This 2,680-piece LEGO AKAI tape deck is my kind of analog nostalgia

Owning a reel-to-reel deck in the 1970s meant owning a piece of furniture you could not move alone. The Akai PRO-1000 came in two boxes, with published specs putting the drive unit at about 62 pounds and the amplifier at about 22. That is roughly 85 pounds of hi-fi, which explains why one UK dealer listing recommends collecting in person or booking a pallet. People bought these anyway, because a machine with two huge spinning reels announced to every guest that you took music seriously. Nobody ever put a reel-to-reel in a closet. Now there is a version you could carry to the couch without calling a friend, made of 2,680 LEGO parts.

That version is the AKAI PRO 1000 Open Reel-to-Reel Tape Deck, a LEGO Ideas project from Zo Lee that has already picked up a Staff Pick badge. The original was a semi-professional machine from the late 1970s that sold mainly in the US, Canada, and Japan, with a 1977 US price of $1,995. Its two boxes were joined by three cables, so owners could park them side by side or stack them, and the LEGO version takes the stacked route. At about 17 inches tall, 11 wide, and 6.3 deep (43 x 29 x 16 cm), it is a compact take on an original roughly 19 inches across. Finally, a hi-fi flex that does not need a pallet.

Designer: Zo Lee

Here is the party trick: the thing moves. A motor turns the reels, the VU meters swing along with them, and the big knobs rotate under your fingers. A removable grid on top lifts off to hold a LEGO battery, so the deck can sit anywhere on the shelf without hunting for a wall outlet. The reels were the first thing every guest stared at on the real machine, so making them the star of the show is exactly right. Powering it up is its own small concert, minus the music.

Zo Lee describes the build as extremely difficult, and the list of headaches reads like a boss fight. The odd quarter-distance spacing between tiles, the big reels with all those cutout windows, and an internal frame that has to hold the outer casing each took plenty of brainstorming. Getting that same frame to drive the reels and meters took lots more attempts, per the creator. The payoff shows in the renders: gray reels with dark red cutouts, black knobs with colored pointers, tiny transport labels like CUE, PAUSE, and REC, and a tape counter parked on 977. From a few feet away, the front panel reads like actual hardware, which is the whole point of a shrunken replica.

My favorite detail, though, is the pair of VU meters, which Zo Lee says swing in sync with the reels, but asymmetrically. I am guessing the same motor drives both, which would mean the needles twitch like they are reacting to a song instead of marching in lockstep. That one choice fakes live audio, hides a mechanism behind two amber faces, and probably saves the builder a second motor. It also slots the deck into a neat lineage of LEGO Ideas audio gear, next to Tomasso Builds’ Technics SL-1200 MK2 turntable and Headlight Bricks’ Sony Walkman. Reel-to-reel is the format that came before the Walkman’s cassette, and it has the most dramatic moving parts of the lot.

The deck currently sits at 527 supporters on LEGO Ideas, with the next milestone at 1K and 396 days left to get there. Ideas works like this: fans submit builds, supporters pile up, and LEGO reviews the ones that reach the threshold. The Staff Pick badge is a nice head start, but the votes have to come from people like you, so head to the LEGO Ideas page and give it your vote. Every supporter helps push this toward an actual box. Get it there and you can finally own a reel-to-reel deck without recruiting three friends and a hand truck.

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AKAI MPC for Nintendo Switch? This concept turns a gaming console into a live production rig

If you can emulate Nintendo devices on laptops, why can’t you emulate laptop software on a Switch? That’s pretty much Alquemy’s train of thought when it came to this concept which merges the worlds of gaming and music in a way that would make Guitar Hero look like child’s play. The Akai MPC Switch are two controller units designed to snap onto the sides of a Switch console, turning your gaming rig into a live music production factory. Unlike your average Guitar Hero controller, this thing is as serious as it gets. MIDI inputs and outputs, a fairly detailed DAW running on the Switch’s screen, and a myriad of controls that let you deejay or produce music on the fly.

To be honest, this concept does give you pause for thought. Why can’t a capable gaming rig also handle other high-intensity software? Music production, 3D modeling, video editing, everything you’d otherwise do on a studio-grade machine. Sure, the Switch isn’t as powerful as an iMac, but that doesn’t mean it can’t handle anything a MacBook Air can. The MPC Switch (albeit conceptual) are a pretty brilliant idea if you think about it – imagine being able to game when you’re bored and produce/perform music when you need to, all on the same machine. Just swap out the Joy-Cons for this MIDI setup and you’re good to go!

Designer: Alquemy

The AKAI MPC, for those who don’t know, holds a special place in the music hall of fame, with artists from Dr. Dre to John Mayer to Mark Ronson to even Kanye West using the hardware to create some of their most legendary work. The MPC (or MIDI Production Center) is, simply put, a sampler and sequencer, allowing you to load audio banks, record music samples/loops, and play them back in a sequence. Think of it as a device that lets you build your track together, brick by brick.

It’s no different from how you’d play games like Street Fighter, mashing together buttons in a variety of combinations to make up your routine. The only difference is here, you record tracks/sounds/effects, and mash buttons to create drum loops, synth patterns, leads, and choruses. Individual sounds can be tweaked too, with the ability to adjust EQ, apply effects, or even modulate live music, thanks to the MIDI inputs and outputs on the device.

This basically means your Switch isn’t just a gaming console anymore, it’s also a live music console. USB-C and SD Card slots on the Switch let you load tracks, sound banks, etc… and the MPC Switch’s hardware give you even more ports, letting you connect your Switch to a more professional setup with anything from electronic instruments to a turntable to even a mixing deck for live recording.

Now this isn’t the kind of idea that would come to your average Nintendo or AKAI exec… you’d need to be slightly eccentric to draw such a brilliant parallel, which designer Phil Rose (who goes by Alquemy online) definitely did. The MPC Switch is incredibly detailed, even down to the software running on the Switch’s display. The only problem is that it’s entirely conceptual, which breaks my heart a bit. If anyone from Nintendo or AKAI is seeing this, you guys are sitting on an absolute goldmine that would not only break the music industry but might also end up creating a new handheld gaming hardware category!

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