Tag Archives: Mouse

McDonald’s China turns old happy meal toys into a french fry-shaped wireless mouse

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A box of McDonald’s fries is an unlikely thing to find on a computer desk, but this one comes with a left and right click. McDonald’s China has teamed up with Lenovo to create the Fry Mark, a wireless mouse shaped like the fast-food chain’s signature French fry carton. Made partly from recycled Happy Meal toys, the unusual accessory brings the brand’s familiar packaging into the world of everyday tech – just like the French fries backpack we saw earlier from them.

The mouse borrows the iconic red-and-yellow color scheme, with golden fries forming its upper shell and the Golden Arches logo at the base. It is an unmistakable piece of McDonald’s branding, translated into a functional desk accessory that doubles as a collectible.

Designer: McDonald’s

More than 60 percent of the mouse’s exterior casing is reportedly made from plastic recovered from collected Happy Meal toys. The product was developed under McDonald’s China’s “Reimagine Good Things” initiative, which explores ways to repurpose old promotional toys. Launched in 2021, the program has also produced items such as trays, flower pots, plush toys and employee uniforms. The Fry Mark brings that approach to personal computing.

Despite its playful appearance, the mouse includes a practical set of features. It has quiet-click buttons, a 380mAh rechargeable battery, and three adjustable DPI sensitivity settings. Connectivity options include Bluetooth and 2.4GHz wireless, allowing users to connect it to compatible devices. The package also includes a carrying pouch that unfolds into a matching mouse pad.

Its distinctive shape raises questions about everyday comfort. The available specifications do not establish how accurately the mouse tracks movement, how long its battery lasts between charges, or whether its form remains comfortable during extended use. These details will matter to anyone considering it for regular work rather than occasional use.

McDonald’s China released the Fry Mark through its mobile app and WeChat mini program on October 22 and 23, 2026. It was priced at 99 yuan (around US$14), with buyers also required to redeem 18 McDonald’s member points. Only 4,000 units were available, split evenly across the two sale days, with a limit of two per customer. Reports indicated that more than 6,000 people had registered interest before the release.

For now, the mouse is exclusive to China, with no international launch announced. By turning Happy Meal toys into a computer accessory, McDonald’s and Lenovo have given an everyday object an unexpected form. One that draws its appeal from the combination of familiar branding and judicious material reuse.

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Logitech Pebble Up mouse transforms into a vertical configuration for power users

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Logitech already impressed us with the Mobi Fold mouse for its compact utility and ergonomic shape. Now the PC accessories maker is back with the Pebble Up mouse that works on the same principle of shape-shifting form for better ergonomic grip when needed.

The new travel mouse replaces the existing Pebble Mouse 2 M350s, which comes in combination with a compact keyboard for ultra portability. Having the combo in my existing work setup, the new mouse upgrade is an interesting lure. In normal usage, the mouse is more or less like the predecessor, but there is an upper panel which can be lifted to form a taller, angled shape for an alternate holding position.

Designer: Logitech

According to Logitech, the primary motivation for this design inclusion is the strain linked to tunnel syndrome, or more commonly known as carpal tunnel. While I won’t recommend buying the mouse simply on this claim, the idea is centred on relieving hand stress for people like me who work for long hours on their PC. Pebble Up comes with a rechargeable lithium-ion battery, which is a good addition compared to the M350s, which run on AA batteries. The built-in 290 mAh rechargeable battery is rated for 90 days of use per charge, which is respectable. The wireless range of the mouse is 10 meters, which is again a good thing to have for a travel accessory.

The 4,200 CPI resolution mouse can pair with three different devices and make the switch between these devices with a simple button toggle with the Easy-Switch button. Bluetooth Low Energy makes that possible, and you can also use the more reliable Logi Bolt USB receiver for one device. You can program the mouse scroll wheel and the DPI rate adjustment from 400 to 4,000 CPI, or toggle the gesture functions from the Logi Options+ app for Windows and Mac. You have to keep in mind, though, that on mobile devices and Linux you won’t get these extended options and will rely only on the basic mouse features.

