Computer mouse design has to be scratched and deteriorated to show its true self

We see plenty of designs that try to address one of the computer mouse’s biggest problems, that of ergonomics. Truth be told, however, it’s unlikely that it will change en masse and for good, considering how the horizontal shape of this device has been so ingrained in our consciousness for decades. Of course, that doesn’t mean that there’s no room for experimentation, especially when it comes to adding some value to a traditional mouse design. That can be through its shape, its texture, or even its materials. The latter is something that this curious concept tries to play with, suggesting a computer mouse that you intentionally want to get scratched or quickly deteriorate just so that you can see the secret color or design hidden underneath its skin.

Designer: Liang Yao (苦 口)

Physical products age and deteriorate over time, but those that provide some utility tend to grow old and wear down faster. Not all materials, however, age as gracefully as leather or brass, materials develop unique patinas from their use. Wood can chip, metal gets scratched, and plastic fades or gets discolored. Normally, you wouldn’t want your stuff to even get dinged, let alone scratched, because it then loses its value, but this computer mouse concept is the complete opposite.

“Scratch-off” is a design that adds an extra layer on top of the mouse’s actual design that’s not meant to last forever. Just like those lottery scratchcards, the temporary material on top reveals a prize or a dud when you scratch it off. Of course, you won’t intentionally scratch this mouse’s surface, but it adds a bit of thrill and excitement as you slowly see the hidden design underneath.

This actually brings a lot of opportunities for branding and advertising, with logos or markings hidden underneath the outer layer of the mouse’s surface. Of course, it could be a long burn depending on the kind of material used. After all, it might take weeks or even months before the mouse’s outer cover gets scratched off or peeled completely. In some cases, however, there might even be a marketing gimmick where you intentionally damage the mouse’s surface to reveal some visual gem underneath, hopefully in a safe manner.

The concept, however, does raise the question of the material that should be used to implement this outer layer. It has to be easy to scratch or fade, but not too quickly like some plastic sheet that will defeat the entire purpose of anticipating the product’s deterioration. At the same time, however, it has to be a hygienic material that won’t leave flakes behind, considering how your hand will always be making contact with the mouse.

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This sustainable packaging for eggs is inspired by stamps & made from paper foam!

Sustainable designs, especially packaging designs, are giving designers food for thought – very literally in some cases – to find solutions that can reduce waste and the burden on the planet! The Stamp Egg packaging stands out from the rest because it is detachable and made of PaperFoam which is sustainable, eco-friendly, low-carbon, highly recyclable, and home compostable material – it is truly egg-cellent!

Think of Stamp Egg as having your eggs individually wrapped but instead of plastic, it is a super sustainable and compostable material. It has all the necessary elements for an egg carton – easy open and close, protective form, and stackability. As the name suggested, it is inspired by a postage stamp that lets you tear out individual pieces from the collection, and now you can do it with your eggs.

This form also helps you save more space in the refrigerator and easily count the eggs without opening the package thus keeping them fresh for longer as they are less affected by temperature changes. Also, the separately packaged eggs can be easily packed for a picnic or in a lunch box without compromising on protectiveness or playing Jenga with the other items.

PaperFoam is a studio based in the Netherlands that specializes in making environmentally friendly packaging material widely used in electronics, cosmetics, medical devices, and food applications. The bio-based product is made out of starch, cellulose fibers, and water all with a very low carbon footprint. It can be composted or recycled at home with paper. Curious to learn more about this innovative material? Read about the manufacturing process, detailed benefits, and more here! 

“After experimenting with the material to enhance its look and its mechanical properties, I had to find a proper application for it. I aimed at designing a mass-produced everyday object within the packaging industry, which proved to be a successful field of application for PaperFoam as it was resistant, natural, and could be customized with branding,” says Yoon. “The purpose was to approach this project in a sustainable way, think about a valid and meaningful alternative to already existing products, combine maximum efficiency with aesthetic quality using an environment-friendly approach throughout the whole lifecycle.”

Compared to the cellulose-pulp, foam, or plastic boxes, the Stamp PaperFoam egg trays are lighter (beaten only by the Polystyrene ones) and emit much less carbon dioxide compared to their competitors (96% less than pulp, 91% less than PS, and 87% less than PET). Easy to achieve with the injection-molded manufacturing process, the product is cost-effective, energy-efficient, high-performing, and attractive!

The carton’s dimpled form accommodates individual eggs and prevents them from coming into contact with one another. An improved hinge holds the units together and makes the cups easy to separate into single independent boxes which saves space and keeps them fresh for longer. The name of the brand and the nutrient contents can be directly embossed on the material surface, saving on additional labeling costs and making recycling easier. Stamp is egg-straordinary!

Designer: Il-Seop Yoon

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Sustainable tiles made of recycled glass gathered from old appliances are reducing electronic waste!

