, Price, and Release Date Leaked! appeared first on Geeky Gadgets.
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Martin Smith creates sculptural watch winder to mark MB&F M.A.D. Gallery’s 15th anniversary
The 15th anniversary celebration of the M.A.D.Gallery, MB&F’s network of spaces dedicated to “Mechanical Art Devices,” was kicked off with the first commemorative ML15 Helios earlier this year. The 9kg sculptural lamp made from 120 handmade parts by Berlin-based artist Frank Buchwald is now followed by Solar Orbiter, a 60-centimeter-tall kinetic sculpture that doubles as a silent watch winder.
Solar Orbiter watch winder is made by prominent British kinetic artist and designer Martin Smith through Laikingland, his design house, co-founded with engineer friend Nick Regan. The sculptural watch winder’s design is inspired by the 1957 Eames Solar Do-Nothing Machine, which showcased one of the first uses of solar electricity to power an aluminum toy in random dance.
Designer: Laikingland x MB&F


The Solar Orbiter is not an experimental toy; it is designed to be a conversation starter in Smith’s own studio in West Yorkshire. A device enticing enough to sit in the middle of your living room or office and make some heads turn. Instead of showcasing the application of solar power, this marries kinetic sculpture with high-end watchmaking to commemorate the long-term association between MB&F founder Maximilian Büsser, Martin Smith, and his company Laikingland.


As is the norm with Martin Smith creations – case in point, the applause machine – viewers become part of the Solar Orbital through physical and visual interaction. The highly sophisticated, limited-edition kinetic sculpture is handmade from nearly 300 gear trains and moving limbs that are set into motion by human interaction.


Turning a physical knob onboard puts the otherwise abstract Orbiter into a kinetic performance with a watch at the epicenter. Each element used in the construction of the Smith’s Solar Orbiter is either made from steel, aluminum, brass, or carved from wood. From what we know, Smith generally produces almost all the components used in his creations himself, using traditional equipment; we are presuming the same is the case with this sculptural watch winder.


There is no definite information to validate the same at this point, but the intricate details of the winder, which Smith describes as “chaotic, mesmerizing, sophisticated in its construction, and a bit quirky,” are worth appreciating nonetheless. The exclusivity of this creation is maintained by its limited-edition availability. Priced at CHF 9,900 (approximately $12,000), the watch winder’s production is strictly limited to just 10 pieces worldwide.
For collectors who like to tinker with just about everything to personalize it to their requirements, the Solar Orbiter allows swapping out different kinetic elements – including a hand, a heart, and a star – sitting at the top of this watch winder. If you happen to order one of these kinetic watch winders, Martin Smith will ship it your way inside a bespoke wooden crate, personalized with screen printing, and an A2 Certificate of Authenticity signed and hand-numbered by the artist himself.







The post Martin Smith creates sculptural watch winder to mark MB&F M.A.D. Gallery’s 15th anniversary first appeared on Yanko Design.
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The Collapsible Stool That Actually Gets Stronger When You Sit On It

The flat-pack furniture concept is hardly new. IKEA built an empire on it. But Kinzo, a collapsible stool designed by students Jack Rathod, Pingla More, Kuldeepsingh Yadav, and Gayathri Rakesh, does something that flat-pack rarely bothers to do: it makes the transformation genuinely satisfying.
The mechanism is a single twist. Flat to upright, folded to functional, all in one motion. No tools, no assembly, no instruction booklet you’ll lose before you’ve finished reading it. The stool folds completely flat when you’re done and tucks away wherever you have a slim gap to spare. Carry it to a café, slide it under a bed, lean it against a wall in a studio apartment. For anyone working with limited space, that kind of portability is not a minor detail.
Designers: Jack Rathod, Pingla More, Kuldeepsingh Yadav, Gayathri Rakesh

The inspiration came from origami. The design team used paper as a stand-in for Craste board during early prototyping, testing different joint structures and fold geometries before settling on a basic origami fold as their core starting point. That methodical approach shows clearly in the final form. The geometry isn’t decorative, it’s structural. The central X-shaped form locks naturally under load, meaning the more weight placed on it, the more stable it becomes. Gravity does the work, which is exactly the kind of engineering thinking that separates a well-considered design from one that just looks interesting in photographs.

Brass hinges hold the panels together, chosen for both reliability and manufacturing compatibility. The cut-outs along the edges aren’t just visual breaks in the material. They align precisely to create a grip interface, making the stool comfortable and intuitive to carry. None of this was left to chance. The team built 1:5 scale paper models before moving to a full 1:1 prototype, stress-testing the joinery and geometry before committing to the final form. They’re the kind of details that show up when a design team has thought through the full lifecycle of an object, from the moment you pick it up to the moment you sit down.

The material deserves its own mention. Kinzo is made from Craste boards, engineered from agricultural residues and completely formaldehyde-free. That last part matters more than it might seem. Most manufactured wood products contain adhesives and binders that off-gas over time. Choosing a material that sidesteps that entirely isn’t just a sustainability talking point. It’s a considered decision about what kind of object you want in a space where people actually live and breathe.

The brief came from Agrikraft 2026, India’s National Furniture Design Competition hosted by Craste. Student competitions can sometimes feel like exercises in presentation over substance, but the constraint of designing around a specific, real-world material tends to produce sharper results. You can’t be vague when the board has a known weight, texture, and set of properties. The Kinzo team clearly used that constraint as a guide rather than a limitation.

Worth noting too is how context-agnostic the design is. A stool that works equally well in a bedroom corner, a café, and a lounge space without looking out of place in any of them is solving a harder problem than it appears. Most seating communicates a very specific setting. Kinzo doesn’t. Its warm, natural texture and clean geometric form read differently depending on where they land. That kind of quiet versatility is genuinely difficult to achieve.
Student work often gets praised with a kind of tempered enthusiasm: impressive for its level, promising for what might come next. Kinzo doesn’t need that qualifier. It’s a resolved piece of design that addresses real constraints with real intelligence, built from a material with a genuine reason to exist, using a mechanism that earns its elegance. The fact that it came out of a competition is almost beside the point.

Good seating is underrated. We spend enormous attention on the surfaces we look at and very little on the things we actually rest on. Kinzo is a reminder that a stool can carry a point of view. This one carries several.

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