Compared to the Pebble Mouse 2 M350s, this one weighs 79, which is 3 grams heavier, attributable to the built-in battery. Pebble Up is available in Rose Pink, Graphite Gray, and Pearl White options, which are all made out of post-consumer recycled plastic. The first two contain 43 percent recycled material, while the Graphite Gray has 56 percent recycled plastic. Priced at 250 yuan (approximately $38), this looks like the next upgrade to my trusted travel partner. With a Logitech Lift-like optional setup, the transforming mouse will be fun to work with.

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This Origami Mouse Folds Flatter, Not Smaller in Every Direction

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My dining table usually becomes a desk by accident. A laptop lands there after breakfast, then a notebook, a charging cable, and a mouse that stays put long after I’ve stopped working. By dinner, I’m moving everything again. That daily reset is a small annoyance, but it reveals a real design problem: most computer accessories assume they can claim a permanent spot, even when the surface they occupy has other jobs.

That’s why the OrigamiSwift folding mouse makes more sense to me as a home-office object than as another travel gadget. A regular mouse is easy to use but awkward to tuck away. A tiny one may pack neatly, yet can feel less inviting when you have a long document to edit. OrigamiSwift tries to make the working shape and the storage shape two separate decisions.

Click Here to Buy Now: $85

Designed by Horace Lam, it takes its form from origami. Folded open, its triangular structure creates the raised body you expect to hold while moving a cursor. Folded down, it loses that familiar hump and becomes a much slimmer object. I like that the visual idea serves a practical purpose. The angles give it character, but they’re also what make the change in shape possible.

The dimensions tell a more useful story than simply calling it “flat.” In mouse form, OrigamiSwift measures 4.53 by 2.83 by 1.65 inches. Folded, it measures 4.8 by 4.96 by 0.18 inches, with a thicker 0.39-inch section around the sensor. Its footprint gets wider as its height drops. That distinction matters if you’re picturing where it might go: a laptop sleeve or shallow drawer makes more sense than assuming it will vanish into any pocket.

At about 1.41 ounces, or 40 grams, it also shouldn’t add much weight to a bag. But the appeal isn’t just taking it somewhere else. It’s being able to put it away when you’re staying home. Fold the mouse, close the laptop, and the table can go back to being a table without another little piece of tech sitting beside the salt shaker.

That routine may sound ordinary, which is precisely why it interests me. Product photography often shows portable gear moving between airports and cafés. A lot of work is less picturesque: answering emails at a kitchen counter, checking a spreadsheet between errands, or borrowing a corner of a shared room. In those settings, a product earns its place by being easy to take out and easy to put away.

OrigamiSwift still has to do the unglamorous work of a mouse. It connects over Bluetooth 5.2, charges through USB-C, and has an HD infrared sensor rated at up to 4,000 CPI. The listed battery life is up to three months per full charge. Those specifications won’t tell you exactly how it will feel in your hand, but they do show that the folding mechanism isn’t its only feature.

I would be careful, though, about treating “full-size comfort” as a promise that applies to everyone. Hands differ, and a striking shape doesn’t prove it will suit an eight-hour workday. A folding product also introduces a reasonable question about how its mechanism will hold up to repeated use. Those are considerations worth keeping in mind, especially if you already have a stationary mouse you love.

For someone with a dedicated desk, OrigamiSwift Mouse might be a clever accessory rather than a necessity. For someone whose workspace appears every morning and disappears every evening, its design feels more pointed. It acknowledges that packing up is part of the workday, not an afterthought. That’s a modest benefit, but I’d welcome it on my own dining table. The best version of a flexible workspace should make room for the rest of life, too.

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Keyboards Work for Both Hands, the New Surface Mouse Finally Does Too

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Most mice quietly assume something about the person using them. Right-handed by default, with a thumb shelf that only makes sense from one side, they’ve trained an entire industry to treat left-handed users as an edge case worth a smaller, cheaper afterthought. Microsoft’s new Surface Mouse skips that assumption entirely, building its whole shape around a hand that could belong to anyone, reaching for it from either direction without penalty.

That ambidextrous body is the quiet headline here, a decade after the original Surface Mouse debuted alongside the Surface Studio in 2016. The contoured shell curves the same way no matter which hand picks it up, trimming the fatigue that comes from a grip built for someone else. It’s compact enough to travel light, but shaped with enough intention that all-day desk sessions stop feeling like a negotiation between wrist and plastic.