Everyone is chasing the next sustainable material that will change the design industry, from seaweed to mushroom no stone (or plant) is left unturned given how urgently we need alternatives to combat climate change. But at the same time, very few are looking at how to recycle existing sustainable materials like glass that can give them a second life! Common Sands is a design project focused on just that – recycling glass from consumer electronics and turning them into tiles that would otherwise end up with electronic waste.

Glass is sustainable from its origin to its end. While the process of making it contributes to emissions like most things, we can counteract it by extending the life of the glass as it is infinitely recyclable rather than letting it go to waste only to make more of it. Sand is a crucial resource to our technology-focused society, it does a lot more than lay at the beach! We production of silicon microchips, fiberoptic cables, insulation, solar cells, and it is also the primary ingredient in glass which is used in the production of consumer electronic products such as fridges, microwaves, and computers.

Despite strenuous attempts to extract, transport, refine and process sand into complex electronic components, not much is done to recycle these components when the electronic goods are discarded after use partly because there are no clear directives on effectively processing glass from electronic waste. To address this issue, a Norwegian architectural design office called Snøhetta collaborated with Brussels-based Studio Plastique to research and explore the possibility of recycling as well as utilizing glass contained in electronic waste.

After multiple trials, prototypes, and variations, the team developed a standard process for recycling electronic waste glass components as well as an application that integrates its variable material quality – glass tiles! This is where Italian ceramic tile manufacturer Fornace Brioni came in and brought their experience, industrial know-how, production facilities, and potential for scalability to the project to the table. The team is starting with waste glass from ovens and microwaves to demonstrate the aesthetic depth, function, and potential of the recycled material.

Using recycled glass, the team made tiles in two different sizes that were both opaque and transparent. Each one had a unique pattern and look, but all the tiles showed a deeply complex, terrazzo-like material quality. This determined that they are suitable for a wide range of architectural applications, including both surface coverage and semi-transparent partition elements! Common Sands has now turned potential waste into architectural glass tiles that are scalable, infinitely recyclable, and effectively reducing electronic waste!

Designers: Snøhetta, Studio Plastique, and Fornace Brioni

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This interactive lotus-shaped art installation moves in response to light!





Art installations like the Lotus Oculus have all the elements that make it a piece you can stare at for hours – it is intriguing, intelligent, and inspiring. This nature-inspired structure uses a smart material that mimics how flowers act when greeted by the sun, thus the dome also is reactive to light! Lotus Oculus was commissioned by Bulgari and was placed in the Modern Art Gallery in Milan.

The story began in 2010 with a little curiosity and a lot of research on smart materials. Studio Roosegaarde’s design team was searching for a material that looked like something that came from nature and also responded to stimuli in real-time. That is how smart flowers were born and over a decade, the studio has done multiple art installations evolving in scope and shape but maintaining the common factor – they all open in response to light and Lotus Oculus is the most recent one.

Lotus Oculus pays homage to the grandeur of the Pantheon and continues the legacy by creating an organic architecture of movement and shadows. This dynamic dialogue is what Daan Roosegaarde calls Techno-Poetry,” the artist explains. When you see the art in motion, it seems to breathe in the air around it. The geometric orb is made of several small panels of smart material and each of which curls into a flower shape when stimulated!

The entire exhibit comes to life as the parts fold and unfold in response to the changing environment and light intensity which presents a show of light and movement throughout the space. The interactive installation is a mix of art and design, it was awarded the A’Design Gold Award and Media Architecture Award Denmark. Some installations are permanent like the Lotus Maffei in the Palazzo Maffei Museum in Verona, Italy and the Lotus Dome in Sainte Marie Madeleine Church in Lille, France.

This striking installation draws you in, observe, move around it and bring the petals to life as you interact with it. Roosegaarde describes this tangible connection between light and material as “a metamorphosis of nature and technology. In search of a new harmony between people and the environment, Lotus is a work of art and a pilot for more organic architecture.”

Designer: Studio Roosegaarde

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These origami greenhouses reduce plastic waste using a sustainable material: inflatable bamboo!

You will find that in a lot of Southeast Asian countries people still use the traditional plastic-covered greenhouses and they are super popular in India which is the world’s second-biggest agricultural country. Polythene sheets are cheap and easy especially for those in developing countries like India where over 60% of the population depends on agriculture for income. We know that plastic is bad (and still find it so hard to remove it from our lifestyles), but most people in these countries don’t fully grasp that and the quickest way to convince them is by providing them with an accessible sustainable alternative while educating them simultaneously. This way we fast-track their sustainable journey and Designer Eliza Hague has already come up with the alternative solution – inflatable bamboo greenhouses!