Designer: Microsoft

Underneath that shape sits a small vibration motor doing work most mice leave entirely to the eyes. Windows 11 recently gained native support for haptic feedback, and this mouse is built to use it, translating clicks, window-snapping, and object alignment in apps like PowerPoint or Affinity into a faint physical pulse. Nudge a shape into place during a layout session, and a small, deliberate buzz confirms the alignment landed, without forcing a glance away from the canvas.

That feedback loop matters most in the moments a screen alone can’t fully confirm. Dragging a photo into a grid, snapping a window to a monitor’s edge, or rotating an object into a precise angle all produce a matching pulse under the palm, a second channel of confirmation running alongside sight. It’s a small addition, but one aimed squarely at the seconds spent double-checking work that already looked done.

A dedicated action button sits within reach of the thumb, defaulting to a one-press Copilot summon but open to reassignment through the Surface app. Press, hold, or double-click can each trigger something different: a launch shortcut, a workflow macro, whatever a given desk setup actually needs. It’s a small piece of real estate turned into a personal command, rather than one more button doing the one thing it was told to do at the factory.

Bluetooth 6.0 lets the mouse hold a connection to three devices simultaneously, sliding between a laptop, a tablet, and a desktop without a re-pairing ritual each time. Two AAA batteries handle power, rated for roughly six months before a swap. 30% recycled content runs through its shell, a modest but real step up from the plastics used in the Surface Arc Mouse and the older Surface Precision Mouse.

Positioned next to those two existing accessories, this new mouse reads less like a replacement and more like a third personality added to the Surface input family. The Arc still folds flat for a bag; the Precision still courts the spreadsheet crowd with extra thumb buttons. This one carves out the daily-driver role, the mouse meant to just sit on a desk and disappear into whichever hand happens to need it that day.

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This flexible mouse works in both standard and vertical configuration without breaking a sweat

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Most of us content creators have to juggle between two different types of mice for specific tasks. A normal mouse is the default choice for competitive gaming, graphic design, or video editing for its fast movements and better control for pixel-level accuracy. On the other hand, a vertical mouse is the ideal choice for office workers, coders, and writers like me who have to constantly deal with strain in the arms and shoulders.

Anyone who has to work on their PC for long hours has to either choose one of them or keep both handy for different working styles. Won’t it be better if there was a mouse that could perform double duty? This concept lets us believe so with an intuitive design that lets the user decide what configuration of the mouse to utilize for specific tasks.

Designer: Taehyeong Kim

Rightly called the DUO flexible mouse, the modular peripheral is designed to adapt to different usage styles with a foldable form factor. Just by folding or unfolding the rear of the device, a standard mouse shape or a vertical configuration is achieved. This adaptable form responds to the wrist angle and the grip level of the hand for the most comfortable ergonomic positioning. Extra sensors are placed on one side of the mouse to enable the vertical working position, which relieves strain by keeping the hand in a natural handshake posture.

DUO comes with an in-built rechargeable system to eliminate the need for disposable batteries, while keeping the overall weight down. This is important because having a disposable AA or AAA battery inside can offset the balance while working in the vertical position. The mouse also gets a magnetic system for the flexible leg to easily detach the old component and attach the new one when it goes rouge; thereby making it highly repairable. That’s a mindful design addition as eventually the folding and unfolding action will wear down the magnetic parts and the outer plastic shell.

The vertical position of the mouse can be adjusted for ergonomic grip, as the flexible leg can be folded up until the level it feels just right for use. The standard mouse configuration, however, doesn’t have that liberty, as the fully folded position makes the mouse flat from the bottom, which is crucial for smooth operation on any kind of surface. The only apprehension I have as a neutral user is how much physical damage the mouse will sustain being in the vertical position, being dragged on the working surface over time.

Other than that, the overall concept design is highly practical and valid enough to be labelled a daily driver for power users like me. Although it is still in the concept stage, the idea is a good bet for PC accessories makers like Microsoft who’ve tinkered with the idea of a flexible mouse in the past.

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Pulsar Feinmann F01 Noctua Edition mouse has active cooling fan inside for sweaty gamers

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Long gaming sessions often bring the unavoidable problem of sweaty palms. As stress levels rise during competitive gameplay, grip can become slippery, affecting both comfort and precision. While ergonomic gaming mice have evolved with lightweight designs and faster sensors, active cooling has remained a rarity. Pulsar wants to change that with the Feinmann F01 Noctua Edition, a gaming mouse developed in collaboration with cooling specialist Noctua.

First showcased at Computex 2025, the mouse has undergone several refinements before its official launch. It is scheduled to go on sale on July 21, although pricing has not yet been announced. Since the standard Feinmann F01 retails for around $179, the Noctua Edition is expected to command a premium.

Designer: Pulsar

Feinmann F01 Noctua Edition stands out with a ventilated carbon-composite shell that accommodates a 40mm Noctua NF-A4x10 5V PWM fan. Instead of relying solely on perforations for passive airflow, the integrated fan actively pushes air through the mouse to keep the user’s palm cool during extended gaming sessions. The fan features five adjustable speed levels, allowing users to balance cooling performance with battery life and noise based on their preference.

Despite housing an internal cooling system, the wireless mouse weighs only 73 grams, making it considerably lighter than many high-end gaming mice. The standard Feinmann F01 weighs 46 grams, so the added weight is a reasonable trade-off for users who prioritize comfort during marathon gaming sessions. While active-cooled gaming mice are not entirely new, the Zephyr Pro introduced a similar concept years ago. Very few manufacturers have explored the idea further, making Pulsar’s latest effort a notable exception.

Beyond the cooling system, the mouse packs flagship-grade hardware. It is equipped with the XS-2 optical sensor capable of tracking up to 42,000 DPI, an 8,000Hz polling rate for reduced latency, and the 54L15 MCU to process inputs efficiently. Optical switches promise quicker actuation while offering a rated lifespan of 80 million clicks, ensuring durability for competitive players.

This interesting collaboration with Noctua extends beyond the internal fan. The mouse adopts the cooling brand’s instantly recognizable beige-and-brown color scheme, paired with a matching dark brown charging dock that gives it a distinctive look among the sea of black gaming peripherals. While the retro-inspired color palette may divide opinions, it clearly signals the partnership between the two companies.

With its combination of flagship gaming specifications and an integrated active cooling solution, the Pulsar Feinmann F01 Noctua Edition is for players who value long-session comfort as much as raw performance. Whether the built-in fan becomes a genuine competitive advantage or simply a niche luxury remains to be seen, but it is undoubtedly one of the most unconventional gaming mice to arrive this year.

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The TrackPoint Was Always Laptop-Only, This $52 Bean Changes That

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The pointing stick is one of the more divisive input devices in computing history. Lenovo’s TrackPoint has a devoted following, built around people who never want to lift their hands off the keyboard home row just to move a cursor. Everyone else finds the red nub somewhere between baffling and genuinely annoying. Either way, it has stayed locked to laptop keyboards for decades, with essentially no standalone options available.

Ploopy, the Canadian open-source hardware company known for its lineup of trackballs and trackpads, has changed that with the Bean. It’s a standalone external pointing stick that connects over USB-C and sits flat on a desk. Think of it as a TrackPoint you don’t have to buy a ThinkPad to access, with a few deliberate improvements added to address the weaknesses that nub has always had.

Designer: Ploopy

The Bean measures 84mm x 64mm x 16mm and houses a red pointing nub near the center of its flat, 3D printed case. Unlike the fixed nubs built into laptop keyboards, this one has additional travel in its movement, which Ploopy says helps reduce fatigue from pushing a stiffer stick over long sessions. Four buttons flank the nub, covering the standard left, right, middle click, and scroll by default.

None of those defaults is locked in. The Bean runs QMK open-source firmware on a Raspberry Pi RP2040 microcontroller, and remapping any of the four Omron D2LS-21 buttons takes just a few minutes using the free VIA web app. There are no drivers to install and no proprietary software to deal with, just a browser-based tool that reads the device and lets you assign functions however you like.

For anyone who finds the conventional mouse hard on their wrist, or simply prefers keeping their hands positioned in front of them rather than reaching out to one side constantly, a pointing stick can make a noticeable difference over long sessions. You nudge the nub, and the cursor moves without your palm going anywhere. It’s a small thing until it isn’t, especially for people managing repetitive strain concerns.

Like everything else Ploopy makes, the Bean is completely open source. Hardware design files and firmware are both on GitHub, so anyone who wants to print their own case, modify the button layout, or write custom firmware from scratch has everything they need to do it. That kind of transparency is unusual for any consumer input device and puts Ploopy in a different category from virtually every competitor.