Hague is a student at the University of Westminster where she is pursuing her Masters in Architecture. Her design features shellac-coated bamboo to emphasize the use of biomimicry in different disciplines of design – in her case it is providing eco-friendly architectural solutions inspired by nature. For the main structure, Hague drew inspiration from the Mimosa Pudica plant which closes its leaves when it senses danger and that is how she came up with collapsible beams featuring inflatable hinges. It gave the greenhouse a unique origami effect (it actually looks like paper too!) and also enables the structure to be easily flat-packed for transportation/storage. Rows of these bamboo-paper greenhouses can be connected to shared houses constructed from the soil, which has a high thermal mass, providing shelter from extreme temperatures in India. Hague envisions that the greenhouses would be shared by multiple families and would provide each family member with enough food to be self-sufficient, creating communal greenhouse villages in the city’s more rural and isolated areas.

“The tutors in Design Studio 10 encourage you to analyze what it means to be truly sustainable in architecture, rather than integrating sustainability as a generic requirement which is often seen throughout the industry. This helped to develop my project into something that challenges the suitability of widely used materials and current lifestyles. In light of the pandemic, the idea that architecture can provide spaces to encourage self-sufficient living has become more prevalent as we rely on supermarkets more than ever. This notion stimulated the desire to create a design that not only responded to its local environment but proposed innovative solutions to these challenges,” says Hague as she continues to develop her design so it can someday be an accessible alternative that will reduce plastic waste and educate people at the same time. Also, who wouldn’t love a cool, sustainable, origami dome as a greenhouse?

Designer: Eliza Hague

Polythene is used all over India because it is cost-effective for the rural demographic but it needs to be replaced each year which generates tonnes of plastic waste. With Hague’s alternative, the environmental impact can be minimized as the design uses locally sourced bamboo and natural resins extracted from trees.

The bamboo is then coated with shellac resin which makes it weather-resistant and gives it a texture similar to paper.

To set it up, all one has to do is inflate the greenhouse with air, cover it up with the bamboo-shellac material and fit the expandable fin-like black solar balloons that would sit between the inflatable beams and cladding for the hinges to facilitate natural ventilation based on the heat from the sun.

bamboo greenhouse

As each individual requires 40 meters-squared of greenhouse space to grow enough food to maintain self-sufficiency, the concept accommodates the potential different typologies based on two-person, three-person, and four-person homes.

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The World’s Brightest Fluorescent Material Gives Us SMILES

If you really want to stand out at a rave, you dress up in fluorescent colors and then stand under the black lights. But if you want to take your illumination to 11, there’s a new material that could up your visibility even more.

A team of chemists from Indiana University, the University of Copenhagen , and the University of Southern Mississippi have developed a unique material they claim is the brightest fluorescent substance on the planet.

Known as SMILES (small-molecule ionic isolation lattices), the material is made by creating a crystalline powder, then spinning it into a thin film or incorporating it into a synthetic polymer. While there are lots of highly fluorescent dyes out there, what makes this accomplishment special is that it’s really hard to maintain their fluorescence in solid materials because their molecules stick too closely together, diminishing their brightness. By engineering a special donut-shaped molecule, the scientists were able to find a way to keep them further apart, resulting in a much brighter material. According to their research, SMILES is 30 times brighter than cadmium selenide quantum dots, a fluorescent material used in medical imaging.

If commercialized, the technology could help to improve medical lasers, solar cells, 3D displays, and more. I’m not sure if rave accessories are on the list though. For more information on the SMILES research project, you can find their full paper over on Chem.

[via TechEBlog]

Researchers control a game of Tetris using a breathable wearable sleeve

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Ammar Kalo’s PVC Bench uses a composite material made from crushed, recycled drain-pipes

With an appearance that almost mimics the fragmented beauty of terrazzo, the PVC Bench by UAE-based designer Ammar Kalo relies on a new type of composite material developed by recycling old PVC drainpipes. Designed as a two-person bench, the seating design comes with Kalo’s signature organic aesthetic featuring legs and a base-support made from walnut wood, and its crown jewel, the seating platform, made from multiple PVC parts suspended in a tinted resin. The transparent resin reveals the multiple PVC shards in a way that seems to contrast the bench’s overall smooth, soft, organic design. Its multiple shards create a beautiful interplay of light and shadows, forming a surface that has a unique pattern, just like the wood-grain on the walnut members below it. The bench, like most of Kalo’s furniture, comes with simple joineries that don’t require any extra fasteners or binders.

The PVC Bench was commissioned by Bee’ah, the Middle East’s leading waste management company based in the UAE, as part of an ongoing collaboration to transform waste into functional design objects.

Designers: Ammar Kalo & Ibrahim Ibrahim for Bee’ah

Researchers create bone-inspired 3D-printed building materials

You may not think of your bones as buildings, but researchers do. A team from Cornell University, Purdue University and Case Western Reserve University believes that by studying the internal structure of bones, they may be able to 3D-print stronger c...