The Bean is available now for $70 CAD (around $52 USD), which is reasonable for a device with this much flexibility built in. It isn’t going to pull in anyone who has never thought about pointing sticks before, but for the enthusiast crowd that has been waiting for a standalone option this customizable and this open, it’s about as close to a purpose-built answer as anyone has delivered.

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A Mouse You Can Squeeze Like a Stress Ball While You Work

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The computer mouse hasn’t changed much in decades. Still mostly hard plastic, still shaped like a bar of soap, still asking your hand to grip something that gives absolutely nothing back. The rest of the desk setup has evolved, ergonomic chairs, standing desks, wrist rests, but the one device your hand touches for eight hours straight has remained stubbornly rigid and deeply uninteresting.

The PILLIGA mouse concept makes a fairly obvious argument for why that should change. Instead of hard plastic, the entire upper chassis is a squishy, flexible membrane packed with a viscous, translucent gel. It’s the same basic impulse that makes people reach for a stress ball mid-meeting, except it’s also the thing you need to get any work done.

Designer: Guillermo Gonzalez

The thinking behind it is straightforward enough. Deadline pressure builds, calls run long, and the urge to fidget becomes almost impossible to ignore. Rather than keeping a stress ball in the desk drawer as a separate ritual, the mouse folds that habit directly into the tool that’s already in your hand. You can squeeze, press, or knead the gel without ever lifting your hand off your workflow.

The dome shape isn’t just for show, either. It follows the natural arch of your palm rather than forcing your hand flat against a hard surface, and the gel underneath absorbs the kind of low-level muscular strain that builds up quietly over hours of clicking and scrolling. It’s the sort of ergonomic consideration that usually requires its own dedicated accessory, not just a different material.

The controls themselves are sensibly laid out. A flat circular interface sits embedded in the front of the mouse, cleanly split for left and right clicks, with a textured, rubberized scroll wheel running between them. A USB-C port at the front handles charging, keeping the wireless design intact without the inconvenience of a separate charging dock. The bottom carries the optical sensor and power switch.

What makes the PILLIGA mouse concept genuinely interesting is how far it extends color as a design element. The gel comes in several variants, from vivid green with gold flecks and a blue version scattered with purple glitter, to darker, more subdued options that look considerably more at home on a professional desk. Each colorway pairs with a matching base and click interface, making the whole thing feel deliberate.

That range matters. The more reserved colorways hint that this isn’t a novelty item for a niche corner of the internet; it works just as comfortably on a professional desk as it does on a creative’s workstation. The gel doesn’t make it look cheap. It makes it look like something designed by someone who gave serious thought to what a mouse should feel like.

Concepts like the PILLIGA are more useful as provocations than promises. Computer mouse design has been coasting on the same assumptions for decades, and the idea that your primary input device could also be physically satisfying to hold hasn’t come up often enough. The gel-filled body raises the question, and that’s honestly more than most peripheral design manages to do.

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Keychron Just Released Free Factory Blueprints for 83 of Its Keyboards

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The mechanical keyboard hobby has never really been just about typing. Enthusiasts spend hours swapping switches, tuning dampeners, and modifying cases in search of a very specific sound and feel. That pursuit of precision runs deep when it comes to custom parts, because even a millimeter off means a plate that doesn’t sit right or a case that won’t close without some convincing.

Keychron, one of the most recognizable names in the space, just made that work a lot more straightforward. The company published a GitHub repository with actual production-grade CAD files for its keyboards and mice, covering 83 device models across its major lines, all free to download. For a community that’s long relied on unofficial measurements and reverse-engineered dimensions, it’s a considerable change.

Designer: Keychron

The repository spans the Q, K Pro, K HE, V Max, P HE, and L series, along with 11 mouse models from the M and G lines. Each entry includes some combination of case geometry, plate profiles, full assembly models, and stabilizer data. Files come in STEP for 3D CAD work, DXF for 2D plate cutting, and DWG for engineering drawings.

For someone who already owns one of these boards, the implications are immediate. The plate DXF files can go straight into a CNC or laser-cutting job, making it possible to cut a replacement plate in brass, carbon fiber, or FR4 without a single caliper measurement. The tolerances are exact because they came from the same data used to manufacture the originals.

The STEP files serve a different crowd. Accessory designers can import a full case model and build around it, checking that a travel pouch or a custom stand actually fits the geometry rather than hoping it does. Students studying industrial product design can see how a commercial manufacturer handles switch cutouts, case draft angles, and stacking tolerances on a real product that ships in volume.

It’s worth noting what the repository isn’t. Keychron’s own license FAQ is clear that this is “source-available,” not open source in the formal sense. Commercial use is prohibited, so these files can’t be used to manufacture products for sale or redistributed to design libraries. Personal builds, hobby projects, and educational work fall within what’s allowed, and that’s where the real value for the community sits.

Still, that puts Keychron ahead of most hardware brands, which don’t share their design data at all. The company has previously published QMK and ZMK firmware source code for many of its boards, and this release adds a physical dimension to that ecosystem. The files are also accessible through Keychron’s own website, where you select a model from a dropdown and download it through the regular store checkout.

The move is described as “a meaningful contribution to the broader hardware and keyboard community.” That’s probably underselling it. Most keyboard companies keep their design data locked away, treating physical geometry as proprietary. Having 83 real products available for study and personal modification, even under a restricted license, gives hobbyists and designers something that’s genuinely hard to come by anywhere else.

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The Mouse Carved From Walnut That Doesn’t Exist Yet

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The concept is simple enough to say out loud: a computer mouse wrapped in walnut veneer. But when you actually see what designer Eslam Mohammed has put together with the Arche One, the simplicity of that sentence falls apart quickly. This is not a novelty item with a wood sticker slapped on top. It is a full rethinking of what a peripheral can be, and it is entirely a concept, which somehow makes it more compelling, not less.

Mohammed built the Arche One as an exploration, not a product pitch. He wanted to strip out the plastic aggression that defines most tech hardware and replace it with something that feels genuinely crafted. The result is a mouse with a long arching tail, a low organic body, and walnut veneer wrapped around every curve without shortcuts. It sits somewhere between a sculptural object and a piece of furniture, and I keep going back to look at it because it makes me realize how low the bar has been set for peripheral design for decades.

Designer: Eslam Mohammed

The gaming mouse world in particular has turned aggressive posturing into an aesthetic. Angular bodies, RGB lighting, the visual vocabulary of speed and dominance. Even the more restrained productivity mice from major brands feel like they were designed to be forgotten, not noticed. What Mohammed is proposing, even if only on a screen, is a different brief entirely: make it feel like an object worth keeping.

Form came first in his process. The silhouette reads almost like a comma, or an outstretched hand resting on fine wood. The scroll wheel is machined metal, knurled and precise, sitting flush against warm grain. The underside carries a 26,000 DPI optical sensor, Bluetooth 5.3, USB-C connectivity, and a lithium-polymer battery rated at six months. The specs are serious. The material is not a gimmick dressed up as design. It is the design, or at least inseparable from it.

The production approach is worth pausing on because it says something about how contemporary 3D design is evolving. Mohammed used three separate software programs simultaneously rather than forcing a single tool to carry everything. Houdini handled the cutting simulation. Cinema 4D managed the flow of the veneer layers. Blender took care of modeling and animation, and everything went through Octane for rendering. Each tool doing exactly what it was built for, nothing more, nothing less. The result is cleaner, and the renders have a photographic weight that makes you forget you are looking at a concept. The grain catches light the way real wood does. The curves feel like they have mass.

The Arche One is imagined as a limited run of 300 units, each individually finished in hand-applied satin oil, with the note that grain pattern will vary from piece to piece. That last detail is the one that gets me. In a peripheral market built on identical units rolling off assembly lines, the idea of a mouse where no two pieces look exactly the same is almost radical. It borrows the language of craft objects and heirlooms, the kind of things people keep, pass on, and genuinely care about. That is a different conversation than the one tech hardware usually wants to have.

I think about my own desk, and I think most people have at some point looked down at their mouse and felt nothing. It is a tool, purely functional, there to be used and eventually discarded. The Arche One is a question about whether that has to be true. Whether the relationship between a person and the objects they touch every day for hours at a time could carry some weight, some intention, some warmth. That is not a trivial thing to ask.

Maybe this mouse never gets made. That is fine. Concepts do not need to ship to matter. What Mohammed has done here is demonstrate, convincingly and beautifully, that someone asked the right question. The answer is still being worked out. But the asking is more than enough.

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